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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBD9DE it is the complementary color #342621. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBD9DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBD9DE shade: #D0D9D9, #E1EBEC and #F2FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBD9DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBD9DE shade: #CBD9DE, #BAC7CB, #A9B5B8, #98A3A5 and #879192

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBD9DE shade: #CAD8DD, #CAD3DD, #CACDDD, #CBCADD and #D0CADD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBD9DE shade: #CAD8DD, #CAD3DD, #CACDDD and #CACADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBD9DE shade matches the following richer shades: #CAD8DD, #C3DBE4, #BCDEEB, #B5E2F2 and #AEE5F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBD9DE shade: #CAD8DD, #D1D4D6, #D8D1CF, #DFCEC8 and #E6CAC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBD9DE shade: #CADDD7, #CADDDC, #CAD8DD, #CAD3DD and #CACEDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBD9DE shade: #97B3BD, #B0C5CD, #CAD8DD, #E3EAED and #FCFDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBD9DE shade: #CBD9DE, #D2CADD and #DDDACA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBD9DE shade: #CBD9DE, #DDCAD8 and #D8DDCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBD9DE shade: #CBD9DE, #D2CADD, #DDCECA and #D4DDCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBD9DE shade: #CBD9DE, #D8CADD, #DDCECA and #CEDDCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 2 / 0 / 13

HEX #CBD9DE

RGB 203 217 222

HSL 195.79, 0.22%, 0.83%

LAB 85.8, -3.72, -4.08

 

Complementary color

CMYK 0 / 27 / 37 / 80

HEX #342621

RGB 52 38 33

HSL 15.79, 0.22%, 0.17%

LAB 16.63, 5.7, 5.86

 

CMYK 4 / 0 / 0 / 15

HEX #D0D9D9

RGB 208 217 217

HSL 180, 0.11%, 0.83%

LAB 86.03, -3.02, -1.06

 

CMYK 5 / 0 / 0 / 7

HEX #E1EBEC

RGB 225 235 236

HSL 185.45, 0.22%, 0.9%

LAB 92.35, -3.13, -1.65

 

CMYK 5 / 1 / 0 / 0

HEX #F2FDFF

RGB 242 253 255

HSL 189.23, 1%, 0.97%

LAB 98.57, -3.23, -2.21

 

CMYK 9 / 2 / 0 / 13

HEX #CBD9DE

RGB 203 217 222

HSL 195.79, 0.22%, 0.83%

LAB 85.8, -3.72, -4.08

 

CMYK 8 / 2 / 0 / 20

HEX #BAC7CB

RGB 186 199 203

HSL 194.12, 0.14%, 0.76%

LAB 79.38, -3.64, -3.53

 

CMYK 8 / 2 / 0 / 28

HEX #A9B5B8

RGB 169 181 184

HSL 192, 0.1%, 0.69%

LAB 72.85, -3.56, -2.97

 

CMYK 8 / 1 / 0 / 35

HEX #98A3A5

RGB 152 163 165

HSL 189.23, 0.07%, 0.62%

LAB 66.2, -3.48, -2.38

 

CMYK 8 / 1 / 0 / 43

HEX #879192

RGB 135 145 146

HSL 185.45, 0.05%, 0.55%

LAB 59.41, -3.4, -1.78

 

CMYK 9 / 2 / 0 / 13

HEX #CAD8DD

RGB 202 216 221

HSL 195.79, 0.22%, 0.83%

LAB 85.45, -3.73, -4.08

 

CMYK 9 / 5 / 0 / 13

HEX #CAD3DD

RGB 202 211 221

HSL 211.58, 0.22%, 0.83%

LAB 84.16, -1.12, -5.99

 

CMYK 9 / 7 / 0 / 13

HEX #CACDDD

RGB 202 205 221

HSL 230.53, 0.22%, 0.83%

LAB 82.61, 2.04, -8.27

 

CMYK 8 / 9 / 0 / 13

HEX #CBCADD

RGB 203 202 221

HSL 243.16, 0.22%, 0.83%

LAB 81.92, 3.95, -9.29

 

