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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC79BC it is the complementary color #338643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC79BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC79BC shade: #D179B7, #E28BCA, #F39DDD, #FFAFF0 and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC79BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC79BC shade: #CC79BC, #BB67A9, #AA5596, #994383 and #883170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC79BC shade: #CC79BC, #CC79A6, #CC7990 and #CC7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC79BC shade: #CC79BC, #C679CC, #AF79CC, #9979CC and #8379CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC79BC shade matches the following richer shades: #CC79BC, #DB6BC5, #EA5CCE and #F94DD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC79BC shade: #CC79BC, #BD88B3, #AE97AA, #9FA6A1 and #91B598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC79BC shade: #AF79CC, #C579CC, #CC79BD, #CC79A7 and #CC7991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC79BC shade: #B0439B, #C15BAD, #CC79BC, #D797CB and #E3B5DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC79BC shade: #CC79BC, #CC9979 and #79CCBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC79BC shade: #CC79BC, #BDCC79 and #79BDCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC79BC shade: #CC79BC, #CC9979, #79CC89 and #79ACCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC79BC shade: #CC79BC, #CCB279, #79CC89 and #7994CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

Complementary color

CMYK 62 / 0 / 50 / 47

HEX #338643

RGB 51 134 67

HSL 131.57, 0.45%, 0.36%

LAB 49.69, -40.19, 28.66

 

CMYK 0 / 42 / 12 / 18

HEX #D179B7

RGB 209 121 183

HSL 317.73, 0.49%, 0.65%

LAB 62.21, 42.75, -17.92

 

CMYK 0 / 38 / 11 / 11

HEX #E28BCA

RGB 226 139 202

HSL 316.55, 0.6%, 0.72%

LAB 68.68, 41.99, -18.59

 

CMYK 0 / 35 / 9 / 5

HEX #F39DDD

RGB 243 157 221

HSL 315.35, 0.78%, 0.78%

LAB 75.07, 41.25, -19.2

 

CMYK 0 / 31 / 6 / 0

HEX #FFAFF0

RGB 255 175 240

HSL 311.25, 1%, 0.84%

LAB 80.86, 38.94, -20.61

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 0 / 45 / 10 / 27

HEX #BB67A9

RGB 187 103 169

HSL 312.86, 0.38%, 0.57%

LAB 55.21, 42.73, -20.81

 

CMYK 0 / 50 / 12 / 33

HEX #AA5596

RGB 170 85 150

HSL 314.12, 0.33%, 0.5%

LAB 48.57, 43.46, -20.03

 

CMYK 0 / 56 / 14 / 40

HEX #994383

RGB 153 67 131

HSL 315.35, 0.39%, 0.43%

LAB 41.88, 44.08, -19.06

 

CMYK 0 / 64 / 18 / 47

HEX #883170

RGB 136 49 112

HSL 316.55, 0.47%, 0.36%

LAB 35.2, 44.46, -17.79

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 0 / 41 / 19 / 20

HEX #CC79A6

RGB 204 121 166

HSL 327.47, 0.45%, 0.64%

LAB 61.02, 38.38, -10.08

 

CMYK 0 / 41 / 29 / 20

HEX #CC7990

RGB 204 121 144

HSL 343.37, 0.45%, 0.64%

LAB 60.36, 35.19, 1.58

 

CMYK 0 / 41 / 41 / 20

HEX #CC7979

RGB 204 121 121

HSL 0, 0.45%, 0.64%

LAB 59.79, 32.34, 14

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 3 / 41 / 0 / 20

HEX #C679CC

RGB 198 121 204

HSL 295.66, 0.45%, 0.64%

LAB 61.69, 43, -30.71

 

CMYK 14 / 41 / 0 / 20

HEX #AF79CC

RGB 175 121 204

HSL 279.04, 0.45%, 0.64%

LAB 59.11, 36.04, -34.92

 

CMYK 25 / 41 / 0 / 20

HEX #9979CC

RGB 153 121 204

HSL 263.13, 0.45%, 0.64%

LAB 56.89, 29.54, -38.56

 

CMYK 36 / 41 / 0 / 20

HEX #8379CC

RGB 131 121 204

HSL 247.23, 0.45%, 0.64%

LAB 54.93, 23.35, -41.78

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 0 / 51 / 10 / 14

HEX #DB6BC5

RGB 219 107 197

HSL 311.79, 0.61%, 0.64%

LAB 61.31, 55.14, -27.12

 

CMYK 0 / 61 / 12 / 8

HEX #EA5CCE

RGB 234 92 206

HSL 311.83, 0.77%, 0.64%

LAB 61.31, 67.41, -32.06

 

