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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC992C it is the complementary color #3366D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC992C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC992C shade: #D19927, #E2AB3A, #F3BD4D, #FFCF60 and #FFE173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC992C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC992C shade: #CC992C, #BB8719, #AA7506, #996300 and #885100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC992C shade: #CE9A2B, #CE6E2B, #CE422B and #CE2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC992C shade: #CE9A2B, #CEC62B, #AACE2B, #7ECE2B and #52CE2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC992C shade matches the following richer shades: #CE9A2B, #E2A117 and #F6A903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC992C shade: #CE9A2B, #B9933F, #A58B54, #918468 and #7D7D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC992C shade: #CE412B, #CE6C2B, #CE982B, #CEC32B and #ADCE2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC992C shade: #8A671D, #AC8024, #CE9A2B, #D8AB4A and #DFBB6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC992C shade: #CC992C, #41CE2B and #572BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC992C shade: #CC992C, #2BCE98 and #982BCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC992C shade: #CC992C, #41CE2B, #2B61CE and #B82BCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC992C shade: #CC992C, #2BCE46, #2B61CE and #CE2BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 78 / 20

HEX #CC992C

RGB 204 153 44

HSL 40.88, 0.65%, 0.49%

LAB 66.37, 9.22, 60.56

 

Complementary color

CMYK 76 / 52 / 0 / 17

HEX #3366D3

RGB 51 102 211

HSL 220.88, 0.65%, 0.51%

LAB 45.51, 21.33, -61.1

 

CMYK 0 / 27 / 81 / 18

HEX #D19927

RGB 209 153 39

HSL 40.24, 0.69%, 0.49%

LAB 66.89, 11.23, 62.96

 

CMYK 0 / 24 / 74 / 11

HEX #E2AB3A

RGB 226 171 58

HSL 40.36, 0.74%, 0.56%

LAB 73.29, 9.67, 62.68

 

CMYK 0 / 22 / 68 / 5

HEX #F3BD4D

RGB 243 189 77

HSL 40.48, 0.87%, 0.63%

LAB 79.61, 8.32, 61.89

 

CMYK 0 / 19 / 62 / 0

HEX #FFCF60

RGB 255 207 96

HSL 41.89, 1%, 0.69%

LAB 85.37, 5.08, 60.17

 

CMYK 0 / 12 / 55 / 0

HEX #FFE173

RGB 255 225 115

HSL 47.14, 1%, 0.73%

LAB 90.02, -2.76, 56.83

 

CMYK 0 / 25 / 78 / 20

HEX #CC992C

RGB 204 153 44

HSL 40.88, 0.65%, 0.49%

LAB 66.37, 9.22, 60.56

 

CMYK 0 / 28 / 87 / 27

HEX #BB8719

RGB 187 135 25

HSL 40.74, 0.76%, 0.42%

LAB 59.86, 10.93, 60.28

 

CMYK 0 / 31 / 96 / 33

HEX #AA7506

RGB 170 117 6

HSL 40.61, 0.93%, 0.35%

LAB 53.26, 12.93, 58.54

 

CMYK 0 / 35 / 100 / 40

HEX #996300

RGB 153 99 0

HSL 38.82, 1%, 0.3%

LAB 46.57, 15.27, 54.23

 

CMYK 0 / 40 / 100 / 47

HEX #885100

RGB 136 81 0

HSL 35.74, 1%, 0.27%

LAB 39.78, 17.81, 48.7

 

CMYK 0 / 25 / 79 / 19

HEX #CE9A2B

RGB 206 154 43

HSL 40.86, 0.65%, 0.49%

LAB 66.83, 9.52, 61.42

 

CMYK 0 / 47 / 79 / 19

HEX #CE6E2B

RGB 206 110 43

HSL 24.66, 0.65%, 0.49%

LAB 56.53, 33.24, 51.82

 

