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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD32B0 it is the complementary color #32CD4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD32B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD32B0 shade: #D232AB, #E344BE, #F456D1, #FF68E4 and #FF7AF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD32B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD32B0 shade: #CD32B0, #BC209D, #AB0E8A, #9A0077 and #890064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD32B0 shade: #CD31B0, #CD3186, #CD315C, #CD3132 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD32B0 shade: #CD31B0, #C031CD, #9631CD, #6C31CD and #4231CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD32B0 shade matches the following richer shades: #CD31B0, #E11DBD and #F608C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD32B0 shade: #CD31B0, #B846A3, #A45A96, #8F6F89 and #7A847C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD32B0 shade: #9631CD, #C031CD, #CD31B0, #CD3187 and #CD315D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD32B0 shade: #8A2177, #AC2993, #CD31B0, #D552BC and #DD74C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD32B0 shade: #CD32B0, #CD6D31 and #31CDAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD32B0 shade: #CD32B0, #B0CD31 and #31B0CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD32B0 shade: #CD32B0, #CD6D31, #31CD4E and #3191CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD32B0 shade: #CD32B0, #CD9C31, #31CD4E and #3162CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 14 / 20

HEX #CD32B0

RGB 205 50 176

HSL 311.23, 0.61%, 0.5%

LAB 49.97, 71.11, -32.79

 

Complementary color

CMYK 76 / 0 / 61 / 20

HEX #32CD4F

RGB 50 205 79

HSL 131.23, 0.61%, 0.5%

LAB 72.83, -64.43, 50.39

 

CMYK 0 / 76 / 19 / 18

HEX #D232AB

RGB 210 50 171

HSL 314.63, 0.64%, 0.51%

LAB 50.6, 71.56, -28.81

 

CMYK 0 / 70 / 16 / 11

HEX #E344BE

RGB 227 68 190

HSL 313.96, 0.74%, 0.58%

LAB 56.27, 72.45, -30.83

 

CMYK 0 / 65 / 14 / 4

HEX #F456D1

RGB 244 86 209

HSL 313.29, 0.88%, 0.65%

LAB 62.08, 72.78, -32.45

 

CMYK 0 / 59 / 11 / 0

HEX #FF68E4

RGB 255 104 228

HSL 310.73, 1%, 0.7%

LAB 67.1, 71.2, -35.16

 

CMYK 0 / 52 / 3 / 0

HEX #FF7AF7

RGB 255 122 247

HSL 303.61, 1%, 0.74%

LAB 70.8, 66.36, -39.87

 

CMYK 0 / 76 / 14 / 20

HEX #CD32B0

RGB 205 50 176

HSL 311.23, 0.61%, 0.5%

LAB 49.97, 71.11, -32.79

 

CMYK 0 / 83 / 16 / 26

HEX #BC209D

RGB 188 32 157

HSL 311.92, 0.71%, 0.43%

LAB 44.46, 69.46, -30.36

 

CMYK 0 / 92 / 19 / 33

HEX #AB0E8A

RGB 171 14 138

HSL 312.61, 0.85%, 0.36%

LAB 39.25, 66.67, -27.2

 

CMYK 0 / 100 / 23 / 40

HEX #9A0077

RGB 154 0 119

HSL 313.64, 1%, 0.3%

LAB 34.4, 62.56, -23.19

 

CMYK 0 / 100 / 27 / 46

HEX #890064

RGB 137 0 100

HSL 316.2, 1%, 0.27%

LAB 30.01, 56.76, -18.13

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B0

RGB 205 49 176

HSL 311.15, 0.61%, 0.5%

LAB 49.87, 71.4, -32.95

 

CMYK 0 / 76 / 35 / 20

HEX #CD3186

RGB 205 49 134

HSL 327.31, 0.61%, 0.5%

LAB 48.13, 66.18, -10.59

 

CMYK 0 / 76 / 55 / 20

HEX #CD315C

RGB 205 49 92

HSL 343.46, 0.61%, 0.5%

LAB 46.91, 62.36, 13.33

 

CMYK 0 / 76 / 76 / 20

HEX #CD3132

RGB 205 49 50

HSL 359.62, 0.61%, 0.5%

LAB 46.19, 60.04, 37.68

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B0

RGB 205 49 176

HSL 311.15, 0.61%, 0.5%

LAB 49.87, 71.4, -32.95

 

CMYK 6 / 76 / 0 / 20

HEX #C031CD

RGB 192 49 205

HSL 295, 0.61%, 0.5%

LAB 49.27, 73.12, -50.9

 

CMYK 27 / 76 / 0 / 20

HEX #9631CD

RGB 150 49 205

HSL 278.85, 0.61%, 0.5%

LAB 42.9, 65.19, -61.49

 

CMYK 47 / 76 / 0 / 20

HEX #6C31CD

RGB 108 49 205

HSL 262.69, 0.61%, 0.5%

LAB 37.47, 58.27, -70.57

 

CMYK 68 / 76 / 0 / 20

HEX #4231CD

RGB 66 49 205

HSL 246.54, 0.61%, 0.5%

LAB 33.48, 53.04, -77.27

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B0

RGB 205 49 176

HSL 311.15, 0.61%, 0.5%

LAB 49.87, 71.4, -32.95

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBD

RGB 225 29 189

HSL 311.02, 0.77%, 0.5%

LAB 52.46, 81.69, -36.23

 

CMYK 0 / 97 / 18 / 4

HEX #F608C9

RGB 246 8 201

HSL 311.34, 0.94%, 0.5%

LAB 56.07, 89.27, -37.23

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B0

RGB 205 49 176

HSL 311.15, 0.61%, 0.5%

LAB 49.87, 71.4, -32.95

 

