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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD30F7 it is the complementary color #32CF08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD30F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD30F7 shade: #D230F2, #E342FF, #F454FF, #FF66FF and #FF78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD30F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD30F7 shade: #CD30F7, #BC1EE4, #AB0CD1, #9A00BE and #8900AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD30F7 shade: #CD30F7, #F730EB, #F730B6, #F73080 and #F7304A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD30F7 shade: #CD30F7, #9730F7, #6230F7 and #3030F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD30F7 shade matches the following richer shades: #CD30F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD30F7 shade: #CD30F7, #C341E6, #B952D4, #AF64C3 and #A575B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD30F7 shade: #6230F7, #9730F7, #CC30F7, #F730ED and #F730B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD30F7 shade: #A307CD, #C308F5, #CD30F7, #D758F8 and #E07FFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD30F7 shade: #CD30F7, #F73033 and #30F77C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD30F7 shade: #CD30F7, #F7CC30 and #30F7CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD30F7 shade: #CD30F7, #F73033, #5BF730 and #30F7F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD30F7 shade: #CD30F7, #F76830, #5BF730 and #30BFF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

Complementary color

CMYK 76 / 0 / 96 / 19

HEX #32CF08

RGB 50 207 8

HSL 107.34, 0.93%, 0.42%

LAB 73.1, -69.48, 70.81

 

CMYK 13 / 80 / 0 / 5

HEX #D230F2

RGB 210 48 242

HSL 290.1, 0.88%, 0.57%

LAB 54.27, 82.93, -63.72

 

CMYK 11 / 74 / 0 / 0

HEX #E342FF

RGB 227 66 255

HSL 291.11, 1%, 0.63%

LAB 59.39, 83.15, -62.59

 

CMYK 4 / 67 / 0 / 0

HEX #F454FF

RGB 244 84 255

HSL 296.14, 1%, 0.66%

LAB 63.99, 80.58, -55.08

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 18 / 87 / 0 / 11

HEX #BC1EE4

RGB 188 30 228

HSL 287.88, 0.79%, 0.51%

LAB 48.54, 80.91, -65.25

 

CMYK 18 / 94 / 0 / 18

HEX #AB0CD1

RGB 171 12 209

HSL 288.43, 0.89%, 0.43%

LAB 43.54, 77.76, -62.6

 

CMYK 19 / 100 / 0 / 25

HEX #9A00BE

RGB 154 0 190

HSL 288.63, 1%, 0.37%

LAB 38.88, 73.32, -59.24

 

CMYK 20 / 100 / 0 / 33

HEX #8900AB

RGB 137 0 171

HSL 288.07, 1%, 0.34%

LAB 34.52, 67.61, -55.17

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 0 / 81 / 5 / 3

HEX #F730EB

RGB 247 48 235

HSL 303.62, 0.93%, 0.58%

LAB 59.79, 88.5, -50.64

 

CMYK 0 / 81 / 26 / 3

HEX #F730B6

RGB 247 48 182

HSL 319.6, 0.93%, 0.58%

LAB 57.33, 81.69, -24.29

 

CMYK 0 / 81 / 48 / 3

HEX #F73080

RGB 247 48 128

HSL 335.88, 0.93%, 0.58%

LAB 55.53, 76.44, 4.8

 

CMYK 0 / 81 / 70 / 3

HEX #F7304A

RGB 247 48 74

HSL 352.16, 0.93%, 0.58%

LAB 54.43, 73.14, 35.43

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 39 / 81 / 0 / 3

HEX #9730F7

RGB 151 48 247

HSL 271.06, 0.93%, 0.58%

LAB 46.19, 74.66, -80.03

 

CMYK 60 / 81 / 0 / 3

HEX #6230F7

RGB 98 48 247

HSL 255.08, 0.93%, 0.58%

LAB 40.29, 68.42, -89.95

 

CMYK 81 / 81 / 0 / 3

HEX #3030F7

RGB 48 48 247

HSL 240, 0.93%, 0.58%

LAB 36.85, 64.88, -95.75

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 15 / 72 / 0 / 10

HEX #C341E6

RGB 195 65 230

HSL 287.27, 0.77%, 0.58%

LAB 53.05, 72.88, -59.05

 

CMYK 13 / 61 / 0 / 17

HEX #B952D4

RGB 185 82 212

HSL 287.54, 0.6%, 0.58%

LAB 53.06, 60.39, -48.92

 

