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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB896A it is the complementary color #347695. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB896A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB896A shade: #D08965, #E19B78, #F2AD8B, #FFBF9E and #FFD1B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB896A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB896A shade: #CB896A, #BA7757, #A96544, #985331 and #87411E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB896A shade: #CB8A6B, #CB706B and #CB6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB896A shade: #CB8A6B, #CBA46B, #CBBD6B, #BFCB6B and #A5CB6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB896A shade matches the following richer shades: #CB8A6B, #DB845B, #EB7E4B and #FB783B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB896A shade: #CB8A6B, #BB907B, #AB958B, #9B9B9C and #8AA1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB896A shade: #CB6B80, #CB706B, #CB8A6B, #CBA36B and #CBBC6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB896A shade: #A95E3B, #C0724D, #CB8A6B, #D6A28A and #E0BAA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB896A shade: #CB896A, #99CB6B and #6B73CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB896A shade: #CB896A, #6BCB8A and #8A6BCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB896A shade: #CB896A, #99CB6B, #6BADCB and #9D6BCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB896A shade: #CB896A, #7DCB6B, #6BADCB and #B96BCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 48 / 20

HEX #CB896A

RGB 203 137 106

HSL 19.18, 0.48%, 0.61%

LAB 63.03, 21.68, 26.84

 

Complementary color

CMYK 65 / 21 / 0 / 42

HEX #347695

RGB 52 118 149

HSL 199.18, 0.48%, 0.39%

LAB 46.79, -10.92, -23.03

 

CMYK 0 / 34 / 51 / 18

HEX #D08965

RGB 208 137 101

HSL 20.19, 0.53%, 0.61%

LAB 63.54, 23.24, 30.36

 

CMYK 0 / 31 / 47 / 12

HEX #E19B78

RGB 225 155 120

HSL 20, 0.64%, 0.68%

LAB 70.04, 22.16, 28.87

 

CMYK 0 / 29 / 43 / 5

HEX #F2AD8B

RGB 242 173 139

HSL 19.81, 0.8%, 0.75%

LAB 76.45, 21.21, 27.5

 

CMYK 0 / 25 / 38 / 0

HEX #FFBF9E

RGB 255 191 158

HSL 20.41, 1%, 0.81%

LAB 82.37, 18.83, 25.61

 

CMYK 0 / 18 / 31 / 0

HEX #FFD1B1

RGB 255 209 177

HSL 24.62, 1%, 0.85%

LAB 87.01, 11.72, 21.96

 

CMYK 0 / 33 / 48 / 20

HEX #CB896A

RGB 203 137 106

HSL 19.18, 0.48%, 0.61%

LAB 63.03, 21.68, 26.84

 

CMYK 0 / 36 / 53 / 27

HEX #BA7757

RGB 186 119 87

HSL 19.39, 0.42%, 0.54%

LAB 56.41, 22.82, 28.41

 

CMYK 0 / 40 / 60 / 34

HEX #A96544

RGB 169 101 68

HSL 19.6, 0.43%, 0.46%

LAB 49.69, 24.13, 30.15

 

CMYK 0 / 45 / 68 / 40

HEX #985331

RGB 152 83 49

HSL 19.81, 0.51%, 0.39%

LAB 42.89, 25.63, 32.1

 

CMYK 0 / 52 / 78 / 47

HEX #87411E

RGB 135 65 30

HSL 20, 0.64%, 0.32%

LAB 36.03, 27.36, 34.17

 

CMYK 0 / 32 / 47 / 20

HEX #CB8A6B

RGB 203 138 107

HSL 19.38, 0.48%, 0.61%

LAB 63.29, 21.24, 26.62

 

CMYK 0 / 45 / 47 / 20

HEX #CB706B

RGB 203 112 107

HSL 3.13, 0.48%, 0.61%

LAB 57.41, 35.27, 18.75

 

