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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC5EAC it is the complementary color #33A153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC5EAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC5EAC shade: #D15EA7, #E270BA, #F382CD, #FF94E0 and #FFA6F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC5EAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC5EAC shade: #CC5EAC, #BB4C99, #AA3A86, #992873 and #881660

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC5EAC shade: #CB5CAB, #CB5C8D, #CB5C6F and #CB5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC5EAC shade: #CB5CAB, #CB5CC9, #AF5CCB, #915CCB and #735CCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC5EAC shade matches the following richer shades: #CB5CAB, #DC4AB2 and #EE39B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC5EAC shade: #CB5CAB, #BA6DA3, #A87E9C, #979095 and #86A18E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC5EAC shade: #AF5CCB, #CB5CC9, #CB5CAC, #CB5C8E and #CB5C70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC5EAC shade: #A23381, #C13D9A, #CB5CAB, #D57BBB and #DF9ACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC5EAC shade: #CC5EAC, #CB925C and #5CCBBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC5EAC shade: #CC5EAC, #ACCB5C and #5CACCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC5EAC shade: #CC5EAC, #CB925C, #5CCB7B and #5C95CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC5EAC shade: #CC5EAC, #CBB35C, #5CCB7B and #5C74CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 16 / 20

HEX #CC5EAC

RGB 204 94 172

HSL 317.45, 0.52%, 0.58%

LAB 55.91, 52.98, -21.27

 

Complementary color

CMYK 68 / 0 / 48 / 37

HEX #33A153

RGB 51 161 83

HSL 137.45, 0.52%, 0.42%

LAB 58.81, -48.26, 31.68

 

CMYK 0 / 55 / 20 / 18

HEX #D15EA7

RGB 209 94 167

HSL 321.91, 0.56%, 0.59%

LAB 56.44, 53.75, -17.5

 

CMYK 0 / 50 / 18 / 11

HEX #E270BA

RGB 226 112 186

HSL 321.05, 0.66%, 0.66%

LAB 62.76, 53.13, -18.58

 

CMYK 0 / 47 / 16 / 5

HEX #F382CD

RGB 243 130 205

HSL 320.18, 0.82%, 0.73%

LAB 69.06, 52.44, -19.49

 

CMYK 0 / 42 / 12 / 0

HEX #FF94E0

RGB 255 148 224

HSL 317.38, 1%, 0.79%

LAB 74.71, 50.16, -21.25

 

CMYK 0 / 35 / 5 / 0

HEX #FFA6F3

RGB 255 166 243

HSL 308.09, 1%, 0.83%

LAB 79.04, 44.12, -24.98

 

CMYK 0 / 54 / 16 / 20

HEX #CC5EAC

RGB 204 94 172

HSL 317.45, 0.52%, 0.58%

LAB 55.91, 52.98, -21.27

 

CMYK 0 / 59 / 18 / 27

HEX #BB4C99

RGB 187 76 153

HSL 318.38, 0.45%, 0.52%

LAB 49.54, 53.45, -20.11

 

CMYK 0 / 66 / 21 / 33

HEX #AA3A86

RGB 170 58 134

HSL 319.29, 0.49%, 0.45%

LAB 43.2, 53.63, -18.64

 

CMYK 0 / 74 / 25 / 40

HEX #992873

RGB 153 40 115

HSL 320.18, 0.59%, 0.38%

LAB 36.98, 53.29, -16.69

 

CMYK 0 / 84 / 29 / 47

HEX #881660

RGB 136 22 96

HSL 321.05, 0.72%, 0.31%

LAB 31, 52.02, -14.01

 

CMYK 0 / 55 / 16 / 20

HEX #CB5CAB

RGB 203 92 171

HSL 317.3, 0.52%, 0.58%

LAB 55.37, 53.48, -21.53

 

CMYK 0 / 55 / 31 / 20

HEX #CB5C8D

RGB 203 92 141

HSL 333.51, 0.52%, 0.58%

LAB 54.32, 49.27, -5.56

 

