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Color name
HEX #CD3A90

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3A90 it is the complementary color #32C56F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3A90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3A90 shade: #D23A8B, #E34C9E, #F45EB1, #FF70C4 and #FF82D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3A90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3A90 shade: #CD3A90, #BC287D, #AB166A, #9A0457 and #890044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3A90 shade: #CE3B91, #CE3B69, #CE3B41 and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3A90 shade: #CE3B91, #CE3BB8, #BB3BCE, #943BCE and #6C3BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3A90 shade matches the following richer shades: #CE3B91, #E12794 and #F51397

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3A90 shade: #CE3B91, #BA4E8D, #A6628A, #927686 and #7E8A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3A90 shade: #BA3BCE, #CE3BBA, #CE3B93, #CE3B6C and #CE3B44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3A90 shade: #922464, #B32C7B, #CE3B91, #D65CA3 and #DE7DB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3A90 shade: #CD3A90, #CE933B and #3BCECE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3A90 shade: #CD3A90, #93CE3B and #3B93CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3A90 shade: #CD3A90, #CE933B, #3BCE75 and #3B75CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3A90 shade: #CD3A90, #CEBF3B, #3BCE75 and #3B49CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 30 / 20

HEX #CD3A90

RGB 205 58 144

HSL 324.9, 0.6%, 0.52%

LAB 49.52, 64.42, -14.51

 

Complementary color

CMYK 75 / 0 / 44 / 23

HEX #32C56F

RGB 50 197 111

HSL 144.9, 0.6%, 0.48%

LAB 70.7, -57.03, 32.44

 

CMYK 0 / 72 / 34 / 18

HEX #D23A8B

RGB 210 58 139

HSL 328.03, 0.63%, 0.53%

LAB 50.21, 65.17, -10.39

 

CMYK 0 / 67 / 30 / 11

HEX #E34C9E

RGB 227 76 158

HSL 327.42, 0.73%, 0.59%

LAB 56.06, 65.46, -12.56

 

CMYK 0 / 61 / 27 / 4

HEX #F45EB1

RGB 244 94 177

HSL 326.8, 0.87%, 0.66%

LAB 62.01, 65.35, -14.33

 

CMYK 0 / 56 / 23 / 0

HEX #FF70C4

RGB 255 112 196

HSL 324.76, 1%, 0.72%

LAB 67.15, 63.23, -17.19

 

CMYK 0 / 49 / 16 / 0

HEX #FF82D7

RGB 255 130 215

HSL 319.2, 1%, 0.75%

LAB 70.96, 57.6, -22

 

CMYK 0 / 72 / 30 / 20

HEX #CD3A90

RGB 205 58 144

HSL 324.9, 0.6%, 0.52%

LAB 49.52, 64.42, -14.51

 

CMYK 0 / 79 / 34 / 26

HEX #BC287D

RGB 188 40 125

HSL 325.54, 0.65%, 0.45%

LAB 43.78, 63.52, -11.95

 

CMYK 0 / 87 / 38 / 33

HEX #AB166A

RGB 171 22 106

HSL 326.17, 0.77%, 0.38%

LAB 38.33, 61.65, -8.66

 

CMYK 0 / 97 / 44 / 40

HEX #9A0457

RGB 154 4 87

HSL 326.8, 0.95%, 0.31%

LAB 33.23, 58.53, -4.43

 

CMYK 0 / 100 / 50 / 46

HEX #890044

RGB 137 0 68

HSL 330.22, 1%, 0.27%

LAB 28.74, 53.47, 1.12

 

CMYK 0 / 71 / 30 / 19

HEX #CE3B91

RGB 206 59 145

HSL 324.9, 0.6%, 0.52%

LAB 49.85, 64.46, -14.59

 

CMYK 0 / 71 / 49 / 19

HEX #CE3B69

RGB 206 59 105

HSL 341.22, 0.6%, 0.52%

LAB 48.6, 60.35, 7.76

 

CMYK 0 / 71 / 68 / 19

HEX #CE3B41

RGB 206 59 65

HSL 357.55, 0.6%, 0.52%

LAB 47.79, 57.61, 30.88

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 30 / 19

HEX #CE3B91

RGB 206 59 145

HSL 324.9, 0.6%, 0.52%

LAB 49.85, 64.46, -14.59

 

CMYK 0 / 71 / 11 / 19

HEX #CE3BB8

RGB 206 59 184

HSL 308.98, 0.6%, 0.52%

LAB 51.51, 69.67, -35.05

 

CMYK 9 / 71 / 0 / 19

HEX #BB3BCE

RGB 187 59 206

HSL 292.24, 0.6%, 0.52%

LAB 49.68, 69.04, -50.87

 

CMYK 28 / 71 / 0 / 19

HEX #943BCE

RGB 148 59 206

HSL 276.33, 0.6%, 0.52%

LAB 44.06, 61.12, -60.2

 

CMYK 48 / 71 / 0 / 19

HEX #6C3BCE

RGB 108 59 206

HSL 260, 0.6%, 0.52%

LAB 39.19, 53.88, -68.33

 

CMYK 0 / 71 / 30 / 19

HEX #CE3B91

RGB 206 59 145

HSL 324.9, 0.6%, 0.52%

LAB 49.85, 64.46, -14.59

 

CMYK 0 / 83 / 34 / 12

HEX #E12794

RGB 225 39 148

HSL 324.84, 0.76%, 0.52%

LAB 51.38, 75.06, -13.75

 

CMYK 0 / 92 / 38 / 4

HEX #F51397

RGB 245 19 151

HSL 324.96, 0.92%, 0.52%

LAB 54.15, 82.89, -10.99

 

