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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC83E1 it is the complementary color #337C1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC83E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC83E1 shade: #D183DC, #E295EF, #F3A7FF, #FFB9FF and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC83E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC83E1 shade: #CC83E1, #BB71CE, #AA5FBB, #994DA8 and #883B95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC83E1 shade: #CC83E1, #E183DC, #E183C3, #E183AA and #E18391

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC83E1 shade: #CC83E1, #B383E1, #9983E1 and #8383E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC83E1 shade matches the following richer shades: #CC83E1, #D377ED and #DA6BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC83E1 shade: #CC83E1, #C590D4, #BE9CC8, #B7A8BC and #B0B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC83E1 shade: #9983E1, #B283E1, #CB83E1, #E183DE and #E183C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC83E1 shade: #B041D1, #BE62D9, #CC83E1, #D9A5E9 and #E7C6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC83E1 shade: #CC83E1, #E18386 and #83E1A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC83E1 shade: #CC83E1, #E1CB83 and #83E1CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC83E1 shade: #CC83E1, #E18386, #99E183 and #83E1DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC83E1 shade: #CC83E1, #E19C83, #99E183 and #83C8E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

Complementary color

CMYK 59 / 0 / 76 / 51

HEX #337C1E

RGB 51 124 30

HSL 106.6, 0.61%, 0.3%

LAB 45.92, -40.66, 41.98

 

CMYK 5 / 40 / 0 / 14

HEX #D183DC

RGB 209 131 220

HSL 292.58, 0.56%, 0.69%

LAB 65.71, 44.09, -33.33

 

CMYK 5 / 38 / 0 / 6

HEX #E295EF

RGB 226 149 239

HSL 291.33, 0.74%, 0.76%

LAB 72.16, 43.35, -33.66

 

CMYK 5 / 35 / 0 / 0

HEX #F3A7FF

RGB 243 167 255

HSL 291.82, 1%, 0.83%

LAB 78.41, 42.06, -32.52

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 9 / 45 / 0 / 19

HEX #BB71CE

RGB 187 113 206

HSL 287.74, 0.49%, 0.63%

LAB 58.82, 44.36, -36.41

 

CMYK 9 / 49 / 0 / 27

HEX #AA5FBB

RGB 170 95 187

HSL 288.91, 0.4%, 0.55%

LAB 52.2, 45.12, -36.07

 

CMYK 9 / 54 / 0 / 34

HEX #994DA8

RGB 153 77 168

HSL 290.11, 0.37%, 0.48%

LAB 45.51, 45.82, -35.65

 

CMYK 9 / 60 / 0 / 42

HEX #883B95

RGB 136 59 149

HSL 291.33, 0.43%, 0.41%

LAB 38.78, 46.37, -35.06

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 0 / 42 / 2 / 12

HEX #E183DC

RGB 225 131 220

HSL 303.19, 0.61%, 0.7%

LAB 67.58, 48.9, -30.29

 

CMYK 0 / 42 / 13 / 12

HEX #E183C3

RGB 225 131 195

HSL 319.15, 0.61%, 0.7%

LAB 66.66, 44.69, -17.76

 

CMYK 0 / 42 / 24 / 12

HEX #E183AA

RGB 225 131 170

HSL 335.11, 0.61%, 0.7%

LAB 65.86, 40.92, -4.87

 

CMYK 0 / 42 / 36 / 12

HEX #E18391

RGB 225 131 145

HSL 351.06, 0.61%, 0.7%

LAB 65.19, 37.66, 8.31

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 20 / 42 / 0 / 12

HEX #B383E1

RGB 179 131 225

HSL 270.64, 0.61%, 0.7%

LAB 62.72, 36.31, -41.02

 

CMYK 32 / 42 / 0 / 12

HEX #9983E1

RGB 153 131 225

HSL 254.04, 0.61%, 0.7%

LAB 60.29, 29.03, -45.02

 

CMYK 42 / 42 / 0 / 12

HEX #8383E1

RGB 131 131 225

HSL 240, 0.61%, 0.7%

LAB 58.5, 23.29, -47.95

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 11 / 50 / 0 / 7

HEX #D377ED

RGB 211 119 237

HSL 286.78, 0.77%, 0.7%

LAB 64.29, 54.16, -44.97

 

CMYK 12 / 57 / 0 / 2

HEX #DA6BF9

RGB 218 107 249

HSL 286.9, 0.92%, 0.7%

LAB 63.56, 64.1, -52.69

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 7 / 32 / 0 / 17

HEX #C590D4

RGB 197 144 212

HSL 286.76, 0.44%, 0.7%

LAB 66.95, 31.8, -27.07

 

