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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9519 it is the complementary color #336AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9519 shade: #D19514, #E2A727, #F3B93A, #FFCB4D and #FFDD60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9519 shade: #CC9519, #BB8306, #AA7100, #995F00 and #884D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9519 shade: #CC9519, #CC6419, #CC3419 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9519 shade: #CC9519, #CCC519, #A2CC19, #72CC19 and #42CC19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9519 shade matches the following richer shades: #CC9519 and #DE9C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9519 shade: #CC9519, #B98E2B, #A7863E, #947F50 and #817863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9519 shade: #CC3419, #CC6319, #CC9319, #CCC319 and #A5CC19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9519 shade: #825F10, #A77A14, #CC9519, #E4AB2A and #E9B94E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9519 shade: #CC9519, #2ECC19 and #4B19CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9519 shade: #CC9519, #19CC93 and #9319CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9519 shade: #CC9519, #2ECC19, #1951CC and #B719CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9519 shade: #CC9519, #19CC3A, #1951CC and #CC19AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

Complementary color

CMYK 78 / 54 / 0 / 10

HEX #336AE6

RGB 51 106 230

HSL 221.56, 0.78%, 0.55%

LAB 47.91, 25.84, -67.99

 

CMYK 0 / 29 / 90 / 18

HEX #D19514

RGB 209 149 20

HSL 40.95, 0.83%, 0.45%

LAB 65.83, 12.93, 67.25

 

CMYK 0 / 26 / 83 / 11

HEX #E2A727

RGB 226 167 39

HSL 41.07, 0.76%, 0.52%

LAB 72.2, 11.12, 68.29

 

CMYK 0 / 24 / 76 / 5

HEX #F3B93A

RGB 243 185 58

HSL 41.19, 0.89%, 0.59%

LAB 78.5, 9.54, 68.29

 

CMYK 0 / 20 / 70 / 0

HEX #FFCB4D

RGB 255 203 77

HSL 42.47, 1%, 0.65%

LAB 84.23, 6.07, 67.04

 

CMYK 0 / 13 / 62 / 0

HEX #FFDD60

RGB 255 221 96

HSL 47.17, 1%, 0.69%

LAB 88.84, -2.06, 63.99

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 0 / 30 / 97 / 27

HEX #BB8306

RGB 187 131 6

HSL 41.44, 0.94%, 0.38%

LAB 58.8, 12.81, 63.39

 

CMYK 0 / 34 / 100 / 33

HEX #AA7100

RGB 170 113 0

HSL 39.88, 1%, 0.33%

LAB 52.24, 15.1, 59.01

 

CMYK 0 / 38 / 100 / 40

HEX #995F00

RGB 153 95 0

HSL 37.25, 1%, 0.3%

LAB 45.57, 17.56, 53.58

 

CMYK 0 / 43 / 100 / 47

HEX #884D00

RGB 136 77 0

HSL 33.97, 1%, 0.27%

LAB 38.8, 20.14, 48.08

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 0 / 51 / 88 / 20

HEX #CC6419

RGB 204 100 25

HSL 25.14, 0.78%, 0.45%

LAB 54.05, 37.1, 56.53

 

CMYK 0 / 75 / 88 / 20

HEX #CC3419

RGB 204 52 25

HSL 9.05, 0.78%, 0.45%

LAB 46.13, 58.05, 50.28

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 0 / 3 / 88 / 20

HEX #CCC519

RGB 204 197 25

HSL 57.65, 0.78%, 0.45%

LAB 77.78, -14.4, 75.4

 

CMYK 21 / 0 / 88 / 20

HEX #A2CC19

RGB 162 204 25

HSL 74.08, 0.78%, 0.45%

LAB 76.64, -35.33, 73.19

 

CMYK 44 / 0 / 88 / 20

HEX #72CC19

RGB 114 204 25

HSL 90.17, 0.78%, 0.45%

LAB 74.08, -52.82, 70.02

 

CMYK 68 / 0 / 88 / 20

HEX #42CC19

RGB 66 204 25

HSL 106.26, 0.78%, 0.45%

LAB 72.5, -65.39, 68.04

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 0 / 30 / 97 / 13

HEX #DE9C06

RGB 222 156 6

HSL 41.67, 0.95%, 0.45%

LAB 68.98, 14.67, 72.39

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 0 / 23 / 77 / 27

HEX #B98E2B

RGB 185 142 43

HSL 41.83, 0.62%, 0.45%

LAB 61.51, 6.77, 55.65

 