CMYK 6 / 9 / 0 / 13

HEX #D0CADD

RGB 208 202 221

HSL 258.95, 0.22%, 0.83%

LAB 82.31, 5.61, -8.67

 

CMYK 9 / 2 / 0 / 13

HEX #CAD8DD

RGB 202 216 221

HSL 195.79, 0.22%, 0.83%

LAB 85.45, -3.73, -4.08

 

CMYK 9 / 5 / 0 / 13

HEX #CAD3DD

RGB 202 211 221

HSL 211.58, 0.22%, 0.83%

LAB 84.16, -1.12, -5.99

 

CMYK 9 / 7 / 0 / 13

HEX #CACDDD

RGB 202 205 221

HSL 230.53, 0.22%, 0.83%

LAB 82.61, 2.04, -8.27

 

CMYK 9 / 9 / 0 / 13

HEX #CACADD

RGB 202 202 221

HSL 240, 0.22%, 0.83%

LAB 81.85, 3.62, -9.41

 

CMYK 9 / 2 / 0 / 13

HEX #CAD8DD

RGB 202 216 221

HSL 195.79, 0.22%, 0.83%

LAB 85.45, -3.73, -4.08

 

CMYK 14 / 4 / 0 / 11

HEX #C3DBE4

RGB 195 219 228

HSL 196.36, 0.38%, 0.83%

LAB 85.94, -6.13, -7.12

 

CMYK 20 / 6 / 0 / 8

HEX #BCDEEB

RGB 188 222 235

HSL 196.6, 0.54%, 0.83%

LAB 86.47, -8.39, -10.08

 

CMYK 25 / 7 / 0 / 5

HEX #B5E2F2

RGB 181 226 242

HSL 195.74, 0.7%, 0.83%

LAB 87.3, -10.99, -12.57

 

CMYK 30 / 8 / 0 / 2

HEX #AEE5F9

RGB 174 229 249

HSL 196, 0.86%, 0.83%

LAB 87.91, -12.92, -15.38

 

CMYK 9 / 2 / 0 / 13

HEX #CAD8DD

RGB 202 216 221

HSL 195.79, 0.22%, 0.83%

LAB 85.45, -3.73, -4.08

 

CMYK 2 / 1 / 0 / 16

HEX #D1D4D6

RGB 209 212 214

HSL 204, 0.06%, 0.83%

LAB 84.74, -0.65, -1.35

 

CMYK 0 / 3 / 4 / 15

HEX #D8D1CF

RGB 216 209 207

HSL 13.33, 0.1%, 0.83%

LAB 84.33, 2.06, 1.84

 

CMYK 0 / 8 / 10 / 13

HEX #DFCEC8

RGB 223 206 200

HSL 15.65, 0.26%, 0.83%

LAB 83.97, 4.9, 5.1

 

CMYK 0 / 12 / 16 / 10

HEX #E6CAC1

RGB 230 202 193

HSL 14.59, 0.43%, 0.83%

LAB 83.4, 8.39, 8.09

 

CMYK 9 / 0 / 3 / 13

HEX #CADDD7

RGB 202 221 215

HSL 161.05, 0.22%, 0.83%

LAB 86.59, -7.46, 0.76

 

CMYK 9 / 0 / 0 / 13

HEX #CADDDC

RGB 202 221 220

HSL 176.84, 0.22%, 0.83%

LAB 86.72, -6.5, -1.69

 

CMYK 9 / 2 / 0 / 13

HEX #CAD8DD

RGB 202 216 221

HSL 195.79, 0.22%, 0.83%

LAB 85.45, -3.73, -4.08

 

CMYK 9 / 5 / 0 / 13

HEX #CAD3DD

RGB 202 211 221

HSL 211.58, 0.22%, 0.83%

LAB 84.16, -1.12, -5.99

 

