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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC1FEB it is the complementary color #33E014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC1FEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC1FEB shade: #D11FE6, #E231F9, #F343FF, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC1FEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC1FEB shade: #CC1FEB, #BB0DD8, #AA00C5, #9900B2 and #88009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC1FEB shade: #CC1DEB, #EB1DD3, #EB1D9B, #EB1D64 and #EB1D2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC1FEB shade: #CC1DEB, #941DEB, #5D1DEB, #251DEB and #1D1DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC1FEB shade matches the following richer shades: #CC1DEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC1FEB shade: #CC1DEB, #BE31D7, #B045C3, #A259B0 and #956D9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC1FEB shade: #5B1DEB, #921DEB, #C91DEB, #EB1DD6 and #EB1DA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC1FEB shade: #900EA8, #B111CE, #CC1DEB, #D443EE and #DD69F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC1FEB shade: #CC1FEB, #EB241D and #1DEB76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC1FEB shade: #CC1FEB, #EBC91D and #1DEBC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC1FEB shade: #CC1FEB, #EB241D, #40EB1D and #1DE4EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC1FEB shade: #CC1FEB, #EB621D, #40EB1D and #1DA6EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 87 / 0 / 8

HEX #CC1FEB

RGB 204 31 235

HSL 290.88, 0.84%, 0.52%

LAB 51.63, 84.4, -64.09

 

Complementary color

CMYK 77 / 0 / 91 / 12

HEX #33E014

RGB 51 224 20

HSL 110.88, 0.84%, 0.48%

LAB 78.5, -74.05, 73.87

 

CMYK 9 / 87 / 0 / 10

HEX #D11FE6

RGB 209 31 230

HSL 293.67, 0.8%, 0.51%

LAB 52.12, 84.39, -60.44

 

CMYK 9 / 80 / 0 / 2

HEX #E231F9

RGB 226 49 249

HSL 293.1, 0.94%, 0.58%

LAB 57.27, 86.6, -62.66

 

CMYK 5 / 74 / 0 / 0

HEX #F343FF

RGB 243 67 255

HSL 296.17, 1%, 0.63%

LAB 61.9, 85.91, -58.42

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 13 / 87 / 0 / 8

HEX #CC1FEB

RGB 204 31 235

HSL 290.88, 0.84%, 0.52%

LAB 51.63, 84.4, -64.09

 

CMYK 13 / 94 / 0 / 15

HEX #BB0DD8

RGB 187 13 216

HSL 291.43, 0.89%, 0.45%

LAB 46.72, 81.17, -61.35

 

CMYK 14 / 100 / 0 / 23

HEX #AA00C5

RGB 170 0 197

HSL 291.78, 1%, 0.39%

LAB 42.12, 76.77, -57.95

 

CMYK 14 / 100 / 0 / 30

HEX #9900B2

RGB 153 0 178

HSL 291.57, 1%, 0.35%

LAB 37.82, 71.12, -53.87

 

CMYK 14 / 100 / 0 / 38

HEX #88009F

RGB 136 0 159

HSL 291.32, 1%, 0.31%

LAB 33.43, 65.36, -49.7

 

CMYK 13 / 88 / 0 / 8

HEX #CC1DEB

RGB 204 29 235

HSL 290.97, 0.84%, 0.52%

LAB 51.51, 84.74, -64.28

 

CMYK 0 / 88 / 10 / 8

HEX #EB1DD3

RGB 235 29 211

HSL 306.99, 0.84%, 0.52%

LAB 55.32, 86.44, -44.27

 

CMYK 0 / 88 / 34 / 8

HEX #EB1D9B

RGB 235 29 155

HSL 323.3, 0.84%, 0.52%

LAB 52.85, 79.85, -15.51

 

CMYK 0 / 88 / 57 / 8

HEX #EB1D64

RGB 235 29 100

HSL 339.32, 0.84%, 0.52%

LAB 51.22, 75.33, 15.29

 

CMYK 0 / 88 / 81 / 8

HEX #EB1D2C

RGB 235 29 44

HSL 355.63, 0.84%, 0.52%

LAB 50.36, 72.87, 47.14

 

CMYK 13 / 88 / 0 / 8

HEX #CC1DEB

RGB 204 29 235

HSL 290.97, 0.84%, 0.52%

LAB 51.51, 84.74, -64.28

 

CMYK 37 / 88 / 0 / 8

HEX #941DEB

RGB 148 29 235

HSL 274.66, 0.84%, 0.52%

LAB 43.02, 76.88, -78.47

 

CMYK 60 / 88 / 0 / 8

HEX #5D1DEB

RGB 93 29 235

HSL 258.64, 0.84%, 0.52%

LAB 36.37, 71.39, -89.66

 

CMYK 84 / 88 / 0 / 8

HEX #251DEB

RGB 37 29 235

HSL 242.33, 0.84%, 0.52%

LAB 32.41, 68.53, -96.35

 

CMYK 88 / 88 / 0 / 8

HEX #1D1DEB

RGB 29 29 235

HSL 240, 0.84%, 0.52%

LAB 32.12, 68.33, -96.85

 

CMYK 13 / 88 / 0 / 8

HEX #CC1DEB

RGB 204 29 235

HSL 290.97, 0.84%, 0.52%

LAB 51.51, 84.74, -64.28

 

CMYK 13 / 88 / 0 / 8

HEX #CC1DEB

RGB 204 29 235

HSL 290.97, 0.84%, 0.52%

LAB 51.51, 84.74, -64.28

 

