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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBEF51 it is the complementary color #3410AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBEF51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBEF51 shade: #D0EF4C, #E1FF5F, #F2FF72, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBEF51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBEF51 shade: #CBEF51, #BADD3E, #A9CB2B, #98B918 and #87A705

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBEF51 shade: #CBEE52, #EEE852, #EEBE52, #EE9352 and #EE6952

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBEF51 shade: #CBEE52, #A1EE52, #76EE52, #52EE58 and #52EE82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBEF51 shade matches the following richer shades: #CBEE52 and #D3FE43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBEF51 shade: #CBEE52, #C2DF61, #BAD070, #B2C180 and #AAB18F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBEF51 shade: #EEBD52, #EEE752, #CDEE52, #A3EE52 and #79EE52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBEF51 shade: #ADDA14, #BFEB2C, #CBEE52, #D6F278 and #E1F59D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBEF51 shade: #CBEF51, #52EE93 and #D252EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBEF51 shade: #CBEF51, #52CDEE and #EE52CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBEF51 shade: #CBEF51, #52EE93, #7452EE and #EE52AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBEF51 shade: #CBEF51, #52EEC2, #7452EE and #EE527E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 66 / 6

HEX #CBEF51

RGB 203 239 81

HSL 73.67, 0.83%, 0.63%

LAB 89.4, -32.73, 69.46

 

Complementary color

CMYK 70 / 91 / 0 / 32

HEX #3410AE

RGB 52 16 174

HSL 253.67, 0.83%, 0.37%

LAB 24.18, 56.72, -74.39

 

CMYK 13 / 0 / 68 / 6

HEX #D0EF4C

RGB 208 239 76

HSL 71.41, 0.84%, 0.62%

LAB 89.7, -31.07, 71.72

 

CMYK 12 / 0 / 63 / 0

HEX #E1FF5F

RGB 225 255 95

HSL 71.25, 1%, 0.69%

LAB 95.31, -30.68, 70.68

 

CMYK 5 / 0 / 55 / 0

HEX #F2FF72

RGB 242 255 114

HSL 65.53, 1%, 0.72%

LAB 96.66, -22.72, 64.64

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 15 / 0 / 66 / 6

HEX #CBEF51

RGB 203 239 81

HSL 73.67, 0.83%, 0.63%

LAB 89.4, -32.73, 69.46

 

CMYK 16 / 0 / 72 / 13

HEX #BADD3E

RGB 186 221 62

HSL 73.21, 0.7%, 0.55%

LAB 83.18, -32.17, 69.7

 

CMYK 17 / 0 / 79 / 20

HEX #A9CB2B

RGB 169 203 43

HSL 72.75, 0.65%, 0.48%

LAB 76.87, -31.48, 69.35

 

CMYK 18 / 0 / 87 / 27

HEX #98B918

RGB 152 185 24

HSL 72.3, 0.77%, 0.41%

LAB 70.48, -30.6, 68.02

 

CMYK 19 / 0 / 97 / 35

HEX #87A705

RGB 135 167 5

HSL 71.85, 0.94%, 0.34%

LAB 64, -29.5, 65.28

 

CMYK 15 / 0 / 66 / 7

HEX #CBEE52

RGB 203 238 82

HSL 73.46, 0.82%, 0.63%

LAB 89.14, -32.21, 68.8

 

CMYK 0 / 3 / 66 / 7

HEX #EEE852

RGB 238 232 82

HSL 57.69, 0.82%, 0.63%

LAB 90.09, -15.33, 70.59

 

CMYK 0 / 20 / 66 / 7

HEX #EEBE52

RGB 238 190 82

HSL 41.54, 0.82%, 0.63%

LAB 79.39, 5.97, 59.36

 

CMYK 0 / 38 / 66 / 7

HEX #EE9352

RGB 238 147 82

HSL 25, 0.82%, 0.63%

LAB 69.22, 28.66, 48.08

 

CMYK 0 / 56 / 66 / 7

HEX #EE6952

RGB 238 105 82

HSL 8.85, 0.82%, 0.63%

LAB 60.68, 49.8, 38.08

 

CMYK 15 / 0 / 66 / 7

HEX #CBEE52

RGB 203 238 82

HSL 73.46, 0.82%, 0.63%

LAB 89.14, -32.21, 68.8

 

CMYK 32 / 0 / 66 / 7

HEX #A1EE52

RGB 161 238 82

HSL 89.62, 0.82%, 0.63%

LAB 86.67, -47.73, 65.45

 

CMYK 50 / 0 / 66 / 7

HEX #76EE52

RGB 118 238 82

HSL 106.15, 0.82%, 0.63%

LAB 84.8, -61.13, 62.89

 

CMYK 66 / 0 / 63 / 7

HEX #52EE58

RGB 82 238 88

HSL 122.31, 0.82%, 0.63%

LAB 83.78, -68.95, 59.05

 

CMYK 66 / 0 / 45 / 7

HEX #52EE82

RGB 82 238 130

HSL 138.46, 0.82%, 0.63%

LAB 84.25, -63.52, 40.47

 

CMYK 15 / 0 / 66 / 7

HEX #CBEE52

RGB 203 238 82

HSL 73.46, 0.82%, 0.63%

LAB 89.14, -32.21, 68.8

 

CMYK 17 / 0 / 74 / 0

HEX #D3FE43

RGB 211 254 67

HSL 73.8, 0.99%, 0.63%

LAB 93.94, -37.2, 78.97

 

CMYK 15 / 0 / 66 / 7

HEX #CBEE52

RGB 203 238 82

HSL 73.46, 0.82%, 0.63%

LAB 89.14, -32.21, 68.8

 