CMYK 10 / 49 / 0 / 24

HEX #AF64C3

RGB 175 100 195

HSL 287.37, 0.44%, 0.58%

LAB 54.21, 45.54, -37.48

 

CMYK 7 / 34 / 0 / 30

HEX #A575B2

RGB 165 117 178

HSL 287.21, 0.28%, 0.58%

LAB 56.02, 29.66, -24.98

 

CMYK 60 / 81 / 0 / 3

HEX #6230F7

RGB 98 48 247

HSL 255.08, 0.93%, 0.58%

LAB 40.29, 68.42, -89.95

 

CMYK 39 / 81 / 0 / 3

HEX #9730F7

RGB 151 48 247

HSL 271.06, 0.93%, 0.58%

LAB 46.19, 74.66, -80.03

 

CMYK 17 / 81 / 0 / 3

HEX #CC30F7

RGB 204 48 247

HSL 287.04, 0.93%, 0.58%

LAB 53.67, 82.78, -67.52

 

CMYK 0 / 81 / 4 / 3

HEX #F730ED

RGB 247 48 237

HSL 303.02, 0.93%, 0.58%

LAB 59.89, 88.78, -51.59

 

CMYK 0 / 81 / 26 / 3

HEX #F730B8

RGB 247 48 184

HSL 318.99, 0.93%, 0.58%

LAB 57.41, 81.92, -25.33

 

CMYK 20 / 97 / 0 / 20

HEX #A307CD

RGB 163 7 205

HSL 287.27, 0.93%, 0.42%

LAB 41.76, 76.43, -63.24

 

CMYK 20 / 97 / 0 / 4

HEX #C308F5

RGB 195 8 245

HSL 287.34, 0.94%, 0.5%

LAB 49.94, 87.56, -72.52

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 13 / 65 / 0 / 3

HEX #D758F8

RGB 215 88 248

HSL 287.63, 0.92%, 0.66%

LAB 60.07, 71.53, -57.71

 

CMYK 10 / 49 / 0 / 2

HEX #E07FFA

RGB 224 127 250

HSL 287.32, 0.92%, 0.74%

LAB 67.97, 56.2, -46.23

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 0 / 81 / 79 / 3

HEX #F73033

RGB 247 48 51

HSL 359.1, 0.93%, 0.58%

LAB 54.16, 72.31, 47.97

 

CMYK 81 / 0 / 50 / 3

HEX #30F77C

RGB 48 247 124

HSL 142.91, 0.93%, 0.58%

LAB 86.31, -72.26, 45.82

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 0 / 17 / 81 / 3

HEX #F7CC30

RGB 247 204 48

HSL 47.04, 0.93%, 0.58%

LAB 83.53, 1.04, 76.25

 

CMYK 81 / 0 / 17 / 3

HEX #30F7CC

RGB 48 247 204

HSL 167.04, 0.93%, 0.58%

LAB 87.73, -56.33, 7.44

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 0 / 81 / 79 / 3

HEX #F73033

RGB 247 48 51

HSL 359.1, 0.93%, 0.58%

LAB 54.16, 72.31, 47.97

 

CMYK 63 / 0 / 81 / 3

HEX #5BF730

RGB 91 247 48

HSL 107.04, 0.93%, 0.58%

LAB 86.48, -73.05, 75.52

 

CMYK 81 / 0 / 1 / 3

HEX #30F7F4

RGB 48 247 244

HSL 179.1, 0.93%, 0.58%

LAB 88.77, -45.81, -11.89

 

CMYK 17 / 81 / 0 / 3

HEX #CD30F7

RGB 205 48 247

HSL 287.34, 0.93%, 0.58%

LAB 53.82, 82.94, -67.27

 

CMYK 0 / 58 / 81 / 3

HEX #F76830

RGB 247 104 48

HSL 16.88, 0.93%, 0.58%

LAB 61.56, 52.02, 56.55

 

CMYK 63 / 0 / 81 / 3

HEX #5BF730

RGB 91 247 48

HSL 107.04, 0.93%, 0.58%

LAB 86.48, -73.05, 75.52

 

CMYK 81 / 23 / 0 / 3

HEX #30BFF7

RGB 48 191 247

HSL 196.88, 0.93%, 0.58%

LAB 72.63, -18.14, -38.08

 

Description

Color code: HEX #CD30F7 | qconv.com Color code: HEX #CD30F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 48 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 48 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 81 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 81% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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