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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC8566 it is the complementary color #337A99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC8566. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC8566 shade: #D18561, #E29774, #F3A987, #FFBB9A and #FFCDAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC8566. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC8566 shade: #CC8566, #BB7353, #AA6140, #994F2D and #883D1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC8566 shade: #CC8565, #CC6965 and #CC6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC8566 shade: #CC8565, #CCA065, #CCBC65, #C0CC65 and #A4CC65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC8566 shade matches the following richer shades: #CC8565, #DC7E55, #ED7844 and #FD7134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC8566 shade: #CC8565, #BB8B76, #AA9187, #9A9897 and #899EA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC8566 shade: #CC657D, #CC6965, #CC8465, #CC9F65 and #CCBB65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC8566 shade: #A75937, #C16C47, #CC8565, #D69D84 and #E0B6A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC8566 shade: #CC8566, #99CC65 and #6570CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC8566 shade: #CC8566, #65CC84 and #8465CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC8566 shade: #CC8566, #99CC65, #65ADCC and #9965CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC8566 shade: #CC8566, #7ACC65, #65ADCC and #B765CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 50 / 20

HEX #CC8566

RGB 204 133 102

HSL 18.24, 0.5%, 0.6%

LAB 62.14, 23.88, 27.91

 

Complementary color

CMYK 67 / 20 / 0 / 40

HEX #337A99

RGB 51 122 153

HSL 198.24, 0.5%, 0.4%

LAB 48.16, -12.04, -23.26

 

CMYK 0 / 36 / 54 / 18

HEX #D18561

RGB 209 133 97

HSL 19.29, 0.55%, 0.6%

LAB 62.67, 25.46, 31.46

 

CMYK 0 / 33 / 49 / 11

HEX #E29774

RGB 226 151 116

HSL 19.09, 0.65%, 0.67%

LAB 69.16, 24.32, 29.9

 

CMYK 0 / 30 / 44 / 5

HEX #F3A987

RGB 243 169 135

HSL 18.89, 0.82%, 0.74%

LAB 75.56, 23.31, 28.47

 

CMYK 0 / 27 / 40 / 0

HEX #FFBB9A

RGB 255 187 154

HSL 19.6, 1%, 0.8%

LAB 81.37, 20.48, 26.36

 

CMYK 0 / 20 / 32 / 0

HEX #FFCDAD

RGB 255 205 173

HSL 23.41, 1%, 0.84%

LAB 85.98, 13.3, 22.63

 

CMYK 0 / 35 / 50 / 20

HEX #CC8566

RGB 204 133 102

HSL 18.24, 0.5%, 0.6%

LAB 62.14, 23.88, 27.91

 

CMYK 0 / 39 / 56 / 27

HEX #BB7353

RGB 187 115 83

HSL 18.46, 0.43%, 0.53%

LAB 55.53, 25.09, 29.56

 

CMYK 0 / 43 / 62 / 33

HEX #AA6140

RGB 170 97 64

HSL 18.68, 0.45%, 0.46%

LAB 48.84, 26.47, 31.39

 

CMYK 0 / 48 / 71 / 40

HEX #994F2D

RGB 153 79 45

HSL 18.89, 0.55%, 0.39%

LAB 42.08, 28.04, 33.43

 

CMYK 0 / 55 / 81 / 47

HEX #883D1A

RGB 136 61 26

HSL 19.09, 0.68%, 0.32%

LAB 35.29, 29.8, 35.55

 

CMYK 0 / 35 / 50 / 20

HEX #CC8565

RGB 204 133 101

HSL 18.64, 0.5%, 0.6%

LAB 62.13, 23.79, 28.44

 

CMYK 0 / 49 / 50 / 20

HEX #CC6965

RGB 204 105 101

HSL 2.33, 0.5%, 0.6%

LAB 55.97, 38.72, 20.29

 

