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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC31A6 it is the complementary color #33CE59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC31A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC31A6 shade: #D131A1, #E243B4, #F355C7, #FF67DA and #FF79ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC31A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC31A6 shade: #CC31A6, #BB1F93, #AA0D80, #99006D and #88005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC31A6 shade: #CD31A7, #CD317D, #CD3153 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC31A6 shade: #CD31A7, #C931CD, #9F31CD, #7531CD and #4B31CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC31A6 shade matches the following richer shades: #CD31A7, #E11DB1 and #F608BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC31A6 shade: #CD31A7, #B8469C, #A45A92, #8F6F87 and #7A847D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC31A6 shade: #9E31CD, #C831CD, #CD31A8, #CD317F and #CD3156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC31A6 shade: #8A2171, #AC298C, #CD31A7, #D552B5 and #DD74C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC31A6 shade: #CC31A6, #CD7531 and #31CDB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC31A6 shade: #CC31A6, #A8CD31 and #31A8CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC31A6 shade: #CC31A6, #CD7531, #31CD56 and #3189CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC31A6 shade: #CC31A6, #CDA331, #31CD56 and #315BCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 19 / 20

HEX #CC31A6

RGB 204 49 166

HSL 314.71, 0.61%, 0.5%

LAB 49.24, 69.81, -28.06

 

Complementary color

CMYK 75 / 0 / 57 / 19

HEX #33CE59

RGB 51 206 89

HSL 134.71, 0.61%, 0.5%

LAB 73.26, -63.38, 46.39

 

CMYK 0 / 77 / 23 / 18

HEX #D131A1

RGB 209 49 161

HSL 318, 0.63%, 0.51%

LAB 49.89, 70.33, -24.02

 

CMYK 0 / 70 / 20 / 11

HEX #E243B4

RGB 226 67 180

HSL 317.36, 0.73%, 0.57%

LAB 55.56, 71.2, -26.16

 

CMYK 0 / 65 / 18 / 5

HEX #F355C7

RGB 243 85 199

HSL 316.71, 0.87%, 0.64%

LAB 61.37, 71.52, -27.88

 

CMYK 0 / 60 / 15 / 0

HEX #FF67DA

RGB 255 103 218

HSL 314.61, 1%, 0.7%

LAB 66.54, 70.14, -30.46

 

CMYK 0 / 53 / 7 / 0

HEX #FF79ED

RGB 255 121 237

HSL 308.06, 1%, 0.74%

LAB 70.21, 65.19, -35.3

 

CMYK 0 / 76 / 19 / 20

HEX #CC31A6

RGB 204 49 166

HSL 314.71, 0.61%, 0.5%

LAB 49.24, 69.81, -28.06

 

CMYK 0 / 83 / 21 / 27

HEX #BB1F93

RGB 187 31 147

HSL 315.38, 0.72%, 0.43%

LAB 43.73, 68.16, -25.48

 

CMYK 0 / 92 / 25 / 33

HEX #AA0D80

RGB 170 13 128

HSL 316.05, 0.86%, 0.36%

LAB 38.54, 65.35, -22.15

 

CMYK 0 / 100 / 29 / 40

HEX #99006D

RGB 153 0 109

HSL 317.25, 1%, 0.3%

LAB 33.72, 61.16, -17.91

 

CMYK 0 / 100 / 34 / 47

HEX #88005A

RGB 136 0 90

HSL 320.29, 1%, 0.27%

LAB 29.34, 55.38, -12.64

 

CMYK 0 / 76 / 19 / 20

HEX #CD31A7

RGB 205 49 167

HSL 314.62, 0.61%, 0.5%

LAB 49.45, 70.18, -28.3

 

CMYK 0 / 76 / 39 / 20

HEX #CD317D

RGB 205 49 125

HSL 330.77, 0.61%, 0.5%

LAB 47.82, 65.24, -5.58

 

CMYK 0 / 76 / 60 / 20

HEX #CD3153

RGB 205 49 83

HSL 346.92, 0.61%, 0.5%

LAB 46.71, 61.74, 18.6

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 76 / 19 / 20

HEX #CD31A7

RGB 205 49 167

HSL 314.62, 0.61%, 0.5%

LAB 49.45, 70.18, -28.3

 

CMYK 2 / 76 / 0 / 20

HEX #C931CD

RGB 201 49 205

HSL 298.46, 0.61%, 0.5%

LAB 50.71, 74.89, -48.51

 

CMYK 22 / 76 / 0 / 20

HEX #9F31CD

RGB 159 49 205

HSL 282.31, 0.61%, 0.5%

LAB 44.2, 66.82, -59.32

 

CMYK 43 / 76 / 0 / 20

HEX #7531CD

RGB 117 49 205

HSL 266.15, 0.61%, 0.5%

LAB 38.53, 59.63, -68.8

 

CMYK 63 / 76 / 0 / 20

HEX #4B31CD

RGB 75 49 205

HSL 250, 0.61%, 0.5%

LAB 34.19, 53.98, -76.08

 

CMYK 0 / 76 / 19 / 20

HEX #CD31A7

RGB 205 49 167

HSL 314.62, 0.61%, 0.5%

LAB 49.45, 70.18, -28.3

 

CMYK 0 / 87 / 21 / 12

HEX #E11DB1

RGB 225 29 177

HSL 314.69, 0.77%, 0.5%

LAB 51.91, 80.2, -30.1

 

CMYK 0 / 97 / 24 / 4

HEX #F608BC

RGB 246 8 188

HSL 314.62, 0.94%, 0.5%

LAB 55.48, 87.76, -30.65

 

CMYK 0 / 76 / 19 / 20

HEX #CD31A7

RGB 205 49 167

HSL 314.62, 0.61%, 0.5%

LAB 49.45, 70.18, -28.3

 