CMYK 0 / 20 / 63 / 35

HEX #A7863E

RGB 167 134 62

HSL 41.14, 0.46%, 0.45%

LAB 57.67, 4.23, 42.67

 

CMYK 0 / 14 / 46 / 42

HEX #947F50

RGB 148 127 80

HSL 41.47, 0.3%, 0.45%

LAB 54.08, 1.38, 28.47

 

CMYK 0 / 7 / 23 / 49

HEX #817863

RGB 129 120 99

HSL 42, 0.13%, 0.45%

LAB 50.69, -0.2, 12.8

 

CMYK 0 / 75 / 88 / 20

HEX #CC3419

RGB 204 52 25

HSL 9.05, 0.78%, 0.45%

LAB 46.13, 58.05, 50.28

 

CMYK 0 / 51 / 88 / 20

HEX #CC6319

RGB 204 99 25

HSL 24.8, 0.78%, 0.45%

LAB 53.85, 37.61, 56.37

 

CMYK 0 / 28 / 88 / 20

HEX #CC9319

RGB 204 147 25

HSL 40.89, 0.78%, 0.45%

LAB 64.78, 11.91, 65.05

 

CMYK 0 / 4 / 88 / 20

HEX #CCC319

RGB 204 195 25

HSL 56.98, 0.78%, 0.45%

LAB 77.24, -13.39, 74.97

 

CMYK 19 / 0 / 88 / 20

HEX #A5CC19

RGB 165 204 25

HSL 73.07, 0.78%, 0.45%

LAB 76.83, -34.13, 73.43

 

CMYK 0 / 27 / 88 / 49

HEX #825F10

RGB 130 95 16

HSL 41.58, 0.78%, 0.29%

LAB 42.71, 7.1, 46.05

 

CMYK 0 / 27 / 88 / 35

HEX #A77A14

RGB 167 122 20

HSL 41.63, 0.79%, 0.37%

LAB 54.22, 8.99, 56.12

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 0 / 25 / 82 / 11

HEX #E4AB2A

RGB 228 171 42

HSL 41.61, 0.78%, 0.53%

LAB 73.41, 9.94, 68.5

 

CMYK 0 / 21 / 67 / 9

HEX #E9B94E

RGB 233 185 78

HSL 41.42, 0.78%, 0.61%

LAB 77.62, 6.26, 59.06

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 77 / 0 / 88 / 20

HEX #2ECC19

RGB 46 204 25

HSL 112.96, 0.78%, 0.45%

LAB 72.12, -68.72, 67.56

 

CMYK 63 / 88 / 0 / 20

HEX #4B19CC

RGB 75 25 204

HSL 256.76, 0.78%, 0.45%

LAB 30.76, 63.43, -81.17

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 88 / 0 / 28 / 20

HEX #19CC93

RGB 25 204 147

HSL 160.89, 0.78%, 0.45%

LAB 73.22, -54.83, 16.89

 

CMYK 28 / 88 / 0 / 20

HEX #9319CC

RGB 147 25 204

HSL 280.89, 0.78%, 0.45%

LAB 40.01, 71.4, -65.62

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 77 / 0 / 88 / 20

HEX #2ECC19

RGB 46 204 25

HSL 112.96, 0.78%, 0.45%

LAB 72.12, -68.72, 67.56

 

CMYK 88 / 60 / 0 / 20

HEX #1951CC

RGB 25 81 204

HSL 221.23, 0.78%, 0.45%

LAB 38.64, 30.06, -68.28

 

CMYK 10 / 88 / 0 / 20

HEX #B719CC

RGB 183 25 204

HSL 292.96, 0.78%, 0.45%

LAB 45.8, 76.96, -55.97

 

CMYK 0 / 27 / 88 / 20

HEX #CC9519

RGB 204 149 25

HSL 41.56, 0.78%, 0.45%

LAB 65.28, 10.83, 65.45

 

CMYK 88 / 0 / 72 / 20

HEX #19CC3A

RGB 25 204 58

HSL 131.06, 0.78%, 0.45%

LAB 72.03, -68.94, 57.95

 

CMYK 88 / 60 / 0 / 20

HEX #1951CC

RGB 25 81 204

HSL 221.23, 0.78%, 0.45%

LAB 38.64, 30.06, -68.28

 

CMYK 0 / 88 / 16 / 20

HEX #CC19AB

RGB 204 25 171

HSL 311.06, 0.78%, 0.45%

LAB 47.59, 75.91, -33.59

 

Description

Color code: HEX #CC9519 | qconv.com Color code: HEX #CC9519 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 149 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 149 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 88 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 88% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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