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Color name
HEX #CBF082

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBF082 it is the complementary color #340F7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBF082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBF082 shade: #D0F07D, #E1FF90, #F2FFA3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBF082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBF082 shade: #CBF082, #BADE6F, #A9CC5C, #98BA49 and #87A836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBF082 shade: #CBF083, #E9F083, #F0DA83, #F0BD83 and #F09F83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBF082 shade: #CBF083, #AEF083, #91F083, #83F093 and #83F0B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBF082 shade matches the following richer shades: #CBF083 and #CFFB78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBF082 shade: #CBF083, #C8E58E, #C4DA9A, #C1CFA5 and #BDC3B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBF082 shade: #F0DA83, #E9F083, #CCF083, #AFF083 and #92F083

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBF082 shade: #ADE739, #BCEC5E, #CBF083, #DBF4A8 and #EAF9CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBF082 shade: #CBF082, #83F0BD and #E983F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBF082 shade: #CBF082, #83CCF0 and #F083CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBF082 shade: #CBF082, #83F0BD, #A883F0 and #F083B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBF082 shade: #CBF082, #83F0DE, #A883F0 and #F08395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 46 / 6

HEX #CBF082

RGB 203 240 130

HSL 80.18, 0.79%, 0.73%

LAB 90.15, -29.06, 49.01

 

Complementary color

CMYK 58 / 88 / 0 / 51

HEX #340F7D

RGB 52 15 125

HSL 260.18, 0.79%, 0.27%

LAB 18.15, 43.67, -54.07

 

CMYK 13 / 0 / 48 / 6

HEX #D0F07D

RGB 208 240 125

HSL 76.7, 0.79%, 0.72%

LAB 90.42, -27.71, 51.77

 

CMYK 12 / 0 / 44 / 0

HEX #E1FF90

RGB 225 255 144

HSL 76.22, 1%, 0.78%

LAB 95.81, -26.46, 49.67

 

CMYK 5 / 0 / 36 / 0

HEX #F2FFA3

RGB 242 255 163

HSL 68.48, 1%, 0.82%

LAB 97.24, -18.03, 42.56

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 15 / 0 / 46 / 6

HEX #CBF082

RGB 203 240 130

HSL 80.18, 0.79%, 0.73%

LAB 90.15, -29.06, 49.01

 

CMYK 16 / 0 / 50 / 13

HEX #BADE6F

RGB 186 222 111

HSL 79.46, 0.63%, 0.65%

LAB 83.88, -28.93, 50.12

 

CMYK 17 / 0 / 55 / 20

HEX #A9CC5C

RGB 169 204 92

HSL 78.75, 0.52%, 0.58%

LAB 77.52, -28.74, 51.19

 

CMYK 18 / 0 / 61 / 27

HEX #98BA49

RGB 152 186 73

HSL 78.05, 0.45%, 0.51%

LAB 71.06, -28.47, 52.15

 

CMYK 20 / 0 / 68 / 34

HEX #87A836

RGB 135 168 54

HSL 77.37, 0.51%, 0.44%

LAB 64.5, -28.09, 52.85

 

CMYK 15 / 0 / 45 / 6

HEX #CBF083

RGB 203 240 131

HSL 80.37, 0.78%, 0.73%

LAB 90.16, -28.95, 48.54

 

CMYK 3 / 0 / 45 / 6

HEX #E9F083

RGB 233 240 131

HSL 63.85, 0.78%, 0.73%

LAB 92.26, -17.55, 51.59

 

CMYK 0 / 9 / 45 / 6

HEX #F0DA83

RGB 240 218 131

HSL 47.89, 0.78%, 0.73%

LAB 87.15, -3.85, 45.41

 

CMYK 0 / 21 / 45 / 6

HEX #F0BD83

RGB 240 189 131

HSL 31.93, 0.78%, 0.73%

LAB 79.93, 11.16, 36.25

 

CMYK 0 / 34 / 45 / 6

HEX #F09F83

RGB 240 159 131

HSL 15.41, 0.78%, 0.73%

LAB 72.87, 27.02, 26.97

 

CMYK 15 / 0 / 45 / 6

HEX #CBF083

RGB 203 240 131

HSL 80.37, 0.78%, 0.73%

LAB 90.16, -28.95, 48.54

 

CMYK 28 / 0 / 45 / 6

HEX #AEF083

RGB 174 240 131

HSL 96.33, 0.78%, 0.73%

LAB 88.43, -39.32, 46.01

 

CMYK 40 / 0 / 45 / 6

HEX #91F083

RGB 145 240 131

HSL 112.29, 0.78%, 0.73%

LAB 86.99, -48.7, 43.89

 

CMYK 45 / 0 / 39 / 6

HEX #83F093

RGB 131 240 147

HSL 128.81, 0.78%, 0.73%

LAB 86.63, -50.41, 35.45

 

CMYK 45 / 0 / 27 / 6

HEX #83F0B0

RGB 131 240 176

HSL 144.77, 0.78%, 0.73%

LAB 87.13, -45.39, 21.4

 

CMYK 15 / 0 / 45 / 6

HEX #CBF083

RGB 203 240 131

HSL 80.37, 0.78%, 0.73%

LAB 90.16, -28.95, 48.54

 

CMYK 18 / 0 / 52 / 2

HEX #CFFB78

RGB 207 251 120

HSL 80.15, 0.94%, 0.73%

LAB 93.28, -33.67, 57.48

 

CMYK 15 / 0 / 45 / 6

HEX #CBF083

RGB 203 240 131

HSL 80.37, 0.78%, 0.73%

LAB 90.16, -28.95, 48.54

 

