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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB72FF it is the complementary color #348D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB72FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB72FF shade: #D072FA, #E184FF, #F296FF, #FFA8FF and #FFBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB72FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB72FF shade: #CB72FF, #BA60EC, #A94ED9, #983CC6 and #872AB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB72FF shade: #CA70FF, #F070FF, #FF70E6, #FF70C0 and #FF7099

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB72FF shade: #CA70FF, #A370FF, #7D70FF and #7070FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB72FF shade matches the following richer shades: #CA70FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB72FF shade: #CA70FF, #C77BF3, #C487E7, #C192DC and #BE9ED0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB72FF shade: #7C70FF, #A270FF, #C870FF, #EE70FF and #FF70E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB72FF shade: #AB1DFF, #BB46FF, #CA70FF, #D999FF and #E8C2FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB72FF shade: #CB72FF, #FF708A and #70FF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB72FF shade: #CB72FF, #FFC870 and #70FFC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB72FF shade: #CB72FF, #FF708A, #A6FF70 and #70FFE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB72FF shade: #CB72FF, #FF8070, #A6FF70 and #70EEFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 55 / 0 / 0

HEX #CB72FF

RGB 203 114 255

HSL 277.87, 1%, 0.72%

LAB 63.3, 58.27, -56.51

 

Complementary color

CMYK 63 / 0 / 100 / 45

HEX #348D00

RGB 52 141 0

HSL 97.87, 1%, 0.28%

LAB 51.59, -48.1, 54.55

 

CMYK 17 / 54 / 0 / 2

HEX #D072FA

RGB 208 114 250

HSL 281.47, 0.93%, 0.71%

LAB 63.63, 58.47, -53.21

 

CMYK 12 / 48 / 0 / 0

HEX #E184FF

RGB 225 132 255

HSL 285.37, 1%, 0.76%

LAB 69.28, 54.94, -46.89

 

CMYK 5 / 41 / 0 / 0

HEX #F296FF

RGB 242 150 255

HSL 292.57, 1%, 0.79%

LAB 74.77, 50.57, -38.17

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 20 / 55 / 0 / 0

HEX #CB72FF

RGB 203 114 255

HSL 277.87, 1%, 0.72%

LAB 63.3, 58.27, -56.51

 

CMYK 21 / 59 / 0 / 7

HEX #BA60EC

RGB 186 96 236

HSL 278.57, 0.79%, 0.65%

LAB 56.94, 58.96, -56.26

 

CMYK 22 / 64 / 0 / 15

HEX #A94ED9

RGB 169 78 217

HSL 279.28, 0.65%, 0.58%

LAB 50.56, 59.51, -55.88

 

CMYK 23 / 70 / 0 / 22

HEX #983CC6

RGB 152 60 198

HSL 280, 0.55%, 0.51%

LAB 44.21, 59.79, -55.3

 

CMYK 25 / 77 / 0 / 30

HEX #872AB3

RGB 135 42 179

HSL 280.73, 0.62%, 0.43%

LAB 37.95, 59.58, -54.38

 

CMYK 21 / 56 / 0 / 0

HEX #CA70FF

RGB 202 112 255

HSL 277.76, 1%, 0.72%

LAB 62.81, 59.01, -57.29

 

CMYK 6 / 56 / 0 / 0

HEX #F070FF

RGB 240 112 255

HSL 293.71, 1%, 0.72%

LAB 67.53, 68.36, -49.52

 

CMYK 0 / 56 / 10 / 0

HEX #FF70E6

RGB 255 112 230

HSL 310.49, 1%, 0.72%

LAB 68.43, 68.1, -34.2

 

CMYK 0 / 56 / 25 / 0

HEX #FF70C0

RGB 255 112 192

HSL 326.43, 1%, 0.72%

LAB 67.02, 62.7, -15.14

 

CMYK 0 / 56 / 40 / 0

HEX #FF7099

RGB 255 112 153

HSL 342.8, 1%, 0.72%

LAB 65.86, 58.12, 5.27

 

CMYK 21 / 56 / 0 / 0

HEX #CA70FF

RGB 202 112 255

HSL 277.76, 1%, 0.72%

LAB 62.81, 59.01, -57.29

 

CMYK 36 / 56 / 0 / 0

HEX #A370FF

RGB 163 112 255

HSL 261.4, 1%, 0.72%

LAB 58.6, 49.84, -64.28

 

CMYK 51 / 56 / 0 / 0

HEX #7D70FF

RGB 125 112 255

HSL 245.45, 1%, 0.72%

LAB 55.25, 41.83, -69.85

 

CMYK 56 / 56 / 0 / 0

HEX #7070FF

RGB 112 112 255

HSL 240, 1%, 0.72%

LAB 54.29, 39.42, -71.44

 

CMYK 21 / 56 / 0 / 0

HEX #CA70FF

RGB 202 112 255

HSL 277.76, 1%, 0.72%

LAB 62.81, 59.01, -57.29

 

CMYK 21 / 56 / 0 / 0

HEX #CA70FF

RGB 202 112 255

HSL 277.76, 1%, 0.72%

LAB 62.81, 59.01, -57.29

 

CMYK 18 / 49 / 0 / 5

HEX #C77BF3

RGB 199 123 243

HSL 278, 0.83%, 0.72%

LAB 63.98, 50.12, -48.86

 

