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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD317B it is the complementary color #32CE84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD317B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD317B shade: #D23176, #E34389, #F4559C, #FF67AF and #FF79C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD317B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD317B shade: #CD317B, #BC1F68, #AB0D55, #9A0042 and #89002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD317B shade: #CD317B, #CD3151 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD317B shade: #CD317B, #CD31A5, #CB31CD, #A131CD and #7731CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD317B shade matches the following richer shades: #CD317B, #E11D7A and #F60879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD317B shade: #CD317B, #B8467C, #A45A7D, #8F6F7E and #7A847F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD317B shade: #CA31CD, #CD31A6, #CD317C, #CD3153 and #CD3931

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD317B shade: #8A2153, #AC2967, #CD317B, #D55290 and #DD74A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD317B shade: #CD317B, #CDA131 and #31BBCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD317B shade: #CD317B, #7CCD31 and #317CCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD317B shade: #CD317B, #CDA131, #31CD82 and #315DCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD317B shade: #CD317B, #CACD31, #31CD82 and #3431CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

Complementary color

CMYK 76 / 0 / 36 / 19

HEX #32CE84

RGB 50 206 132

HSL 151.54, 0.61%, 0.5%

LAB 73.86, -56.42, 25.74

 

CMYK 0 / 77 / 44 / 18

HEX #D23176

RGB 210 49 118

HSL 334.29, 0.64%, 0.51%

LAB 48.52, 65.88, -0.19

 

CMYK 0 / 70 / 40 / 11

HEX #E34389

RGB 227 67 137

HSL 333.75, 0.74%, 0.58%

LAB 54.19, 66.46, -2.95

 

CMYK 0 / 65 / 36 / 4

HEX #F4559C

RGB 244 85 156

HSL 333.21, 0.88%, 0.65%

LAB 60.01, 66.53, -5.21

 

CMYK 0 / 60 / 31 / 0

HEX #FF67AF

RGB 255 103 175

HSL 331.58, 1%, 0.7%

LAB 65.01, 64.51, -8.53

 

CMYK 0 / 53 / 24 / 0

HEX #FF79C2

RGB 255 121 194

HSL 327.31, 1%, 0.74%

LAB 68.63, 58.87, -13.84

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 0 / 84 / 45 / 26

HEX #BC1F68

RGB 188 31 104

HSL 332.1, 0.72%, 0.43%

LAB 42.26, 63.7, -1.19

 

CMYK 0 / 92 / 50 / 33

HEX #AB0D55

RGB 171 13 85

HSL 332.66, 0.86%, 0.36%

LAB 37.12, 61.22, 2.98

 

CMYK 0 / 100 / 57 / 40

HEX #9A0042

RGB 154 0 66

HSL 334.29, 1%, 0.3%

LAB 32.4, 57.37, 8.19

 

CMYK 0 / 100 / 66 / 46

HEX #89002F

RGB 137 0 47

HSL 339.42, 1%, 0.27%

LAB 28.18, 51.98, 14.55

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 0 / 76 / 60 / 20

HEX #CD3151

RGB 205 49 81

HSL 347.69, 0.61%, 0.5%

LAB 46.67, 61.61, 19.77

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 0 / 76 / 20 / 20

HEX #CD31A5

RGB 205 49 165

HSL 315.38, 0.61%, 0.5%

LAB 49.37, 69.91, -27.25

 

CMYK 1 / 76 / 0 / 20

HEX #CB31CD

RGB 203 49 205

HSL 299.23, 0.61%, 0.5%

LAB 51.04, 75.29, -47.97

 

CMYK 21 / 76 / 0 / 20

HEX #A131CD

RGB 161 49 205

HSL 283.08, 0.61%, 0.5%

LAB 44.49, 67.19, -58.83

 

CMYK 42 / 76 / 0 / 20

HEX #7731CD

RGB 119 49 205

HSL 266.92, 0.61%, 0.5%

LAB 38.77, 59.95, -68.39

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 0 / 87 / 46 / 12

HEX #E11D7A

RGB 225 29 122

HSL 331.53, 0.77%, 0.5%

LAB 49.85, 74.57, -0.34

 

CMYK 0 / 97 / 51 / 4

HEX #F60879

RGB 246 8 121

HSL 331.51, 0.94%, 0.5%

LAB 53.11, 81.57, 5.5

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 0 / 62 / 33 / 28

HEX #B8467C

RGB 184 70 124

HSL 331.58, 0.45%, 0.5%

LAB 47.01, 51.29, -6.57

 