CMYK 0 / 68 / 79 / 19

HEX #CE422B

RGB 206 66 43

HSL 8.47, 0.65%, 0.49%

LAB 48.5, 54.02, 43.97

 

CMYK 0 / 79 / 79 / 19

HEX #CE2B2B

RGB 206 43 43

HSL 0, 0.65%, 0.49%

LAB 45.67, 61.87, 41.11

 

CMYK 0 / 25 / 79 / 19

HEX #CE9A2B

RGB 206 154 43

HSL 40.86, 0.65%, 0.49%

LAB 66.83, 9.52, 61.42

 

CMYK 0 / 4 / 79 / 19

HEX #CEC62B

RGB 206 198 43

HSL 57.06, 0.65%, 0.49%

LAB 78.28, -13.57, 71.66

 

CMYK 17 / 0 / 79 / 19

HEX #AACE2B

RGB 170 206 43

HSL 73.25, 0.65%, 0.49%

LAB 77.79, -32.47, 70.21

 

CMYK 39 / 0 / 79 / 19

HEX #7ECE2B

RGB 126 206 43

HSL 89.45, 0.65%, 0.49%

LAB 75.3, -48.94, 67.01

 

CMYK 60 / 0 / 79 / 19

HEX #52CE2B

RGB 82 206 43

HSL 105.64, 0.65%, 0.49%

LAB 73.62, -61.76, 64.83

 

CMYK 0 / 25 / 79 / 19

HEX #CE9A2B

RGB 206 154 43

HSL 40.86, 0.65%, 0.49%

LAB 66.83, 9.52, 61.42

 

CMYK 0 / 29 / 90 / 11

HEX #E2A117

RGB 226 161 23

HSL 40.79, 0.82%, 0.49%

LAB 70.68, 13.95, 71.16

 

CMYK 0 / 31 / 99 / 4

HEX #F6A903

RGB 246 169 3

HSL 40.99, 0.98%, 0.49%

LAB 74.81, 18.07, 78.03

 

CMYK 0 / 25 / 79 / 19

HEX #CE9A2B

RGB 206 154 43

HSL 40.86, 0.65%, 0.49%

LAB 66.83, 9.52, 61.42

 

CMYK 0 / 21 / 66 / 27

HEX #B9933F

RGB 185 147 63

HSL 41.31, 0.49%, 0.49%

LAB 62.96, 5.07, 48.57

 

CMYK 0 / 16 / 49 / 35

HEX #A58B54

RGB 165 139 84

HSL 40.74, 0.33%, 0.49%

LAB 59.07, 2.44, 32.93

 

CMYK 0 / 9 / 28 / 43

HEX #918468

RGB 145 132 104

HSL 40.98, 0.16%, 0.49%

LAB 55.61, 0.32, 16.93

 

CMYK 0 / 0 / 1 / 51

HEX #7D7D7C

RGB 125 125 124

HSL 60, 0%, 0.49%

LAB 52.38, -0.2, 0.54

 

CMYK 0 / 68 / 79 / 19

HEX #CE412B

RGB 206 65 43

HSL 8.1, 0.65%, 0.49%

LAB 48.36, 54.42, 43.83

 

CMYK 0 / 48 / 79 / 19

HEX #CE6C2B

RGB 206 108 43

HSL 23.93, 0.65%, 0.49%

LAB 56.11, 34.29, 51.42

 

CMYK 0 / 26 / 79 / 19

HEX #CE982B

RGB 206 152 43

HSL 40.12, 0.65%, 0.49%

LAB 66.33, 10.6, 60.96

 

CMYK 0 / 5 / 79 / 19

HEX #CEC32B

RGB 206 195 43

HSL 55.95, 0.65%, 0.49%

LAB 77.48, -12.05, 70.95

 

CMYK 16 / 0 / 79 / 19

HEX #ADCE2B

RGB 173 206 43

HSL 72.15, 0.65%, 0.49%

LAB 77.99, -31.26, 70.46

 

