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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9E19 it is the complementary color #3361E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9E19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9E19 shade: #D19E14, #E2B027, #F3C23A, #FFD44D and #FFE660

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9E19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9E19 shade: #CC9E19, #BB8C06, #AA7A00, #996800 and #885600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9E19 shade: #CC9E19, #CC6D19, #CC3D19 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9E19 shade: #CC9E19, #C9CC19, #99CC19, #69CC19 and #39CC19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9E19 shade matches the following richer shades: #CC9E19 and #DEA706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9E19 shade: #CC9E19, #B9952B, #A78C3E, #948350 and #817A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9E19 shade: #CC3D19, #CC6C19, #CC9C19, #CCCC19 and #9CCC19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9E19 shade: #826510, #A78114, #CC9E19, #E4B42A and #E9C14E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9E19 shade: #CC9E19, #25CC19 and #5419CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9E19 shade: #CC9E19, #19CC9C and #9C19CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9E19 shade: #CC9E19, #25CC19, #1948CC and #C019CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9E19 shade: #CC9E19, #19CC43, #1948CC and #CC19A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

Complementary color

CMYK 78 / 58 / 0 / 10

HEX #3361E6

RGB 51 97 230

HSL 224.58, 0.78%, 0.55%

LAB 45.59, 31.55, -71.77

 

CMYK 0 / 24 / 90 / 18

HEX #D19E14

RGB 209 158 20

HSL 43.81, 0.83%, 0.45%

LAB 68.06, 8.08, 68.95

 

CMYK 0 / 22 / 83 / 11

HEX #E2B027

RGB 226 176 39

HSL 43.96, 0.76%, 0.52%

LAB 74.42, 6.35, 70.19

 

CMYK 0 / 20 / 76 / 5

HEX #F3C23A

RGB 243 194 58

HSL 44.11, 0.89%, 0.59%

LAB 80.71, 4.85, 70.37

 

CMYK 0 / 17 / 70 / 0

HEX #FFD44D

RGB 255 212 77

HSL 45.51, 1%, 0.65%

LAB 86.45, 1.46, 69.29

 

CMYK 0 / 10 / 62 / 0

HEX #FFE660

RGB 255 230 96

HSL 50.57, 1%, 0.69%

LAB 91.1, -6.58, 66.44

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 0 / 25 / 97 / 27

HEX #BB8C06

RGB 187 140 6

HSL 44.42, 0.94%, 0.38%

LAB 61.08, 7.85, 65

 

CMYK 0 / 28 / 100 / 33

HEX #AA7A00

RGB 170 122 0

HSL 43.06, 1%, 0.33%

LAB 54.52, 10.03, 60.54

 

CMYK 0 / 32 / 100 / 40

HEX #996800

RGB 153 104 0

HSL 40.78, 1%, 0.3%

LAB 47.85, 12.4, 55.07

 

CMYK 0 / 37 / 100 / 47

HEX #885600

RGB 136 86 0

HSL 37.94, 1%, 0.27%

LAB 41.04, 14.89, 49.52

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 0 / 47 / 88 / 20

HEX #CC6D19

RGB 204 109 25

HSL 28.16, 0.78%, 0.45%

LAB 55.93, 32.43, 58.02

 

CMYK 0 / 70 / 88 / 20

HEX #CC3D19

RGB 204 61 25

HSL 12.07, 0.78%, 0.45%

LAB 47.29, 54.83, 51.2

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 1 / 0 / 88 / 20

HEX #C9CC19

RGB 201 204 25

HSL 61.01, 0.78%, 0.45%

LAB 79.43, -19.17, 76.61

 

CMYK 25 / 0 / 88 / 20

HEX #99CC19

RGB 153 204 25

HSL 77.09, 0.78%, 0.45%

LAB 76.09, -38.87, 72.51

 

CMYK 49 / 0 / 88 / 20

HEX #69CC19

RGB 105 204 25

HSL 93.18, 0.78%, 0.45%

LAB 73.71, -55.62, 69.56

 

CMYK 72 / 0 / 88 / 20

HEX #39CC19

RGB 57 204 25

HSL 109.27, 0.78%, 0.45%

LAB 72.31, -67.04, 67.8

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 0 / 25 / 97 / 13

HEX #DEA706

RGB 222 167 6

HSL 44.72, 0.95%, 0.45%

LAB 71.68, 8.8, 74.27

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 0 / 19 / 77 / 27

HEX #B9952B

RGB 185 149 43

HSL 44.79, 0.62%, 0.45%

LAB 63.33, 2.94, 57.37

 

