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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC38C2 it is the complementary color #33C73D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC38C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC38C2 shade: #D138BD, #E24AD0, #F35CE3, #FF6EF6 and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC38C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC38C2 shade: #CC38C2, #BB26AF, #AA149C, #990289 and #880076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC38C2 shade: #CB38C1, #CB389A, #CB3872, #CB384A and #CB3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC38C2 shade: #CB38C1, #AD38CB, #8638CB, #5E38CB and #3838CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC38C2 shade matches the following richer shades: #CB38C1, #DF24D3 and #F40FE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC38C2 shade: #CB38C1, #B74CB0, #A3609E, #8F748D and #7A897B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC38C2 shade: #8638CB, #AE38CB, #CB38C1, #CB389A and #CB3873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC38C2 shade: #8D2486, #AD2CA5, #CB38C1, #D459CB and #DC79D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC38C2 shade: #CC38C2, #CB5F38 and #38CB9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC38C2 shade: #CC38C2, #C1CB38 and #38C1CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC38C2 shade: #CC38C2, #CB5F38, #38CB42 and #38A4CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC38C2 shade: #CC38C2, #CB8B38, #38CB42 and #3878CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 5 / 20

HEX #CC38C2

RGB 204 56 194

HSL 304.05, 0.59%, 0.51%

LAB 51.34, 71.7, -41.14

 

Complementary color

CMYK 74 / 0 / 69 / 22

HEX #33C73D

RGB 51 199 61

HSL 124.05, 0.59%, 0.49%

LAB 70.79, -64.21, 55.64

 

CMYK 0 / 73 / 10 / 18

HEX #D138BD

RGB 209 56 189

HSL 307.84, 0.62%, 0.52%

LAB 51.9, 72.05, -37.3

 

CMYK 0 / 67 / 8 / 11

HEX #E24AD0

RGB 226 74 208

HSL 307.11, 0.72%, 0.59%

LAB 57.67, 72.7, -38.96

 

CMYK 0 / 62 / 7 / 5

HEX #F35CE3

RGB 243 92 227

HSL 306.36, 0.86%, 0.66%

LAB 63.55, 72.88, -40.26

 

CMYK 0 / 57 / 4 / 0

HEX #FF6EF6

RGB 255 110 246

HSL 303.72, 1%, 0.72%

LAB 68.8, 71.48, -42.45

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 73 / 5 / 20

HEX #CC38C2

RGB 204 56 194

HSL 304.05, 0.59%, 0.51%

LAB 51.34, 71.7, -41.14

 

CMYK 0 / 80 / 6 / 27

HEX #BB26AF

RGB 187 38 175

HSL 304.83, 0.66%, 0.44%

LAB 45.7, 70.38, -39.14

 

CMYK 0 / 88 / 8 / 33

HEX #AA149C

RGB 170 20 156

HSL 305.6, 0.79%, 0.37%

LAB 40.32, 68.03, -36.5

 

CMYK 0 / 99 / 10 / 40

HEX #990289

RGB 153 2 137

HSL 306.36, 0.97%, 0.3%

LAB 35.25, 64.5, -33.12

 

CMYK 0 / 100 / 13 / 47

HEX #880076

RGB 136 0 118

HSL 307.94, 1%, 0.27%

LAB 30.74, 58.91, -28.55

 

CMYK 0 / 72 / 5 / 20

HEX #CB38C1

RGB 203 56 193

HSL 304.08, 0.59%, 0.51%

LAB 51.12, 71.33, -40.91

 

CMYK 0 / 72 / 24 / 20

HEX #CB389A

RGB 203 56 154

HSL 320, 0.59%, 0.51%

LAB 49.32, 65.82, -20.81

 

CMYK 0 / 72 / 44 / 20

HEX #CB3872

RGB 203 56 114

HSL 336.33, 0.59%, 0.51%

LAB 47.93, 61.35, 1.24

 