CMYK 9 / 7 / 0 / 13

HEX #CACEDD

RGB 202 206 221

HSL 227.37, 0.22%, 0.83%

LAB 82.87, 1.51, -7.89

 

CMYK 20 / 5 / 0 / 26

HEX #97B3BD

RGB 151 179 189

HSL 195.79, 0.22%, 0.67%

LAB 71.21, -7.34, -8.28

 

CMYK 14 / 4 / 0 / 20

HEX #B0C5CD

RGB 176 197 205

HSL 196.55, 0.22%, 0.75%

LAB 78.21, -5.46, -6.42

 

CMYK 9 / 2 / 0 / 13

HEX #CAD8DD

RGB 202 216 221

HSL 195.79, 0.22%, 0.83%

LAB 85.45, -3.73, -4.08

 

CMYK 4 / 1 / 0 / 7

HEX #E3EAED

RGB 227 234 237

HSL 198, 0.22%, 0.91%

LAB 92.26, -1.77, -2.27

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFD

RGB 252 253 253

HSL 180, 0.2%, 0.99%

LAB 99.24, -0.32, -0.13

 

CMYK 9 / 2 / 0 / 13

HEX #CBD9DE

RGB 203 217 222

HSL 195.79, 0.22%, 0.83%

LAB 85.8, -3.72, -4.08

 

CMYK 5 / 9 / 0 / 13

HEX #D2CADD

RGB 210 202 221

HSL 265.26, 0.22%, 0.83%

LAB 82.47, 6.27, -8.42

 

CMYK 0 / 1 / 9 / 13

HEX #DDDACA

RGB 221 218 202

HSL 50.53, 0.22%, 0.83%

LAB 86.89, -1.73, 8.23

 

CMYK 9 / 2 / 0 / 13

HEX #CBD9DE

RGB 203 217 222

HSL 195.79, 0.22%, 0.83%

LAB 85.8, -3.72, -4.08

 

CMYK 0 / 9 / 2 / 13

HEX #DDCAD8

RGB 221 202 216

HSL 315.79, 0.22%, 0.83%

LAB 83.22, 9.06, -4.54

 

CMYK 2 / 0 / 9 / 13

HEX #D8DDCA

RGB 216 221 202

HSL 75.79, 0.22%, 0.83%

LAB 87.28, -5.02, 8.73

 

CMYK 9 / 2 / 0 / 13

HEX #CBD9DE

RGB 203 217 222

HSL 195.79, 0.22%, 0.83%

LAB 85.8, -3.72, -4.08

 

CMYK 5 / 9 / 0 / 13

HEX #D2CADD

RGB 210 202 221

HSL 265.26, 0.22%, 0.83%

LAB 82.47, 6.27, -8.42

 

CMYK 0 / 7 / 9 / 13

HEX #DDCECA

RGB 221 206 202

HSL 12.63, 0.22%, 0.83%

LAB 83.85, 4.52, 3.85

 

CMYK 4 / 0 / 9 / 13

HEX #D4DDCA

RGB 212 221 202

HSL 88.42, 0.22%, 0.83%

LAB 86.98, -6.41, 8.27

 

CMYK 9 / 2 / 0 / 13

HEX #CBD9DE

RGB 203 217 222

HSL 195.79, 0.22%, 0.83%

LAB 85.8, -3.72, -4.08

 

CMYK 2 / 9 / 0 / 13

HEX #D8CADD

RGB 216 202 221

HSL 284.21, 0.22%, 0.83%

LAB 82.95, 8.28, -7.66

 

CMYK 0 / 7 / 9 / 13

HEX #DDCECA

RGB 221 206 202

HSL 12.63, 0.22%, 0.83%

LAB 83.85, 4.52, 3.85

 

CMYK 7 / 0 / 9 / 13

HEX #CEDDCA

RGB 206 221 202

HSL 107.37, 0.22%, 0.83%

LAB 86.55, -8.48, 7.6

 

Description

Color code: HEX #CBD9DE | qconv.com Color code: HEX #CBD9DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 217 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 217 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 2 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 2% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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