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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3B45 it is the complementary color #32C4BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3B45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3B45 shade: #D23B40, #E34D53, #F45F66, #FF7179 and #FF838C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3B45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3B45 shade: #CD3B45, #BC2932, #AB171F, #9A050C and #890000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3B45 shade: #CC3C46 and #CC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3B45 shade: #CC3C46, #CC3C6D, #CC3C94, #CC3CBB and #B73CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3B45 shade matches the following richer shades: #CC3C46, #E02835 and #F41424

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3B45 shade: #CC3C46, #B95057, #A56368, #917779 and #7D8B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3B45 shade: #CC3C95, #CC3C6E, #CC3C48, #CC563C and #CC7D3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3B45 shade: #91252C, #B22D36, #CC3C46, #D55D65 and #DD7D84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3B45 shade: #CD3B45, #BBCC3C and #3C82CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3B45 shade: #CD3B45, #48CC3C and #3C48CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3B45 shade: #CD3B45, #BBCC3C, #3CCCC0 and #4D3CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3B45 shade: #CD3B45, #90CC3C, #3CCCC0 and #783CCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 66 / 20

HEX #CD3B45

RGB 205 59 69

HSL 355.89, 0.59%, 0.52%

LAB 47.67, 57.51, 28.32

 

Complementary color

CMYK 74 / 0 / 5 / 23

HEX #32C4BA

RGB 50 196 186

HSL 175.89, 0.59%, 0.48%

LAB 72.03, -39.32, -5.86

 

CMYK 0 / 72 / 70 / 18

HEX #D23B40

RGB 210 59 64

HSL 358.01, 0.63%, 0.53%

LAB 48.51, 58.81, 32.51

 

CMYK 0 / 66 / 63 / 11

HEX #E34D53

RGB 227 77 83

HSL 357.6, 0.73%, 0.6%

LAB 54.31, 58.37, 29.24

 

CMYK 0 / 61 / 58 / 4

HEX #F45F66

RGB 244 95 102

HSL 357.18, 0.87%, 0.66%

LAB 60.23, 57.63, 26.46

 

CMYK 0 / 56 / 53 / 0

HEX #FF7179

RGB 255 113 121

HSL 356.62, 1%, 0.72%

LAB 65.32, 54.71, 22.72

 

CMYK 0 / 49 / 45 / 0

HEX #FF838C

RGB 255 131 140

HSL 355.65, 1%, 0.76%

LAB 69.03, 47.84, 17.1

 

CMYK 0 / 71 / 66 / 20

HEX #CD3B45

RGB 205 59 69

HSL 355.89, 0.59%, 0.52%

LAB 47.67, 57.51, 28.32

 

CMYK 0 / 78 / 73 / 26

HEX #BC2932

RGB 188 41 50

HSL 356.33, 0.64%, 0.45%

LAB 42.01, 57.45, 32.09

 

CMYK 0 / 87 / 82 / 33

HEX #AB171F

RGB 171 23 31

HSL 356.76, 0.76%, 0.38%

LAB 36.69, 56.53, 36.44

 

CMYK 0 / 97 / 92 / 40

HEX #9A050C

RGB 154 5 12

HSL 357.18, 0.94%, 0.31%

LAB 31.82, 54.42, 40.69

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 71 / 66 / 20

HEX #CC3C46

RGB 204 60 70

HSL 355.83, 0.59%, 0.52%

LAB 47.64, 56.89, 27.64

 

CMYK 0 / 71 / 71 / 20

HEX #CC3C3C

RGB 204 60 60

HSL 0, 0.59%, 0.52%

LAB 47.49, 56.37, 33.36

 

CMYK 0 / 71 / 66 / 20

HEX #CC3C46

RGB 204 60 70

HSL 355.83, 0.59%, 0.52%

LAB 47.64, 56.89, 27.64

 

CMYK 0 / 71 / 47 / 20

HEX #CC3C6D

RGB 204 60 109

HSL 339.58, 0.59%, 0.52%

LAB 48.48, 59.76, 5.1

 

CMYK 0 / 71 / 27 / 20

HEX #CC3C94

RGB 204 60 148

HSL 323.33, 0.59%, 0.52%

LAB 49.75, 63.95, -16.57

 

CMYK 0 / 71 / 8 / 20

HEX #CC3CBB

RGB 204 60 187

HSL 307.08, 0.59%, 0.52%

LAB 51.45, 69.32, -36.91

 

CMYK 10 / 71 / 0 / 20

HEX #B73CCC

RGB 183 60 204

HSL 291.25, 0.59%, 0.52%

LAB 49.08, 67.48, -50.7

 

CMYK 0 / 71 / 66 / 20

HEX #CC3C46

RGB 204 60 70

HSL 355.83, 0.59%, 0.52%

LAB 47.64, 56.89, 27.64

 

CMYK 0 / 82 / 76 / 12

HEX #E02835

RGB 224 40 53

HSL 355.76, 0.75%, 0.52%

LAB 49.03, 68.03, 40.15

 

CMYK 0 / 92 / 85 / 4

HEX #F41424

RGB 244 20 36

HSL 355.71, 0.91%, 0.52%

LAB 51.68, 76.22, 53.06

 

CMYK 0 / 71 / 66 / 20

HEX #CC3C46

RGB 204 60 70

HSL 355.83, 0.59%, 0.52%

LAB 47.64, 56.89, 27.64

 

CMYK 0 / 57 / 53 / 27

HEX #B95057

RGB 185 80 87

HSL 356, 0.43%, 0.52%

LAB 47.93, 43.06, 17.21

 

