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Color name
HEX #CC195A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC195A it is the complementary color #33E6A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC195A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC195A shade: #D11955, #E22B68, #F33D7B, #FF4F8E and #FF61A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC195A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC195A shade: #CC195A, #BB0747, #AA0034, #990021 and #88000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC195A shade: #CC195A, #CC1929 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC195A shade: #CC195A, #CC198A, #CC19BA, #AD19CC and #7D19CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC195A shade matches the following richer shades: #CC195A and #DE0655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC195A shade: #CC195A, #B92B5F, #A73E64, #945069 and #81636E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC195A shade: #CC19BA, #CC198A, #CC195A, #CC192B and #CC3719

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC195A shade: #821039, #A7144A, #CC195A, #E42A6D and #E94E86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC195A shade: #CC195A, #CCAE19 and #19A2CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC195A shade: #CC195A, #5ACC19 and #195ACC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC195A shade: #CC195A, #CCAE19, #19CC8A and #1937CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC195A shade: #CC195A, #B4CC19, #19CC8A and #3119CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

Complementary color

CMYK 78 / 0 / 28 / 10

HEX #33E6A5

RGB 51 230 165

HSL 158.21, 0.78%, 0.55%

LAB 81.85, -58.47, 19.44

 

CMYK 0 / 88 / 59 / 18

HEX #D11955

RGB 209 25 85

HSL 340.43, 0.79%, 0.46%

LAB 45.51, 68.69, 15.87

 

CMYK 0 / 81 / 54 / 11

HEX #E22B68

RGB 226 43 104

HSL 340, 0.76%, 0.53%

LAB 50.57, 70.53, 11.67

 

CMYK 0 / 75 / 49 / 5

HEX #F33D7B

RGB 243 61 123

HSL 339.56, 0.88%, 0.6%

LAB 55.91, 71.51, 8.22

 

CMYK 0 / 69 / 44 / 0

HEX #FF4F8E

RGB 255 79 142

HSL 338.52, 1%, 0.65%

LAB 60.61, 70.48, 4.04

 

CMYK 0 / 62 / 37 / 0

HEX #FF61A1

RGB 255 97 161

HSL 335.7, 1%, 0.69%

LAB 63.66, 65.45, -2.51

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 0 / 96 / 62 / 27

HEX #BB0747

RGB 187 7 71

HSL 338.67, 0.93%, 0.38%

LAB 39.87, 64.81, 16.31

 

CMYK 0 / 100 / 69 / 33

HEX #AA0034

RGB 170 0 52

HSL 341.65, 1%, 0.33%

LAB 35.58, 60.45, 22.23

 

CMYK 0 / 100 / 78 / 40

HEX #990021

RGB 153 0 33

HSL 347.06, 1%, 0.3%

LAB 31.54, 55.4, 28.66

 

CMYK 0 / 100 / 90 / 47

HEX #88000E

RGB 136 0 14

HSL 353.82, 1%, 0.27%

LAB 27.48, 50.45, 34.61

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 0 / 88 / 80 / 20

HEX #CC1929

RGB 204 25 41

HSL 354.64, 0.78%, 0.45%

LAB 43.79, 65.4, 40.17

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 0 / 88 / 32 / 20

HEX #CC198A

RGB 204 25 138

HSL 322.12, 0.78%, 0.45%

LAB 46.13, 72, -16.05

 

CMYK 0 / 88 / 9 / 20

HEX #CC19BA

RGB 204 25 186

HSL 306.03, 0.78%, 0.45%

LAB 48.36, 77.92, -41.2

 

CMYK 15 / 88 / 0 / 20

HEX #AD19CC

RGB 173 25 204

HSL 289.61, 0.78%, 0.45%

LAB 44.15, 75.34, -58.72

 

CMYK 39 / 88 / 0 / 20

HEX #7D19CC

RGB 125 25 204

HSL 273.52, 0.78%, 0.45%

LAB 36.77, 68.46, -71.05

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 0 / 97 / 62 / 13

HEX #DE0655

RGB 222 6 85

HSL 338.06, 0.95%, 0.45%

LAB 47.39, 74, 18.85

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 0 / 77 / 49 / 27

HEX #B92B5F

RGB 185 43 95

HSL 338.03, 0.62%, 0.45%

LAB 42.56, 58.86, 4.81

 