CMYK 0 / 62 / 11 / 28

HEX #B846A3

RGB 184 70 163

HSL 311.05, 0.45%, 0.5%

LAB 48.53, 56.78, -27.63

 

CMYK 0 / 45 / 9 / 36

HEX #A45A96

RGB 164 90 150

HSL 311.35, 0.29%, 0.5%

LAB 48.77, 38.91, -19.79

 

CMYK 0 / 22 / 4 / 44

HEX #8F6F89

RGB 143 111 137

HSL 311.25, 0.13%, 0.5%

LAB 50.7, 17.26, -9.39

 

CMYK 8 / 0 / 6 / 48

HEX #7A847C

RGB 122 132 124

HSL 132, 0.04%, 0.5%

LAB 54.13, -5.3, 3.05

 

CMYK 27 / 76 / 0 / 20

HEX #9631CD

RGB 150 49 205

HSL 278.85, 0.61%, 0.5%

LAB 42.9, 65.19, -61.49

 

CMYK 6 / 76 / 0 / 20

HEX #C031CD

RGB 192 49 205

HSL 295, 0.61%, 0.5%

LAB 49.27, 73.12, -50.9

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B0

RGB 205 49 176

HSL 311.15, 0.61%, 0.5%

LAB 49.87, 71.4, -32.95

 

CMYK 0 / 76 / 34 / 20

HEX #CD3187

RGB 205 49 135

HSL 326.92, 0.61%, 0.5%

LAB 48.17, 66.29, -11.14

 

CMYK 0 / 76 / 55 / 20

HEX #CD315D

RGB 205 49 93

HSL 343.08, 0.61%, 0.5%

LAB 46.93, 62.43, 12.75

 

CMYK 0 / 76 / 14 / 46

HEX #8A2177

RGB 138 33 119

HSL 310.86, 0.61%, 0.34%

LAB 33.61, 52.43, -24.65

 

CMYK 0 / 76 / 15 / 33

HEX #AC2993

RGB 172 41 147

HSL 311.45, 0.62%, 0.42%

LAB 41.94, 62.15, -28.47

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B0

RGB 205 49 176

HSL 311.15, 0.61%, 0.5%

LAB 49.87, 71.4, -32.95

 

CMYK 0 / 62 / 12 / 16

HEX #D552BC

RGB 213 82 188

HSL 311.45, 0.61%, 0.58%

LAB 55.9, 63.33, -30.43

 

CMYK 0 / 48 / 9 / 13

HEX #DD74C9

RGB 221 116 201

HSL 311.43, 0.61%, 0.66%

LAB 63.41, 52, -26.13

 

CMYK 0 / 76 / 14 / 20

HEX #CD32B0

RGB 205 50 176

HSL 311.23, 0.61%, 0.5%

LAB 49.97, 71.11, -32.79

 

CMYK 0 / 47 / 76 / 20

HEX #CD6D31

RGB 205 109 49

HSL 23.08, 0.61%, 0.5%

LAB 56.23, 33.59, 48.76

 

CMYK 76 / 0 / 17 / 20

HEX #31CDAB

RGB 49 205 171

HSL 166.92, 0.61%, 0.5%

LAB 74.35, -47.33, 5.66

 

CMYK 0 / 76 / 14 / 20

HEX #CD32B0

RGB 205 50 176

HSL 311.23, 0.61%, 0.5%

LAB 49.97, 71.11, -32.79

 

CMYK 14 / 0 / 76 / 20

HEX #B0CD31

RGB 176 205 49

HSL 71.15, 0.61%, 0.5%

LAB 77.94, -29.33, 68.72

 

CMYK 76 / 14 / 0 / 20

HEX #31B0CD

RGB 49 176 205

HSL 191.15, 0.61%, 0.5%

LAB 66.6, -24.11, -24.47

 

CMYK 0 / 76 / 14 / 20

HEX #CD32B0

RGB 205 50 176

HSL 311.23, 0.61%, 0.5%

LAB 49.97, 71.11, -32.79

 

CMYK 0 / 47 / 76 / 20

HEX #CD6D31

RGB 205 109 49

HSL 23.08, 0.61%, 0.5%

LAB 56.23, 33.59, 48.76

 

CMYK 76 / 0 / 62 / 20

HEX #31CD4E

RGB 49 205 78

HSL 131.15, 0.61%, 0.5%

LAB 72.8, -64.68, 50.79

 

CMYK 76 / 29 / 0 / 20

HEX #3191CD

RGB 49 145 205

HSL 203.08, 0.61%, 0.5%

LAB 57.38, -7.39, -38.78

 

CMYK 0 / 76 / 14 / 20

HEX #CD32B0

RGB 205 50 176

HSL 311.23, 0.61%, 0.5%

LAB 49.97, 71.11, -32.79

 

CMYK 0 / 24 / 76 / 20

HEX #CD9C31

RGB 205 156 49

HSL 41.15, 0.61%, 0.5%

LAB 67.26, 8.23, 59.58

 

CMYK 76 / 0 / 62 / 20

HEX #31CD4E

RGB 49 205 78

HSL 131.15, 0.61%, 0.5%

LAB 72.8, -64.68, 50.79

 

CMYK 76 / 52 / 0 / 20

HEX #3162CD

RGB 49 98 205

HSL 221.15, 0.61%, 0.5%

LAB 43.94, 21.43, -60.21

 

Description

Color code: HEX #CD32B0 | qconv.com Color code: HEX #CD32B0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 50 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 50 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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