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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD57E1 it is the complementary color #32A81E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD57E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD57E1 shade: #D257DC, #E369EF, #F47BFF, #FF8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD57E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD57E1 shade: #CD57E1, #BC45CE, #AB33BB, #9A21A8 and #890F95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD57E1 shade: #CC55E1, #E155CF, #E155AA, #E15584 and #E1555F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD57E1 shade: #CC55E1, #A755E1, #8155E1, #5C55E1 and #5555E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD57E1 shade matches the following richer shades: #CC55E1 and #D845F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD57E1 shade: #CC55E1, #C166D1, #B676C0, #AA86B0 and #9F96A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD57E1 shade: #8255E1, #A755E1, #CC55E1, #E155D0 and #E155AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD57E1 shade: #AB22C2, #C232DA, #CC55E1, #D779E7 and #E19CED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD57E1 shade: #CD57E1, #E15C55 and #55E194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD57E1 shade: #CD57E1, #E1CC55 and #55E1CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD57E1 shade: #CD57E1, #E15C55, #6AE155 and #55DAE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD57E1 shade: #CD57E1, #E18655, #6AE155 and #55B0E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 61 / 0 / 12

HEX #CD57E1

RGB 205 87 225

HSL 291.3, 0.7%, 0.61%

LAB 57.3, 65.42, -49.37

 

Complementary color

CMYK 70 / 0 / 82 / 34

HEX #32A81E

RGB 50 168 30

HSL 111.3, 0.7%, 0.39%

LAB 60.58, -56.63, 56.09

 

CMYK 5 / 60 / 0 / 14

HEX #D257DC

RGB 210 87 220

HSL 295.49, 0.66%, 0.6%

LAB 57.74, 65.72, -45.81

 

CMYK 5 / 56 / 0 / 6

HEX #E369EF

RGB 227 105 239

HSL 294.63, 0.81%, 0.67%

LAB 63.89, 65.4, -46.57

 

CMYK 4 / 52 / 0 / 0

HEX #F47BFF

RGB 244 123 255

HSL 295, 1%, 0.74%

LAB 69.91, 64.36, -45.74

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 9 / 61 / 0 / 12

HEX #CD57E1

RGB 205 87 225

HSL 291.3, 0.7%, 0.61%

LAB 57.3, 65.42, -49.37

 

CMYK 9 / 67 / 0 / 19

HEX #BC45CE

RGB 188 69 206

HSL 292.12, 0.58%, 0.54%

LAB 51.16, 65.5, -48.5

 

CMYK 9 / 73 / 0 / 27

HEX #AB33BB

RGB 171 51 187

HSL 292.94, 0.57%, 0.47%

LAB 45.1, 65.11, -47.31

 

CMYK 8 / 80 / 0 / 34

HEX #9A21A8

RGB 154 33 168

HSL 293.78, 0.67%, 0.39%

LAB 39.22, 63.98, -45.64

 

CMYK 8 / 90 / 0 / 42

HEX #890F95

RGB 137 15 149

HSL 294.63, 0.82%, 0.32%

LAB 33.63, 61.67, -43.27

 

CMYK 9 / 62 / 0 / 12

HEX #CC55E1

RGB 204 85 225

HSL 291, 0.7%, 0.61%

LAB 56.85, 66.04, -50.09

 

CMYK 0 / 62 / 8 / 12

HEX #E155CF

RGB 225 85 207

HSL 307.71, 0.7%, 0.61%

LAB 58.98, 68.11, -36.35

 

CMYK 0 / 62 / 24 / 12

HEX #E155AA

RGB 225 85 170

HSL 323.57, 0.7%, 0.61%

LAB 57.47, 62.81, -17.45

 

CMYK 0 / 62 / 41 / 12

HEX #E15584

RGB 225 85 132

HSL 339.86, 0.7%, 0.61%

LAB 56.26, 58.38, 2.99

 

CMYK 0 / 62 / 58 / 12

HEX #E1555F

RGB 225 85 95

HSL 355.71, 0.7%, 0.61%

LAB 55.41, 55.18, 23.61

 

CMYK 9 / 62 / 0 / 12

HEX #CC55E1

RGB 204 85 225

HSL 291, 0.7%, 0.61%

LAB 56.85, 66.04, -50.09

 

CMYK 26 / 62 / 0 / 12

HEX #A755E1

RGB 167 85 225

HSL 275.14, 0.7%, 0.61%

LAB 52, 57.5, -58.11

 

CMYK 43 / 62 / 0 / 12

HEX #8155E1

RGB 129 85 225

HSL 258.86, 0.7%, 0.61%

LAB 47.75, 49.33, -65.19

 

CMYK 59 / 62 / 0 / 12

HEX #5C55E1

RGB 92 85 225

HSL 243, 0.7%, 0.61%

LAB 44.53, 42.57, -70.57

 

CMYK 62 / 62 / 0 / 12

HEX #5555E1

RGB 85 85 225

HSL 240, 0.7%, 0.61%

LAB 44.04, 41.48, -71.39

 

CMYK 9 / 62 / 0 / 12

HEX #CC55E1

RGB 204 85 225

HSL 291, 0.7%, 0.61%

LAB 56.85, 66.04, -50.09

 

CMYK 10 / 71 / 0 / 5

HEX #D845F1

RGB 216 69 241

HSL 291.28, 0.86%, 0.61%

LAB 57.28, 77.64, -58.28

 

CMYK 9 / 62 / 0 / 12

HEX #CC55E1

RGB 204 85 225

HSL 291, 0.7%, 0.61%

LAB 56.85, 66.04, -50.09

 