CMYK 0 / 71 / 30 / 19

HEX #CE3B91

RGB 206 59 145

HSL 324.9, 0.6%, 0.52%

LAB 49.85, 64.46, -14.59

 

CMYK 0 / 58 / 24 / 27

HEX #BA4E8D

RGB 186 78 141

HSL 325, 0.44%, 0.52%

LAB 49.27, 50.51, -13.39

 

CMYK 0 / 41 / 17 / 35

HEX #A6628A

RGB 166 98 138

HSL 324.71, 0.28%, 0.52%

LAB 50.31, 33.18, -10.31

 

CMYK 0 / 19 / 8 / 43

HEX #927686

RGB 146 118 134

HSL 325.71, 0.11%, 0.52%

LAB 52.72, 13.73, -4.6

 

CMYK 9 / 0 / 5 / 46

HEX #7E8A83

RGB 126 138 131

HSL 145, 0.05%, 0.52%

LAB 56.34, -5.79, 2.24

 

CMYK 10 / 71 / 0 / 19

HEX #BA3BCE

RGB 186 59 206

HSL 291.84, 0.6%, 0.52%

LAB 49.52, 68.83, -51.12

 

CMYK 0 / 71 / 10 / 19

HEX #CE3BBA

RGB 206 59 186

HSL 308.16, 0.6%, 0.52%

LAB 51.6, 69.96, -36.06

 

CMYK 0 / 71 / 29 / 19

HEX #CE3B93

RGB 206 59 147

HSL 324.08, 0.6%, 0.52%

LAB 49.93, 64.7, -15.67

 

CMYK 0 / 71 / 48 / 19

HEX #CE3B6C

RGB 206 59 108

HSL 340, 0.6%, 0.52%

LAB 48.68, 60.61, 6.05

 

CMYK 0 / 71 / 67 / 19

HEX #CE3B44

RGB 206 59 68

HSL 356.33, 0.6%, 0.52%

LAB 47.84, 57.77, 29.16

 

CMYK 0 / 75 / 32 / 43

HEX #922464

RGB 146 36 100

HSL 325.09, 0.6%, 0.36%

LAB 34.59, 50.86, -10.96

 

CMYK 0 / 75 / 31 / 30

HEX #B32C7B

RGB 179 44 123

HSL 324.89, 0.61%, 0.44%

LAB 42.48, 59.79, -12.85

 

CMYK 0 / 71 / 30 / 19

HEX #CE3B91

RGB 206 59 145

HSL 324.9, 0.6%, 0.52%

LAB 49.85, 64.46, -14.59

 

CMYK 0 / 57 / 24 / 16

HEX #D65CA3

RGB 214 92 163

HSL 325.08, 0.6%, 0.6%

LAB 56.68, 55.62, -14.74

 

CMYK 0 / 44 / 18 / 13

HEX #DE7DB6

RGB 222 125 182

HSL 324.74, 0.6%, 0.68%

LAB 64.62, 44.77, -13.54

 

CMYK 0 / 72 / 30 / 20

HEX #CD3A90

RGB 205 58 144

HSL 324.9, 0.6%, 0.52%

LAB 49.52, 64.42, -14.51

 

CMYK 0 / 29 / 71 / 19

HEX #CE933B

RGB 206 147 59

HSL 35.92, 0.6%, 0.52%

LAB 65.2, 14, 53.45

 

CMYK 71 / 0 / 0 / 19

HEX #3BCECE

RGB 59 206 206

HSL 180, 0.6%, 0.52%

LAB 75.78, -37.16, -11.11

 

CMYK 0 / 72 / 30 / 20

HEX #CD3A90

RGB 205 58 144

HSL 324.9, 0.6%, 0.52%

LAB 49.52, 64.42, -14.51

 

CMYK 29 / 0 / 71 / 19

HEX #93CE3B

RGB 147 206 59

HSL 84.08, 0.6%, 0.52%

LAB 76.47, -40.57, 63.34

 

CMYK 71 / 29 / 0 / 19

HEX #3B93CE

RGB 59 147 206

HSL 204.08, 0.6%, 0.52%

LAB 58.28, -6.88, -37.91

 

CMYK 0 / 72 / 30 / 20

HEX #CD3A90

RGB 205 58 144

HSL 324.9, 0.6%, 0.52%

LAB 49.52, 64.42, -14.51

 

CMYK 0 / 29 / 71 / 19

HEX #CE933B

RGB 206 147 59

HSL 35.92, 0.6%, 0.52%

LAB 65.2, 14, 53.45

 

CMYK 71 / 0 / 43 / 19

HEX #3BCE75

RGB 59 206 117

HSL 143.67, 0.6%, 0.52%

LAB 73.78, -57.94, 33.39

 

CMYK 71 / 43 / 0 / 19

HEX #3B75CE

RGB 59 117 206

HSL 216.33, 0.6%, 0.52%

LAB 49.63, 11.03, -51.61

 

CMYK 0 / 72 / 30 / 20

HEX #CD3A90

RGB 205 58 144

HSL 324.9, 0.6%, 0.52%

LAB 49.52, 64.42, -14.51

 

CMYK 0 / 7 / 71 / 19

HEX #CEBF3B

RGB 206 191 59

HSL 53.88, 0.6%, 0.52%

LAB 76.5, -9.36, 64.78

 

CMYK 71 / 0 / 43 / 19

HEX #3BCE75

RGB 59 206 117

HSL 143.67, 0.6%, 0.52%

LAB 73.78, -57.94, 33.39

 

CMYK 71 / 65 / 0 / 19

HEX #3B49CE

RGB 59 73 206

HSL 234.29, 0.6%, 0.52%

LAB 38.11, 38.91, -70.26

 

Description

Color code: HEX #CD3A90 | qconv.com Color code: HEX #CD3A90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 58 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 58 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 30 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 30% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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