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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC23E1 it is the complementary color #33DC1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC23E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC23E1 shade: #D123DC, #E235EF, #F347FF, #FF59FF and #FF6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC23E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC23E1 shade: #CC23E1, #BB11CE, #AA00BB, #9900A8 and #880095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC23E1 shade: #CC23E1, #E123C2, #E1238F, #E1235C and #E12329

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC23E1 shade: #CC23E1, #9823E1, #6523E1, #3223E1 and #2323E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC23E1 shade matches the following richer shades: #CC23E1 and #DB0EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC23E1 shade: #CC23E1, #BC37CC, #AC4BB8, #9C5FA4 and #8D7390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC23E1 shade: #6523E1, #9823E1, #CA23E1, #E123C4 and #E12391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC23E1 shade: #8D159C, #AE1AC0, #CC23E1, #D447E5 and #DC6BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC23E1 shade: #CC23E1, #E13223 and #23E17E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC23E1 shade: #CC23E1, #E1CA23 and #23E1CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC23E1 shade: #CC23E1, #E13223, #39E123 and #23D1E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC23E1 shade: #CC23E1, #E16B23, #39E123 and #2398E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

Complementary color

CMYK 77 / 0 / 86 / 14

HEX #33DC1E

RGB 51 220 30

HSL 113.37, 0.76%, 0.49%

LAB 77.27, -72.57, 71.09

 

CMYK 5 / 84 / 0 / 14

HEX #D123DC

RGB 209 35 220

HSL 296.43, 0.73%, 0.5%

LAB 51.75, 82.08, -55.35

 

CMYK 5 / 78 / 0 / 6

HEX #E235EF

RGB 226 53 239

HSL 295.81, 0.85%, 0.57%

LAB 57.02, 84.01, -57.48

 

CMYK 5 / 72 / 0 / 0

HEX #F347FF

RGB 243 71 255

HSL 296.09, 1%, 0.64%

LAB 62.32, 84.7, -57.75

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 9 / 92 / 0 / 19

HEX #BB11CE

RGB 187 17 206

HSL 293.97, 0.85%, 0.44%

LAB 46.21, 79.1, -56.43

 

CMYK 9 / 100 / 0 / 27

HEX #AA00BB

RGB 170 0 187

HSL 294.55, 1%, 0.37%

LAB 41.43, 75.14, -53.21

 

CMYK 9 / 100 / 0 / 34

HEX #9900A8

RGB 153 0 168

HSL 294.64, 1%, 0.33%

LAB 37.11, 69.47, -49.03

 

CMYK 9 / 100 / 0 / 42

HEX #880095

RGB 136 0 149

HSL 294.77, 1%, 0.29%

LAB 32.71, 63.67, -44.76

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 0 / 84 / 14 / 12

HEX #E123C2

RGB 225 35 194

HSL 309.79, 0.76%, 0.51%

LAB 53.06, 81.3, -38.18

 

CMYK 0 / 84 / 36 / 12

HEX #E1238F

RGB 225 35 143

HSL 325.89, 0.76%, 0.51%

LAB 50.91, 75.38, -11.46

 

CMYK 0 / 84 / 59 / 12

HEX #E1235C

RGB 225 35 92

HSL 342, 0.76%, 0.51%

LAB 49.47, 71.26, 17.46

 

CMYK 0 / 84 / 82 / 12

HEX #E12329

RGB 225 35 41

HSL 358.11, 0.76%, 0.51%

LAB 48.72, 69.05, 46.46

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 32 / 84 / 0 / 12

HEX #9823E1

RGB 152 35 225

HSL 276.95, 0.76%, 0.51%

LAB 43.23, 73.94, -72.42

 

CMYK 55 / 84 / 0 / 12

HEX #6523E1

RGB 101 35 225

HSL 260.84, 0.76%, 0.51%

LAB 36.75, 67.81, -83.3

 

CMYK 78 / 84 / 0 / 12

HEX #3223E1

RGB 50 35 225

HSL 244.74, 0.76%, 0.51%

LAB 32.52, 64.09, -90.46

 

CMYK 84 / 84 / 0 / 12

HEX #2323E1

RGB 35 35 225

HSL 240, 0.76%, 0.51%

LAB 31.8, 63.49, -91.67

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 11 / 94 / 0 / 4

HEX #DB0EF5

RGB 219 14 245

HSL 293.25, 0.92%, 0.51%

LAB 53.99, 90.45, -65.77

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 8 / 73 / 0 / 20

HEX #BC37CC

RGB 188 55 204

HSL 293.56, 0.59%, 0.51%

LAB 49.23, 70.26, -50.42

 

