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Color name
HEX #CD40AA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD40AA it is the complementary color #32BF55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD40AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD40AA shade: #D240A5, #E352B8, #F464CB, #FF76DE and #FF88F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD40AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD40AA shade: #CD40AA, #BC2E97, #AB1C84, #9A0A71 and #89005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD40AA shade: #CD40AA, #CD4084, #CD405E and #CD4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD40AA shade: #CD40AA, #CA40CD, #A440CD, #7E40CD and #5840CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD40AA shade matches the following richer shades: #CD40AA, #E12DB4 and #F419BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD40AA shade: #CD40AA, #BA53A0, #A76797, #937A8D and #808E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD40AA shade: #A340CD, #C940CD, #CD40AC, #CD4087 and #CD4061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD40AA shade: #952679, #B62E94, #CD40AA, #D661B9 and #DE82C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD40AA shade: #CD40AA, #CD7D40 and #40CDB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD40AA shade: #CD40AA, #ACCD40 and #40ACCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD40AA shade: #CD40AA, #CD7D40, #40CD61 and #4090CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD40AA shade: #CD40AA, #CDA840, #40CD61 and #4066CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

Complementary color

CMYK 74 / 0 / 55 / 25

HEX #32BF55

RGB 50 191 85

HSL 134.89, 0.59%, 0.47%

LAB 68.46, -58.98, 42.54

 

CMYK 0 / 70 / 21 / 18

HEX #D240A5

RGB 210 64 165

HSL 318.49, 0.62%, 0.54%

LAB 51.93, 66.26, -23.21

 

CMYK 0 / 64 / 19 / 11

HEX #E352B8

RGB 227 82 184

HSL 317.79, 0.72%, 0.61%

LAB 57.87, 66.46, -24.9

 

CMYK 0 / 59 / 17 / 4

HEX #F464CB

RGB 244 100 203

HSL 317.08, 0.87%, 0.67%

LAB 63.88, 66.29, -26.26

 

CMYK 0 / 54 / 13 / 0

HEX #FF76DE

RGB 255 118 222

HSL 314.45, 1%, 0.73%

LAB 69.11, 64.23, -28.73

 

CMYK 0 / 47 / 5 / 0

HEX #FF88F1

RGB 255 136 241

HSL 307.06, 1%, 0.77%

LAB 73.04, 58.81, -33.12

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 0 / 76 / 20 / 26

HEX #BC2E97

RGB 188 46 151

HSL 315.63, 0.61%, 0.46%

LAB 45.47, 64.95, -25.18

 

CMYK 0 / 84 / 23 / 33

HEX #AB1C84

RGB 171 28 132

HSL 316.36, 0.72%, 0.39%

LAB 39.84, 63.37, -22.59

 

CMYK 0 / 94 / 27 / 40

HEX #9A0A71

RGB 154 10 113

HSL 317.08, 0.88%, 0.32%

LAB 34.56, 60.52, -19.15

 

CMYK 0 / 100 / 31 / 46

HEX #89005E

RGB 137 0 94

HSL 318.83, 1%, 0.27%

LAB 29.73, 56.05, -14.65

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 0 / 69 / 36 / 20

HEX #CD4084

RGB 205 64 132

HSL 331.06, 0.59%, 0.53%

LAB 49.87, 60.89, -6.77

 

CMYK 0 / 69 / 54 / 20

HEX #CD405E

RGB 205 64 94

HSL 347.23, 0.59%, 0.53%

LAB 48.83, 57.3, 14.75

 

CMYK 0 / 69 / 69 / 20

HEX #CD4040

RGB 205 64 64

HSL 0, 0.59%, 0.53%

LAB 48.28, 55.37, 32.02

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 1 / 69 / 0 / 20

HEX #CA40CD

RGB 202 64 205

HSL 298.72, 0.59%, 0.53%

LAB 52.54, 70.33, -45.59

 

CMYK 20 / 69 / 0 / 20

HEX #A440CD

RGB 164 64 205

HSL 282.55, 0.59%, 0.53%

LAB 46.93, 62.08, -54.88

 

CMYK 39 / 69 / 0 / 20

HEX #7E40CD

RGB 126 64 205

HSL 266.38, 0.59%, 0.53%

LAB 42.02, 54.38, -63.06

 

CMYK 57 / 69 / 0 / 20

HEX #5840CD

RGB 88 64 205

HSL 250.21, 0.59%, 0.53%

LAB 38.11, 47.81, -69.6

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 0 / 80 / 20 / 12

HEX #E12DB4

RGB 225 45 180

HSL 315, 0.75%, 0.53%

LAB 53.15, 77.36, -29.92

 

