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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC46CA it is the complementary color #33B935. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC46CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC46CA shade: #D146C5, #E258D8, #F36AEB, #FF7CFE and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC46CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC46CA shade: #CC46CA, #BB34B7, #AA22A4, #991091 and #88007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC46CA shade: #CC46CA, #CC46A6, #CC4682, #CC465E and #CC4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC46CA shade: #CC46CA, #AA46CC, #8646CC, #6246CC and #4646CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC46CA shade matches the following richer shades: #CC46CA, #DF33DC and #F220EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC46CA shade: #CC46CA, #B959B8, #A66CA5, #937F93 and #809280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC46CA shade: #8546CC, #A846CC, #CC46CC, #CC46A8 and #CC4685

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC46CA shade: #972995, #B732B5, #CC46CA, #D567D3 and #DE87DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC46CA shade: #CC46CA, #CC6146 and #46CC97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC46CA shade: #CC46CA, #CCCC46 and #46CCCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC46CA shade: #CC46CA, #CC6146, #46CC46 and #46B1CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC46CA shade: #CC46CA, #CC8946, #46CC46 and #4689CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

Complementary color

CMYK 72 / 0 / 71 / 27

HEX #33B935

RGB 51 185 53

HSL 120.9, 0.57%, 0.46%

LAB 66.26, -60.39, 53.97

 

CMYK 0 / 67 / 6 / 18

HEX #D146C5

RGB 209 70 197

HSL 305.18, 0.6%, 0.55%

LAB 53.99, 68.46, -38.64

 

CMYK 0 / 61 / 4 / 11

HEX #E258D8

RGB 226 88 216

HSL 304.35, 0.7%, 0.62%

LAB 59.98, 68.56, -39.86

 

CMYK 0 / 56 / 3 / 5

HEX #F36AEB

RGB 243 106 235

HSL 303.5, 0.85%, 0.68%

LAB 66.03, 68.35, -40.84

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFE

RGB 255 124 254

HSL 300.46, 1%, 0.74%

LAB 71.44, 66.62, -42.69

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 0 / 72 / 2 / 27

HEX #BB34B7

RGB 187 52 183

HSL 301.78, 0.56%, 0.47%

LAB 47.55, 67.54, -40.92

 

CMYK 0 / 80 / 4 / 33

HEX #AA22A4

RGB 170 34 164

HSL 302.65, 0.67%, 0.4%

LAB 41.8, 66.24, -38.97

 

CMYK 0 / 90 / 5 / 40

HEX #991091

RGB 153 16 145

HSL 303.5, 0.81%, 0.33%

LAB 36.34, 63.8, -36.31

 

CMYK 0 / 100 / 7 / 47

HEX #88007E

RGB 136 0 126

HSL 304.41, 1%, 0.27%

LAB 31.21, 60.06, -32.87

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 0 / 66 / 19 / 20

HEX #CC46A6

RGB 204 70 166

HSL 317.01, 0.57%, 0.54%

LAB 51.8, 62.59, -24.08

 

CMYK 0 / 66 / 36 / 20

HEX #CC4682

RGB 204 70 130

HSL 333.13, 0.57%, 0.54%

LAB 50.49, 58.04, -4.67

 

CMYK 0 / 66 / 54 / 20

HEX #CC465E

RGB 204 70 94

HSL 349.25, 0.57%, 0.54%

LAB 49.53, 54.6, 15.69

 

CMYK 0 / 66 / 66 / 20

HEX #CC4646

RGB 204 70 70

HSL 0, 0.57%, 0.54%

LAB 49.08, 52.95, 29.44

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 17 / 66 / 0 / 20

HEX #AA46CC

RGB 170 70 204

HSL 284.78, 0.57%, 0.54%

LAB 48.62, 60.64, -51.55

 

CMYK 34 / 66 / 0 / 20

HEX #8646CC

RGB 134 70 204

HSL 268.66, 0.57%, 0.54%

LAB 43.96, 52.79, -59.29

 

CMYK 52 / 66 / 0 / 20

HEX #6246CC

RGB 98 70 204

HSL 252.54, 0.57%, 0.54%

LAB 40.14, 45.81, -65.66

 

CMYK 66 / 66 / 0 / 20

HEX #4646CC

RGB 70 70 204

HSL 240, 0.57%, 0.54%

LAB 37.92, 41.44, -69.39

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 0 / 77 / 1 / 13

HEX #DF33DC

RGB 223 51 220

HSL 301.05, 0.73%, 0.54%

LAB 55.3, 81.01, -49.55

 

CMYK 0 / 87 / 1 / 5

HEX #F220EF

RGB 242 32 239

HSL 300.86, 0.89%, 0.54%

LAB 58.17, 91.1, -55.5

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 0 / 52 / 1 / 27

HEX #B959B8

RGB 185 89 184

HSL 300.63, 0.41%, 0.54%

LAB 52.86, 51.86, -33.16

 

