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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB833D it is the complementary color #347CC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB833D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB833D shade: #D08338, #E1954B, #F2A75E, #FFB971 and #FFCB84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB833D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB833D shade: #CB833D, #BA712A, #A95F17, #984D04 and #873B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB833D shade: #CB833D, #CB5D3D and #CB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB833D shade: #CB833D, #CBA93D, #C7CB3D, #A0CB3D and #7ACB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB833D shade matches the following richer shades: #CB833D, #DF8329 and #F38315

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB833D shade: #CB833D, #B78351, #A38465, #908479 and #7C848C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB833D shade: #CB3D44, #CB5C3D, #CB823D, #CBA83D and #C9CB3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB833D shade: #905A26, #B06F2F, #CB833D, #D4985E and #DCAD7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB833D shade: #CB833D, #6ACB3D and #493DCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB833D shade: #CB833D, #3DCB82 and #823DCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB833D shade: #CB833D, #6ACB3D, #3D86CB and #9E3DCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB833D shade: #CB833D, #3FCB3D, #3D86CB and #C93DCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

Complementary color

CMYK 73 / 36 / 0 / 24

HEX #347CC2

RGB 52 124 194

HSL 209.58, 0.58%, 0.48%

LAB 50.73, 1.39, -43

 

CMYK 0 / 37 / 73 / 18

HEX #D08338

RGB 208 131 56

HSL 29.61, 0.62%, 0.52%

LAB 61.59, 23.4, 51.14

 

CMYK 0 / 34 / 67 / 12

HEX #E1954B

RGB 225 149 75

HSL 29.6, 0.71%, 0.59%

LAB 68.03, 21.85, 49.73

 

CMYK 0 / 31 / 61 / 5

HEX #F2A75E

RGB 242 167 94

HSL 29.59, 0.85%, 0.66%

LAB 74.4, 20.5, 48.25

 

CMYK 0 / 27 / 56 / 0

HEX #FFB971

RGB 255 185 113

HSL 30.42, 1%, 0.72%

LAB 80.26, 17.7, 46.16

 

CMYK 0 / 20 / 48 / 0

HEX #FFCB84

RGB 255 203 132

HSL 34.63, 1%, 0.76%

LAB 84.81, 9.93, 42.27

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 0 / 39 / 77 / 27

HEX #BA712A

RGB 186 113 42

HSL 29.58, 0.63%, 0.45%

LAB 54.47, 23.21, 49.32

 

CMYK 0 / 44 / 86 / 34

HEX #A95F17

RGB 169 95 23

HSL 29.59, 0.76%, 0.38%

LAB 47.86, 25.14, 50.07

 

CMYK 0 / 49 / 97 / 40

HEX #984D04

RGB 152 77 4

HSL 29.59, 0.95%, 0.31%

LAB 41.2, 27.34, 49.58

 

CMYK 0 / 56 / 100 / 47

HEX #873B00

RGB 135 59 0

HSL 26.22, 1%, 0.26%

LAB 34.56, 29.78, 45.44

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 0 / 54 / 70 / 20

HEX #CB5D3D

RGB 203 93 61

HSL 13.52, 0.58%, 0.52%

LAB 52.8, 41.55, 38.91

 

CMYK 0 / 70 / 70 / 20

HEX #CB3D3D

RGB 203 61 61

HSL 0, 0.58%, 0.52%

LAB 47.46, 55.73, 32.7

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 0 / 17 / 70 / 20

HEX #CBA93D

RGB 203 169 61

HSL 45.63, 0.58%, 0.52%

LAB 70.46, 0.95, 57.89

 

CMYK 2 / 0 / 70 / 20

HEX #C7CB3D

RGB 199 203 61

HSL 61.69, 0.58%, 0.52%

LAB 79.15, -18.28, 66.45

 

CMYK 21 / 0 / 70 / 20

HEX #A0CB3D

RGB 160 203 61

HSL 78.17, 0.58%, 0.52%

LAB 76.39, -34.15, 62.79

 

CMYK 40 / 0 / 70 / 20

HEX #7ACB3D

RGB 122 203 61

HSL 94.23, 0.58%, 0.52%

LAB 74.31, -47.98, 60

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 0 / 41 / 82 / 13

HEX #DF8329

RGB 223 131 41

HSL 29.67, 0.74%, 0.52%

LAB 63.41, 29.1, 59.82

 

CMYK 0 / 46 / 91 / 5

HEX #F38315

RGB 243 131 21

HSL 29.73, 0.9%, 0.52%

LAB 66.01, 36.81, 69.08

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 0 / 28 / 56 / 28

HEX #B78351

RGB 183 131 81

HSL 29.41, 0.41%, 0.52%

LAB 58.88, 14.37, 34.72

 

