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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB95D4 it is the complementary color #346A2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB95D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB95D4 shade: #D095CF, #E1A7E2, #F2B9F5, #FFCBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB95D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB95D4 shade: #CB95D4, #BA83C1, #A971AE, #985F9B and #874D88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB95D4 shade: #CB95D4, #D495CC, #D495BB, #D495AA and #D49599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB95D4 shade: #CB95D4, #BA95D4, #A995D4, #9895D4 and #9595D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB95D4 shade matches the following richer shades: #CB95D4, #D38AE0, #DC7EEC and #E472F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB95D4 shade: #CB95D4, #C2A1C8, #BAADBC, #B1B9B0 and #A9C5A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB95D4 shade: #A995D4, #BA95D4, #CA95D4, #D495CC and #D495BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB95D4 shade: #AE5BBC, #BC78C8, #CB95D4, #D9B3E0 and #E8D0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB95D4 shade: #CB95D4, #D49995 and #95D4B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB95D4 shade: #CB95D4, #D4CA95 and #95D4CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB95D4 shade: #CB95D4, #D49995, #9FD495 and #95D1D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB95D4 shade: #CB95D4, #D4AB95, #9FD495 and #95BED4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

Complementary color

CMYK 51 / 0 / 59 / 58

HEX #346A2B

RGB 52 106 43

HSL 111.43, 0.42%, 0.29%

LAB 39.94, -31.46, 29.51

 

CMYK 0 / 28 / 0 / 18

HEX #D095CF

RGB 208 149 207

HSL 301.02, 0.39%, 0.7%

LAB 69.05, 31.65, -20.99

 

CMYK 0 / 26 / 0 / 11

HEX #E1A7E2

RGB 225 167 226

HSL 298.98, 0.5%, 0.77%

LAB 75.54, 31, -21.4

 

CMYK 1 / 24 / 0 / 4

HEX #F2B9F5

RGB 242 185 245

HSL 297, 0.75%, 0.84%

LAB 81.93, 30.39, -21.79

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 4 / 32 / 0 / 24

HEX #BA83C1

RGB 186 131 193

HSL 293.23, 0.33%, 0.64%

LAB 62.1, 31.67, -23.98

 

CMYK 3 / 35 / 0 / 32

HEX #A971AE

RGB 169 113 174

HSL 295.08, 0.27%, 0.56%

LAB 55.38, 32.4, -23.62

 

CMYK 2 / 39 / 0 / 39

HEX #985F9B

RGB 152 95 155

HSL 297, 0.24%, 0.49%

LAB 48.54, 33.18, -23.23

 

CMYK 1 / 43 / 0 / 47

HEX #874D88

RGB 135 77 136

HSL 298.98, 0.28%, 0.42%

LAB 41.59, 33.98, -22.77

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 0 / 30 / 4 / 17

HEX #D495CC

RGB 212 149 204

HSL 307.62, 0.42%, 0.71%

LAB 69.36, 32.42, -18.81

 

CMYK 0 / 30 / 12 / 17

HEX #D495BB

RGB 212 149 187

HSL 323.81, 0.42%, 0.71%

LAB 68.81, 29.46, -10.2

 

CMYK 0 / 30 / 20 / 17

HEX #D495AA

RGB 212 149 170

HSL 340, 0.42%, 0.71%

LAB 68.31, 26.74, -1.44

 

CMYK 0 / 30 / 28 / 17

HEX #D49599

RGB 212 149 153

HSL 356.19, 0.42%, 0.71%

LAB 67.87, 24.26, 7.42

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 12 / 30 / 0 / 17

HEX #BA95D4

RGB 186 149 212

HSL 275.24, 0.42%, 0.71%

LAB 67.04, 25.54, -27.03

 

CMYK 20 / 30 / 0 / 17

HEX #A995D4

RGB 169 149 212

HSL 259.05, 0.42%, 0.71%

LAB 65.5, 20.23, -29.53

 

CMYK 28 / 30 / 0 / 17

HEX #9895D4

RGB 152 149 212

HSL 242.86, 0.42%, 0.71%

LAB 64.1, 15.1, -31.81

 

CMYK 30 / 30 / 0 / 17

HEX #9595D4

RGB 149 149 212

HSL 240, 0.42%, 0.71%

LAB 63.87, 14.22, -32.19

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 6 / 38 / 0 / 12

HEX #D38AE0

RGB 211 138 224

HSL 290.93, 0.58%, 0.71%

LAB 67.58, 41.76, -32.63

 

CMYK 7 / 47 / 0 / 7

HEX #DC7EEC

RGB 220 126 236

HSL 291.27, 0.74%, 0.71%

LAB 66.67, 52.92, -40.61

 

