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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC15C3 it is the complementary color #33EA3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC15C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC15C3 shade: #D115BE, #E227D1, #F339E4, #FF4BF7 and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC15C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC15C3 shade: #CC15C3, #BB03B0, #AA009D, #99008A and #880077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC15C3 shade: #CB15C2, #CB1591, #CB1560, #CB152F and #CB1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC15C3 shade: #CB15C2, #A315CB, #7115CB, #4015CB and #1515CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC15C3 shade matches the following richer shades: #CB15C2 and #DD03D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC15C3 shade: #CB15C2, #B827B1, #A639A1, #944B91 and #825D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC15C3 shade: #7015CB, #A015CB, #CB15C5, #CB1594 and #CB1564

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC15C3 shade: #800D7A, #A5119E, #CB15C2, #E721DE and #EB47E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC15C3 shade: #CC15C3, #CB3F15 and #15CB88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC15C3 shade: #CC15C3, #C5CB15 and #15C5CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC15C3 shade: #CC15C3, #CB3F15, #15CB1B and #15A0CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC15C3 shade: #CC15C3, #CB7615, #15CB1B and #156ACB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 4 / 20

HEX #CC15C3

RGB 204 21 195

HSL 302.95, 0.81%, 0.44%

LAB 48.65, 79.77, -45.98

 

Complementary color

CMYK 78 / 0 / 74 / 8

HEX #33EA3C

RGB 51 234 60

HSL 122.95, 0.81%, 0.56%

LAB 81.77, -75.03, 67.23

 

CMYK 0 / 90 / 9 / 18

HEX #D115BE

RGB 209 21 190

HSL 306.06, 0.82%, 0.45%

LAB 49.26, 79.97, -42.05

 

CMYK 0 / 83 / 8 / 11

HEX #E227D1

RGB 226 39 209

HSL 305.45, 0.76%, 0.52%

LAB 54.26, 82.75, -44.91

 

CMYK 0 / 77 / 6 / 5

HEX #F339E4

RGB 243 57 228

HSL 304.84, 0.89%, 0.59%

LAB 59.51, 84.59, -47.19

 

CMYK 0 / 71 / 3 / 0

HEX #FF4BF7

RGB 255 75 247

HSL 302.67, 1%, 0.65%

LAB 64.17, 84.66, -50.29

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 90 / 4 / 20

HEX #CC15C3

RGB 204 21 195

HSL 302.95, 0.81%, 0.44%

LAB 48.65, 79.77, -45.98

 

CMYK 0 / 98 / 6 / 27

HEX #BB03B0

RGB 187 3 176

HSL 303.59, 0.97%, 0.37%

LAB 43.89, 75.96, -42.6

 

CMYK 0 / 100 / 8 / 33

HEX #AA009D

RGB 170 0 157

HSL 304.59, 1%, 0.33%

LAB 39.55, 70.62, -38.33

 

CMYK 0 / 100 / 10 / 40

HEX #99008A

RGB 153 0 138

HSL 305.88, 1%, 0.3%

LAB 35.22, 64.9, -33.79

 

CMYK 0 / 100 / 13 / 47

HEX #880077

RGB 136 0 119

HSL 307.5, 1%, 0.27%

LAB 30.8, 59.05, -29.1

 

CMYK 0 / 90 / 4 / 20

HEX #CB15C2

RGB 203 21 194

HSL 302.97, 0.81%, 0.44%

LAB 48.42, 79.45, -45.78

 

CMYK 0 / 90 / 29 / 20

HEX #CB1591

RGB 203 21 145

HSL 319.12, 0.81%, 0.44%

LAB 46.01, 73.17, -20.5

 

CMYK 0 / 90 / 53 / 20

HEX #CB1560

RGB 203 21 96

HSL 335.27, 0.81%, 0.44%

LAB 44.34, 68.61, 7.2

 

CMYK 0 / 90 / 77 / 20

HEX #CB152F

RGB 203 21 47

HSL 351.43, 0.81%, 0.44%

LAB 43.42, 66, 36.27

 

CMYK 0 / 90 / 90 / 20

HEX #CB1515

RGB 203 21 21

HSL 0, 0.81%, 0.44%

LAB 43.19, 65.36, 49.69

 

CMYK 0 / 90 / 4 / 20

HEX #CB15C2

RGB 203 21 194

HSL 302.97, 0.81%, 0.44%

LAB 48.42, 79.45, -45.78

 

CMYK 20 / 90 / 0 / 20

HEX #A315CB

RGB 163 21 203

HSL 286.81, 0.81%, 0.44%

LAB 42.21, 74.31, -61.36

 

CMYK 44 / 90 / 0 / 20

HEX #7115CB

RGB 113 21 203

HSL 270.33, 0.81%, 0.44%

LAB 34.72, 67.76, -73.9

 

CMYK 68 / 90 / 0 / 20

HEX #4015CB

RGB 64 21 203

HSL 254.18, 0.81%, 0.44%

LAB 29.26, 63.61, -83.12

 

CMYK 90 / 90 / 0 / 20

HEX #1515CB

RGB 21 21 203

HSL 240, 0.81%, 0.44%

LAB 26.76, 61.98, -87.35

 

CMYK 0 / 90 / 4 / 20

HEX #CB15C2

RGB 203 21 194

HSL 302.97, 0.81%, 0.44%

LAB 48.42, 79.45, -45.78

 

CMYK 0 / 99 / 5 / 13

HEX #DD03D2

RGB 221 3 210

HSL 303.03, 0.97%, 0.44%

LAB 51.94, 86.43, -49.22

 

CMYK 0 / 90 / 4 / 20

HEX #CB15C2

RGB 203 21 194

HSL 302.97, 0.81%, 0.44%

LAB 48.42, 79.45, -45.78

 