CMYK 0 / 25 / 79 / 46

HEX #8A671D

RGB 138 103 29

HSL 40.73, 0.65%, 0.33%

LAB 45.9, 6.69, 44.52

 

CMYK 0 / 26 / 79 / 33

HEX #AC8024

RGB 172 128 36

HSL 40.59, 0.65%, 0.41%

LAB 56.42, 8.41, 53.03

 

CMYK 0 / 25 / 79 / 19

HEX #CE9A2B

RGB 206 154 43

HSL 40.86, 0.65%, 0.49%

LAB 66.83, 9.52, 61.42

 

CMYK 0 / 21 / 66 / 15

HEX #D8AB4A

RGB 216 171 74

HSL 40.99, 0.65%, 0.57%

LAB 72.37, 6.21, 54.68

 

CMYK 0 / 16 / 52 / 13

HEX #DFBB6C

RGB 223 187 108

HSL 41.22, 0.64%, 0.65%

LAB 77.47, 3.18, 44.5

 

CMYK 0 / 25 / 78 / 20

HEX #CC992C

RGB 204 153 44

HSL 40.88, 0.65%, 0.49%

LAB 66.37, 9.22, 60.56

 

CMYK 68 / 0 / 79 / 19

HEX #41CE2B

RGB 65 206 43

HSL 111.9, 0.65%, 0.49%

LAB 73.18, -65.38, 64.27

 

CMYK 58 / 79 / 0 / 19

HEX #572BCE

RGB 87 43 206

HSL 256.2, 0.65%, 0.49%

LAB 34.42, 58.39, -76.25

 

CMYK 0 / 25 / 78 / 20

HEX #CC992C

RGB 204 153 44

HSL 40.88, 0.65%, 0.49%

LAB 66.37, 9.22, 60.56

 

CMYK 79 / 0 / 26 / 19

HEX #2BCE98

RGB 43 206 152

HSL 160.12, 0.65%, 0.49%

LAB 74.14, -52.96, 15.54

 

CMYK 26 / 79 / 0 / 19

HEX #982BCE

RGB 152 43 206

HSL 280.12, 0.65%, 0.49%

LAB 42.55, 67.79, -62.62

 

CMYK 0 / 25 / 78 / 20

HEX #CC992C

RGB 204 153 44

HSL 40.88, 0.65%, 0.49%

LAB 66.37, 9.22, 60.56

 

CMYK 68 / 0 / 79 / 19

HEX #41CE2B

RGB 65 206 43

HSL 111.9, 0.65%, 0.49%

LAB 73.18, -65.38, 64.27

 

CMYK 79 / 53 / 0 / 19

HEX #2B61CE

RGB 43 97 206

HSL 220.12, 0.65%, 0.49%

LAB 43.54, 21.81, -61.45

 

CMYK 11 / 79 / 0 / 19

HEX #B82BCE

RGB 184 43 206

HSL 291.9, 0.65%, 0.49%

LAB 47.46, 73.46, -54.44

 

CMYK 0 / 25 / 78 / 20

HEX #CC992C

RGB 204 153 44

HSL 40.88, 0.65%, 0.49%

LAB 66.37, 9.22, 60.56

 

CMYK 79 / 0 / 66 / 19

HEX #2BCE46

RGB 43 206 70

HSL 129.94, 0.65%, 0.49%

LAB 72.96, -66.65, 54.33

 

CMYK 79 / 53 / 0 / 19

HEX #2B61CE

RGB 43 97 206

HSL 220.12, 0.65%, 0.49%

LAB 43.54, 21.81, -61.45

 

CMYK 0 / 79 / 13 / 19

HEX #CE2BB3

RGB 206 43 179

HSL 309.94, 0.65%, 0.49%

LAB 49.62, 73.65, -35.09

 

Description

Color code: HEX #CC992C | qconv.com Color code: HEX #CC992C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 153 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 153 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 78 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 78% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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