CMYK 5 / 22 / 0 / 22

HEX #BE9CC8

RGB 190 156 200

HSL 286.36, 0.29%, 0.7%

LAB 68.67, 20.49, -17.85

 

CMYK 3 / 11 / 0 / 26

HEX #B7A8BC

RGB 183 168 188

HSL 285, 0.13%, 0.7%

LAB 70.67, 9.11, -8.28

 

CMYK 3 / 0 / 3 / 29

HEX #B0B5AF

RGB 176 181 175

HSL 110, 0.04%, 0.7%

LAB 73.14, -2.87, 2.43

 

CMYK 32 / 42 / 0 / 12

HEX #9983E1

RGB 153 131 225

HSL 254.04, 0.61%, 0.7%

LAB 60.29, 29.03, -45.02

 

CMYK 21 / 42 / 0 / 12

HEX #B283E1

RGB 178 131 225

HSL 270, 0.61%, 0.7%

LAB 62.62, 36.02, -41.18

 

CMYK 10 / 42 / 0 / 12

HEX #CB83E1

RGB 203 131 225

HSL 285.96, 0.61%, 0.7%

LAB 65.25, 43.29, -36.87

 

CMYK 0 / 42 / 1 / 12

HEX #E183DE

RGB 225 131 222

HSL 301.91, 0.61%, 0.7%

LAB 67.66, 49.25, -31.27

 

CMYK 0 / 42 / 12 / 12

HEX #E183C5

RGB 225 131 197

HSL 317.87, 0.61%, 0.7%

LAB 66.73, 45.01, -18.77

 

CMYK 16 / 69 / 0 / 18

HEX #B041D1

RGB 176 65 209

HSL 286.25, 0.61%, 0.54%

LAB 49.02, 65.01, -53.72

 

CMYK 12 / 55 / 0 / 15

HEX #BE62D9

RGB 190 98 217

HSL 286.39, 0.61%, 0.62%

LAB 56.77, 55.07, -45.82

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 7 / 29 / 0 / 9

HEX #D9A5E9

RGB 217 165 233

HSL 285.88, 0.61%, 0.78%

LAB 74.54, 30.85, -26.8

 

CMYK 4 / 18 / 0 / 5

HEX #E7C6F1

RGB 231 198 241

HSL 286.05, 0.61%, 0.86%

LAB 83.82, 19.15, -16.89

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 0 / 42 / 40 / 12

HEX #E18386

RGB 225 131 134

HSL 358.09, 0.61%, 0.7%

LAB 64.93, 36.39, 14.17

 

CMYK 42 / 0 / 26 / 12

HEX #83E1A6

RGB 131 225 166

HSL 142.34, 0.61%, 0.7%

LAB 82.61, -40.7, 20.32

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 0 / 10 / 42 / 12

HEX #E1CB83

RGB 225 203 131

HSL 45.96, 0.61%, 0.7%

LAB 82.03, -2.13, 38.67

 

CMYK 42 / 0 / 10 / 12

HEX #83E1CB

RGB 131 225 203

HSL 165.96, 0.61%, 0.7%

LAB 83.44, -33.03, 2.03

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 0 / 42 / 40 / 12

HEX #E18386

RGB 225 131 134

HSL 358.09, 0.61%, 0.7%

LAB 64.93, 36.39, 14.17

 

CMYK 32 / 0 / 42 / 12

HEX #99E183

RGB 153 225 131

HSL 105.96, 0.61%, 0.7%

LAB 83.05, -39.69, 38.98

 

CMYK 42 / 0 / 1 / 12

HEX #83E1DE

RGB 131 225 222

HSL 178.09, 0.61%, 0.7%

LAB 83.94, -28.58, -7.29

 

CMYK 9 / 42 / 0 / 12

HEX #CC83E1

RGB 204 131 225

HSL 286.6, 0.61%, 0.7%

LAB 65.36, 43.59, -36.69

 

CMYK 0 / 31 / 42 / 12

HEX #E19C83

RGB 225 156 131

HSL 15.96, 0.61%, 0.7%

LAB 70.47, 22.77, 23.45

 

CMYK 32 / 0 / 42 / 12

HEX #99E183

RGB 153 225 131

HSL 105.96, 0.61%, 0.7%

LAB 83.05, -39.69, 38.98

 

CMYK 42 / 11 / 0 / 12

HEX #83C8E1

RGB 131 200 225

HSL 195.96, 0.61%, 0.7%

LAB 77.02, -15.33, -19.25

 

Description

Color code: HEX #CC83E1 | qconv.com Color code: HEX #CC83E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 131 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 131 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 42 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 42% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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