CMYK 7 / 59 / 0 / 28

HEX #AC4BB8

RGB 172 75 184

HSL 293.39, 0.43%, 0.51%

LAB 48.59, 55, -40

 

CMYK 5 / 42 / 0 / 36

HEX #9C5FA4

RGB 156 95 164

HSL 293.04, 0.27%, 0.51%

LAB 49.41, 36.27, -27.15

 

CMYK 2 / 20 / 0 / 44

HEX #8D7390

RGB 141 115 144

HSL 293.79, 0.12%, 0.51%

LAB 51.77, 15.59, -11.94

 

CMYK 55 / 84 / 0 / 12

HEX #6523E1

RGB 101 35 225

HSL 260.84, 0.76%, 0.51%

LAB 36.75, 67.81, -83.3

 

CMYK 32 / 84 / 0 / 12

HEX #9823E1

RGB 152 35 225

HSL 276.95, 0.76%, 0.51%

LAB 43.23, 73.94, -72.42

 

CMYK 10 / 84 / 0 / 12

HEX #CA23E1

RGB 202 35 225

HSL 292.74, 0.76%, 0.51%

LAB 50.91, 81.68, -59.6

 

CMYK 0 / 84 / 13 / 12

HEX #E123C4

RGB 225 35 196

HSL 309.16, 0.76%, 0.51%

LAB 53.16, 81.56, -39.18

 

CMYK 0 / 84 / 36 / 12

HEX #E12391

RGB 225 35 145

HSL 325.26, 0.76%, 0.51%

LAB 50.98, 75.58, -12.55

 

CMYK 10 / 87 / 0 / 39

HEX #8D159C

RGB 141 21 156

HSL 293.33, 0.76%, 0.35%

LAB 35.2, 62.41, -44.97

 

CMYK 9 / 86 / 0 / 25

HEX #AE1AC0

RGB 174 26 192

HSL 293.49, 0.76%, 0.43%

LAB 43.57, 73.29, -52.66

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 7 / 69 / 0 / 10

HEX #D447E5

RGB 212 71 229

HSL 293.54, 0.75%, 0.59%

LAB 56.25, 74.04, -53.23

 

CMYK 6 / 54 / 0 / 8

HEX #DC6BEA

RGB 220 107 234

HSL 293.39, 0.75%, 0.67%

LAB 63.07, 61.79, -45.14

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 0 / 78 / 84 / 12

HEX #E13223

RGB 225 50 35

HSL 4.74, 0.76%, 0.51%

LAB 49.99, 65.18, 50.61

 

CMYK 84 / 0 / 44 / 12

HEX #23E17E

RGB 35 225 126

HSL 148.74, 0.76%, 0.51%

LAB 79.45, -65.84, 36.13

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 0 / 10 / 84 / 12

HEX #E1CA23

RGB 225 202 35

HSL 52.74, 0.76%, 0.51%

LAB 80.94, -7.68, 76.64

 

CMYK 84 / 0 / 10 / 12

HEX #23E1CA

RGB 35 225 202

HSL 172.74, 0.76%, 0.51%

LAB 81, -48.86, -1.29

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 0 / 78 / 84 / 12

HEX #E13223

RGB 225 50 35

HSL 4.74, 0.76%, 0.51%

LAB 49.99, 65.18, 50.61

 

CMYK 75 / 0 / 84 / 12

HEX #39E123

RGB 57 225 35

HSL 113.05, 0.76%, 0.51%

LAB 78.95, -72.99, 71.55

 

CMYK 84 / 7 / 0 / 12

HEX #23D1E1

RGB 35 209 225

HSL 185.05, 0.76%, 0.51%

LAB 76.92, -35.15, -19.66

 

CMYK 9 / 84 / 0 / 12

HEX #CC23E1

RGB 204 35 225

HSL 293.37, 0.76%, 0.51%

LAB 51.24, 82.02, -59.06

 

CMYK 0 / 52 / 84 / 12

HEX #E16B23

RGB 225 107 35

HSL 22.74, 0.76%, 0.51%

LAB 58.64, 42.06, 58.03

 

CMYK 75 / 0 / 84 / 12

HEX #39E123

RGB 57 225 35

HSL 113.05, 0.76%, 0.51%

LAB 78.95, -72.99, 71.55

 

CMYK 84 / 32 / 0 / 12

HEX #2398E1

RGB 35 152 225

HSL 203.05, 0.76%, 0.51%

LAB 60.11, -5.55, -45.67

 

Description

Color code: HEX #CC23E1 | qconv.com Color code: HEX #CC23E1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 35 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 35 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 84 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 84% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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