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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD5363 it is the complementary color #32AC9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD5363. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD5363 shade: #D2535E, #E36571, #F47784, #FF8997 and #FF9BAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD5363. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD5363 shade: #CD5363, #BC4150, #AB2F3D, #9A1D2A and #890B17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD5363 shade: #CC5161 and #CC5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD5363 shade: #CC5161, #CC5182, #CC51A3, #CC51C5 and #B251CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD5363 shade matches the following richer shades: #CC5161, #DE3E53 and #F02C46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD5363 shade: #CC5161, #BA636E, #A8757C, #968789 and #839996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD5363 shade: #CC51A3, #CC5182, #CC5161, #CC6151 and #CC8251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD5363 shade: #9D2D3C, #BD3648, #CC5161, #D5717E and #DF919B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD5363 shade: #CD5363, #C4CC51 and #5192CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD5363 shade: #CD5363, #61CC51 and #5161CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD5363 shade: #CD5363, #C4CC51, #51CCBC and #5951CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD5363 shade: #CD5363, #9FCC51, #51CCBC and #7E51CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 52 / 20

HEX #CD5363

RGB 205 83 99

HSL 352.13, 0.55%, 0.56%

LAB 51.91, 49.67, 15.98

 

Complementary color

CMYK 71 / 0 / 9 / 33

HEX #32AC9C

RGB 50 172 156

HSL 172.13, 0.55%, 0.44%

LAB 63.82, -36.75, -1.41

 

CMYK 0 / 60 / 55 / 18

HEX #D2535E

RGB 210 83 94

HSL 354.8, 0.59%, 0.57%

LAB 52.62, 50.96, 20.04

 

CMYK 0 / 56 / 50 / 11

HEX #E36571

RGB 227 101 113

HSL 354.29, 0.69%, 0.64%

LAB 58.82, 50.05, 17.77

 

CMYK 0 / 51 / 46 / 4

HEX #F47784

RGB 244 119 132

HSL 353.76, 0.85%, 0.71%

LAB 65.04, 49.07, 15.83

 

CMYK 0 / 46 / 41 / 0

HEX #FF8997

RGB 255 137 151

HSL 352.88, 1%, 0.77%

LAB 70.45, 45.99, 12.92

HEX #FF8997

CMYK 0 / 39 / 33 / 0

HEX #FF9BAA

RGB 255 155 170

HSL 351, 1%, 0.8%

LAB 74.58, 39.02, 8.25

HEX #FF9BAA

CMYK 0 / 60 / 52 / 20

HEX #CD5363

RGB 205 83 99

HSL 352.13, 0.55%, 0.56%

LAB 51.91, 49.67, 15.98

 

CMYK 0 / 65 / 57 / 26

HEX #BC4150

RGB 188 65 80

HSL 352.68, 0.49%, 0.5%

LAB 45.7, 50.4, 18.54

 

CMYK 0 / 73 / 64 / 33

HEX #AB2F3D

RGB 171 47 61

HSL 353.23, 0.57%, 0.43%

LAB 39.63, 50.79, 21.71

 

CMYK 0 / 81 / 73 / 40

HEX #9A1D2A

RGB 154 29 42

HSL 353.76, 0.68%, 0.36%

LAB 33.81, 50.52, 25.66

 

CMYK 0 / 92 / 83 / 46

HEX #890B17

RGB 137 11 23

HSL 354.29, 0.85%, 0.29%

LAB 28.43, 49.09, 30.46

 

CMYK 0 / 60 / 52 / 20

HEX #CC5161

RGB 204 81 97

HSL 352.2, 0.55%, 0.56%

LAB 51.37, 50.07, 16.4

 

CMYK 0 / 60 / 60 / 20

HEX #CC5151

RGB 204 81 81

HSL 0, 0.55%, 0.56%

LAB 51.06, 48.85, 25.48

 

CMYK 0 / 60 / 52 / 20

HEX #CC5161

RGB 204 81 97

HSL 352.2, 0.55%, 0.56%

LAB 51.37, 50.07, 16.4

 

CMYK 0 / 60 / 36 / 20

HEX #CC5182

RGB 204 81 130

HSL 336.1, 0.55%, 0.56%

LAB 52.21, 53.36, -2.13

 

CMYK 0 / 60 / 20 / 20

HEX #CC51A3

RGB 204 81 163

HSL 320, 0.55%, 0.56%

LAB 53.35, 57.6, -19.95

 

CMYK 0 / 60 / 3 / 20

HEX #CC51C5

RGB 204 81 197

HSL 303.41, 0.55%, 0.56%

LAB 54.82, 62.84, -37.39

 

CMYK 13 / 60 / 0 / 20

HEX #B251CC

RGB 178 81 204

HSL 287.32, 0.55%, 0.56%

LAB 51.51, 57.59, -46.88

 

CMYK 0 / 60 / 52 / 20

HEX #CC5161

RGB 204 81 97

HSL 352.2, 0.55%, 0.56%

LAB 51.37, 50.07, 16.4

 

CMYK 0 / 72 / 63 / 13

HEX #DE3E53

RGB 222 62 83

HSL 352.13, 0.71%, 0.56%

LAB 51.38, 62.43, 25.32

 

CMYK 0 / 82 / 71 / 6

HEX #F02C46

RGB 240 44 70

HSL 352.04, 0.87%, 0.56%

LAB 52.7, 72.05, 35.37

 

CMYK 0 / 60 / 52 / 20

HEX #CC5161

RGB 204 81 97

HSL 352.2, 0.55%, 0.56%

LAB 51.37, 50.07, 16.4

 