CMYK 0 / 40 / 37 / 35

HEX #A56368

RGB 165 99 104

HSL 355.45, 0.27%, 0.52%

LAB 49.4, 27.3, 8.62

 

CMYK 0 / 18 / 17 / 43

HEX #917779

RGB 145 119 121

HSL 355.38, 0.11%, 0.52%

LAB 52.5, 10.44, 2.7

 

CMYK 10 / 0 / 1 / 45

HEX #7D8B8A

RGB 125 139 138

HSL 175.71, 0.06%, 0.52%

LAB 56.74, -5.27, -1.2

 

CMYK 0 / 71 / 27 / 20

HEX #CC3C95

RGB 204 60 149

HSL 322.92, 0.59%, 0.52%

LAB 49.78, 64.07, -17.11

 

CMYK 0 / 71 / 46 / 20

HEX #CC3C6E

RGB 204 60 110

HSL 339.17, 0.59%, 0.52%

LAB 48.5, 59.85, 4.53

 

CMYK 0 / 71 / 65 / 20

HEX #CC3C48

RGB 204 60 72

HSL 355, 0.59%, 0.52%

LAB 47.67, 57, 26.49

 

CMYK 0 / 58 / 71 / 20

HEX #CC563C

RGB 204 86 60

HSL 10.83, 0.59%, 0.52%

LAB 51.63, 45.26, 38.16

 

CMYK 0 / 39 / 71 / 20

HEX #CC7D3C

RGB 204 125 60

HSL 27.08, 0.59%, 0.52%

LAB 59.74, 25.16, 47.14

 

CMYK 0 / 74 / 70 / 43

HEX #91252C

RGB 145 37 44

HSL 356.11, 0.59%, 0.36%

LAB 32.97, 45.15, 22.97

 

CMYK 0 / 75 / 70 / 30

HEX #B22D36

RGB 178 45 54

HSL 355.94, 0.6%, 0.44%

LAB 40.59, 53.31, 27.51

 

CMYK 0 / 71 / 66 / 20

HEX #CC3C46

RGB 204 60 70

HSL 355.83, 0.59%, 0.52%

LAB 47.64, 56.89, 27.64

 

CMYK 0 / 56 / 53 / 16

HEX #D55D65

RGB 213 93 101

HSL 356, 0.59%, 0.6%

LAB 54.98, 47.94, 19.19

 

CMYK 0 / 43 / 40 / 13

HEX #DD7D84

RGB 221 125 132

HSL 355.63, 0.59%, 0.68%

LAB 63.1, 37.82, 12.66

 

CMYK 0 / 71 / 66 / 20

HEX #CD3B45

RGB 205 59 69

HSL 355.89, 0.59%, 0.52%

LAB 47.67, 57.51, 28.32

 

CMYK 8 / 0 / 71 / 20

HEX #BBCC3C

RGB 187 204 60

HSL 67.08, 0.59%, 0.52%

LAB 78.51, -23.81, 65.86

 

CMYK 71 / 36 / 0 / 20

HEX #3C82CC

RGB 60 130 204

HSL 210.83, 0.59%, 0.52%

LAB 53.26, 2.51, -44.68

 

CMYK 0 / 71 / 66 / 20

HEX #CD3B45

RGB 205 59 69

HSL 355.89, 0.59%, 0.52%

LAB 47.67, 57.51, 28.32

 

CMYK 65 / 0 / 71 / 20

HEX #48CC3C

RGB 72 204 60

HSL 115, 0.59%, 0.52%

LAB 72.82, -62.14, 58.28

 

CMYK 71 / 65 / 0 / 20

HEX #3C48CC

RGB 60 72 204

HSL 235, 0.59%, 0.52%

LAB 37.76, 38.95, -69.67

 

CMYK 0 / 71 / 66 / 20

HEX #CD3B45

RGB 205 59 69

HSL 355.89, 0.59%, 0.52%

LAB 47.67, 57.51, 28.32

 

CMYK 8 / 0 / 71 / 20

HEX #BBCC3C

RGB 187 204 60

HSL 67.08, 0.59%, 0.52%

LAB 78.51, -23.81, 65.86

 

CMYK 71 / 0 / 6 / 20

HEX #3CCCC0

RGB 60 204 192

HSL 175, 0.59%, 0.52%

LAB 74.79, -40.04, -5.01

 

CMYK 62 / 71 / 0 / 20

HEX #4D3CCC

RGB 77 60 204

HSL 247.08, 0.59%, 0.52%

LAB 36.31, 48.15, -72.01

 

CMYK 0 / 71 / 66 / 20

HEX #CD3B45

RGB 205 59 69

HSL 355.89, 0.59%, 0.52%

LAB 47.67, 57.51, 28.32

 

CMYK 29 / 0 / 71 / 20

HEX #90CC3C

RGB 144 204 60

HSL 85, 0.59%, 0.52%

LAB 75.73, -40.74, 62.18

 

CMYK 71 / 0 / 6 / 20

HEX #3CCCC0

RGB 60 204 192

HSL 175, 0.59%, 0.52%

LAB 74.79, -40.04, -5.01

 

CMYK 41 / 71 / 0 / 20

HEX #783CCC

RGB 120 60 204

HSL 265, 0.59%, 0.52%

LAB 40.55, 54.94, -64.9

 

Description

Color code: HEX #CD3B45 | qconv.com Color code: HEX #CD3B45 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 59 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 59 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 66 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 66% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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