CMYK 0 / 62 / 15 / 28

HEX #B8469C

RGB 184 70 156

HSL 314.74, 0.45%, 0.5%

LAB 48.22, 55.7, -23.96

 

CMYK 0 / 45 / 11 / 36

HEX #A45A92

RGB 164 90 146

HSL 314.59, 0.29%, 0.5%

LAB 48.61, 38.21, -17.66

 

CMYK 0 / 22 / 6 / 44

HEX #8F6F87

RGB 143 111 135

HSL 315, 0.13%, 0.5%

LAB 50.64, 16.88, -8.31

 

CMYK 8 / 0 / 5 / 48

HEX #7A847D

RGB 122 132 125

HSL 138, 0.04%, 0.5%

LAB 54.15, -5.1, 2.51

 

CMYK 23 / 76 / 0 / 20

HEX #9E31CD

RGB 158 49 205

HSL 281.92, 0.61%, 0.5%

LAB 44.05, 66.64, -59.57

 

CMYK 2 / 76 / 0 / 20

HEX #C831CD

RGB 200 49 205

HSL 298.08, 0.61%, 0.5%

LAB 50.55, 74.7, -48.78

 

CMYK 0 / 76 / 18 / 20

HEX #CD31A8

RGB 205 49 168

HSL 314.23, 0.61%, 0.5%

LAB 49.5, 70.31, -28.82

 

CMYK 0 / 76 / 38 / 20

HEX #CD317F

RGB 205 49 127

HSL 330, 0.61%, 0.5%

LAB 47.89, 65.44, -6.7

 

CMYK 0 / 76 / 58 / 20

HEX #CD3156

RGB 205 49 86

HSL 345.77, 0.61%, 0.5%

LAB 46.77, 61.94, 16.84

 

CMYK 0 / 76 / 18 / 46

HEX #8A2171

RGB 138 33 113

HSL 314.29, 0.61%, 0.34%

LAB 33.31, 51.53, -21.32

 

CMYK 0 / 76 / 19 / 33

HEX #AC298C

RGB 172 41 140

HSL 314.66, 0.62%, 0.42%

LAB 41.61, 61.16, -24.73

 

CMYK 0 / 76 / 19 / 20

HEX #CD31A7

RGB 205 49 167

HSL 314.62, 0.61%, 0.5%

LAB 49.45, 70.18, -28.3

 

CMYK 0 / 62 / 15 / 16

HEX #D552B5

RGB 213 82 181

HSL 314.66, 0.61%, 0.58%

LAB 55.6, 62.28, -26.85

 

CMYK 0 / 48 / 12 / 13

HEX #DD74C3

RGB 221 116 195

HSL 314.86, 0.61%, 0.66%

LAB 63.18, 51.03, -23.1

 

CMYK 0 / 76 / 19 / 20

HEX #CC31A6

RGB 204 49 166

HSL 314.71, 0.61%, 0.5%

LAB 49.24, 69.81, -28.06

 

CMYK 0 / 43 / 76 / 20

HEX #CD7531

RGB 205 117 49

HSL 26.15, 0.61%, 0.5%

LAB 57.96, 29.36, 50.51

 

CMYK 76 / 0 / 13 / 20

HEX #31CDB3

RGB 49 205 179

HSL 170, 0.61%, 0.5%

LAB 74.55, -45.28, 1.64

 

CMYK 0 / 76 / 19 / 20

HEX #CC31A6

RGB 204 49 166

HSL 314.71, 0.61%, 0.5%

LAB 49.24, 69.81, -28.06

 

CMYK 18 / 0 / 76 / 20

HEX #A8CD31

RGB 168 205 49

HSL 74.23, 0.61%, 0.5%

LAB 77.41, -32.55, 68.03

 

CMYK 76 / 18 / 0 / 20

HEX #31A8CD

RGB 49 168 205

HSL 194.23, 0.61%, 0.5%

LAB 64.21, -19.98, -28.14

 

CMYK 0 / 76 / 19 / 20

HEX #CC31A6

RGB 204 49 166

HSL 314.71, 0.61%, 0.5%

LAB 49.24, 69.81, -28.06

 

CMYK 0 / 43 / 76 / 20

HEX #CD7531

RGB 205 117 49

HSL 26.15, 0.61%, 0.5%

LAB 57.96, 29.36, 50.51

 

CMYK 76 / 0 / 58 / 20

HEX #31CD56

RGB 49 205 86

HSL 134.23, 0.61%, 0.5%

LAB 72.88, -63.71, 47.31

 

CMYK 76 / 33 / 0 / 20

HEX #3189CD

RGB 49 137 205

HSL 206.15, 0.61%, 0.5%

LAB 55.02, -2.75, -42.48

 

CMYK 0 / 76 / 19 / 20

HEX #CC31A6

RGB 204 49 166

HSL 314.71, 0.61%, 0.5%

LAB 49.24, 69.81, -28.06

 

CMYK 0 / 20 / 76 / 20

HEX #CDA331

RGB 205 163 49

HSL 43.85, 0.61%, 0.5%

LAB 69.04, 4.46, 61.26

 

CMYK 76 / 0 / 58 / 20

HEX #31CD56

RGB 49 205 86

HSL 134.23, 0.61%, 0.5%

LAB 72.88, -63.71, 47.31

 

CMYK 76 / 56 / 0 / 20

HEX #315BCD

RGB 49 91 205

HSL 223.85, 0.61%, 0.5%

LAB 42.07, 25.95, -63.25

 

Description

Color code: HEX #CC31A6 | qconv.com Color code: HEX #CC31A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 49 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 49 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 19 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 19% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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