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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB7B61 it is the complementary color #34849E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB7B61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB7B61 shade: #D07B5C, #E18D6F, #F29F82, #FFB195 and #FFC3A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB7B61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB7B61 shade: #CB7B61, #BA694E, #A9573B, #984528 and #873315

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB7B61 shade: #CA7B62 and #CA6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB7B61 shade: #CA7B62, #CA9862, #CAB462, #C5CA62 and #A8CA62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB7B61 shade matches the following richer shades: #CA7B62, #DB7351, #EC6A40 and #FD612F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB7B61 shade: #CA7B62, #B98473, #A88D84, #979594 and #879EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB7B61 shade: #CA6281, #CA6265, #CA7A62, #CA9662 and #CAB262

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB7B61 shade: #A35136, #C06143, #CA7B62, #D59581 and #DFAFA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB7B61 shade: #CB7B61, #9DCA62 and #6273CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB7B61 shade: #CB7B61, #62CA7A and #7A62CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB7B61 shade: #CB7B61, #9DCA62, #62B2CA and #8F62CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB7B61 shade: #CB7B61, #7ECA62, #62B2CA and #AE62CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 52 / 20

HEX #CB7B61

RGB 203 123 97

HSL 14.72, 0.5%, 0.59%

LAB 59.64, 28.45, 27.41

 

Complementary color

CMYK 67 / 16 / 0 / 38

HEX #34849E

RGB 52 132 158

HSL 194.72, 0.5%, 0.41%

LAB 51.5, -15.79, -21.04

 

CMYK 0 / 41 / 56 / 18

HEX #D07B5C

RGB 208 123 92

HSL 16.03, 0.55%, 0.59%

LAB 60.2, 30.02, 31.04

 

CMYK 0 / 37 / 51 / 12

HEX #E18D6F

RGB 225 141 111

HSL 15.79, 0.66%, 0.66%

LAB 66.68, 28.79, 29.36

 

CMYK 0 / 34 / 46 / 5

HEX #F29F82

RGB 242 159 130

HSL 15.54, 0.81%, 0.73%

LAB 73.08, 27.7, 27.83

 

CMYK 0 / 31 / 42 / 0

HEX #FFB195

RGB 255 177 149

HSL 15.85, 1%, 0.79%

LAB 78.97, 25.18, 25.78

 

CMYK 0 / 24 / 34 / 0

HEX #FFC3A8

RGB 255 195 168

HSL 18.62, 1%, 0.83%

LAB 83.5, 17.91, 21.87

 

CMYK 0 / 39 / 52 / 20

HEX #CB7B61

RGB 203 123 97

HSL 14.72, 0.5%, 0.59%

LAB 59.64, 28.45, 27.41

 

CMYK 0 / 44 / 58 / 27

HEX #BA694E

RGB 186 105 78

HSL 15, 0.44%, 0.52%

LAB 53.05, 29.73, 29.2

 

CMYK 0 / 49 / 65 / 34

HEX #A9573B

RGB 169 87 59

HSL 15.27, 0.48%, 0.45%

LAB 46.4, 31.17, 31.23

 

CMYK 0 / 55 / 74 / 40

HEX #984528

RGB 152 69 40

HSL 15.54, 0.58%, 0.38%

LAB 39.72, 32.75, 33.52

 

CMYK 0 / 62 / 84 / 47

HEX #873315

RGB 135 51 21

HSL 15.79, 0.73%, 0.31%

LAB 33.08, 34.4, 35.88

 

CMYK 0 / 39 / 51 / 21

HEX #CA7B62

RGB 202 123 98

HSL 14.42, 0.5%, 0.59%

LAB 59.53, 28.14, 26.68

 

CMYK 0 / 51 / 51 / 21

HEX #CA6262

RGB 202 98 98

HSL 0, 0.5%, 0.59%

LAB 54.21, 41.28, 19.62

 

CMYK 0 / 39 / 51 / 21

HEX #CA7B62

RGB 202 123 98

HSL 14.42, 0.5%, 0.59%

LAB 59.53, 28.14, 26.68

 

CMYK 0 / 25 / 51 / 21

HEX #CA9862

RGB 202 152 98

HSL 31.15, 0.5%, 0.59%

LAB 66.44, 12.32, 35.53

 

CMYK 0 / 11 / 51 / 21

HEX #CAB462

RGB 202 180 98

HSL 47.31, 0.5%, 0.59%

LAB 73.6, -2.71, 44.33

 

CMYK 2 / 0 / 51 / 21

HEX #C5CA62

RGB 197 202 98

HSL 62.88, 0.5%, 0.59%

LAB 79.04, -16.08, 50.69

 

CMYK 17 / 0 / 51 / 21

HEX #A8CA62

RGB 168 202 98

HSL 79.62, 0.5%, 0.59%

LAB 76.95, -27.6, 47.71

 

CMYK 0 / 39 / 51 / 21

HEX #CA7B62

RGB 202 123 98

HSL 14.42, 0.5%, 0.59%

LAB 59.53, 28.14, 26.68

 

CMYK 0 / 47 / 63 / 14

HEX #DB7351

RGB 219 115 81

HSL 14.78, 0.66%, 0.59%

LAB 59.81, 37.74, 36.91

 

CMYK 0 / 55 / 73 / 7

HEX #EC6A40

RGB 236 106 64

HSL 14.65, 0.82%, 0.59%

LAB 60.35, 47.69, 47.14

 

CMYK 0 / 62 / 81 / 1

HEX #FD612F

RGB 253 97 47

HSL 14.56, 0.98%, 0.59%

LAB 61.34, 57.19, 57.14

 