CMYK 0 / 79 / 4 / 28

HEX #B827B1

RGB 184 39 177

HSL 302.9, 0.65%, 0.44%

LAB 45.38, 69.81, -40.86

 

CMYK 0 / 66 / 3 / 35

HEX #A639A1

RGB 166 57 161

HSL 302.75, 0.49%, 0.44%

LAB 43.66, 57.19, -34.27

 

CMYK 0 / 49 / 2 / 42

HEX #944B91

RGB 148 75 145

HSL 302.47, 0.33%, 0.44%

LAB 43.32, 40.91, -25.4

 

CMYK 0 / 28 / 2 / 49

HEX #825D80

RGB 130 93 128

HSL 303.24, 0.17%, 0.44%

LAB 44.42, 21.36, -13.63

 

CMYK 45 / 90 / 0 / 20

HEX #7015CB

RGB 112 21 203

HSL 270, 0.81%, 0.44%

LAB 34.59, 67.65, -74.13

 

CMYK 21 / 90 / 0 / 20

HEX #A015CB

RGB 160 21 203

HSL 285.82, 0.81%, 0.44%

LAB 41.72, 73.86, -62.17

 

CMYK 0 / 90 / 3 / 20

HEX #CB15C5

RGB 203 21 197

HSL 301.98, 0.81%, 0.44%

LAB 48.59, 79.89, -47.25

 

CMYK 0 / 90 / 27 / 20

HEX #CB1594

RGB 203 21 148

HSL 318.13, 0.81%, 0.44%

LAB 46.14, 73.51, -22.12

 

CMYK 0 / 90 / 51 / 20

HEX #CB1564

RGB 203 21 100

HSL 333.96, 0.81%, 0.44%

LAB 44.45, 68.91, 4.86

 

CMYK 0 / 90 / 5 / 50

HEX #800D7A

RGB 128 13 122

HSL 303.13, 0.82%, 0.28%

LAB 30.11, 55.9, -32.18

 

CMYK 0 / 90 / 4 / 35

HEX #A5119E

RGB 165 17 158

HSL 302.84, 0.81%, 0.36%

LAB 39.36, 67.86, -39.29

 

CMYK 0 / 90 / 4 / 20

HEX #CB15C2

RGB 203 21 194

HSL 302.97, 0.81%, 0.44%

LAB 48.42, 79.45, -45.78

 

CMYK 0 / 86 / 4 / 9

HEX #E721DE

RGB 231 33 222

HSL 302.73, 0.8%, 0.52%

LAB 55.43, 86.6, -50.4

 

CMYK 0 / 70 / 3 / 8

HEX #EB47E3

RGB 235 71 227

HSL 302.93, 0.8%, 0.6%

LAB 59.63, 78.65, -46.52

 

CMYK 0 / 90 / 4 / 20

HEX #CC15C3

RGB 204 21 195

HSL 302.95, 0.81%, 0.44%

LAB 48.65, 79.77, -45.98

 

CMYK 0 / 69 / 90 / 20

HEX #CB3F15

RGB 203 63 21

HSL 13.85, 0.81%, 0.44%

LAB 47.37, 53.65, 52.74

 

CMYK 90 / 0 / 33 / 20

HEX #15CB88

RGB 21 203 136

HSL 157.91, 0.81%, 0.44%

LAB 72.66, -57.13, 21.95

 

CMYK 0 / 90 / 4 / 20

HEX #CC15C3

RGB 204 21 195

HSL 302.95, 0.81%, 0.44%

LAB 48.65, 79.77, -45.98

 

CMYK 3 / 0 / 90 / 20

HEX #C5CB15

RGB 197 203 21

HSL 61.98, 0.81%, 0.44%

LAB 78.83, -20.46, 76.68

 

CMYK 90 / 3 / 0 / 20

HEX #15C5CB

RGB 21 197 203

HSL 181.98, 0.81%, 0.44%

LAB 72.5, -37.08, -14.46

 

CMYK 0 / 90 / 4 / 20

HEX #CC15C3

RGB 204 21 195

HSL 302.95, 0.81%, 0.44%

LAB 48.65, 79.77, -45.98

 

CMYK 0 / 69 / 90 / 20

HEX #CB3F15

RGB 203 63 21

HSL 13.85, 0.81%, 0.44%

LAB 47.37, 53.65, 52.74

 

CMYK 90 / 0 / 87 / 20

HEX #15CB1B

RGB 21 203 27

HSL 121.98, 0.81%, 0.44%

LAB 71.52, -70.89, 66.53

 

CMYK 90 / 21 / 0 / 20

HEX #15A0CB

RGB 21 160 203

HSL 194.18, 0.81%, 0.44%

LAB 61.32, -18.74, -31.54

 

CMYK 0 / 90 / 4 / 20

HEX #CC15C3

RGB 204 21 195

HSL 302.95, 0.81%, 0.44%

LAB 48.65, 79.77, -45.98

 

CMYK 0 / 42 / 90 / 20

HEX #CB7615

RGB 203 118 21

HSL 31.98, 0.81%, 0.44%

LAB 57.76, 27.14, 60.55

 

CMYK 90 / 0 / 87 / 20

HEX #15CB1B

RGB 21 203 27

HSL 121.98, 0.81%, 0.44%

LAB 71.52, -70.89, 66.53

 

CMYK 90 / 48 / 0 / 20

HEX #156ACB

RGB 21 106 203

HSL 211.98, 0.81%, 0.44%

LAB 45.33, 13.11, -56.85

 

Description

Color code: HEX #CC15C3 | qconv.com Color code: HEX #CC15C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 21 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 21 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 4 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 4% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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