CMYK 0 / 45 / 24 / 36

HEX #A45A7D

RGB 164 90 125

HSL 331.62, 0.29%, 0.5%

LAB 47.86, 34.81, -6.23

 

CMYK 0 / 22 / 12 / 44

HEX #8F6F7E

RGB 143 111 126

HSL 331.88, 0.13%, 0.5%

LAB 50.35, 15.2, -3.41

 

CMYK 8 / 0 / 4 / 48

HEX #7A847F

RGB 122 132 127

HSL 150, 0.04%, 0.5%

LAB 54.21, -4.7, 1.43

 

CMYK 1 / 76 / 0 / 20

HEX #CA31CD

RGB 202 49 205

HSL 298.85, 0.61%, 0.5%

LAB 50.87, 75.09, -48.24

 

CMYK 0 / 76 / 19 / 20

HEX #CD31A6

RGB 205 49 166

HSL 315, 0.61%, 0.5%

LAB 49.41, 70.04, -27.78

 

CMYK 0 / 76 / 40 / 20

HEX #CD317C

RGB 205 49 124

HSL 331.15, 0.61%, 0.5%

LAB 47.79, 65.14, -5.02

 

CMYK 0 / 76 / 60 / 20

HEX #CD3153

RGB 205 49 83

HSL 346.92, 0.61%, 0.5%

LAB 46.71, 61.74, 18.6

 

CMYK 0 / 72 / 76 / 20

HEX #CD3931

RGB 205 57 49

HSL 3.08, 0.61%, 0.5%

LAB 47.14, 57.31, 39.28

 

CMYK 0 / 76 / 40 / 46

HEX #8A2153

RGB 138 33 83

HSL 331.43, 0.61%, 0.34%

LAB 32.07, 47.66, -3.9

 

CMYK 0 / 76 / 40 / 33

HEX #AC2967

RGB 172 41 103

HSL 331.6, 0.62%, 0.42%

LAB 40.14, 56.67, -4.04

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 0 / 62 / 32 / 16

HEX #D55290

RGB 213 82 144

HSL 331.6, 0.61%, 0.58%

LAB 54.23, 57.33, -7.29

 

CMYK 0 / 48 / 25 / 13

HEX #DD74A6

RGB 221 116 166

HSL 331.43, 0.61%, 0.66%

LAB 62.18, 46.69, -8.11

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 0 / 21 / 76 / 20

HEX #CDA131

RGB 205 161 49

HSL 43.08, 0.61%, 0.5%

LAB 68.53, 5.54, 60.78

 

CMYK 76 / 9 / 0 / 20

HEX #31BBCD

RGB 49 187 205

HSL 186.92, 0.61%, 0.5%

LAB 69.9, -29.59, -19.45

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 40 / 0 / 76 / 20

HEX #7CCD31

RGB 124 205 49

HSL 91.15, 0.61%, 0.5%

LAB 74.93, -48.89, 64.82

 

CMYK 76 / 40 / 0 / 20

HEX #317CCD

RGB 49 124 205

HSL 211.15, 0.61%, 0.5%

LAB 51.24, 5.04, -48.48

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 0 / 21 / 76 / 20

HEX #CDA131

RGB 205 161 49

HSL 43.08, 0.61%, 0.5%

LAB 68.53, 5.54, 60.78

 

CMYK 76 / 0 / 37 / 20

HEX #31CD82

RGB 49 205 130

HSL 151.15, 0.61%, 0.5%

LAB 73.5, -56.57, 26.29

 

CMYK 76 / 55 / 0 / 20

HEX #315DCD

RGB 49 93 205

HSL 223.08, 0.61%, 0.5%

LAB 42.6, 24.66, -62.38

 

CMYK 0 / 76 / 40 / 20

HEX #CD317B

RGB 205 49 123

HSL 331.54, 0.61%, 0.5%

LAB 47.76, 65.04, -4.46

 

CMYK 1 / 0 / 76 / 20

HEX #CACD31

RGB 202 205 49

HSL 61.15, 0.61%, 0.5%

LAB 79.86, -18.54, 71.2

 

CMYK 76 / 0 / 37 / 20

HEX #31CD82

RGB 49 205 130

HSL 151.15, 0.61%, 0.5%

LAB 73.5, -56.57, 26.29

 

CMYK 75 / 76 / 0 / 20

HEX #3431CD

RGB 52 49 205

HSL 241.15, 0.61%, 0.5%

LAB 32.56, 51.8, -78.84

 

Description

Color code: HEX #CD317B | qconv.com Color code: HEX #CD317B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 49 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 49 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 40 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 40% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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