CMYK 8 / 54 / 0 / 3

HEX #E472F8

RGB 228 114 248

HSL 291.04, 0.91%, 0.71%

LAB 65.99, 63.16, -48.22

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 1 / 8 / 0 / 26

HEX #BAADBC

RGB 186 173 188

HSL 292, 0.1%, 0.71%

LAB 72.2, 7.41, -5.98

 

CMYK 4 / 0 / 5 / 27

HEX #B1B9B0

RGB 177 185 176

HSL 113.33, 0.06%, 0.71%

LAB 74.3, -4.47, 3.59

 

CMYK 14 / 0 / 17 / 23

HEX #A9C5A4

RGB 169 197 164

HSL 110.91, 0.22%, 0.71%

LAB 76.71, -15.68, 13.44

 

CMYK 20 / 30 / 0 / 17

HEX #A995D4

RGB 169 149 212

HSL 259.05, 0.42%, 0.71%

LAB 65.5, 20.23, -29.53

 

CMYK 12 / 30 / 0 / 17

HEX #BA95D4

RGB 186 149 212

HSL 275.24, 0.42%, 0.71%

LAB 67.04, 25.54, -27.03

 

CMYK 5 / 30 / 0 / 17

HEX #CA95D4

RGB 202 149 212

HSL 290.48, 0.42%, 0.71%

LAB 68.61, 30.66, -24.49

 

CMYK 0 / 30 / 4 / 17

HEX #D495CC

RGB 212 149 204

HSL 307.62, 0.42%, 0.71%

LAB 69.36, 32.42, -18.81

 

CMYK 0 / 30 / 11 / 17

HEX #D495BC

RGB 212 149 188

HSL 322.86, 0.42%, 0.71%

LAB 68.84, 29.63, -10.71

 

CMYK 7 / 52 / 0 / 26

HEX #AE5BBC

RGB 174 91 188

HSL 291.34, 0.42%, 0.55%

LAB 51.96, 48.52, -36.98

 

CMYK 6 / 40 / 0 / 22

HEX #BC78C8

RGB 188 120 200

HSL 291, 0.42%, 0.63%

LAB 60.15, 39.71, -30.93

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 3 / 20 / 0 / 12

HEX #D9B3E0

RGB 217 179 224

HSL 290.67, 0.42%, 0.79%

LAB 77.5, 21.53, -17.41

 

CMYK 2 / 12 / 0 / 7

HEX #E8D0EC

RGB 232 208 236

HSL 291.43, 0.42%, 0.87%

LAB 86.17, 13.24, -10.71

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 0 / 28 / 30 / 17

HEX #D49995

RGB 212 153 149

HSL 3.81, 0.42%, 0.71%

LAB 68.71, 21.54, 10.86

 

CMYK 30 / 0 / 17 / 17

HEX #95D4B1

RGB 149 212 177

HSL 146.67, 0.42%, 0.71%

LAB 79.98, -27.3, 10.96

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 0 / 5 / 30 / 17

HEX #D4CA95

RGB 212 202 149

HSL 50.48, 0.42%, 0.71%

LAB 80.97, -4.61, 27.77

 

CMYK 30 / 0 / 5 / 17

HEX #95D4CA

RGB 149 212 202

HSL 170.48, 0.42%, 0.71%

LAB 80.59, -22.1, -1.48

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 0 / 28 / 30 / 17

HEX #D49995

RGB 212 153 149

HSL 3.81, 0.42%, 0.71%

LAB 68.71, 21.54, 10.86

 

CMYK 25 / 0 / 30 / 17

HEX #9FD495

RGB 159 212 149

HSL 110.48, 0.42%, 0.71%

LAB 79.97, -29.04, 25.79

 

CMYK 30 / 1 / 0 / 17

HEX #95D1D4

RGB 149 209 212

HSL 182.86, 0.42%, 0.71%

LAB 80.04, -18.34, -7.66

 

CMYK 4 / 30 / 0 / 17

HEX #CB95D4

RGB 203 149 212

HSL 291.43, 0.42%, 0.71%

LAB 68.71, 30.98, -24.32

 

CMYK 0 / 19 / 30 / 17

HEX #D4AB95

RGB 212 171 149

HSL 20.95, 0.42%, 0.71%

LAB 73.08, 11.79, 16.99

 

CMYK 25 / 0 / 30 / 17

HEX #9FD495

RGB 159 212 149

HSL 110.48, 0.42%, 0.71%

LAB 79.97, -29.04, 25.79

 

CMYK 30 / 10 / 0 / 17

HEX #95BED4

RGB 149 190 212

HSL 200.95, 0.42%, 0.71%

LAB 74.81, -8.49, -15.47

 

Description

Color code: HEX #CB95D4 | qconv.com Color code: HEX #CB95D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 149 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 149 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 30 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 30% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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