CMYK 0 / 55 / 45 / 20

HEX #CB5C6F

RGB 203 92 111

HSL 349.73, 0.52%, 0.58%

LAB 53.49, 45.84, 10.99

 

CMYK 0 / 55 / 55 / 20

HEX #CB5C5C

RGB 203 92 92

HSL 0, 0.52%, 0.58%

LAB 53.08, 44.11, 21.65

 

CMYK 0 / 55 / 16 / 20

HEX #CB5CAB

RGB 203 92 171

HSL 317.3, 0.52%, 0.58%

LAB 55.37, 53.48, -21.53

 

CMYK 0 / 55 / 1 / 20

HEX #CB5CC9

RGB 203 92 201

HSL 301.08, 0.52%, 0.58%

LAB 56.65, 58.39, -36.81

 

CMYK 14 / 55 / 0 / 20

HEX #AF5CCB

RGB 175 92 203

HSL 284.86, 0.52%, 0.58%

LAB 53.04, 51.29, -43.9

 

CMYK 29 / 55 / 0 / 20

HEX #915CCB

RGB 145 92 203

HSL 268.65, 0.52%, 0.58%

LAB 49.48, 43.51, -49.78

 

CMYK 43 / 55 / 0 / 20

HEX #735CCB

RGB 115 92 203

HSL 252.43, 0.52%, 0.58%

LAB 46.46, 36.26, -54.78

 

CMYK 0 / 55 / 16 / 20

HEX #CB5CAB

RGB 203 92 171

HSL 317.3, 0.52%, 0.58%

LAB 55.37, 53.48, -21.53

 

CMYK 0 / 66 / 19 / 14

HEX #DC4AB2

RGB 220 74 178

HSL 317.26, 0.68%, 0.58%

LAB 55.41, 66.9, -25.32

 

CMYK 0 / 76 / 22 / 7

HEX #EE39B9

RGB 238 57 185

HSL 317.57, 0.84%, 0.58%

LAB 56.69, 77.76, -27.15

 

CMYK 0 / 55 / 16 / 20

HEX #CB5CAB

RGB 203 92 171

HSL 317.3, 0.52%, 0.58%

LAB 55.37, 53.48, -21.53

 

CMYK 0 / 41 / 12 / 27

HEX #BA6DA3

RGB 186 109 163

HSL 317.92, 0.36%, 0.58%

LAB 56.11, 38.21, -15.97

 

CMYK 0 / 25 / 7 / 34

HEX #A87E9C

RGB 168 126 156

HSL 317.14, 0.19%, 0.58%

LAB 57.7, 21.28, -9.73

 

CMYK 0 / 5 / 1 / 41

HEX #979095

RGB 151 144 149

HSL 317.14, 0.03%, 0.58%

LAB 60.51, 3.53, -1.73

 

CMYK 17 / 0 / 12 / 37

HEX #86A18E

RGB 134 161 142

HSL 137.78, 0.13%, 0.58%

LAB 63.76, -13.27, 6.78

 

CMYK 14 / 55 / 0 / 20

HEX #AF5CCB

RGB 175 92 203

HSL 284.86, 0.52%, 0.58%

LAB 53.04, 51.29, -43.9

 

CMYK 0 / 55 / 1 / 20

HEX #CB5CC9

RGB 203 92 201

HSL 301.08, 0.52%, 0.58%

LAB 56.65, 58.39, -36.81

 

CMYK 0 / 55 / 15 / 20

HEX #CB5CAC

RGB 203 92 172

HSL 316.76, 0.52%, 0.58%

LAB 55.41, 53.63, -22.05

 

CMYK 0 / 55 / 30 / 20

HEX #CB5C8E

RGB 203 92 142

HSL 332.97, 0.52%, 0.58%

LAB 54.35, 49.39, -6.1

 

CMYK 0 / 55 / 45 / 20

HEX #CB5C70

RGB 203 92 112

HSL 349.19, 0.52%, 0.58%

LAB 53.51, 45.94, 10.44

 