CMYK 8 / 51 / 0 / 18

HEX #C166D1

RGB 193 102 209

HSL 291.03, 0.54%, 0.61%

LAB 57.51, 52.32, -40.11

 

CMYK 5 / 39 / 0 / 25

HEX #B676C0

RGB 182 118 192

HSL 291.89, 0.37%, 0.61%

LAB 58.7, 37.36, -28.69

 

CMYK 3 / 24 / 0 / 31

HEX #AA86B0

RGB 170 134 176

HSL 291.43, 0.21%, 0.61%

LAB 60.54, 21.28, -16.88

 

CMYK 1 / 6 / 0 / 37

HEX #9F96A0

RGB 159 150 160

HSL 294, 0.05%, 0.61%

LAB 63.11, 5.19, -4.06

 

CMYK 42 / 62 / 0 / 12

HEX #8255E1

RGB 130 85 225

HSL 259.29, 0.7%, 0.61%

LAB 47.85, 49.53, -65.02

 

CMYK 26 / 62 / 0 / 12

HEX #A755E1

RGB 167 85 225

HSL 275.14, 0.7%, 0.61%

LAB 52, 57.5, -58.11

 

CMYK 9 / 62 / 0 / 12

HEX #CC55E1

RGB 204 85 225

HSL 291, 0.7%, 0.61%

LAB 56.85, 66.04, -50.09

 

CMYK 0 / 62 / 8 / 12

HEX #E155D0

RGB 225 85 208

HSL 307.29, 0.7%, 0.61%

LAB 59.03, 68.27, -36.85

 

CMYK 0 / 62 / 24 / 12

HEX #E155AB

RGB 225 85 171

HSL 323.14, 0.7%, 0.61%

LAB 57.51, 62.94, -17.97

 

CMYK 12 / 82 / 0 / 24

HEX #AB22C2

RGB 171 34 194

HSL 291.38, 0.7%, 0.45%

LAB 43.8, 71.37, -53.49

 

CMYK 11 / 77 / 0 / 15

HEX #C232DA

RGB 194 50 218

HSL 291.43, 0.69%, 0.53%

LAB 50.47, 75.41, -56.41

 

CMYK 9 / 62 / 0 / 12

HEX #CC55E1

RGB 204 85 225

HSL 291, 0.7%, 0.61%

LAB 56.85, 66.04, -50.09

 

CMYK 7 / 48 / 0 / 9

HEX #D779E7

RGB 215 121 231

HSL 291.27, 0.7%, 0.69%

LAB 64.88, 53.09, -40.69

 

CMYK 5 / 34 / 0 / 7

HEX #E19CED

RGB 225 156 237

HSL 291.11, 0.69%, 0.77%

LAB 73.48, 38.96, -30.53

 

CMYK 9 / 61 / 0 / 12

HEX #CD57E1

RGB 205 87 225

HSL 291.3, 0.7%, 0.61%

LAB 57.3, 65.42, -49.37

 

CMYK 0 / 59 / 62 / 12

HEX #E15C55

RGB 225 92 85

HSL 3, 0.7%, 0.61%

LAB 56.4, 51.4, 30.67

 

CMYK 62 / 0 / 34 / 12

HEX #55E194

RGB 85 225 148

HSL 147, 0.7%, 0.61%

LAB 80.69, -54.97, 26.77

 

CMYK 9 / 61 / 0 / 12

HEX #CD57E1

RGB 205 87 225

HSL 291.3, 0.7%, 0.61%

LAB 57.3, 65.42, -49.37

 

CMYK 0 / 9 / 62 / 12

HEX #E1CC55

RGB 225 204 85

HSL 51, 0.7%, 0.61%

LAB 81.76, -6.52, 60.25

 

CMYK 62 / 0 / 9 / 12

HEX #55E1CC

RGB 85 225 204

HSL 171, 0.7%, 0.61%

LAB 81.91, -42.51, -0.91

 

CMYK 9 / 61 / 0 / 12

HEX #CD57E1

RGB 205 87 225

HSL 291.3, 0.7%, 0.61%

LAB 57.3, 65.42, -49.37

 

CMYK 0 / 59 / 62 / 12

HEX #E15C55

RGB 225 92 85

HSL 3, 0.7%, 0.61%

LAB 56.4, 51.4, 30.67

 

CMYK 53 / 0 / 62 / 12

HEX #6AE155

RGB 106 225 85

HSL 111, 0.7%, 0.61%

LAB 80.5, -59.25, 56.84

 

CMYK 62 / 3 / 0 / 12

HEX #55DAE1

RGB 85 218 225

HSL 183, 0.7%, 0.61%

LAB 80.47, -33.73, -14.23

 

CMYK 9 / 61 / 0 / 12

HEX #CD57E1

RGB 205 87 225

HSL 291.3, 0.7%, 0.61%

LAB 57.3, 65.42, -49.37

 

CMYK 0 / 40 / 62 / 12

HEX #E18655

RGB 225 134 85

HSL 21, 0.7%, 0.61%

LAB 64.73, 30.46, 40.89

 

CMYK 53 / 0 / 62 / 12

HEX #6AE155

RGB 106 225 85

HSL 111, 0.7%, 0.61%

LAB 80.5, -59.25, 56.84

 

CMYK 62 / 22 / 0 / 12

HEX #55B0E1

RGB 85 176 225

HSL 201, 0.7%, 0.61%

LAB 68.33, -12.55, -32.73

 

Description

Color code: HEX #CD57E1 | qconv.com Color code: HEX #CD57E1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 87 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 87 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 61 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 61% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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