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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB5752 it is the complementary color #34A8AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB5752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB5752 shade: #D0574D, #E16960, #F27B73, #FF8D86 and #FF9F99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB5752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB5752 shade: #CB5752, #BA453F, #A9332C, #982119 and #870F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB5752 shade: #CB5752 and #CB5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB5752 shade: #CB5752, #CB7752, #CB9852, #CBB952 and #BCCB52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB5752 shade matches the following richer shades: #CB5752, #DD4640 and #EF352D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB5752 shade: #CB5752, #B96764, #A77876, #948988 and #82999A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB5752 shade: #CB528E, #CB526E, #CB5652, #CB7652 and #CB9652

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB5752 shade: #9C332E, #BC3D38, #CB5752, #D47671 and #DE9491

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB5752 shade: #CB5752, #AFCB52 and #527ECB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB5752 shade: #CB5752, #52CB56 and #5652CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB5752 shade: #CB5752, #AFCB52, #52C7CB and #6E52CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB5752 shade: #CB5752, #8ACB52, #52C7CB and #9252CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

Complementary color

CMYK 70 / 3 / 0 / 32

HEX #34A8AD

RGB 52 168 173

HSL 182.48, 0.54%, 0.44%

LAB 63.14, -29.71, -11.93

 

CMYK 0 / 58 / 63 / 18

HEX #D0574D

RGB 208 87 77

HSL 4.58, 0.58%, 0.56%

LAB 52.69, 47.21, 30.01

 

CMYK 0 / 53 / 57 / 12

HEX #E16960

RGB 225 105 96

HSL 4.19, 0.68%, 0.63%

LAB 58.93, 46.05, 27.64

 

CMYK 0 / 49 / 52 / 5

HEX #F27B73

RGB 242 123 115

HSL 3.78, 0.83%, 0.7%

LAB 65.18, 44.88, 25.59

 

CMYK 0 / 45 / 47 / 0

HEX #FF8D86

RGB 255 141 134

HSL 3.47, 1%, 0.76%

LAB 70.89, 42.29, 22.99

 

CMYK 0 / 38 / 40 / 0

HEX #FF9F99

RGB 255 159 153

HSL 3.53, 1%, 0.8%

LAB 75.05, 35, 18.25

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 0 / 63 / 66 / 27

HEX #BA453F

RGB 186 69 63

HSL 2.93, 0.49%, 0.49%

LAB 45.71, 46.83, 28.71

 

CMYK 0 / 70 / 74 / 34

HEX #A9332C

RGB 169 51 44

HSL 3.36, 0.59%, 0.42%

LAB 39.55, 47.68, 31.86

 

CMYK 0 / 78 / 84 / 40

HEX #982119

RGB 152 33 25

HSL 3.78, 0.72%, 0.35%

LAB 33.63, 48.02, 35.48

 

CMYK 0 / 89 / 96 / 47

HEX #870F06

RGB 135 15 6

HSL 4.19, 0.91%, 0.28%

LAB 28.13, 47.36, 38.52

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 0 / 60 / 60 / 20

HEX #CB5252

RGB 203 82 82

HSL 0, 0.54%, 0.56%

LAB 51.08, 48.11, 24.89

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 0 / 41 / 60 / 20

HEX #CB7752

RGB 203 119 82

HSL 18.35, 0.54%, 0.56%

LAB 58.51, 29.37, 34.28

 

CMYK 0 / 25 / 60 / 20

HEX #CB9852

RGB 203 152 82

HSL 34.71, 0.54%, 0.56%

LAB 66.34, 11.42, 43.69

 

CMYK 0 / 9 / 60 / 20

HEX #CBB952

RGB 203 185 82

HSL 51.07, 0.54%, 0.56%

LAB 74.83, -6.18, 53.41

 

CMYK 7 / 0 / 60 / 20

HEX #BCCB52

RGB 188 203 82

HSL 67.44, 0.54%, 0.56%

LAB 78.47, -21.53, 57.1

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 0 / 68 / 71 / 13

HEX #DD4640

RGB 221 70 64

HSL 2.29, 0.7%, 0.56%

LAB 51.98, 58.19, 37.08

 

CMYK 0 / 78 / 81 / 6

HEX #EF352D

RGB 239 53 45

HSL 2.47, 0.86%, 0.56%

LAB 53.04, 68.61, 49.46

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 0 / 44 / 46 / 27

HEX #B96764

RGB 185 103 100

HSL 2.12, 0.38%, 0.56%

LAB 52.88, 32.44, 16.23

 