CMYK 0 / 50 / 50 / 20

HEX #CC6565

RGB 204 101 101

HSL 0, 0.5%, 0.6%

LAB 55.16, 40.77, 19.2

 

CMYK 0 / 35 / 50 / 20

HEX #CC8565

RGB 204 133 101

HSL 18.64, 0.5%, 0.6%

LAB 62.13, 23.79, 28.44

 

CMYK 0 / 22 / 50 / 20

HEX #CCA065

RGB 204 160 101

HSL 34.37, 0.5%, 0.6%

LAB 68.69, 9.08, 36.82

 

CMYK 0 / 8 / 50 / 20

HEX #CCBC65

RGB 204 188 101

HSL 50.68, 0.5%, 0.6%

LAB 75.91, -5.8, 45.68

 

CMYK 6 / 0 / 50 / 20

HEX #C0CC65

RGB 192 204 101

HSL 66.99, 0.5%, 0.6%

LAB 79.23, -18.83, 49.41

 

CMYK 20 / 0 / 50 / 20

HEX #A4CC65

RGB 164 204 101

HSL 83.3, 0.5%, 0.6%

LAB 77.29, -29.78, 46.62

 

CMYK 0 / 35 / 50 / 20

HEX #CC8565

RGB 204 133 101

HSL 18.64, 0.5%, 0.6%

LAB 62.13, 23.79, 28.44

 

CMYK 0 / 43 / 61 / 14

HEX #DC7E55

RGB 220 126 85

HSL 18.22, 0.66%, 0.6%

LAB 62.33, 32.68, 37.85

 

CMYK 0 / 49 / 71 / 7

HEX #ED7844

RGB 237 120 68

HSL 18.46, 0.82%, 0.6%

LAB 63.22, 41.42, 48.3

 

CMYK 0 / 55 / 79 / 1

HEX #FD7134

RGB 253 113 52

HSL 18.21, 0.98%, 0.6%

LAB 64.11, 50.17, 57.52

 

CMYK 0 / 35 / 50 / 20

HEX #CC8565

RGB 204 133 101

HSL 18.64, 0.5%, 0.6%

LAB 62.13, 23.79, 28.44

 

CMYK 0 / 26 / 37 / 27

HEX #BB8B76

RGB 187 139 118

HSL 18.26, 0.34%, 0.6%

LAB 61.94, 15.44, 18.37

 

CMYK 0 / 15 / 21 / 33

HEX #AA9187

RGB 170 145 135

HSL 17.14, 0.17%, 0.6%

LAB 62.12, 7.72, 8.77

 

CMYK 0 / 1 / 2 / 40

HEX #9A9897

RGB 154 152 151

HSL 20, 0.01%, 0.6%

LAB 62.98, 0.54, 0.77

 

CMYK 18 / 6 / 0 / 34

HEX #899EA8

RGB 137 158 168

HSL 199.35, 0.15%, 0.6%

LAB 63.84, -5.16, -7.68

 

CMYK 0 / 50 / 39 / 20

HEX #CC657D

RGB 204 101 125

HSL 346.02, 0.5%, 0.6%

LAB 55.71, 43.23, 5.91

 

CMYK 0 / 49 / 50 / 20

HEX #CC6965

RGB 204 105 101

HSL 2.33, 0.5%, 0.6%

LAB 55.97, 38.72, 20.29

 

CMYK 0 / 35 / 50 / 20

HEX #CC8465

RGB 204 132 101

HSL 18.06, 0.5%, 0.6%

LAB 61.89, 24.34, 28.14

 

CMYK 0 / 22 / 50 / 20

HEX #CC9F65

RGB 204 159 101

HSL 33.79, 0.5%, 0.6%

LAB 68.44, 9.63, 36.5

 

CMYK 0 / 8 / 50 / 20

HEX #CCBB65

RGB 204 187 101

HSL 50.1, 0.5%, 0.6%

LAB 75.65, -5.28, 45.36

 

