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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD2DAA it is the complementary color #32D255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD2DAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD2DAA shade: #D22DA5, #E33FB8, #F451CB, #FF63DE and #FF75F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD2DAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD2DAA shade: #CD2DAA, #BC1B97, #AB0984, #9A0071 and #89005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD2DAA shade: #CC2CA9, #CC2C7E, #CC2C53 and #CC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD2DAA shade: #CC2CA9, #C42CCC, #992CCC, #6E2CCC and #432CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD2DAA shade matches the following richer shades: #CC2CA9, #E118B5 and #F504C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD2DAA shade: #CC2CA9, #B8419E, #A45593, #906987 and #7C7D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD2DAA shade: #9A2CCC, #C42CCC, #CC2CAA, #CC2C7F and #CC2C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD2DAA shade: #891E71, #AB258D, #CC2CA9, #D74BB8 and #DF6DC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD2DAA shade: #CD2DAA, #CC6F2C and #2CCCAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD2DAA shade: #CD2DAA, #AACC2C and #2CAACC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD2DAA shade: #CD2DAA, #CC6F2C, #2CCC4F and #2C8ACC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD2DAA shade: #CD2DAA, #CC9F2C, #2CCC4F and #2C5ACC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 17 / 20

HEX #CD2DAA

RGB 205 45 170

HSL 313.13, 0.64%, 0.49%

LAB 49.2, 71.69, -30.46

 

Complementary color

CMYK 76 / 0 / 60 / 18

HEX #32D255

RGB 50 210 85

HSL 133.13, 0.64%, 0.51%

LAB 74.46, -65.34, 49.6

 

CMYK 0 / 79 / 21 / 18

HEX #D22DA5

RGB 210 45 165

HSL 316.36, 0.65%, 0.5%

LAB 49.85, 72.16, -26.43

 

CMYK 0 / 72 / 19 / 11

HEX #E33FB8

RGB 227 63 184

HSL 315.73, 0.75%, 0.57%

LAB 55.43, 73.29, -28.68

 

CMYK 0 / 67 / 17 / 4

HEX #F451CB

RGB 244 81 203

HSL 315.09, 0.88%, 0.64%

LAB 61.16, 73.8, -30.47

 

CMYK 0 / 61 / 13 / 0

HEX #FF63DE

RGB 255 99 222

HSL 312.69, 1%, 0.69%

LAB 66.1, 72.35, -33.37

 

CMYK 0 / 54 / 5 / 0

HEX #FF75F1

RGB 255 117 241

HSL 306.09, 1%, 0.73%

LAB 69.71, 67.63, -38.29

 

CMYK 0 / 78 / 17 / 20

HEX #CD2DAA

RGB 205 45 170

HSL 313.13, 0.64%, 0.49%

LAB 49.2, 71.69, -30.46

 

CMYK 0 / 86 / 20 / 26

HEX #BC1B97

RGB 188 27 151

HSL 313.79, 0.75%, 0.42%

LAB 43.81, 69.71, -27.76

 

CMYK 0 / 95 / 23 / 33

HEX #AB0984

RGB 171 9 132

HSL 314.44, 0.9%, 0.35%

LAB 38.76, 66.52, -24.27

 

CMYK 0 / 100 / 27 / 40

HEX #9A0071

RGB 154 0 113

HSL 315.97, 1%, 0.3%

LAB 34.11, 61.83, -19.84

 

CMYK 0 / 100 / 31 / 46

HEX #89005E

RGB 137 0 94

HSL 318.83, 1%, 0.27%

LAB 29.73, 56.05, -14.65

 

CMYK 0 / 78 / 17 / 20

HEX #CC2CA9

RGB 204 44 169

HSL 313.13, 0.65%, 0.49%

LAB 48.89, 71.6, -30.37

 

CMYK 0 / 78 / 38 / 20

HEX #CC2C7E

RGB 204 44 126

HSL 329.25, 0.65%, 0.49%

LAB 47.16, 66.53, -7.19

 

