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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC37F7 it is the complementary color #33C808. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC37F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC37F7 shade: #D137F2, #E249FF, #F35BFF, #FF6DFF and #FF7FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC37F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC37F7 shade: #CC37F7, #BB25E4, #AA13D1, #9901BE and #8800AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC37F7 shade: #CB36F6, #F636ED, #F636B9, #F63686 and #F63652

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC37F7 shade: #CB36F6, #9736F6, #6336F6 and #3636F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC37F7 shade matches the following richer shades: #CB36F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC37F7 shade: #CB36F6, #C247E5, #B858D4, #AF69C3 and #A679B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC37F7 shade: #6336F6, #9636F6, #C936F6, #F636F0 and #F636BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC37F7 shade: #A408D1, #C10EF4, #CB36F6, #D55DF8 and #DF85F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC37F7 shade: #CC37F7, #F6363C and #36F67C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC37F7 shade: #CC37F7, #F6C936 and #36F6C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC37F7 shade: #CC37F7, #F6363C, #63F636 and #36F6F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC37F7 shade: #CC37F7, #F66936, #63F636 and #36C3F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 78 / 0 / 3

HEX #CC37F7

RGB 204 55 247

HSL 286.56, 0.92%, 0.59%

LAB 54.33, 80.87, -66.46

 

Complementary color

CMYK 75 / 0 / 96 / 22

HEX #33C808

RGB 51 200 8

HSL 106.56, 0.92%, 0.41%

LAB 70.89, -67.24, 69.01

 

CMYK 14 / 77 / 0 / 5

HEX #D137F2

RGB 209 55 242

HSL 289.41, 0.88%, 0.58%

LAB 54.76, 80.87, -62.93

 

CMYK 11 / 71 / 0 / 0

HEX #E249FF

RGB 226 73 255

HSL 290.44, 1%, 0.64%

LAB 60.03, 80.7, -61.57

 

CMYK 5 / 64 / 0 / 0

HEX #F35BFF

RGB 243 91 255

HSL 295.61, 1%, 0.68%

LAB 64.77, 77.78, -53.86

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 17 / 78 / 0 / 3

HEX #CC37F7

RGB 204 55 247

HSL 286.56, 0.92%, 0.59%

LAB 54.33, 80.87, -66.46

 

CMYK 18 / 84 / 0 / 11

HEX #BB25E4

RGB 187 37 228

HSL 287.12, 0.78%, 0.52%

LAB 48.87, 79.31, -64.72

 

CMYK 19 / 91 / 0 / 18

HEX #AA13D1

RGB 170 19 209

HSL 287.68, 0.83%, 0.45%

LAB 43.68, 76.73, -62.4

 

CMYK 19 / 99 / 0 / 25

HEX #9901BE

RGB 153 1 190

HSL 288.25, 0.99%, 0.37%

LAB 38.75, 73.06, -59.46

 

CMYK 20 / 100 / 0 / 33

HEX #8800AB

RGB 136 0 171

HSL 287.72, 1%, 0.34%

LAB 34.34, 67.47, -55.46

 

CMYK 17 / 78 / 0 / 4

HEX #CB36F6

RGB 203 54 246

HSL 286.56, 0.91%, 0.59%

LAB 54.01, 80.8, -66.42

 

CMYK 0 / 78 / 4 / 4

HEX #F636ED

RGB 246 54 237

HSL 302.81, 0.91%, 0.59%

LAB 60.2, 87.23, -51.11

 

CMYK 0 / 78 / 25 / 4

HEX #F636B9

RGB 246 54 185

HSL 319.06, 0.91%, 0.59%

LAB 57.78, 80.37, -25.35

 

CMYK 0 / 78 / 46 / 4

HEX #F63686

RGB 246 54 134

HSL 335, 0.91%, 0.59%

LAB 56.04, 75.18, 1.94

 

CMYK 0 / 78 / 67 / 4

HEX #F63652

RGB 246 54 82

HSL 351.25, 0.91%, 0.59%

LAB 54.91, 71.69, 31.31

 

CMYK 17 / 78 / 0 / 4

HEX #CB36F6

RGB 203 54 246

HSL 286.56, 0.91%, 0.59%

LAB 54.01, 80.8, -66.42

 

CMYK 39 / 78 / 0 / 4

HEX #9736F6

RGB 151 54 246

HSL 270.31, 0.91%, 0.59%

LAB 46.81, 72.41, -78.46

 

CMYK 60 / 78 / 0 / 4

HEX #6336F6

RGB 99 54 246

HSL 254.06, 0.91%, 0.59%

LAB 41.13, 65.78, -87.99

 

CMYK 78 / 78 / 0 / 4

HEX #3636F6

RGB 54 54 246

HSL 240, 0.91%, 0.59%

LAB 37.98, 62.1, -93.3

 

CMYK 17 / 78 / 0 / 4

HEX #CB36F6

RGB 203 54 246

HSL 286.56, 0.91%, 0.59%

LAB 54.01, 80.8, -66.42

 

CMYK 17 / 78 / 0 / 4

HEX #CB36F6

RGB 203 54 246

HSL 286.56, 0.91%, 0.59%

LAB 54.01, 80.8, -66.42

 

CMYK 15 / 69 / 0 / 10

HEX #C247E5

RGB 194 71 229

HSL 286.71, 0.75%, 0.59%

LAB 53.64, 70.26, -57.56

 