CMYK 12 / 77 / 0 / 16

HEX #BE31D7

RGB 190 49 215

HSL 290.96, 0.67%, 0.52%

LAB 49.56, 74.44, -56.19

 

CMYK 10 / 65 / 0 / 24

HEX #B045C3

RGB 176 69 195

HSL 290.95, 0.51%, 0.52%

LAB 48.79, 60.71, -46.03

 

CMYK 8 / 49 / 0 / 31

HEX #A259B0

RGB 162 89 176

HSL 290.34, 0.36%, 0.52%

LAB 49.45, 43.75, -34.07

 

CMYK 4 / 30 / 0 / 39

HEX #956D9C

RGB 149 109 156

HSL 291.06, 0.19%, 0.52%

LAB 51.53, 24.36, -19.26

 

CMYK 61 / 88 / 0 / 8

HEX #5B1DEB

RGB 91 29 235

HSL 258.06, 0.84%, 0.52%

LAB 36.18, 71.24, -89.99

 

CMYK 38 / 88 / 0 / 8

HEX #921DEB

RGB 146 29 235

HSL 274.08, 0.84%, 0.52%

LAB 42.74, 76.64, -78.93

 

CMYK 14 / 88 / 0 / 8

HEX #C91DEB

RGB 201 29 235

HSL 290.1, 0.84%, 0.52%

LAB 51.03, 84.27, -65.08

 

CMYK 0 / 88 / 9 / 8

HEX #EB1DD6

RGB 235 29 214

HSL 306.12, 0.84%, 0.52%

LAB 55.48, 86.84, -45.74

 

CMYK 0 / 88 / 32 / 8

HEX #EB1DA0

RGB 235 29 160

HSL 321.84, 0.84%, 0.52%

LAB 53.04, 80.36, -18.19

 

CMYK 14 / 92 / 0 / 34

HEX #900EA8

RGB 144 14 168

HSL 290.65, 0.85%, 0.36%

LAB 36.12, 66.29, -50.71

 

CMYK 14 / 92 / 0 / 19

HEX #B111CE

RGB 177 17 206

HSL 290.79, 0.85%, 0.44%

LAB 44.52, 77.54, -59.23

 

CMYK 13 / 88 / 0 / 8

HEX #CC1DEB

RGB 204 29 235

HSL 290.97, 0.84%, 0.52%

LAB 51.51, 84.74, -64.28

 

CMYK 11 / 72 / 0 / 7

HEX #D443EE

RGB 212 67 238

HSL 290.88, 0.83%, 0.6%

LAB 56.27, 77, -58.24

 

CMYK 9 / 57 / 0 / 5

HEX #DD69F2

RGB 221 105 242

HSL 290.8, 0.84%, 0.68%

LAB 63.25, 64.44, -49.29

 

CMYK 13 / 87 / 0 / 8

HEX #CC1FEB

RGB 204 31 235

HSL 290.88, 0.84%, 0.52%

LAB 51.63, 84.4, -64.09

 

CMYK 0 / 85 / 88 / 8

HEX #EB241D

RGB 235 36 29

HSL 2.04, 0.84%, 0.52%

LAB 50.7, 71.26, 54.72

 

CMYK 88 / 0 / 50 / 8

HEX #1DEB76

RGB 29 235 118

HSL 145.92, 0.84%, 0.52%

LAB 82.37, -70.88, 43.73

 

CMYK 13 / 87 / 0 / 8

HEX #CC1FEB

RGB 204 31 235

HSL 290.88, 0.84%, 0.52%

LAB 51.63, 84.4, -64.09

 

CMYK 0 / 14 / 88 / 8

HEX #EBC91D

RGB 235 201 29

HSL 50.1, 0.84%, 0.52%

LAB 81.58, -3.01, 78.81

 

CMYK 88 / 0 / 14 / 8

HEX #1DEBC9

RGB 29 235 201

HSL 170.1, 0.84%, 0.52%

LAB 83.91, -53.61, 3.48

 

CMYK 13 / 87 / 0 / 8

HEX #CC1FEB

RGB 204 31 235

HSL 290.88, 0.84%, 0.52%

LAB 51.63, 84.4, -64.09

 

CMYK 0 / 85 / 88 / 8

HEX #EB241D

RGB 235 36 29

HSL 2.04, 0.84%, 0.52%

LAB 50.7, 71.26, 54.72

 

CMYK 73 / 0 / 88 / 8

HEX #40EB1D

RGB 64 235 29

HSL 109.81, 0.84%, 0.52%

LAB 82.16, -75.11, 75.62

 

CMYK 88 / 3 / 0 / 8

HEX #1DE4EB

RGB 29 228 235

HSL 182.04, 0.84%, 0.52%

LAB 82.78, -41.2, -16.16

 

CMYK 13 / 87 / 0 / 8

HEX #CC1FEB

RGB 204 31 235

HSL 290.88, 0.84%, 0.52%

LAB 51.63, 84.4, -64.09

 

CMYK 0 / 58 / 88 / 8

HEX #EB621D

RGB 235 98 29

HSL 20.1, 0.84%, 0.52%

LAB 58.5, 49.97, 60.72

 

CMYK 73 / 0 / 88 / 8

HEX #40EB1D

RGB 64 235 29

HSL 109.81, 0.84%, 0.52%

LAB 82.16, -75.11, 75.62

 

CMYK 88 / 29 / 0 / 8

HEX #1DA6EB

RGB 29 166 235

HSL 200.1, 0.84%, 0.52%

LAB 64.59, -10.23, -44.14

 

Description

Color code: HEX #CC1FEB | qconv.com Color code: HEX #CC1FEB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 31 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 31 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 87 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 87% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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