CMYK 0 / 78 / 59 / 20

HEX #CC2C53

RGB 204 44 83

HSL 345.38, 0.65%, 0.49%

LAB 45.99, 62.94, 17.6

 

CMYK 0 / 78 / 78 / 20

HEX #CC2C2C

RGB 204 44 44

HSL 0, 0.65%, 0.49%

LAB 45.39, 61.04, 40.14

 

CMYK 0 / 78 / 17 / 20

HEX #CC2CA9

RGB 204 44 169

HSL 313.13, 0.65%, 0.49%

LAB 48.89, 71.6, -30.37

 

CMYK 4 / 78 / 0 / 20

HEX #C42CCC

RGB 196 44 204

HSL 297, 0.65%, 0.49%

LAB 49.37, 75.12, -50.12

 

CMYK 25 / 78 / 0 / 20

HEX #992CCC

RGB 153 44 204

HSL 280.88, 0.65%, 0.49%

LAB 42.66, 67.23, -61.27

 

CMYK 46 / 78 / 0 / 20

HEX #6E2CCC

RGB 110 44 204

HSL 264.75, 0.65%, 0.49%

LAB 36.89, 60.4, -70.94

 

CMYK 67 / 78 / 0 / 20

HEX #432CCC

RGB 67 44 204

HSL 248.63, 0.65%, 0.49%

LAB 32.6, 55.29, -78.15

 

CMYK 0 / 78 / 17 / 20

HEX #CC2CA9

RGB 204 44 169

HSL 313.13, 0.65%, 0.49%

LAB 48.89, 71.6, -30.37

 

CMYK 0 / 89 / 20 / 12

HEX #E118B5

RGB 225 24 181

HSL 313.13, 0.81%, 0.49%

LAB 51.83, 81.43, -32.55

 

CMYK 0 / 98 / 22 / 4

HEX #F504C0

RGB 245 4 192

HSL 313.2, 0.97%, 0.49%

LAB 55.39, 88.29, -33.13

 

CMYK 0 / 78 / 17 / 20

HEX #CC2CA9

RGB 204 44 169

HSL 313.13, 0.65%, 0.49%

LAB 48.89, 71.6, -30.37

 

CMYK 0 / 65 / 14 / 28

HEX #B8419E

RGB 184 65 158

HSL 313.11, 0.48%, 0.49%

LAB 47.55, 58.11, -26.2

 

CMYK 0 / 48 / 10 / 36

HEX #A45593

RGB 164 85 147

HSL 312.91, 0.32%, 0.49%

LAB 47.62, 41.04, -19.77

 

CMYK 0 / 27 / 6 / 44

HEX #906987

RGB 144 105 135

HSL 313.85, 0.16%, 0.49%

LAB 49.23, 20.75, -10.41

 

CMYK 1 / 0 / 1 / 51

HEX #7C7D7C

RGB 124 125 124

HSL 120, 0%, 0.49%

LAB 52.29, -0.57, 0.41

 

CMYK 25 / 78 / 0 / 20

HEX #9A2CCC

RGB 154 44 204

HSL 281.25, 0.65%, 0.49%

LAB 42.81, 67.41, -61.02

 

CMYK 4 / 78 / 0 / 20

HEX #C42CCC

RGB 196 44 204

HSL 297, 0.65%, 0.49%

LAB 49.37, 75.12, -50.12

 

CMYK 0 / 78 / 17 / 20

HEX #CC2CAA

RGB 204 44 170

HSL 312.75, 0.65%, 0.49%

LAB 48.93, 71.74, -30.89

 

CMYK 0 / 78 / 38 / 20

HEX #CC2C7F

RGB 204 44 127

HSL 328.88, 0.65%, 0.49%

LAB 47.2, 66.63, -7.75

 

CMYK 0 / 78 / 59 / 20

HEX #CC2C54

RGB 204 44 84

HSL 345, 0.65%, 0.49%

LAB 46.01, 63.01, 17.01

 

