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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBB75C it is the complementary color #3448A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBB75C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBB75C shade: #D0B757, #E1C96A, #F2DB7D, #FFED90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBB75C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBB75C shade: #CBB75C, #BAA549, #A99336, #988123 and #876F10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBB75C shade: #CBB75C, #CB995C, #CB7B5C, #CB5D5C and #CB5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBB75C shade: #CBB75C, #C1CB5C, #A3CB5C, #85CB5C and #67CB5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBB75C shade matches the following richer shades: #CBB75C, #DCC24A and #EECD39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBB75C shade: #CBB75C, #BAAC6D, #A8A17E, #979690 and #868BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBB75C shade: #CB7B5C, #CB995C, #CBB75C, #C2CB5C and #A4CB5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBB75C shade: #A28E33, #C1A93D, #CBB75C, #D5C57B and #DFD39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBB75C shade: #CBB75C, #5CCB5E and #8A5CCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBB75C shade: #CBB75C, #5CCBB7 and #B75CCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBB75C shade: #CBB75C, #5CCB5E, #5C70CB and #CB5CC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBB75C shade: #CBB75C, #5CCB7F, #5C70CB and #CB5CA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

Complementary color

CMYK 68 / 56 / 0 / 36

HEX #3448A3

RGB 52 72 163

HSL 229.19, 0.52%, 0.42%

LAB 34, 23.2, -51.64

 

CMYK 0 / 12 / 58 / 18

HEX #D0B757

RGB 208 183 87

HSL 47.6, 0.56%, 0.58%

LAB 74.8, -2.66, 51.19

 

CMYK 0 / 11 / 53 / 12

HEX #E1C96A

RGB 225 201 106

HSL 47.9, 0.66%, 0.65%

LAB 81.19, -3.45, 50.01

 

CMYK 0 / 10 / 48 / 5

HEX #F2DB7D

RGB 242 219 125

HSL 48.21, 0.82%, 0.72%

LAB 87.5, -4.12, 48.81

 

CMYK 0 / 7 / 44 / 0

HEX #FFED90

RGB 255 237 144

HSL 50.27, 1%, 0.78%

LAB 93.38, -6.26, 47.12

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 0 / 11 / 61 / 27

HEX #BAA549

RGB 186 165 73

HSL 48.85, 0.45%, 0.51%

LAB 67.9, -3.55, 49.39

 

CMYK 0 / 13 / 68 / 34

HEX #A99336

RGB 169 147 54

HSL 48.52, 0.52%, 0.44%

LAB 61.28, -2.56, 50.36

 

CMYK 0 / 15 / 77 / 40

HEX #988123

RGB 152 129 35

HSL 48.21, 0.63%, 0.37%

LAB 54.55, -1.34, 50.89

 

CMYK 0 / 18 / 88 / 47

HEX #876F10

RGB 135 111 16

HSL 47.9, 0.79%, 0.3%

LAB 47.7, 0.19, 50.41

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 0 / 25 / 55 / 20

HEX #CB995C

RGB 203 153 92

HSL 32.97, 0.52%, 0.58%

LAB 66.71, 11.67, 39.03

 

CMYK 0 / 39 / 55 / 20

HEX #CB7B5C

RGB 203 123 92

HSL 16.76, 0.52%, 0.58%

LAB 59.56, 28.01, 30.09

 

CMYK 0 / 54 / 55 / 20

HEX #CB5D5C

RGB 203 93 92

HSL 0.54, 0.52%, 0.58%

LAB 53.27, 43.62, 21.9

 

CMYK 0 / 55 / 55 / 20

HEX #CB5C5C

RGB 203 92 92

HSL 0, 0.52%, 0.58%

LAB 53.08, 44.11, 21.65

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 5 / 0 / 55 / 20

HEX #C1CB5C

RGB 193 203 92

HSL 65.41, 0.52%, 0.58%

LAB 78.94, -18.71, 53.27

 

CMYK 20 / 0 / 55 / 20

HEX #A3CB5C

RGB 163 203 92

HSL 81.62, 0.52%, 0.58%

LAB 76.84, -30.58, 50.31

 

CMYK 34 / 0 / 55 / 20

HEX #85CB5C

RGB 133 203 92

HSL 97.84, 0.52%, 0.58%

LAB 75.12, -41.48, 47.86

 

CMYK 49 / 0 / 55 / 20

HEX #67CB5C

RGB 103 203 92

HSL 114.05, 0.52%, 0.58%

LAB 73.78, -50.85, 45.95

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 0 / 12 / 66 / 14

HEX #DCC24A

RGB 220 194 74

HSL 49.32, 0.68%, 0.58%

LAB 78.63, -4.16, 61.45

 