CMYK 0 / 47 / 67 / 35

HEX #A75937

RGB 167 89 55

HSL 18.21, 0.5%, 0.44%

LAB 46.49, 29.01, 33.51

 

CMYK 0 / 44 / 63 / 24

HEX #C16C47

RGB 193 108 71

HSL 18.2, 0.5%, 0.52%

LAB 54.57, 30.44, 35.19

 

CMYK 0 / 35 / 50 / 20

HEX #CC8565

RGB 204 133 101

HSL 18.64, 0.5%, 0.6%

LAB 62.13, 23.79, 28.44

 

CMYK 0 / 27 / 38 / 16

HEX #D69D84

RGB 214 157 132

HSL 18.29, 0.5%, 0.68%

LAB 69.52, 18.02, 21.42

 

CMYK 0 / 19 / 27 / 12

HEX #E0B6A3

RGB 224 182 163

HSL 18.69, 0.5%, 0.76%

LAB 77.25, 12.38, 15.39

 

CMYK 0 / 35 / 50 / 20

HEX #CC8566

RGB 204 133 102

HSL 18.24, 0.5%, 0.6%

LAB 62.14, 23.88, 27.91

 

CMYK 25 / 0 / 50 / 20

HEX #99CC65

RGB 153 204 101

HSL 89.71, 0.5%, 0.6%

LAB 76.62, -33.87, 45.65

 

CMYK 50 / 45 / 0 / 20

HEX #6570CC

RGB 101 112 204

HSL 233.59, 0.5%, 0.6%

LAB 50.35, 21.28, -49.18

 

CMYK 0 / 35 / 50 / 20

HEX #CC8566

RGB 204 133 102

HSL 18.24, 0.5%, 0.6%

LAB 62.14, 23.88, 27.91

 

CMYK 50 / 0 / 35 / 20

HEX #65CC84

RGB 101 204 132

HSL 138.06, 0.5%, 0.6%

LAB 74.58, -45.81, 26.94

 

CMYK 35 / 50 / 0 / 20

HEX #8465CC

RGB 132 101 204

HSL 258.06, 0.5%, 0.6%

LAB 50.18, 35.38, -49.3

 

CMYK 0 / 35 / 50 / 20

HEX #CC8566

RGB 204 133 102

HSL 18.24, 0.5%, 0.6%

LAB 62.14, 23.88, 27.91

 

CMYK 25 / 0 / 50 / 20

HEX #99CC65

RGB 153 204 101

HSL 89.71, 0.5%, 0.6%

LAB 76.62, -33.87, 45.65

 

CMYK 50 / 15 / 0 / 20

HEX #65ADCC

RGB 101 173 204

HSL 198.06, 0.5%, 0.6%

LAB 67.29, -14.05, -22.73

 

CMYK 25 / 50 / 0 / 20

HEX #9965CC

RGB 153 101 204

HSL 270.29, 0.5%, 0.6%

LAB 52.33, 40.87, -45.76

 

CMYK 0 / 35 / 50 / 20

HEX #CC8566

RGB 204 133 102

HSL 18.24, 0.5%, 0.6%

LAB 62.14, 23.88, 27.91

 

CMYK 40 / 0 / 50 / 20

HEX #7ACC65

RGB 122 204 101

HSL 107.77, 0.5%, 0.6%

LAB 74.99, -44.48, 43.3

 

CMYK 50 / 15 / 0 / 20

HEX #65ADCC

RGB 101 173 204

HSL 198.06, 0.5%, 0.6%

LAB 67.29, -14.05, -22.73

 

CMYK 10 / 50 / 0 / 20

HEX #B765CC

RGB 183 101 204

HSL 287.77, 0.5%, 0.6%

LAB 55.82, 49.09, -40.01

 

Description

Color code: HEX #CC8566 | qconv.com Color code: HEX #CC8566 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 133 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 133 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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