CMYK 0 / 72 / 64 / 20

HEX #CB384A

RGB 203 56 74

HSL 352.65, 0.59%, 0.51%

LAB 47, 58.26, 24.39

 

CMYK 0 / 72 / 72 / 20

HEX #CB3838

RGB 203 56 56

HSL 0, 0.59%, 0.51%

LAB 46.72, 57.33, 34.74

 

CMYK 0 / 72 / 5 / 20

HEX #CB38C1

RGB 203 56 193

HSL 304.08, 0.59%, 0.51%

LAB 51.12, 71.33, -40.91

 

CMYK 15 / 72 / 0 / 20

HEX #AD38CB

RGB 173 56 203

HSL 287.76, 0.59%, 0.51%

LAB 47.01, 66.67, -53.53

 

CMYK 34 / 72 / 0 / 20

HEX #8638CB

RGB 134 56 203

HSL 271.84, 0.59%, 0.51%

LAB 41.55, 59.07, -62.63

 

CMYK 54 / 72 / 0 / 20

HEX #5E38CB

RGB 94 56 203

HSL 255.51, 0.59%, 0.51%

LAB 36.97, 52.35, -70.29

 

CMYK 72 / 72 / 0 / 20

HEX #3838CB

RGB 56 56 203

HSL 240, 0.59%, 0.51%

LAB 33.94, 47.68, -75.37

 

CMYK 0 / 72 / 5 / 20

HEX #CB38C1

RGB 203 56 193

HSL 304.08, 0.59%, 0.51%

LAB 51.12, 71.33, -40.91

 

CMYK 0 / 84 / 5 / 13

HEX #DF24D3

RGB 223 36 211

HSL 303.85, 0.75%, 0.51%

LAB 53.66, 83.06, -47.04

 

CMYK 0 / 94 / 7 / 4

HEX #F40FE4

RGB 244 15 228

HSL 304.19, 0.91%, 0.51%

LAB 57.25, 91.86, -50.77

 

CMYK 0 / 72 / 5 / 20

HEX #CB38C1

RGB 203 56 193

HSL 304.08, 0.59%, 0.51%

LAB 51.12, 71.33, -40.91

 

CMYK 0 / 58 / 4 / 28

HEX #B74CB0

RGB 183 76 176

HSL 303.93, 0.43%, 0.51%

LAB 49.94, 56, -33.09

 

CMYK 0 / 41 / 3 / 36

HEX #A3609E

RGB 163 96 158

HSL 304.48, 0.27%, 0.51%

LAB 50.24, 36.79, -22.27

 

CMYK 0 / 19 / 1 / 44

HEX #8F748D

RGB 143 116 141

HSL 304.44, 0.11%, 0.51%

LAB 52.12, 15.12, -9.62

 

CMYK 11 / 0 / 10 / 46

HEX #7A897B

RGB 122 137 123

HSL 124, 0.06%, 0.51%

LAB 55.54, -8.29, 5.66

 

CMYK 34 / 72 / 0 / 20

HEX #8638CB

RGB 134 56 203

HSL 271.84, 0.59%, 0.51%

LAB 41.55, 59.07, -62.63

 

CMYK 14 / 72 / 0 / 20

HEX #AE38CB

RGB 174 56 203

HSL 288.16, 0.59%, 0.51%

LAB 47.16, 66.88, -53.28

 

CMYK 0 / 72 / 5 / 20

HEX #CB38C1

RGB 203 56 193

HSL 304.08, 0.59%, 0.51%

LAB 51.12, 71.33, -40.91

 

CMYK 0 / 72 / 24 / 20

HEX #CB389A

RGB 203 56 154

HSL 320, 0.59%, 0.51%

LAB 49.32, 65.82, -20.81

 

CMYK 0 / 72 / 43 / 20

HEX #CB3873

RGB 203 56 115

HSL 335.92, 0.59%, 0.51%

LAB 47.96, 61.45, 0.67

 