CMYK 0 / 14 / 76 / 7

HEX #EECD39

RGB 238 205 57

HSL 49.06, 0.84%, 0.58%

LAB 82.99, -2.98, 72.65

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 0 / 8 / 41 / 27

HEX #BAAC6D

RGB 186 172 109

HSL 49.09, 0.36%, 0.58%

LAB 70.21, -4.02, 34.19

 

CMYK 0 / 4 / 25 / 34

HEX #A8A17E

RGB 168 161 126

HSL 50, 0.19%, 0.58%

LAB 66, -3.23, 19.18

 

CMYK 0 / 1 / 5 / 41

HEX #979690

RGB 151 150 144

HSL 51.43, 0.03%, 0.58%

LAB 62, -0.76, 3.28

 

CMYK 17 / 14 / 0 / 37

HEX #868BA1

RGB 134 139 161

HSL 228.89, 0.13%, 0.58%

LAB 58.14, 2.91, -12.26

 

CMYK 0 / 39 / 55 / 20

HEX #CB7B5C

RGB 203 123 92

HSL 16.76, 0.52%, 0.58%

LAB 59.56, 28.01, 30.09

 

CMYK 0 / 25 / 55 / 20

HEX #CB995C

RGB 203 153 92

HSL 32.97, 0.52%, 0.58%

LAB 66.71, 11.67, 39.03

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 4 / 0 / 55 / 20

HEX #C2CB5C

RGB 194 203 92

HSL 64.86, 0.52%, 0.58%

LAB 79.01, -18.31, 53.38

 

CMYK 19 / 0 / 55 / 20

HEX #A4CB5C

RGB 164 203 92

HSL 81.08, 0.52%, 0.58%

LAB 76.91, -30.2, 50.4

 

CMYK 0 / 12 / 69 / 36

HEX #A28E33

RGB 162 142 51

HSL 49.19, 0.52%, 0.42%

LAB 59.22, -3.14, 49.31

 

CMYK 0 / 12 / 68 / 24

HEX #C1A93D

RGB 193 169 61

HSL 49.09, 0.52%, 0.5%

LAB 69.51, -3.4, 56.61

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 0 / 8 / 42 / 16

HEX #D5C57B

RGB 213 197 123

HSL 49.33, 0.52%, 0.66%

LAB 79.33, -4.67, 39.08

 

CMYK 0 / 5 / 31 / 13

HEX #DFD39A

RGB 223 211 154

HSL 49.57, 0.52%, 0.74%

LAB 84.28, -4.39, 29.78

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 55 / 0 / 54 / 20

HEX #5CCB5E

RGB 92 203 94

HSL 121.08, 0.52%, 0.58%

LAB 73.41, -53.54, 44.47

 

CMYK 32 / 55 / 0 / 20

HEX #8A5CCB

RGB 138 92 203

HSL 264.86, 0.52%, 0.58%

LAB 48.72, 41.76, -51.03

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 55 / 0 / 10 / 20

HEX #5CCBB7

RGB 92 203 183

HSL 169.19, 0.52%, 0.58%

LAB 75.08, -36.55, 0.37

 

CMYK 10 / 55 / 0 / 20

HEX #B75CCB

RGB 183 92 203

HSL 289.19, 0.52%, 0.58%

LAB 54.06, 53.41, -42.21

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 55 / 0 / 54 / 20

HEX #5CCB5E

RGB 92 203 94

HSL 121.08, 0.52%, 0.58%

LAB 73.41, -53.54, 44.47

 

CMYK 55 / 45 / 0 / 20

HEX #5C70CB

RGB 92 112 203

HSL 229.19, 0.52%, 0.58%

LAB 49.71, 18.99, -49.67

 

CMYK 0 / 55 / 1 / 20

HEX #CB5CC9

RGB 203 92 201

HSL 301.08, 0.52%, 0.58%

LAB 56.65, 58.39, -36.81

 

CMYK 0 / 10 / 55 / 20

HEX #CBB75C

RGB 203 183 92

HSL 49.19, 0.52%, 0.58%

LAB 74.4, -4.37, 48.24

 

CMYK 55 / 0 / 37 / 20

HEX #5CCB7F

RGB 92 203 127

HSL 138.92, 0.52%, 0.58%

LAB 73.88, -48.51, 28.55

 

CMYK 55 / 45 / 0 / 20

HEX #5C70CB

RGB 92 112 203

HSL 229.19, 0.52%, 0.58%

LAB 49.71, 18.99, -49.67

 

CMYK 0 / 55 / 17 / 20

HEX #CB5CA8

RGB 203 92 168

HSL 318.92, 0.52%, 0.58%

LAB 55.26, 53.03, -19.96

 

Description

Color code: HEX #CBB75C | qconv.com Color code: HEX #CBB75C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 183 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 183 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 55 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 55% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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