CMYK 15 / 42 / 0 / 9

HEX #C487E7

RGB 196 135 231

HSL 278.13, 0.67%, 0.72%

LAB 65.62, 40.34, -39.68

 

CMYK 12 / 34 / 0 / 14

HEX #C192DC

RGB 193 146 220

HSL 278.11, 0.51%, 0.72%

LAB 67.32, 31.09, -30.97

 

CMYK 9 / 24 / 0 / 18

HEX #BE9ED0

RGB 190 158 208

HSL 278.4, 0.35%, 0.72%

LAB 69.44, 20.99, -21.12

 

CMYK 51 / 56 / 0 / 0

HEX #7C70FF

RGB 124 112 255

HSL 245.03, 1%, 0.72%

LAB 55.17, 41.64, -69.98

 

CMYK 36 / 56 / 0 / 0

HEX #A270FF

RGB 162 112 255

HSL 260.98, 1%, 0.72%

LAB 58.5, 49.62, -64.44

 

CMYK 22 / 56 / 0 / 0

HEX #C870FF

RGB 200 112 255

HSL 276.92, 1%, 0.72%

LAB 62.58, 58.53, -57.68

 

CMYK 7 / 56 / 0 / 0

HEX #EE70FF

RGB 238 112 255

HSL 292.87, 1%, 0.72%

LAB 67.27, 67.87, -49.95

 

CMYK 0 / 56 / 9 / 0

HEX #FF70E9

RGB 255 112 233

HSL 309.23, 1%, 0.72%

LAB 68.56, 68.56, -35.67

 

CMYK 33 / 89 / 0 / 0

HEX #AB1DFF

RGB 171 29 255

HSL 277.7, 1%, 0.56%

LAB 47.95, 83.69, -81.51

 

CMYK 27 / 73 / 0 / 0

HEX #BB46FF

RGB 187 70 255

HSL 277.95, 1%, 0.64%

LAB 54.2, 74.38, -71.23

 

CMYK 21 / 56 / 0 / 0

HEX #CA70FF

RGB 202 112 255

HSL 277.76, 1%, 0.72%

LAB 62.81, 59.01, -57.29

 

CMYK 15 / 40 / 0 / 0

HEX #D999FF

RGB 217 153 255

HSL 277.65, 1%, 0.8%

LAB 72.73, 41.78, -41.54

 

CMYK 9 / 24 / 0 / 0

HEX #E8C2FF

RGB 232 194 255

HSL 277.38, 1%, 0.88%

LAB 83.42, 24.32, -24.94

 

CMYK 20 / 55 / 0 / 0

HEX #CB72FF

RGB 203 114 255

HSL 277.87, 1%, 0.72%

LAB 63.3, 58.27, -56.51

 

CMYK 0 / 56 / 46 / 0

HEX #FF708A

RGB 255 112 138

HSL 349.09, 1%, 0.72%

LAB 65.5, 56.65, 13.31

 

CMYK 56 / 0 / 44 / 0

HEX #70FF8F

RGB 112 255 143

HSL 133.01, 1%, 0.72%

LAB 90.3, -61.67, 42.04

 

CMYK 20 / 55 / 0 / 0

HEX #CB72FF

RGB 203 114 255

HSL 277.87, 1%, 0.72%

LAB 63.3, 58.27, -56.51

 

CMYK 0 / 22 / 56 / 0

HEX #FFC870

RGB 255 200 112

HSL 36.92, 1%, 0.72%

LAB 83.83, 9.81, 50.95

 

CMYK 56 / 0 / 22 / 0

HEX #70FFC8

RGB 112 255 200

HSL 156.92, 1%, 0.72%

LAB 91.3, -51.28, 14.77

 

CMYK 20 / 55 / 0 / 0

HEX #CB72FF

RGB 203 114 255

HSL 277.87, 1%, 0.72%

LAB 63.3, 58.27, -56.51

 

CMYK 0 / 56 / 46 / 0

HEX #FF708A

RGB 255 112 138

HSL 349.09, 1%, 0.72%

LAB 65.5, 56.65, 13.31

 

CMYK 35 / 0 / 56 / 0

HEX #A6FF70

RGB 166 255 112

HSL 97.34, 1%, 0.72%

LAB 92.04, -50.53, 59.01

 

CMYK 56 / 0 / 11 / 0

HEX #70FFE4

RGB 112 255 228

HSL 168.67, 1%, 0.72%

LAB 91.94, -44.98, 1.24

 

CMYK 20 / 55 / 0 / 0

HEX #CB72FF

RGB 203 114 255

HSL 277.87, 1%, 0.72%

LAB 63.3, 58.27, -56.51

 

CMYK 0 / 50 / 56 / 0

HEX #FF8070

RGB 255 128 112

HSL 6.71, 1%, 0.72%

LAB 67.92, 46.9, 31.19

 

CMYK 35 / 0 / 56 / 0

HEX #A6FF70

RGB 166 255 112

HSL 97.34, 1%, 0.72%

LAB 92.04, -50.53, 59.01

 

CMYK 56 / 7 / 0 / 0

HEX #70EEFF

RGB 112 238 255

HSL 187.13, 1%, 0.72%

LAB 87.88, -30.32, -18.84

 

Description

Color code: HEX #CB72FF | qconv.com Color code: HEX #CB72FF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 114 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 114 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 55 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 55% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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