CMYK 0 / 47 / 47 / 20

HEX #CB6B6B

RGB 203 107 107

HSL 0, 0.48%, 0.61%

LAB 56.36, 37.88, 17.32

 

CMYK 0 / 32 / 47 / 20

HEX #CB8A6B

RGB 203 138 107

HSL 19.38, 0.48%, 0.61%

LAB 63.29, 21.24, 26.62

 

CMYK 0 / 19 / 47 / 20

HEX #CBA46B

RGB 203 164 107

HSL 35.63, 0.48%, 0.61%

LAB 69.69, 7.08, 34.9

 

CMYK 0 / 7 / 47 / 20

HEX #CBBD6B

RGB 203 189 107

HSL 51.25, 0.48%, 0.61%

LAB 76.16, -6.18, 42.99

 

CMYK 6 / 0 / 47 / 20

HEX #BFCB6B

RGB 191 203 107

HSL 67.5, 0.48%, 0.61%

LAB 78.95, -18.16, 46.18

 

CMYK 19 / 0 / 47 / 20

HEX #A5CB6B

RGB 165 203 107

HSL 83.75, 0.48%, 0.61%

LAB 77.14, -28.27, 43.56

 

CMYK 0 / 32 / 47 / 20

HEX #CB8A6B

RGB 203 138 107

HSL 19.38, 0.48%, 0.61%

LAB 63.29, 21.24, 26.62

 

CMYK 0 / 40 / 58 / 14

HEX #DB845B

RGB 219 132 91

HSL 19.22, 0.64%, 0.61%

LAB 63.6, 29.54, 36.16

 

CMYK 0 / 46 / 68 / 8

HEX #EB7E4B

RGB 235 126 75

HSL 19.13, 0.8%, 0.61%

LAB 64.24, 37.97, 45.82

 

CMYK 0 / 52 / 76 / 2

HEX #FB783B

RGB 251 120 59

HSL 19.06, 0.96%, 0.61%

LAB 65.17, 46.34, 55.29

 

CMYK 0 / 32 / 47 / 20

HEX #CB8A6B

RGB 203 138 107

HSL 19.38, 0.48%, 0.61%

LAB 63.29, 21.24, 26.62

 

CMYK 0 / 23 / 34 / 27

HEX #BB907B

RGB 187 144 123

HSL 19.69, 0.32%, 0.61%

LAB 63.29, 13.3, 17.41

 

CMYK 0 / 13 / 19 / 33

HEX #AB958B

RGB 171 149 139

HSL 18.75, 0.16%, 0.61%

LAB 63.36, 6.51, 8.28

 

CMYK 1 / 1 / 0 / 39

HEX #9B9B9C

RGB 155 155 156

HSL 240, 0.01%, 0.61%

LAB 64.01, 0.2, -0.53

 

CMYK 20 / 6 / 0 / 33

HEX #8AA1AC

RGB 138 161 172

HSL 199.41, 0.17%, 0.61%

LAB 64.86, -5.58, -8.39

 

CMYK 0 / 47 / 37 / 20

HEX #CB6B80

RGB 203 107 128

HSL 346.88, 0.48%, 0.61%

LAB 56.85, 40.16, 5.77

 

CMYK 0 / 45 / 47 / 20

HEX #CB706B

RGB 203 112 107

HSL 3.13, 0.48%, 0.61%

LAB 57.41, 35.27, 18.75

 

CMYK 0 / 32 / 47 / 20

HEX #CB8A6B

RGB 203 138 107

HSL 19.38, 0.48%, 0.61%

LAB 63.29, 21.24, 26.62

 

CMYK 0 / 20 / 47 / 20

HEX #CBA36B

RGB 203 163 107

HSL 35, 0.48%, 0.61%

LAB 69.44, 7.62, 34.58

 

CMYK 0 / 7 / 47 / 20

HEX #CBBC6B

RGB 203 188 107

HSL 50.63, 0.48%, 0.61%

LAB 75.9, -5.66, 42.67

 