CMYK 0 / 47 / 41 / 27

HEX #BA636E

RGB 186 99 110

HSL 352.41, 0.39%, 0.56%

LAB 52.39, 36.04, 9.67

 

CMYK 0 / 30 / 26 / 34

HEX #A8757C

RGB 168 117 124

HSL 351.76, 0.23%, 0.56%

LAB 54.56, 21.07, 4.23

 

CMYK 0 / 10 / 9 / 41

HEX #968789

RGB 150 135 137

HSL 352, 0.07%, 0.56%

LAB 57.67, 6.01, 0.98

 

CMYK 14 / 0 / 2 / 40

HEX #839996

RGB 131 153 150

HSL 171.82, 0.1%, 0.56%

LAB 61.49, -8.37, -1.04

 

CMYK 0 / 60 / 20 / 20

HEX #CC51A3

RGB 204 81 163

HSL 320, 0.55%, 0.56%

LAB 53.35, 57.6, -19.95

 

CMYK 0 / 60 / 36 / 20

HEX #CC5182

RGB 204 81 130

HSL 336.1, 0.55%, 0.56%

LAB 52.21, 53.36, -2.13

 

CMYK 0 / 60 / 52 / 20

HEX #CC5161

RGB 204 81 97

HSL 352.2, 0.55%, 0.56%

LAB 51.37, 50.07, 16.4

 

CMYK 0 / 52 / 60 / 20

HEX #CC6151

RGB 204 97 81

HSL 7.8, 0.55%, 0.56%

LAB 54.01, 41.16, 29.25

 

CMYK 0 / 36 / 60 / 20

HEX #CC8251

RGB 204 130 81

HSL 23.9, 0.55%, 0.56%

LAB 61.13, 23.76, 38.04

 

CMYK 0 / 71 / 62 / 38

HEX #9D2D3C

RGB 157 45 60

HSL 351.96, 0.55%, 0.4%

LAB 36.69, 46.99, 18.01

 

CMYK 0 / 71 / 62 / 26

HEX #BD3648

RGB 189 54 72

HSL 352, 0.56%, 0.48%

LAB 44.13, 54.55, 21.38

 

CMYK 0 / 60 / 52 / 20

HEX #CC5161

RGB 204 81 97

HSL 352.2, 0.55%, 0.56%

LAB 51.37, 50.07, 16.4

 

CMYK 0 / 47 / 41 / 16

HEX #D5717E

RGB 213 113 126

HSL 352.2, 0.54%, 0.64%

LAB 59.4, 40.45, 10.75

 

CMYK 0 / 35 / 30 / 13

HEX #DF919B

RGB 223 145 155

HSL 352.31, 0.55%, 0.72%

LAB 68.25, 30.78, 7.01

 

CMYK 0 / 60 / 52 / 20

HEX #CD5363

RGB 205 83 99

HSL 352.13, 0.55%, 0.56%

LAB 51.91, 49.67, 15.98

 

CMYK 4 / 0 / 60 / 20

HEX #C4CC51

RGB 196 204 81

HSL 63.9, 0.55%, 0.56%

LAB 79.34, -18.82, 58.65

 

CMYK 60 / 28 / 0 / 20

HEX #5192CC

RGB 81 146 204

HSL 208.29, 0.55%, 0.56%

LAB 58.66, -3.31, -36.12

 

CMYK 0 / 60 / 52 / 20

HEX #CD5363

RGB 205 83 99

HSL 352.13, 0.55%, 0.56%

LAB 51.91, 49.67, 15.98

 

CMYK 52 / 0 / 60 / 20

HEX #61CC51

RGB 97 204 81

HSL 112.2, 0.55%, 0.56%

LAB 73.75, -54.14, 50.88

 

CMYK 60 / 52 / 0 / 20

HEX #5161CC

RGB 81 97 204

HSL 232.2, 0.55%, 0.56%

LAB 45.16, 26.48, -57.58

 

CMYK 0 / 60 / 52 / 20

HEX #CD5363

RGB 205 83 99

HSL 352.13, 0.55%, 0.56%

LAB 51.91, 49.67, 15.98

 

CMYK 4 / 0 / 60 / 20

HEX #C4CC51

RGB 196 204 81

HSL 63.9, 0.55%, 0.56%

LAB 79.34, -18.82, 58.65

 

CMYK 60 / 0 / 8 / 20

HEX #51CCBC

RGB 81 204 188

HSL 172.2, 0.55%, 0.56%

LAB 75.18, -37.86, -2.22

 

CMYK 56 / 60 / 0 / 20

HEX #5951CC

RGB 89 81 204

HSL 243.9, 0.55%, 0.56%

LAB 41.8, 37.81, -63.01

 

CMYK 0 / 60 / 52 / 20

HEX #CD5363

RGB 205 83 99

HSL 352.13, 0.55%, 0.56%

LAB 51.91, 49.67, 15.98

 

CMYK 22 / 0 / 60 / 20

HEX #9FCC51

RGB 159 204 81

HSL 81.95, 0.55%, 0.56%

LAB 76.77, -33.56, 55.1

 

CMYK 60 / 0 / 8 / 20

HEX #51CCBC

RGB 81 204 188

HSL 172.2, 0.55%, 0.56%

LAB 75.18, -37.86, -2.22

 

CMYK 38 / 60 / 0 / 20

HEX #7E51CC

RGB 126 81 204

HSL 261.95, 0.55%, 0.56%

LAB 45.19, 45.29, -57.34

 

Description

Color code: HEX #CD5363 | qconv.com Color code: HEX #CD5363 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 83 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 83 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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