CMYK 0 / 16 / 63 / 35

HEX #A78C3E

RGB 167 140 62

HSL 44.57, 0.46%, 0.45%

LAB 59.27, 0.9, 44.46

 

CMYK 0 / 11 / 46 / 42

HEX #948350

RGB 148 131 80

HSL 45, 0.3%, 0.45%

LAB 55.18, -0.87, 29.86

 

CMYK 0 / 5 / 23 / 49

HEX #817A63

RGB 129 122 99

HSL 46, 0.13%, 0.45%

LAB 51.25, -1.35, 13.58

 

CMYK 0 / 70 / 88 / 20

HEX #CC3D19

RGB 204 61 25

HSL 12.07, 0.78%, 0.45%

LAB 47.29, 54.83, 51.2

 

CMYK 0 / 47 / 88 / 20

HEX #CC6C19

RGB 204 108 25

HSL 27.82, 0.78%, 0.45%

LAB 55.72, 32.96, 57.86

 

CMYK 0 / 24 / 88 / 20

HEX #CC9C19

RGB 204 156 25

HSL 43.91, 0.78%, 0.45%

LAB 67.04, 7.04, 66.84

 

CMYK 0 / 0 / 88 / 20

HEX #CCCC19

RGB 204 204 25

HSL 60, 0.78%, 0.45%

LAB 79.67, -17.9, 76.91

 

CMYK 24 / 0 / 88 / 20

HEX #9CCC19

RGB 156 204 25

HSL 76.09, 0.78%, 0.45%

LAB 76.27, -37.7, 72.73

 

CMYK 0 / 22 / 88 / 49

HEX #826510

RGB 130 101 16

HSL 44.74, 0.78%, 0.29%

LAB 44.36, 3.58, 47.42

 

CMYK 0 / 23 / 88 / 35

HEX #A78114

RGB 167 129 20

HSL 44.49, 0.79%, 0.37%

LAB 56.05, 5.07, 57.59

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 0 / 21 / 82 / 11

HEX #E4B42A

RGB 228 180 42

HSL 44.52, 0.78%, 0.53%

LAB 75.64, 5.19, 70.43

 

CMYK 0 / 17 / 67 / 9

HEX #E9C14E

RGB 233 193 78

HSL 44.52, 0.78%, 0.61%

LAB 79.62, 2.08, 61.18

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 82 / 0 / 88 / 20

HEX #25CC19

RGB 37 204 25

HSL 115.98, 0.78%, 0.45%

LAB 71.99, -69.84, 67.4

 

CMYK 59 / 88 / 0 / 20

HEX #5419CC

RGB 84 25 204

HSL 259.78, 0.78%, 0.45%

LAB 31.67, 64.15, -79.64

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 88 / 0 / 24 / 20

HEX #19CC9C

RGB 25 204 156

HSL 163.91, 0.78%, 0.45%

LAB 73.41, -52.72, 12.34

 

CMYK 24 / 88 / 0 / 20

HEX #9C19CC

RGB 156 25 204

HSL 283.91, 0.78%, 0.45%

LAB 41.41, 72.72, -63.28

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 82 / 0 / 88 / 20

HEX #25CC19

RGB 37 204 25

HSL 115.98, 0.78%, 0.45%

LAB 71.99, -69.84, 67.4

 

CMYK 88 / 65 / 0 / 20

HEX #1948CC

RGB 25 72 204

HSL 224.25, 0.78%, 0.45%

LAB 36.37, 35.9, -72.01

 

CMYK 6 / 88 / 0 / 20

HEX #C019CC

RGB 192 25 204

HSL 295.98, 0.78%, 0.45%

LAB 47.32, 78.46, -53.45

 

CMYK 0 / 23 / 88 / 20

HEX #CC9E19

RGB 204 158 25

HSL 44.58, 0.78%, 0.45%

LAB 67.55, 5.96, 67.25

 

CMYK 88 / 0 / 67 / 20

HEX #19CC43

RGB 25 204 67

HSL 134.08, 0.78%, 0.45%

LAB 72.09, -68.1, 54.55

 

CMYK 88 / 65 / 0 / 20

HEX #1948CC

RGB 25 72 204

HSL 224.25, 0.78%, 0.45%

LAB 36.37, 35.9, -72.01

 

CMYK 0 / 88 / 21 / 20

HEX #CC19A2

RGB 204 25 162

HSL 314.08, 0.78%, 0.45%

LAB 47.16, 74.77, -28.92

 

Description

Color code: HEX #CC9E19 | qconv.com Color code: HEX #CC9E19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 158 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 158 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 88 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 88% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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