CMYK 0 / 69 / 14 / 2

HEX #F94DD7

RGB 249 77 215

HSL 311.86, 0.93%, 0.64%

LAB 61.96, 78.05, -35.96

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 0 / 28 / 5 / 26

HEX #BD88B3

RGB 189 136 179

HSL 311.32, 0.29%, 0.64%

LAB 63.08, 27.25, -14.55

 

CMYK 0 / 13 / 2 / 32

HEX #AE97AA

RGB 174 151 170

HSL 310.43, 0.12%, 0.64%

LAB 64.99, 11.92, -6.77

 

CMYK 4 / 0 / 3 / 35

HEX #9FA6A1

RGB 159 166 161

HSL 137.14, 0.04%, 0.64%

LAB 67.44, -3.44, 1.72

 

CMYK 20 / 0 / 16 / 29

HEX #91B598

RGB 145 181 152

HSL 131.67, 0.2%, 0.64%

LAB 70.41, -17.98, 10.82

 

CMYK 14 / 41 / 0 / 20

HEX #AF79CC

RGB 175 121 204

HSL 279.04, 0.45%, 0.64%

LAB 59.11, 36.04, -34.92

 

CMYK 3 / 41 / 0 / 20

HEX #C579CC

RGB 197 121 204

HSL 294.94, 0.45%, 0.64%

LAB 61.57, 42.7, -30.9

 

CMYK 0 / 41 / 7 / 20

HEX #CC79BD

RGB 204 121 189

HSL 310.84, 0.45%, 0.64%

LAB 61.81, 42.15, -21.98

 

CMYK 0 / 41 / 18 / 20

HEX #CC79A7

RGB 204 121 167

HSL 326.75, 0.45%, 0.64%

LAB 61.05, 38.54, -10.61

 

CMYK 0 / 41 / 29 / 20

HEX #CC7991

RGB 204 121 145

HSL 342.65, 0.45%, 0.64%

LAB 60.39, 35.33, 1.05

 

CMYK 0 / 62 / 12 / 31

HEX #B0439B

RGB 176 67 155

HSL 311.56, 0.45%, 0.48%

LAB 46.46, 54.63, -26.19

 

CMYK 0 / 53 / 10 / 24

HEX #C15BAD

RGB 193 91 173

HSL 311.76, 0.45%, 0.56%

LAB 53.85, 51.31, -25.15

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 0 / 30 / 6 / 16

HEX #D797CB

RGB 215 151 203

HSL 311.25, 0.44%, 0.72%

LAB 70.1, 32.16, -17.11

 

CMYK 0 / 20 / 4 / 11

HEX #E3B5DA

RGB 227 181 218

HSL 311.74, 0.45%, 0.8%

LAB 78.72, 22.68, -12.24

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 0 / 25 / 41 / 20

HEX #CC9979

RGB 204 153 121

HSL 23.13, 0.45%, 0.64%

LAB 67.28, 14.94, 24.24

 

CMYK 41 / 0 / 9 / 20

HEX #79CCBA

RGB 121 204 186

HSL 166.99, 0.45%, 0.64%

LAB 76.56, -29.5, 1.04

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 7 / 0 / 41 / 20

HEX #BDCC79

RGB 189 204 121

HSL 70.84, 0.45%, 0.64%

LAB 79.26, -17.96, 39.61

 

CMYK 41 / 7 / 0 / 20

HEX #79BDCC

RGB 121 189 204

HSL 190.84, 0.45%, 0.64%

LAB 72.77, -17.62, -14.33

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 0 / 25 / 41 / 20

HEX #CC9979

RGB 204 153 121

HSL 23.13, 0.45%, 0.64%

LAB 67.28, 14.94, 24.24

 

CMYK 41 / 0 / 33 / 20

HEX #79CC89

RGB 121 204 137

HSL 131.57, 0.45%, 0.64%

LAB 75.49, -39.43, 25.68

 

CMYK 41 / 16 / 0 / 20

HEX #79ACCC

RGB 121 172 204

HSL 203.13, 0.45%, 0.64%

LAB 67.97, -8.62, -21.6

 

CMYK 0 / 41 / 8 / 20

HEX #CC79BC

RGB 204 121 188

HSL 311.57, 0.45%, 0.64%

LAB 61.78, 41.98, -21.47

 

CMYK 0 / 13 / 41 / 20

HEX #CCB279

RGB 204 178 121

HSL 41.2, 0.45%, 0.64%

LAB 73.58, 1.45, 32.57

 

CMYK 41 / 0 / 33 / 20

HEX #79CC89

RGB 121 204 137

HSL 131.57, 0.45%, 0.64%

LAB 75.49, -39.43, 25.68

 

CMYK 41 / 27 / 0 / 20

HEX #7994CC

RGB 121 148 204

HSL 220.48, 0.45%, 0.64%

LAB 61.31, 4.81, -31.84

 

Description

Color code: HEX #CC79BC | qconv.com Color code: HEX #CC79BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 121 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 121 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 8 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 8% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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