CMYK 13 / 0 / 38 / 10

HEX #C8E58E

RGB 200 229 142

HSL 80, 0.63%, 0.73%

LAB 87.13, -23.57, 39.3

 

CMYK 10 / 0 / 29 / 15

HEX #C4DA9A

RGB 196 218 154

HSL 80.63, 0.46%, 0.73%

LAB 84.08, -18.09, 29.14

 

CMYK 7 / 0 / 20 / 19

HEX #C1CFA5

RGB 193 207 165

HSL 80, 0.3%, 0.73%

LAB 81.12, -12.04, 19.32

 

CMYK 3 / 0 / 10 / 24

HEX #BDC3B0

RGB 189 195 176

HSL 78.95, 0.14%, 0.73%

LAB 77.87, -5.49, 8.83

 

CMYK 0 / 9 / 45 / 6

HEX #F0DA83

RGB 240 218 131

HSL 47.89, 0.78%, 0.73%

LAB 87.15, -3.85, 45.41

 

CMYK 3 / 0 / 45 / 6

HEX #E9F083

RGB 233 240 131

HSL 63.85, 0.78%, 0.73%

LAB 92.26, -17.55, 51.59

 

CMYK 15 / 0 / 45 / 6

HEX #CCF083

RGB 204 240 131

HSL 79.82, 0.78%, 0.73%

LAB 90.23, -28.58, 48.64

 

CMYK 27 / 0 / 45 / 6

HEX #AFF083

RGB 175 240 131

HSL 95.78, 0.78%, 0.73%

LAB 88.48, -38.98, 46.09

 

CMYK 39 / 0 / 45 / 6

HEX #92F083

RGB 146 240 131

HSL 111.74, 0.78%, 0.73%

LAB 87.03, -48.4, 43.96

 

CMYK 25 / 0 / 75 / 9

HEX #ADE739

RGB 173 231 57

HSL 80, 0.78%, 0.56%

LAB 85.17, -41.94, 72.95

 

CMYK 20 / 0 / 60 / 7

HEX #BCEC5E

RGB 188 236 94

HSL 80.28, 0.79%, 0.65%

LAB 87.72, -36.17, 62.17

 

CMYK 15 / 0 / 45 / 6

HEX #CBF083

RGB 203 240 131

HSL 80.37, 0.78%, 0.73%

LAB 90.16, -28.95, 48.54

 

CMYK 10 / 0 / 31 / 4

HEX #DBF4A8

RGB 219 244 168

HSL 79.74, 0.78%, 0.81%

LAB 92.83, -20.54, 34

 

CMYK 6 / 0 / 18 / 2

HEX #EAF9CD

RGB 234 249 205

HSL 80.45, 0.79%, 0.89%

LAB 95.85, -12.35, 19.49

 

CMYK 15 / 0 / 46 / 6

HEX #CBF082

RGB 203 240 130

HSL 80.18, 0.79%, 0.73%

LAB 90.15, -29.06, 49.01

 

CMYK 45 / 0 / 21 / 6

HEX #83F0BD

RGB 131 240 189

HSL 151.93, 0.78%, 0.73%

LAB 87.4, -42.84, 15.04

 

CMYK 3 / 45 / 0 / 6

HEX #E983F0

RGB 233 131 240

HSL 296.15, 0.78%, 0.73%

LAB 69.36, 54.82, -38.49

 

CMYK 15 / 0 / 46 / 6

HEX #CBF082

RGB 203 240 130

HSL 80.18, 0.79%, 0.73%

LAB 90.15, -29.06, 49.01

 

CMYK 45 / 15 / 0 / 6

HEX #83CCF0

RGB 131 204 240

HSL 199.82, 0.78%, 0.73%

LAB 78.64, -13.43, -24.85

 

CMYK 0 / 45 / 15 / 6

HEX #F083CC

RGB 240 131 204

HSL 319.82, 0.78%, 0.73%

LAB 68.84, 50.86, -19.31

 

CMYK 15 / 0 / 46 / 6

HEX #CBF082

RGB 203 240 130

HSL 80.18, 0.79%, 0.73%

LAB 90.15, -29.06, 49.01

 

CMYK 45 / 0 / 21 / 6

HEX #83F0BD

RGB 131 240 189

HSL 151.93, 0.78%, 0.73%

LAB 87.4, -42.84, 15.04

 

CMYK 30 / 45 / 0 / 6

HEX #A883F0

RGB 168 131 240

HSL 260.37, 0.78%, 0.73%

LAB 62.38, 36.83, -49.94

 

CMYK 0 / 45 / 24 / 6

HEX #F083B6

RGB 240 131 182

HSL 331.93, 0.78%, 0.73%

LAB 68.12, 47.65, -8.07

 

CMYK 15 / 0 / 46 / 6

HEX #CBF082

RGB 203 240 130

HSL 80.18, 0.79%, 0.73%

LAB 90.15, -29.06, 49.01

 

CMYK 45 / 0 / 8 / 6

HEX #83F0DE

RGB 131 240 222

HSL 170.09, 0.78%, 0.73%

LAB 88.17, -35.65, -1.06

 

CMYK 30 / 45 / 0 / 6

HEX #A883F0

RGB 168 131 240

HSL 260.37, 0.78%, 0.73%

LAB 62.38, 36.83, -49.94

 

CMYK 0 / 45 / 38 / 6

HEX #F08395

RGB 240 131 149

HSL 350.09, 0.78%, 0.73%

LAB 67.22, 43.49, 9.21

 

Description

Color code: HEX #CBF082 | qconv.com Color code: HEX #CBF082 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 240 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 240 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 46 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 46% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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