CMYK 0 / 28 / 29 / 35

HEX #A77876

RGB 167 120 118

HSL 2.45, 0.22%, 0.56%

LAB 55.03, 18.1, 8.39

 

CMYK 0 / 7 / 8 / 42

HEX #948988

RGB 148 137 136

HSL 5, 0.05%, 0.56%

LAB 58, 3.93, 2.01

 

CMYK 16 / 1 / 0 / 40

HEX #82999A

RGB 130 153 154

HSL 182.5, 0.11%, 0.56%

LAB 61.53, -7.85, -3.25

 

CMYK 0 / 60 / 30 / 20

HEX #CB528E

RGB 203 82 142

HSL 330.25, 0.54%, 0.56%

LAB 52.6, 54.04, -8.71

 

CMYK 0 / 60 / 46 / 20

HEX #CB526E

RGB 203 82 110

HSL 346.12, 0.54%, 0.56%

LAB 51.68, 50.46, 9.03

 

CMYK 0 / 58 / 60 / 20

HEX #CB5652

RGB 203 86 82

HSL 1.98, 0.54%, 0.56%

LAB 51.79, 46.24, 25.81

 

CMYK 0 / 42 / 60 / 20

HEX #CB7652

RGB 203 118 82

HSL 17.85, 0.54%, 0.56%

LAB 58.29, 29.91, 34

 

CMYK 0 / 26 / 60 / 20

HEX #CB9652

RGB 203 150 82

HSL 33.72, 0.54%, 0.56%

LAB 65.84, 12.51, 43.11

 

CMYK 0 / 67 / 71 / 39

HEX #9C332E

RGB 156 51 46

HSL 2.73, 0.54%, 0.4%

LAB 37.18, 43.3, 27.29

 

CMYK 0 / 68 / 70 / 26

HEX #BC3D38

RGB 188 61 56

HSL 2.27, 0.54%, 0.48%

LAB 44.68, 50.57, 31.66

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 0 / 44 / 47 / 17

HEX #D47671

RGB 212 118 113

HSL 3.03, 0.54%, 0.64%

LAB 60.02, 36.12, 19.06

 

CMYK 0 / 33 / 35 / 13

HEX #DE9491

RGB 222 148 145

HSL 2.34, 0.54%, 0.72%

LAB 68.57, 27.53, 13.05

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 14 / 0 / 60 / 20

HEX #AFCB52

RGB 175 203 82

HSL 73.88, 0.54%, 0.56%

LAB 77.54, -26.76, 55.81

 

CMYK 60 / 38 / 0 / 20

HEX #527ECB

RGB 82 126 203

HSL 218.18, 0.54%, 0.56%

LAB 52.98, 8.36, -44.5

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 60 / 0 / 58 / 20

HEX #52CB56

RGB 82 203 86

HSL 121.98, 0.54%, 0.56%

LAB 73.01, -56.95, 47.65

 

CMYK 58 / 60 / 0 / 20

HEX #5652CB

RGB 86 82 203

HSL 241.98, 0.54%, 0.56%

LAB 41.73, 36.35, -62.55

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 14 / 0 / 60 / 20

HEX #AFCB52

RGB 175 203 82

HSL 73.88, 0.54%, 0.56%

LAB 77.54, -26.76, 55.81

 

CMYK 60 / 2 / 0 / 20

HEX #52C7CB

RGB 82 199 203

HSL 181.98, 0.54%, 0.56%

LAB 74.16, -31.32, -11.86

 

CMYK 46 / 60 / 0 / 20

HEX #6E52CB

RGB 110 82 203

HSL 253.88, 0.54%, 0.56%

LAB 43.74, 41, -59.19

 

CMYK 0 / 57 / 60 / 20

HEX #CB5752

RGB 203 87 82

HSL 2.48, 0.54%, 0.56%

LAB 51.97, 45.76, 26.04

 

CMYK 32 / 0 / 60 / 20

HEX #8ACB52

RGB 138 203 82

HSL 92.23, 0.54%, 0.56%

LAB 75.28, -40.75, 52.66

 

CMYK 60 / 2 / 0 / 20

HEX #52C7CB

RGB 82 199 203

HSL 181.98, 0.54%, 0.56%

LAB 74.16, -31.32, -11.86

 

CMYK 28 / 60 / 0 / 20

HEX #9252CB

RGB 146 82 203

HSL 271.74, 0.54%, 0.56%

LAB 47.57, 49.11, -52.83

 

Description

Color code: HEX #CB5752 | qconv.com Color code: HEX #CB5752 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 87 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 87 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 60 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 60% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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