CMYK 0 / 74 / 5 / 45

HEX #8D2486

RGB 141 36 134

HSL 304, 0.59%, 0.35%

LAB 35.29, 54.52, -31.33

 

CMYK 0 / 75 / 5 / 32

HEX #AD2CA5

RGB 173 44 165

HSL 303.72, 0.59%, 0.43%

LAB 43.36, 64.17, -37.05

 

CMYK 0 / 72 / 5 / 20

HEX #CB38C1

RGB 203 56 193

HSL 304.08, 0.59%, 0.51%

LAB 51.12, 71.33, -40.91

 

CMYK 0 / 58 / 4 / 17

HEX #D459CB

RGB 212 89 203

HSL 304.39, 0.59%, 0.59%

LAB 57.51, 62.46, -36.51

 

CMYK 0 / 45 / 3 / 14

HEX #DC79D6

RGB 220 121 214

HSL 303.64, 0.59%, 0.67%

LAB 64.76, 51.42, -31.36

 

CMYK 0 / 73 / 5 / 20

HEX #CC38C2

RGB 204 56 194

HSL 304.05, 0.59%, 0.51%

LAB 51.34, 71.7, -41.14

 

CMYK 0 / 53 / 72 / 20

HEX #CB5F38

RGB 203 95 56

HSL 15.92, 0.59%, 0.51%

LAB 53.13, 40.3, 41.94

 

CMYK 72 / 0 / 24 / 20

HEX #38CB9A

RGB 56 203 154

HSL 160, 0.59%, 0.51%

LAB 73.47, -49.74, 13.56

 

CMYK 0 / 73 / 5 / 20

HEX #CC38C2

RGB 204 56 194

HSL 304.05, 0.59%, 0.51%

LAB 51.34, 71.7, -41.14

 

CMYK 5 / 0 / 72 / 20

HEX #C1CB38

RGB 193 203 56

HSL 64.08, 0.59%, 0.51%

LAB 78.66, -21.03, 67.56

 

CMYK 72 / 5 / 0 / 20

HEX #38C1CB

RGB 56 193 203

HSL 184.08, 0.59%, 0.51%

LAB 71.75, -32.3, -15.53

 

CMYK 0 / 73 / 5 / 20

HEX #CC38C2

RGB 204 56 194

HSL 304.05, 0.59%, 0.51%

LAB 51.34, 71.7, -41.14

 

CMYK 0 / 53 / 72 / 20

HEX #CB5F38

RGB 203 95 56

HSL 15.92, 0.59%, 0.51%

LAB 53.13, 40.3, 41.94

 

CMYK 72 / 0 / 67 / 20

HEX #38CB42

RGB 56 203 66

HSL 124.08, 0.59%, 0.51%

LAB 72.19, -64.24, 55.18

 

CMYK 72 / 19 / 0 / 20

HEX #38A4CB

RGB 56 164 203

HSL 195.92, 0.59%, 0.51%

LAB 63.1, -17.67, -28.74

 

CMYK 0 / 73 / 5 / 20

HEX #CC38C2

RGB 204 56 194

HSL 304.05, 0.59%, 0.51%

LAB 51.34, 71.7, -41.14

 

CMYK 0 / 32 / 72 / 20

HEX #CB8B38

RGB 203 139 56

HSL 33.88, 0.59%, 0.51%

LAB 62.88, 16.91, 52.28

 

CMYK 72 / 0 / 67 / 20

HEX #38CB42

RGB 56 203 66

HSL 124.08, 0.59%, 0.51%

LAB 72.19, -64.24, 55.18

 

CMYK 72 / 41 / 0 / 20

HEX #3878CB

RGB 56 120 203

HSL 213.88, 0.59%, 0.51%

LAB 50.2, 7.66, -48.99

 

Description

Color code: HEX #CC38C2 | qconv.com Color code: HEX #CC38C2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 56 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 56 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 5 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 5% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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