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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC3F0E it is the complementary color #33C0F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC3F0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC3F0E shade: #D13F09, #E2511C, #F3632F, #FF7542 and #FF8755

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC3F0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC3F0E shade: #CC3F0E, #BB2D00, #AA1B00, #990900 and #880000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC3F0E shade: #CD3F0E and #CD0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC3F0E shade: #CD3F0E, #CD720E, #CDA60E, #C0CD0E and #8CCD0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC3F0E shade matches the following richer shades: #CD3F0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC3F0E shade: #CD3F0E, #BB481F, #A95031, #975943 and #866155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC3F0E shade: #CD0E44, #CD0E11, #CD3D0E, #CD700E and #CDA30E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC3F0E shade: #7F2708, #A6330B, #CD3F0E, #EE4D15 and #F16B3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC3F0E shade: #CC3F0E, #77CD0E and #0E2ACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC3F0E shade: #CC3F0E, #0ECD3D and #3D0ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC3F0E shade: #CC3F0E, #77CD0E, #0E9DCD and #640ECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC3F0E shade: #CC3F0E, #3DCD0E, #0E9DCD and #9D0ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 93 / 20

HEX #CC3F0E

RGB 204 63 14

HSL 15.47, 0.87%, 0.43%

LAB 47.53, 53.88, 55.26

 

Complementary color

CMYK 79 / 20 / 0 / 5

HEX #33C0F1

RGB 51 192 241

HSL 195.47, 0.87%, 0.57%

LAB 72.73, -20.38, -34.68

 

CMYK 0 / 70 / 96 / 18

HEX #D13F09

RGB 209 63 9

HSL 16.2, 0.92%, 0.43%

LAB 48.42, 55.49, 57.59

 

CMYK 0 / 64 / 88 / 11

HEX #E2511C

RGB 226 81 28

HSL 16.06, 0.78%, 0.5%

LAB 54.17, 54.26, 57.08

 

CMYK 0 / 59 / 81 / 5

HEX #F3632F

RGB 243 99 47

HSL 15.92, 0.89%, 0.57%

LAB 60.05, 52.83, 55.36

 

CMYK 0 / 54 / 74 / 0

HEX #FF7542

RGB 255 117 66

HSL 16.19, 1%, 0.63%

LAB 65.26, 49.52, 52.25

 

CMYK 0 / 47 / 67 / 0

HEX #FF8755

RGB 255 135 85

HSL 17.65, 1%, 0.67%

LAB 68.93, 41.67, 46.81

 

CMYK 0 / 69 / 93 / 20

HEX #CC3F0E

RGB 204 63 14

HSL 15.47, 0.87%, 0.43%

LAB 47.53, 53.88, 55.26

 

CMYK 0 / 76 / 100 / 27

HEX #BB2D00

RGB 187 45 0

HSL 14.44, 1%, 0.37%

LAB 41.91, 54.72, 54.46

 

CMYK 0 / 84 / 100 / 33

HEX #AA1B00

RGB 170 27 0

HSL 9.53, 1%, 0.33%

LAB 36.61, 54.77, 50.16

 

CMYK 0 / 94 / 100 / 40

HEX #990900

RGB 153 9 0

HSL 3.53, 1%, 0.3%

LAB 31.73, 53.41, 45.45

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136 0 0

HSL 0, 1%, 0.27%

LAB 27.39, 50.21, 40.43

 

CMYK 0 / 69 / 93 / 20

HEX #CD3F0E

RGB 205 63 14

HSL 15.39, 0.87%, 0.43%

LAB 47.71, 54.22, 55.47

 

CMYK 0 / 93 / 93 / 20

HEX #CD0E0E

RGB 205 14 14

HSL 0, 0.87%, 0.43%

LAB 43.25, 66.73, 52.68

 

CMYK 0 / 69 / 93 / 20

HEX #CD3F0E

RGB 205 63 14

HSL 15.39, 0.87%, 0.43%

LAB 47.71, 54.22, 55.47

 

CMYK 0 / 44 / 93 / 20

HEX #CD720E

RGB 205 114 14

HSL 31.41, 0.87%, 0.43%

LAB 57.12, 30.01, 61.87

 

CMYK 0 / 19 / 93 / 20

HEX #CDA60E

RGB 205 166 14

HSL 47.75, 0.87%, 0.43%

LAB 69.67, 1.93, 71.01

 

CMYK 6 / 0 / 93 / 20

HEX #C0CD0E

RGB 192 205 14

HSL 64.08, 0.87%, 0.43%

LAB 78.98, -23.66, 77.58

 

CMYK 32 / 0 / 93 / 20

HEX #8CCD0E

RGB 140 205 14

HSL 80.42, 0.87%, 0.43%

LAB 75.62, -44.46, 73.5

 

CMYK 0 / 69 / 93 / 20

HEX #CD3F0E

RGB 205 63 14

HSL 15.39, 0.87%, 0.43%

LAB 47.71, 54.22, 55.47

 

CMYK 0 / 69 / 93 / 20

HEX #CD3F0E

RGB 205 63 14

HSL 15.39, 0.87%, 0.43%

LAB 47.71, 54.22, 55.47

 

CMYK 0 / 61 / 83 / 27

HEX #BB481F

RGB 187 72 31

HSL 15.77, 0.72%, 0.43%

LAB 46.04, 44.43, 46.33

 