CMYK 0 / 35 / 1 / 35

HEX #A66CA5

RGB 166 108 165

HSL 301.03, 0.25%, 0.54%

LAB 53.54, 32.45, -21.26

 

CMYK 0 / 14 / 0 / 42

HEX #937F93

RGB 147 127 147

HSL 300, 0.08%, 0.54%

LAB 55.57, 11.38, -7.93

 

CMYK 12 / 0 / 12 / 43

HEX #809280

RGB 128 146 128

HSL 120, 0.08%, 0.54%

LAB 58.7, -10.06, 7.38

 

CMYK 35 / 66 / 0 / 20

HEX #8546CC

RGB 133 70 204

HSL 268.21, 0.57%, 0.54%

LAB 43.84, 52.58, -59.49

 

CMYK 18 / 66 / 0 / 20

HEX #A846CC

RGB 168 70 204

HSL 283.88, 0.57%, 0.54%

LAB 48.34, 60.19, -52.01

 

CMYK 0 / 66 / 0 / 20

HEX #CC46CC

RGB 204 70 204

HSL 300, 0.57%, 0.54%

LAB 53.58, 68.42, -43.36

 

CMYK 0 / 66 / 18 / 20

HEX #CC46A8

RGB 204 70 168

HSL 316.12, 0.57%, 0.54%

LAB 51.89, 62.87, -25.13

 

CMYK 0 / 66 / 35 / 20

HEX #CC4685

RGB 204 70 133

HSL 331.79, 0.57%, 0.54%

LAB 50.58, 58.38, -6.33

 

CMYK 0 / 73 / 1 / 41

HEX #972995

RGB 151 41 149

HSL 301.09, 0.57%, 0.38%

LAB 38.44, 57.61, -35.45

 

CMYK 0 / 73 / 1 / 28

HEX #B732B5

RGB 183 50 181

HSL 300.9, 0.57%, 0.46%

LAB 46.56, 67, -41.35

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 0 / 52 / 1 / 16

HEX #D567D3

RGB 213 103 211

HSL 301.09, 0.57%, 0.62%

LAB 60.38, 57.7, -36.55

 

CMYK 0 / 39 / 0 / 13

HEX #DE87DD

RGB 222 135 221

HSL 300.69, 0.57%, 0.7%

LAB 68.08, 46.11, -30.1

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 0 / 52 / 66 / 20

HEX #CC6146

RGB 204 97 70

HSL 12.09, 0.57%, 0.54%

LAB 53.85, 40.44, 35.24

 

CMYK 66 / 0 / 26 / 20

HEX #46CC97

RGB 70 204 151

HSL 156.27, 0.57%, 0.54%

LAB 74.01, -48.67, 15.97

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 0 / 0 / 66 / 20

HEX #CCCC46

RGB 204 204 70

HSL 60, 0.57%, 0.54%

LAB 79.88, -16.2, 63.92

 

CMYK 66 / 0 / 0 / 20

HEX #46CCCC

RGB 70 204 204

HSL 180, 0.57%, 0.54%

LAB 75.36, -35.33, -10.64

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 0 / 52 / 66 / 20

HEX #CC6146

RGB 204 97 70

HSL 12.09, 0.57%, 0.54%

LAB 53.85, 40.44, 35.24

 

CMYK 66 / 0 / 66 / 20

HEX #46CC46

RGB 70 204 70

HSL 120, 0.57%, 0.54%

LAB 72.85, -61.64, 54.35

 

CMYK 66 / 13 / 0 / 20

HEX #46B1CC

RGB 70 177 204

HSL 192.09, 0.57%, 0.54%

LAB 67.36, -22.12, -22.72

 

CMYK 0 / 66 / 1 / 20

HEX #CC46CA

RGB 204 70 202

HSL 300.9, 0.57%, 0.54%

LAB 53.47, 68.09, -42.38

 

CMYK 0 / 33 / 66 / 20

HEX #CC8946

RGB 204 137 70

HSL 30, 0.57%, 0.54%

LAB 62.65, 19.21, 45.47

 

CMYK 66 / 0 / 66 / 20

HEX #46CC46

RGB 70 204 70

HSL 120, 0.57%, 0.54%

LAB 72.85, -61.64, 54.35

 

CMYK 66 / 33 / 0 / 20

HEX #4689CC

RGB 70 137 204

HSL 210, 0.57%, 0.54%

LAB 55.64, -0.07, -40.9

 

Description

Color code: HEX #CC46CA | qconv.com Color code: HEX #CC46CA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 70 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 70 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 1 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 1% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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