CMYK 0 / 39 / 51 / 21

HEX #CA7B62

RGB 202 123 98

HSL 14.42, 0.5%, 0.59%

LAB 59.53, 28.14, 26.68

 

CMYK 0 / 29 / 38 / 27

HEX #B98473

RGB 185 132 115

HSL 14.57, 0.33%, 0.59%

LAB 59.94, 18.16, 17.27

 

CMYK 0 / 16 / 21 / 34

HEX #A88D84

RGB 168 141 132

HSL 15, 0.17%, 0.59%

LAB 60.82, 8.71, 8.58

 

CMYK 0 / 1 / 2 / 41

HEX #979594

RGB 151 149 148

HSL 20, 0.01%, 0.59%

LAB 61.84, 0.54, 0.78

 

CMYK 18 / 4 / 0 / 35

HEX #879EA5

RGB 135 158 165

HSL 194, 0.14%, 0.59%

LAB 63.61, -6.49, -6.35

 

CMYK 0 / 51 / 36 / 21

HEX #CA6281

RGB 202 98 129

HSL 342.12, 0.5%, 0.59%

LAB 54.95, 44.51, 2.42

 

CMYK 0 / 51 / 50 / 21

HEX #CA6265

RGB 202 98 101

HSL 358.27, 0.5%, 0.59%

LAB 54.27, 41.55, 17.94

 

CMYK 0 / 40 / 51 / 21

HEX #CA7A62

RGB 202 122 98

HSL 13.85, 0.5%, 0.59%

LAB 59.3, 28.68, 26.38

 

CMYK 0 / 26 / 51 / 21

HEX #CA9662

RGB 202 150 98

HSL 30, 0.5%, 0.59%

LAB 65.94, 13.41, 34.9

 

CMYK 0 / 12 / 51 / 21

HEX #CAB262

RGB 202 178 98

HSL 46.15, 0.5%, 0.59%

LAB 73.08, -1.66, 43.7

 

CMYK 0 / 50 / 67 / 36

HEX #A35136

RGB 163 81 54

HSL 14.86, 0.5%, 0.43%

LAB 44.14, 31.63, 31.16

 

CMYK 0 / 49 / 65 / 25

HEX #C06143

RGB 192 97 67

HSL 14.4, 0.5%, 0.51%

LAB 52.02, 35.6, 34.29

 

CMYK 0 / 39 / 51 / 21

HEX #CA7B62

RGB 202 123 98

HSL 14.42, 0.5%, 0.59%

LAB 59.53, 28.14, 26.68

 

CMYK 0 / 30 / 39 / 16

HEX #D59581

RGB 213 149 129

HSL 14.29, 0.5%, 0.67%

LAB 67.45, 21.61, 20.22

 

CMYK 0 / 22 / 28 / 13

HEX #DFAFA0

RGB 223 175 160

HSL 14.29, 0.5%, 0.75%

LAB 75.38, 15.34, 14.38

 

CMYK 0 / 39 / 52 / 20

HEX #CB7B61

RGB 203 123 97

HSL 14.72, 0.5%, 0.59%

LAB 59.64, 28.45, 27.41

 

CMYK 22 / 0 / 51 / 21

HEX #9DCA62

RGB 157 202 98

HSL 85.96, 0.5%, 0.59%

LAB 76.25, -31.78, 46.7

 

CMYK 51 / 43 / 0 / 21

HEX #6273CA

RGB 98 115 202

HSL 230.19, 0.5%, 0.59%

LAB 50.83, 18.13, -47.29

 

CMYK 0 / 39 / 52 / 20

HEX #CB7B61

RGB 203 123 97

HSL 14.72, 0.5%, 0.59%

LAB 59.64, 28.45, 27.41

 

CMYK 51 / 0 / 40 / 21

HEX #62CA7A

RGB 98 202 122

HSL 133.85, 0.5%, 0.59%

LAB 73.7, -47.47, 30.94

 

CMYK 40 / 51 / 0 / 21

HEX #7A62CA

RGB 122 98 202

HSL 253.85, 0.5%, 0.59%

LAB 48.43, 34.1, -51.01

 

CMYK 0 / 39 / 52 / 20

HEX #CB7B61

RGB 203 123 97

HSL 14.72, 0.5%, 0.59%

LAB 59.64, 28.45, 27.41

 

CMYK 22 / 0 / 51 / 21

HEX #9DCA62

RGB 157 202 98

HSL 85.96, 0.5%, 0.59%

LAB 76.25, -31.78, 46.7

 

CMYK 51 / 12 / 0 / 21

HEX #62B2CA

RGB 98 178 202

HSL 193.85, 0.5%, 0.59%

LAB 68.53, -17.93, -19.74

 

CMYK 29 / 51 / 0 / 21

HEX #8F62CA

RGB 143 98 202

HSL 265.96, 0.5%, 0.59%

LAB 50.5, 39.42, -47.59

 

CMYK 0 / 39 / 52 / 20

HEX #CB7B61

RGB 203 123 97

HSL 14.72, 0.5%, 0.59%

LAB 59.64, 28.45, 27.41

 

CMYK 38 / 0 / 51 / 21

HEX #7ECA62

RGB 126 202 98

HSL 103.85, 0.5%, 0.59%

LAB 74.55, -42.7, 44.25

 

CMYK 51 / 12 / 0 / 21

HEX #62B2CA

RGB 98 178 202

HSL 193.85, 0.5%, 0.59%

LAB 68.53, -17.93, -19.74

 

CMYK 14 / 51 / 0 / 21

HEX #AE62CA

RGB 174 98 202

HSL 283.85, 0.5%, 0.59%

LAB 54.03, 47.75, -41.78

 

Description

Color code: HEX #CB7B61 | qconv.com Color code: HEX #CB7B61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 123 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 123 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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