CMYK 0 / 53 / 71 / 34

HEX #A95031

RGB 169 80 49

HSL 15.5, 0.55%, 0.43%

LAB 44.79, 34.29, 34.95

 

CMYK 0 / 41 / 56 / 41

HEX #975943

RGB 151 89 67

HSL 15.71, 0.39%, 0.43%

LAB 44.42, 23.2, 23.58

 

CMYK 0 / 28 / 37 / 47

HEX #866155

RGB 134 97 85

HSL 14.69, 0.22%, 0.43%

LAB 44.62, 13.3, 12.75

 

CMYK 0 / 93 / 67 / 20

HEX #CD0E44

RGB 205 14 68

HSL 343.04, 0.87%, 0.43%

LAB 43.81, 68.31, 24.07

 

CMYK 0 / 93 / 92 / 20

HEX #CD0E11

RGB 205 14 17

HSL 359.06, 0.87%, 0.43%

LAB 43.26, 66.77, 51.57

 

CMYK 0 / 70 / 93 / 20

HEX #CD3D0E

RGB 205 61 14

HSL 14.76, 0.87%, 0.43%

LAB 47.43, 54.98, 55.29

 

CMYK 0 / 45 / 93 / 20

HEX #CD700E

RGB 205 112 14

HSL 30.79, 0.87%, 0.43%

LAB 56.68, 31.07, 61.56

 

CMYK 0 / 20 / 93 / 20

HEX #CDA30E

RGB 205 163 14

HSL 46.81, 0.87%, 0.43%

LAB 68.9, 3.53, 70.43

 

CMYK 0 / 69 / 94 / 50

HEX #7F2708

RGB 127 39 8

HSL 15.63, 0.88%, 0.26%

LAB 29.36, 36.69, 38.01

 

CMYK 0 / 69 / 93 / 35

HEX #A6330B

RGB 166 51 11

HSL 15.48, 0.88%, 0.35%

LAB 38.72, 45.67, 46.96

 

CMYK 0 / 69 / 93 / 20

HEX #CD3F0E

RGB 205 63 14

HSL 15.39, 0.87%, 0.43%

LAB 47.71, 54.22, 55.47

 

CMYK 0 / 68 / 91 / 7

HEX #EE4D15

RGB 238 77 21

HSL 15.48, 0.86%, 0.51%

LAB 55.62, 59.78, 61.46

 

CMYK 0 / 56 / 75 / 5

HEX #F16B3C

RGB 241 107 60

HSL 15.58, 0.87%, 0.59%

LAB 61.26, 48.88, 50.33

 

CMYK 0 / 69 / 93 / 20

HEX #CC3F0E

RGB 204 63 14

HSL 15.47, 0.87%, 0.43%

LAB 47.53, 53.88, 55.26

 

CMYK 42 / 0 / 93 / 20

HEX #77CD0E

RGB 119 205 14

HSL 87.02, 0.87%, 0.43%

LAB 74.58, -51.84, 72.23

 

CMYK 93 / 80 / 0 / 20

HEX #0E2ACD

RGB 14 42 205

HSL 231.2, 0.87%, 0.43%

LAB 29.81, 53.59, -83.44

 

CMYK 0 / 69 / 93 / 20

HEX #CC3F0E

RGB 204 63 14

HSL 15.47, 0.87%, 0.43%

LAB 47.53, 53.88, 55.26

 

CMYK 93 / 0 / 70 / 20

HEX #0ECD3D

RGB 14 205 61

HSL 134.76, 0.87%, 0.43%

LAB 72.29, -69.64, 57.08

 

CMYK 70 / 93 / 0 / 20

HEX #3D0ECD

RGB 61 14 205

HSL 254.76, 0.87%, 0.43%

LAB 28.68, 65.7, -85.25

 

CMYK 0 / 69 / 93 / 20

HEX #CC3F0E

RGB 204 63 14

HSL 15.47, 0.87%, 0.43%

LAB 47.53, 53.88, 55.26

 

CMYK 42 / 0 / 93 / 20

HEX #77CD0E

RGB 119 205 14

HSL 87.02, 0.87%, 0.43%

LAB 74.58, -51.84, 72.23

 

CMYK 93 / 23 / 0 / 20

HEX #0E9DCD

RGB 14 157 205

HSL 195.08, 0.87%, 0.43%

LAB 60.44, -16.75, -34.03

 

CMYK 51 / 93 / 0 / 20

HEX #640ECD

RGB 100 14 205

HSL 267.02, 0.87%, 0.43%

LAB 32.77, 68.33, -78.34

 

CMYK 0 / 69 / 93 / 20

HEX #CC3F0E

RGB 204 63 14

HSL 15.47, 0.87%, 0.43%

LAB 47.53, 53.88, 55.26

 

CMYK 70 / 0 / 93 / 20

HEX #3DCD0E

RGB 61 205 14

HSL 105.24, 0.87%, 0.43%

LAB 72.68, -66.96, 69.9

 

CMYK 93 / 23 / 0 / 20

HEX #0E9DCD

RGB 14 157 205

HSL 195.08, 0.87%, 0.43%

LAB 60.44, -16.75, -34.03

 

CMYK 23 / 93 / 0 / 20

HEX #9D0ECD

RGB 157 14 205

HSL 284.92, 0.87%, 0.43%

LAB 41.04, 74.84, -64.46

 

Description

Color code: HEX #CC3F0E | qconv.com Color code: HEX #CC3F0E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 63 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 63 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 93 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 93% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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