CMYK 13 / 58 / 0 / 17

HEX #B858D4

RGB 184 88 212

HSL 286.45, 0.59%, 0.59%

LAB 53.95, 57.37, -47.52

 

CMYK 10 / 46 / 0 / 24

HEX #AF69C3

RGB 175 105 195

HSL 286.67, 0.43%, 0.59%

LAB 55.23, 42.89, -35.87

 

CMYK 7 / 32 / 0 / 30

HEX #A679B2

RGB 166 121 178

HSL 287.37, 0.27%, 0.59%

LAB 57.07, 27.72, -23.35

 

CMYK 60 / 78 / 0 / 4

HEX #6336F6

RGB 99 54 246

HSL 254.06, 0.91%, 0.59%

LAB 41.13, 65.78, -87.99

 

CMYK 39 / 78 / 0 / 4

HEX #9636F6

RGB 150 54 246

HSL 270, 0.91%, 0.59%

LAB 46.68, 72.26, -78.67

 

CMYK 18 / 78 / 0 / 4

HEX #C936F6

RGB 201 54 246

HSL 285.94, 0.91%, 0.59%

LAB 53.72, 80.46, -66.91

 

CMYK 0 / 78 / 2 / 4

HEX #F636F0

RGB 246 54 240

HSL 301.88, 0.91%, 0.59%

LAB 60.36, 87.66, -52.53

 

CMYK 0 / 78 / 24 / 4

HEX #F636BC

RGB 246 54 188

HSL 318.13, 0.91%, 0.59%

LAB 57.91, 80.72, -26.89

 

CMYK 22 / 96 / 0 / 18

HEX #A408D1

RGB 164 8 209

HSL 286.57, 0.93%, 0.43%

LAB 42.26, 77.17, -64.74

 

CMYK 21 / 94 / 0 / 4

HEX #C10EF4

RGB 193 14 244

HSL 286.7, 0.91%, 0.51%

LAB 49.72, 86.62, -72.33

 

CMYK 17 / 78 / 0 / 4

HEX #CB36F6

RGB 203 54 246

HSL 286.56, 0.91%, 0.59%

LAB 54.01, 80.8, -66.42

 

CMYK 14 / 63 / 0 / 3

HEX #D55DF8

RGB 213 93 248

HSL 286.45, 0.92%, 0.67%

LAB 60.56, 68.99, -56.94

 

CMYK 10 / 47 / 0 / 2

HEX #DF85F9

RGB 223 133 249

HSL 286.55, 0.91%, 0.75%

LAB 68.97, 52.71, -44.11

 

CMYK 17 / 78 / 0 / 3

HEX #CC37F7

RGB 204 55 247

HSL 286.56, 0.92%, 0.59%

LAB 54.33, 80.87, -66.46

 

CMYK 0 / 78 / 76 / 4

HEX #F6363C

RGB 246 54 60

HSL 358.13, 0.91%, 0.59%

LAB 54.61, 70.77, 43.53

 

CMYK 78 / 0 / 50 / 4

HEX #36F67C

RGB 54 246 124

HSL 141.88, 0.91%, 0.59%

LAB 86.08, -71.29, 45.55

 

CMYK 17 / 78 / 0 / 3

HEX #CC37F7

RGB 204 55 247

HSL 286.56, 0.92%, 0.59%

LAB 54.33, 80.87, -66.46

 

CMYK 0 / 18 / 78 / 4

HEX #F6C936

RGB 246 201 54

HSL 45.94, 0.91%, 0.59%

LAB 82.72, 2.36, 73.66

 

CMYK 78 / 0 / 18 / 4

HEX #36F6C9

RGB 54 246 201

HSL 165.94, 0.91%, 0.59%

LAB 87.44, -56.12, 8.6

 

CMYK 17 / 78 / 0 / 3

HEX #CC37F7

RGB 204 55 247

HSL 286.56, 0.92%, 0.59%

LAB 54.33, 80.87, -66.46

 

CMYK 0 / 78 / 76 / 4

HEX #F6363C

RGB 246 54 60

HSL 358.13, 0.91%, 0.59%

LAB 54.61, 70.77, 43.53

 

CMYK 60 / 0 / 78 / 4

HEX #63F636

RGB 99 246 54

HSL 105.94, 0.91%, 0.59%

LAB 86.42, -70.66, 73.91

 

CMYK 78 / 0 / 2 / 4

HEX #36F6F0

RGB 54 246 240

HSL 178.13, 0.91%, 0.59%

LAB 88.44, -46, -10.28

 

CMYK 17 / 78 / 0 / 3

HEX #CC37F7

RGB 204 55 247

HSL 286.56, 0.92%, 0.59%

LAB 54.33, 80.87, -66.46

 

CMYK 0 / 57 / 78 / 4

HEX #F66936

RGB 246 105 54

HSL 15.94, 0.91%, 0.59%

LAB 61.62, 51.4, 53.83

 

CMYK 60 / 0 / 78 / 4

HEX #63F636

RGB 99 246 54

HSL 105.94, 0.91%, 0.59%

LAB 86.42, -70.66, 73.91

 

CMYK 78 / 21 / 0 / 4

HEX #36C3F6

RGB 54 195 246

HSL 195.94, 0.91%, 0.59%

LAB 73.85, -20, -35.64

 

Description

Color code: HEX #CC37F7 | qconv.com Color code: HEX #CC37F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 55 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 55 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 78 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 78% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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