CMYK 0 / 90 / 22 / 4

HEX #F419BE

RGB 244 25 190

HSL 314.79, 0.91%, 0.53%

LAB 55.73, 86.06, -31.45

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 0 / 55 / 14 / 27

HEX #BA53A0

RGB 186 83 160

HSL 315.15, 0.43%, 0.53%

LAB 50.88, 50.98, -22.21

 

CMYK 0 / 38 / 10 / 35

HEX #A76797

RGB 167 103 151

HSL 315, 0.27%, 0.53%

LAB 52.01, 32.99, -15.41

 

CMYK 0 / 17 / 4 / 42

HEX #937A8D

RGB 147 122 141

HSL 314.4, 0.1%, 0.53%

LAB 54.07, 13.1, -6.67

 

CMYK 10 / 0 / 8 / 44

HEX #808E83

RGB 128 142 131

HSL 132.86, 0.06%, 0.53%

LAB 57.63, -7.28, 4.13

 

CMYK 20 / 69 / 0 / 20

HEX #A340CD

RGB 163 64 205

HSL 282.13, 0.59%, 0.53%

LAB 46.79, 61.87, -55.11

 

CMYK 2 / 69 / 0 / 20

HEX #C940CD

RGB 201 64 205

HSL 298.3, 0.59%, 0.53%

LAB 52.39, 70.11, -45.84

 

CMYK 0 / 69 / 16 / 20

HEX #CD40AC

RGB 205 64 172

HSL 314.04, 0.59%, 0.53%

LAB 51.41, 65.96, -28.2

 

CMYK 0 / 69 / 34 / 20

HEX #CD4087

RGB 205 64 135

HSL 329.79, 0.59%, 0.53%

LAB 49.97, 61.22, -8.43

 

CMYK 0 / 69 / 53 / 20

HEX #CD4061

RGB 205 64 97

HSL 345.96, 0.59%, 0.53%

LAB 48.9, 57.54, 13.02

 

CMYK 0 / 74 / 19 / 42

HEX #952679

RGB 149 38 121

HSL 315.14, 0.59%, 0.37%

LAB 36.28, 53.78, -21.59

 

CMYK 0 / 75 / 19 / 29

HEX #B62E94

RGB 182 46 148

HSL 315, 0.6%, 0.45%

LAB 44.29, 63.11, -25.29

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 0 / 55 / 14 / 16

HEX #D661B9

RGB 214 97 185

HSL 314.87, 0.59%, 0.61%

LAB 58.37, 56.52, -24.88

 

CMYK 0 / 41 / 10 / 13

HEX #DE82C7

RGB 222 130 199

HSL 315, 0.58%, 0.69%

LAB 66.23, 44.89, -20.69

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 0 / 39 / 69 / 20

HEX #CD7D40

RGB 205 125 64

HSL 25.96, 0.59%, 0.53%

LAB 59.9, 25.79, 45.4

 

CMYK 69 / 0 / 11 / 20

HEX #40CDB6

RGB 64 205 182

HSL 170.21, 0.59%, 0.53%

LAB 74.91, -42.6, 0.57

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 16 / 0 / 69 / 20

HEX #ACCD40

RGB 172 205 64

HSL 74.04, 0.59%, 0.53%

LAB 77.76, -30.16, 63.31

 

CMYK 69 / 16 / 0 / 20

HEX #40ACCD

RGB 64 172 205

HSL 194.04, 0.59%, 0.53%

LAB 65.75, -20.13, -25.75

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 0 / 39 / 69 / 20

HEX #CD7D40

RGB 205 125 64

HSL 25.96, 0.59%, 0.53%

LAB 59.9, 25.79, 45.4

 

CMYK 69 / 0 / 53 / 20

HEX #40CD61

RGB 64 205 97

HSL 134.04, 0.59%, 0.53%

LAB 73.3, -59.89, 42.71

 

CMYK 69 / 30 / 0 / 20

HEX #4090CD

RGB 64 144 205

HSL 205.96, 0.59%, 0.53%

LAB 57.51, -4.77, -38.55

 

CMYK 0 / 69 / 17 / 20

HEX #CD40AA

RGB 205 64 170

HSL 314.89, 0.59%, 0.53%

LAB 51.32, 65.68, -27.16

 

CMYK 0 / 18 / 69 / 20

HEX #CDA840

RGB 205 168 64

HSL 44.26, 0.59%, 0.53%

LAB 70.42, 2.51, 56.66

 

CMYK 69 / 0 / 53 / 20

HEX #40CD61

RGB 64 205 97

HSL 134.04, 0.59%, 0.53%

LAB 73.3, -59.89, 42.71

 

CMYK 69 / 50 / 0 / 20

HEX #4066CD

RGB 64 102 205

HSL 223.83, 0.59%, 0.53%

LAB 45.63, 20.85, -57.44

 

Description

Color code: HEX #CD40AA | qconv.com Color code: HEX #CD40AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 64 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 64 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 17 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 17% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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