CMYK 0 / 19 / 38 / 36

HEX #A38465

RGB 163 132 101

HSL 30, 0.25%, 0.52%

LAB 57.3, 7.4, 21.22

 

CMYK 0 / 8 / 16 / 44

HEX #908479

RGB 144 132 121

HSL 28.7, 0.09%, 0.52%

LAB 55.9, 2.59, 7.57

 

CMYK 11 / 6 / 0 / 45

HEX #7C848C

RGB 124 132 140

HSL 210, 0.07%, 0.52%

LAB 54.74, -1.23, -5.31

 

CMYK 0 / 70 / 67 / 20

HEX #CB3D44

RGB 203 61 68

HSL 357.04, 0.58%, 0.52%

LAB 47.56, 56.09, 28.7

 

CMYK 0 / 55 / 70 / 20

HEX #CB5C3D

RGB 203 92 61

HSL 13.1, 0.58%, 0.52%

LAB 52.61, 42.04, 38.69

 

CMYK 0 / 36 / 70 / 20

HEX #CB823D

RGB 203 130 61

HSL 29.15, 0.58%, 0.52%

LAB 60.78, 22.07, 47.75

 

CMYK 0 / 17 / 70 / 20

HEX #CBA83D

RGB 203 168 61

HSL 45.21, 0.58%, 0.52%

LAB 70.2, 1.48, 57.63

 

CMYK 1 / 0 / 70 / 20

HEX #C9CB3D

RGB 201 203 61

HSL 60.85, 0.58%, 0.52%

LAB 79.31, -17.44, 66.65

 

CMYK 0 / 38 / 74 / 44

HEX #905A26

RGB 144 90 38

HSL 29.43, 0.58%, 0.36%

LAB 43.33, 17.47, 38.11

 

CMYK 0 / 37 / 73 / 31

HEX #B06F2F

RGB 176 111 47

HSL 29.77, 0.58%, 0.44%

LAB 52.73, 20.21, 44.87

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 0 / 28 / 56 / 17

HEX #D4985E

RGB 212 152 94

HSL 29.49, 0.58%, 0.6%

LAB 67.47, 16.14, 39.15

 

CMYK 0 / 21 / 43 / 14

HEX #DCAD7E

RGB 220 173 126

HSL 30, 0.57%, 0.68%

LAB 73.94, 11.12, 30.68

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 48 / 0 / 70 / 20

HEX #6ACB3D

RGB 106 203 61

HSL 100.99, 0.58%, 0.52%

LAB 73.62, -53.03, 59.07

 

CMYK 64 / 70 / 0 / 20

HEX #493DCB

RGB 73 61 203

HSL 245.07, 0.58%, 0.52%

LAB 36.11, 46.76, -71.76

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 70 / 0 / 36 / 20

HEX #3DCB82

RGB 61 203 130

HSL 149.15, 0.58%, 0.52%

LAB 73.1, -54.11, 25.79

 

CMYK 36 / 70 / 0 / 20

HEX #823DCB

RGB 130 61 203

HSL 269.15, 0.58%, 0.52%

LAB 41.84, 56.08, -62.17

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 48 / 0 / 70 / 20

HEX #6ACB3D

RGB 106 203 61

HSL 100.99, 0.58%, 0.52%

LAB 73.62, -53.03, 59.07

 

CMYK 70 / 34 / 0 / 20

HEX #3D86CB

RGB 61 134 203

HSL 209.15, 0.58%, 0.52%

LAB 54.4, -0.08, -42.31

 

CMYK 22 / 70 / 0 / 20

HEX #9E3DCB

RGB 158 61 203

HSL 280.99, 0.58%, 0.52%

LAB 45.52, 61.66, -56.03

 

CMYK 0 / 35 / 70 / 20

HEX #CB833D

RGB 203 131 61

HSL 29.58, 0.58%, 0.52%

LAB 61.02, 21.53, 48.01

 

CMYK 69 / 0 / 70 / 20

HEX #3FCB3D

RGB 63 203 61

HSL 119.15, 0.58%, 0.52%

LAB 72.3, -63.48, 57.29

 

CMYK 70 / 34 / 0 / 20

HEX #3D86CB

RGB 61 134 203

HSL 209.15, 0.58%, 0.52%

LAB 54.4, -0.08, -42.31

 

CMYK 1 / 70 / 0 / 20

HEX #C93DCB

RGB 201 61 203

HSL 299.15, 0.58%, 0.52%

LAB 51.91, 70.82, -45.45

 

Description

Color code: HEX #CB833D | qconv.com Color code: HEX #CB833D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 131 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 131 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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