CMYK 0 / 78 / 18 / 46

HEX #891E71

RGB 137 30 113

HSL 313.46, 0.64%, 0.33%

LAB 32.79, 52.26, -22.15

 

CMYK 0 / 78 / 18 / 33

HEX #AB258D

RGB 171 37 141

HSL 313.43, 0.64%, 0.41%

LAB 41.06, 62.25, -26.21

 

CMYK 0 / 78 / 17 / 20

HEX #CC2CA9

RGB 204 44 169

HSL 313.13, 0.65%, 0.49%

LAB 48.89, 71.6, -30.37

 

CMYK 0 / 65 / 14 / 16

HEX #D74BB8

RGB 215 75 184

HSL 313.29, 0.64%, 0.57%

LAB 55.01, 66.08, -29.48

 

CMYK 0 / 51 / 11 / 13

HEX #DF6DC6

RGB 223 109 198

HSL 313.16, 0.64%, 0.65%

LAB 62.26, 55.52, -26.19

 

CMYK 0 / 78 / 17 / 20

HEX #CD2DAA

RGB 205 45 170

HSL 313.13, 0.64%, 0.49%

LAB 49.2, 71.69, -30.46

 

CMYK 0 / 46 / 78 / 20

HEX #CC6F2C

RGB 204 111 44

HSL 25.13, 0.65%, 0.49%

LAB 56.47, 31.94, 51.23

 

CMYK 78 / 0 / 14 / 20

HEX #2CCCAF

RGB 44 204 175

HSL 169.13, 0.65%, 0.49%

LAB 74.07, -46.42, 3.09

 

CMYK 0 / 78 / 17 / 20

HEX #CD2DAA

RGB 205 45 170

HSL 313.13, 0.64%, 0.49%

LAB 49.2, 71.69, -30.46

 

CMYK 17 / 0 / 78 / 20

HEX #AACC2C

RGB 170 204 44

HSL 72.75, 0.65%, 0.49%

LAB 77.23, -31.5, 69.41

 

CMYK 78 / 17 / 0 / 20

HEX #2CAACC

RGB 44 170 204

HSL 192.75, 0.65%, 0.49%

LAB 64.68, -21.89, -26.88

 

CMYK 0 / 78 / 17 / 20

HEX #CD2DAA

RGB 205 45 170

HSL 313.13, 0.64%, 0.49%

LAB 49.2, 71.69, -30.46

 

CMYK 0 / 46 / 78 / 20

HEX #CC6F2C

RGB 204 111 44

HSL 25.13, 0.65%, 0.49%

LAB 56.47, 31.94, 51.23

 

CMYK 78 / 0 / 61 / 20

HEX #2CCC4F

RGB 44 204 79

HSL 133.13, 0.65%, 0.49%

LAB 72.42, -64.9, 49.9

 

CMYK 78 / 32 / 0 / 20

HEX #2C8ACC

RGB 44 138 204

HSL 204.75, 0.65%, 0.49%

LAB 55.15, -4.27, -41.73

 

CMYK 0 / 78 / 17 / 20

HEX #CD2DAA

RGB 205 45 170

HSL 313.13, 0.64%, 0.49%

LAB 49.2, 71.69, -30.46

 

CMYK 0 / 22 / 78 / 20

HEX #CC9F2C

RGB 204 159 44

HSL 43.13, 0.65%, 0.49%

LAB 67.88, 5.98, 61.95

 

CMYK 78 / 0 / 61 / 20

HEX #2CCC4F

RGB 44 204 79

HSL 133.13, 0.65%, 0.49%

LAB 72.42, -64.9, 49.9

 

CMYK 78 / 56 / 0 / 20

HEX #2C5ACC

RGB 44 90 204

HSL 222.75, 0.65%, 0.49%

LAB 41.54, 25.69, -63.53

 

Description

Color code: HEX #CD2DAA | qconv.com Color code: HEX #CD2DAA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 45 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 45 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 17 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 17% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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