CMYK 13 / 0 / 57 / 13

HEX #C2DF61

RGB 194 223 97

HSL 73.81, 0.66%, 0.63%

LAB 84.54, -27.61, 57.43

 

CMYK 11 / 0 / 46 / 18

HEX #BAD070

RGB 186 208 112

HSL 73.75, 0.51%, 0.63%

LAB 80.02, -22.09, 44.97

 

CMYK 8 / 0 / 34 / 24

HEX #B2C180

RGB 178 193 128

HSL 73.85, 0.34%, 0.63%

LAB 75.55, -15.83, 31.07

 

CMYK 4 / 0 / 19 / 31

HEX #AAB18F

RGB 170 177 143

HSL 72.35, 0.18%, 0.63%

LAB 70.85, -8.44, 16.6

 

CMYK 0 / 21 / 66 / 7

HEX #EEBD52

RGB 238 189 82

HSL 41.15, 0.82%, 0.63%

LAB 79.15, 6.5, 59.09

 

CMYK 0 / 3 / 66 / 7

HEX #EEE752

RGB 238 231 82

HSL 57.31, 0.82%, 0.63%

LAB 89.83, -14.84, 70.32

 

CMYK 14 / 0 / 66 / 7

HEX #CDEE52

RGB 205 238 82

HSL 72.69, 0.82%, 0.63%

LAB 89.27, -31.43, 68.98

 

CMYK 32 / 0 / 66 / 7

HEX #A3EE52

RGB 163 238 82

HSL 88.85, 0.82%, 0.63%

LAB 86.77, -47.03, 65.59

 

CMYK 49 / 0 / 66 / 7

HEX #79EE52

RGB 121 238 82

HSL 105, 0.82%, 0.63%

LAB 84.91, -60.3, 63.04

 

CMYK 21 / 0 / 91 / 15

HEX #ADDA14

RGB 173 218 20

HSL 73.64, 0.83%, 0.47%

LAB 81.33, -37.41, 78.1

 

CMYK 19 / 0 / 81 / 8

HEX #BFEB2C

RGB 191 235 44

HSL 73.82, 0.83%, 0.55%

LAB 87.33, -37.36, 78.91

 

CMYK 15 / 0 / 66 / 7

HEX #CBEE52

RGB 203 238 82

HSL 73.46, 0.82%, 0.63%

LAB 89.14, -32.21, 68.8

 

CMYK 12 / 0 / 50 / 5

HEX #D6F278

RGB 214 242 120

HSL 73.77, 0.82%, 0.71%

LAB 91.31, -26.86, 55.25

 

CMYK 8 / 0 / 36 / 4

HEX #E1F59D

RGB 225 245 157

HSL 73.64, 0.81%, 0.79%

LAB 93.34, -20.21, 40.22

 

CMYK 15 / 0 / 66 / 6

HEX #CBEF51

RGB 203 239 81

HSL 73.67, 0.83%, 0.63%

LAB 89.4, -32.73, 69.46

 

CMYK 66 / 0 / 38 / 7

HEX #52EE93

RGB 82 238 147

HSL 145, 0.82%, 0.63%

LAB 84.51, -60.67, 32.37

 

CMYK 12 / 66 / 0 / 7

HEX #D252EE

RGB 210 82 238

HSL 289.23, 0.82%, 0.63%

LAB 57.95, 71.03, -55.58

 

CMYK 15 / 0 / 66 / 6

HEX #CBEF51

RGB 203 239 81

HSL 73.67, 0.83%, 0.63%

LAB 89.4, -32.73, 69.46

 

CMYK 66 / 14 / 0 / 7

HEX #52CDEE

RGB 82 205 238

HSL 192.69, 0.82%, 0.63%

LAB 77.06, -24.11, -26.35

 

CMYK 0 / 66 / 14 / 7

HEX #EE52CD

RGB 238 82 205

HSL 312.69, 0.82%, 0.63%

LAB 60.44, 72.22, -32.79

 

CMYK 15 / 0 / 66 / 6

HEX #CBEF51

RGB 203 239 81

HSL 73.67, 0.83%, 0.63%

LAB 89.4, -32.73, 69.46

 

CMYK 66 / 0 / 38 / 7

HEX #52EE93

RGB 82 238 147

HSL 145, 0.82%, 0.63%

LAB 84.51, -60.67, 32.37

 

CMYK 51 / 66 / 0 / 7

HEX #7452EE

RGB 116 82 238

HSL 253.08, 0.82%, 0.63%

LAB 46.87, 52.13, -74.02

 

CMYK 0 / 66 / 27 / 7

HEX #EE52AD

RGB 238 82 173

HSL 325, 0.82%, 0.63%

LAB 59.19, 67.98, -16.39

 

CMYK 15 / 0 / 66 / 6

HEX #CBEF51

RGB 203 239 81

HSL 73.67, 0.83%, 0.63%

LAB 89.4, -32.73, 69.46

 

CMYK 66 / 0 / 18 / 7

HEX #52EEC2

RGB 82 238 194

HSL 163.08, 0.82%, 0.63%

LAB 85.42, -50.99, 9.42

 

CMYK 51 / 66 / 0 / 7

HEX #7452EE

RGB 116 82 238

HSL 253.08, 0.82%, 0.63%

LAB 46.87, 52.13, -74.02

 

CMYK 0 / 66 / 47 / 7

HEX #EE527E

RGB 238 82 126

HSL 343.08, 0.82%, 0.63%

LAB 57.77, 63, 8.97

 

Description

Color code: HEX #CBEF51 | qconv.com Color code: HEX #CBEF51 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 239 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 239 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 66 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 66% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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