CMYK 0 / 44 / 65 / 34

HEX #A95E3B

RGB 169 94 59

HSL 19.09, 0.48%, 0.45%

LAB 47.95, 27.36, 33.08

 

CMYK 0 / 41 / 60 / 25

HEX #C0724D

RGB 192 114 77

HSL 19.3, 0.48%, 0.53%

LAB 55.86, 27.22, 33.44

 

CMYK 0 / 32 / 47 / 20

HEX #CB8A6B

RGB 203 138 107

HSL 19.38, 0.48%, 0.61%

LAB 63.29, 21.24, 26.62

 

CMYK 0 / 24 / 36 / 16

HEX #D6A28A

RGB 214 162 138

HSL 18.95, 0.48%, 0.69%

LAB 70.85, 16.03, 19.95

 

CMYK 0 / 17 / 25 / 12

HEX #E0BAA8

RGB 224 186 168

HSL 19.29, 0.47%, 0.77%

LAB 78.34, 10.94, 14.22

 

CMYK 0 / 33 / 48 / 20

HEX #CB896A

RGB 203 137 106

HSL 19.18, 0.48%, 0.61%

LAB 63.03, 21.68, 26.84

 

CMYK 25 / 0 / 47 / 20

HEX #99CB6B

RGB 153 203 107

HSL 91.25, 0.48%, 0.61%

LAB 76.4, -32.72, 42.48

 

CMYK 47 / 43 / 0 / 20

HEX #6B73CB

RGB 107 115 203

HSL 235, 0.48%, 0.61%

LAB 51.5, 20.53, -46.77

 

CMYK 0 / 33 / 48 / 20

HEX #CB896A

RGB 203 137 106

HSL 19.18, 0.48%, 0.61%

LAB 63.03, 21.68, 26.84

 

CMYK 47 / 0 / 32 / 20

HEX #6BCB8A

RGB 107 203 138

HSL 139.38, 0.48%, 0.61%

LAB 74.62, -42.73, 23.88

 

CMYK 32 / 47 / 0 / 20

HEX #8A6BCB

RGB 138 107 203

HSL 259.38, 0.48%, 0.61%

LAB 52.1, 33.2, -45.65

 

CMYK 0 / 33 / 48 / 20

HEX #CB896A

RGB 203 137 106

HSL 19.18, 0.48%, 0.61%

LAB 63.03, 21.68, 26.84

 

CMYK 25 / 0 / 47 / 20

HEX #99CB6B

RGB 153 203 107

HSL 91.25, 0.48%, 0.61%

LAB 76.4, -32.72, 42.48

 

CMYK 47 / 15 / 0 / 20

HEX #6BADCB

RGB 107 173 203

HSL 198.75, 0.48%, 0.61%

LAB 67.52, -12.94, -21.8

 

CMYK 23 / 47 / 0 / 20

HEX #9D6BCB

RGB 157 107 203

HSL 271.25, 0.48%, 0.61%

LAB 54.02, 38.39, -42.48

 

CMYK 0 / 33 / 48 / 20

HEX #CB896A

RGB 203 137 106

HSL 19.18, 0.48%, 0.61%

LAB 63.03, 21.68, 26.84

 

CMYK 38 / 0 / 47 / 20

HEX #7DCB6B

RGB 125 203 107

HSL 108.75, 0.48%, 0.61%

LAB 74.91, -42.33, 40.3

 

CMYK 47 / 15 / 0 / 20

HEX #6BADCB

RGB 107 173 203

HSL 198.75, 0.48%, 0.61%

LAB 67.52, -12.94, -21.8

 

CMYK 9 / 47 / 0 / 20

HEX #B96BCB

RGB 185 107 203

HSL 288.75, 0.48%, 0.61%

LAB 57.21, 46.34, -37.24

 

Description

Color code: HEX #CB896A | qconv.com Color code: HEX #CB896A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 137 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 137 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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