CMYK 0 / 69 / 20 / 36

HEX #A23381

RGB 162 51 129

HSL 317.84, 0.52%, 0.42%

LAB 40.63, 53.54, -19.65

 

CMYK 0 / 68 / 20 / 24

HEX #C13D9A

RGB 193 61 154

HSL 317.73, 0.52%, 0.5%

LAB 48.27, 61.48, -22.58

 

CMYK 0 / 55 / 16 / 20

HEX #CB5CAB

RGB 203 92 171

HSL 317.3, 0.52%, 0.58%

LAB 55.37, 53.48, -21.53

 

CMYK 0 / 42 / 12 / 16

HEX #D57BBB

RGB 213 123 187

HSL 317.33, 0.52%, 0.66%

LAB 63.26, 43.66, -18.54

 

CMYK 0 / 31 / 9 / 13

HEX #DF9ACB

RGB 223 154 203

HSL 317.39, 0.52%, 0.74%

LAB 71.63, 33.22, -14.72

 

CMYK 0 / 54 / 16 / 20

HEX #CC5EAC

RGB 204 94 172

HSL 317.45, 0.52%, 0.58%

LAB 55.91, 52.98, -21.27

 

CMYK 0 / 28 / 55 / 20

HEX #CB925C

RGB 203 146 92

HSL 29.19, 0.52%, 0.58%

LAB 64.98, 15.48, 36.91

 

CMYK 55 / 0 / 6 / 20

HEX #5CCBBE

RGB 92 203 190

HSL 172.97, 0.52%, 0.58%

LAB 75.27, -34.79, -3.14

 

CMYK 0 / 54 / 16 / 20

HEX #CC5EAC

RGB 204 94 172

HSL 317.45, 0.52%, 0.58%

LAB 55.91, 52.98, -21.27

 

CMYK 15 / 0 / 55 / 20

HEX #ACCB5C

RGB 172 203 92

HSL 76.76, 0.52%, 0.58%

LAB 77.43, -27.1, 51.15

 

CMYK 55 / 15 / 0 / 20

HEX #5CACCB

RGB 92 172 203

HSL 196.76, 0.52%, 0.58%

LAB 66.59, -15.77, -23.27

 

CMYK 0 / 54 / 16 / 20

HEX #CC5EAC

RGB 204 94 172

HSL 317.45, 0.52%, 0.58%

LAB 55.91, 52.98, -21.27

 

CMYK 0 / 28 / 55 / 20

HEX #CB925C

RGB 203 146 92

HSL 29.19, 0.52%, 0.58%

LAB 64.98, 15.48, 36.91

 

CMYK 55 / 0 / 39 / 20

HEX #5CCB7B

RGB 92 203 123

HSL 136.76, 0.52%, 0.58%

LAB 73.82, -49.2, 30.53

 

CMYK 55 / 27 / 0 / 20

HEX #5C95CB

RGB 92 149 203

HSL 209.19, 0.52%, 0.58%

LAB 59.96, -3.1, -33.5

 

CMYK 0 / 54 / 16 / 20

HEX #CC5EAC

RGB 204 94 172

HSL 317.45, 0.52%, 0.58%

LAB 55.91, 52.98, -21.27

 

CMYK 0 / 12 / 55 / 20

HEX #CBB35C

RGB 203 179 92

HSL 47.03, 0.52%, 0.58%

LAB 73.36, -2.27, 47.01

 

CMYK 55 / 0 / 39 / 20

HEX #5CCB7B

RGB 92 203 123

HSL 136.76, 0.52%, 0.58%

LAB 73.82, -49.2, 30.53

 

CMYK 55 / 43 / 0 / 20

HEX #5C74CB

RGB 92 116 203

HSL 227.03, 0.52%, 0.58%

LAB 50.78, 16.52, -47.97

 

Description

Color code: HEX #CC5EAC | qconv.com Color code: HEX #CC5EAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 94 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 94 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 16 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 16% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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