CMYK 0 / 63 / 40 / 35

HEX #A73E64

RGB 167 62 100

HSL 338.29, 0.46%, 0.45%

LAB 42.12, 46.66, 0.65

 

CMYK 0 / 46 / 29 / 42

HEX #945069

RGB 148 80 105

HSL 337.94, 0.3%, 0.45%

LAB 42.84, 31.52, -1.74

 

CMYK 0 / 23 / 15 / 49

HEX #81636E

RGB 129 99 110

HSL 338, 0.13%, 0.45%

LAB 45.24, 13.98, -1.53

 

CMYK 0 / 88 / 9 / 20

HEX #CC19BA

RGB 204 25 186

HSL 306.03, 0.78%, 0.45%

LAB 48.36, 77.92, -41.2

 

CMYK 0 / 88 / 32 / 20

HEX #CC198A

RGB 204 25 138

HSL 322.12, 0.78%, 0.45%

LAB 46.13, 72, -16.05

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 0 / 88 / 79 / 20

HEX #CC192B

RGB 204 25 43

HSL 353.97, 0.78%, 0.45%

LAB 43.81, 65.46, 39.06

 

CMYK 0 / 73 / 88 / 20

HEX #CC3719

RGB 204 55 25

HSL 10.06, 0.78%, 0.45%

LAB 46.5, 57.02, 50.57

 

CMYK 0 / 88 / 56 / 49

HEX #821039

RGB 130 16 57

HSL 338.42, 0.78%, 0.29%

LAB 27.88, 47.93, 7.11

 

CMYK 0 / 88 / 56 / 35

HEX #A7144A

RGB 167 20 74

HSL 337.96, 0.79%, 0.37%

LAB 36.39, 58.23, 8.93

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 0 / 82 / 52 / 11

HEX #E42A6D

RGB 228 42 109

HSL 338.39, 0.78%, 0.53%

LAB 50.98, 71.64, 9.27

 

CMYK 0 / 67 / 42 / 9

HEX #E94E86

RGB 233 78 134

HSL 338.32, 0.78%, 0.61%

LAB 56.58, 63.82, 2.44

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 0 / 15 / 88 / 20

HEX #CCAE19

RGB 204 174 25

HSL 49.94, 0.78%, 0.45%

LAB 71.68, -2.56, 70.54

 

CMYK 88 / 21 / 0 / 20

HEX #19A2CC

RGB 25 162 204

HSL 194.08, 0.78%, 0.45%

LAB 62, -19.23, -31.03

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 56 / 0 / 88 / 20

HEX #5ACC19

RGB 90 204 25

HSL 98.21, 0.78%, 0.45%

LAB 73.17, -59.86, 68.88

 

CMYK 88 / 56 / 0 / 20

HEX #195ACC

RGB 25 90 204

HSL 218.21, 0.78%, 0.45%

LAB 41.02, 24.15, -64.4

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 0 / 15 / 88 / 20

HEX #CCAE19

RGB 204 174 25

HSL 49.94, 0.78%, 0.45%

LAB 71.68, -2.56, 70.54

 

CMYK 88 / 0 / 32 / 20

HEX #19CC8A

RGB 25 204 138

HSL 157.88, 0.78%, 0.45%

LAB 73.04, -56.82, 21.42

 

CMYK 88 / 73 / 0 / 20

HEX #1937CC

RGB 25 55 204

HSL 229.94, 0.78%, 0.45%

LAB 32.48, 46.44, -78.42

 

CMYK 0 / 88 / 56 / 20

HEX #CC195A

RGB 204 25 90

HSL 338.21, 0.78%, 0.45%

LAB 44.62, 67.78, 11.37

 

CMYK 12 / 0 / 88 / 20

HEX #B4CC19

RGB 180 204 25

HSL 68.04, 0.78%, 0.45%

LAB 77.85, -28, 74.68

 

CMYK 88 / 0 / 32 / 20

HEX #19CC8A

RGB 25 204 138

HSL 157.88, 0.78%, 0.45%

LAB 73.04, -56.82, 21.42

 

CMYK 76 / 88 / 0 / 20

HEX #3119CC

RGB 49 25 204

HSL 248.04, 0.78%, 0.45%

LAB 28.66, 61.85, -84.72

 

Description

Color code: HEX #CC195A | qconv.com Color code: HEX #CC195A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 25 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 25 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 56 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 56% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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