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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB4EA1 it is the complementary color #34B15E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB4EA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB4EA1 shade: #D04E9C, #E160AF, #F272C2, #FF84D5 and #FF96E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB4EA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB4EA1 shade: #CB4EA1, #BA3C8E, #A92A7B, #981868 and #870655

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB4EA1 shade: #CB4DA0, #CB4D7E, #CB4D5C and #CB4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB4EA1 shade: #CB4DA0, #CB4DC2, #B14DCB, #8F4DCB and #6D4DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB4EA1 shade matches the following richer shades: #CB4DA0, #DD3AA7 and #F028AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB4EA1 shade: #CB4DA0, #B85F9A, #A67294, #93848E and #819788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB4EA1 shade: #B24DCB, #CB4DC2, #CB4DA1, #CB4D7F and #CB4D5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB4EA1 shade: #992C74, #B9358D, #CB4DA0, #D46DB1 and #DD8DC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB4EA1 shade: #CB4EA1, #CB904D and #4DCBC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB4EA1 shade: #CB4EA1, #A1CB4D and #4DA1CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB4EA1 shade: #CB4EA1, #CB904D, #4DCB77 and #4D88CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB4EA1 shade: #CB4EA1, #CBB64D, #4DCB77 and #4D62CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 21 / 20

HEX #CB4EA1

RGB 203 78 161

HSL 320.16, 0.55%, 0.55%

LAB 52.64, 58.33, -19.87

 

Complementary color

CMYK 71 / 0 / 47 / 31

HEX #34B15E

RGB 52 177 94

HSL 140.16, 0.55%, 0.45%

LAB 64.15, -52.29, 32.76

 

CMYK 0 / 63 / 25 / 18

HEX #D04E9C

RGB 208 78 156

HSL 324, 0.58%, 0.56%

LAB 53.23, 59.07, -15.95

 

CMYK 0 / 57 / 22 / 12

HEX #E160AF

RGB 225 96 175

HSL 323.26, 0.68%, 0.63%

LAB 59.41, 58.73, -17.4

 

CMYK 0 / 53 / 20 / 5

HEX #F272C2

RGB 242 114 194

HSL 322.5, 0.83%, 0.7%

LAB 65.6, 58.2, -18.59

 

CMYK 0 / 48 / 16 / 0

HEX #FF84D5

RGB 255 132 213

HSL 320.49, 1%, 0.76%

LAB 71.26, 56.35, -20.44

 

CMYK 0 / 41 / 9 / 0

HEX #FF96E8

RGB 255 150 232

HSL 313.14, 1%, 0.79%

LAB 75.39, 50.43, -24.59

 

CMYK 0 / 62 / 21 / 20

HEX #CB4EA1

RGB 203 78 161

HSL 320.16, 0.55%, 0.55%

LAB 52.64, 58.33, -19.87

 

CMYK 0 / 68 / 24 / 27

HEX #BA3C8E

RGB 186 60 142

HSL 320.95, 0.51%, 0.48%

LAB 46.48, 58.36, -18.24

 

CMYK 0 / 75 / 27 / 34

HEX #A92A7B

RGB 169 42 123

HSL 321.73, 0.6%, 0.41%

LAB 40.44, 57.85, -16.12

 

CMYK 0 / 84 / 32 / 40

HEX #981868

RGB 152 24 104

HSL 322.5, 0.73%, 0.35%

LAB 34.66, 56.42, -13.3

 

CMYK 0 / 96 / 37 / 47

HEX #870655

RGB 135 6 85

HSL 323.26, 0.91%, 0.28%

LAB 29.25, 53.64, -9.5

 

CMYK 0 / 62 / 21 / 20

HEX #CB4DA0

RGB 203 77 160

HSL 320.48, 0.55%, 0.55%

LAB 52.44, 58.61, -19.58

 

CMYK 0 / 62 / 38 / 20

HEX #CB4D7E

RGB 203 77 126

HSL 336.67, 0.55%, 0.55%

LAB 51.28, 54.36, -1.13

 

CMYK 0 / 62 / 55 / 20

HEX #CB4D5C

RGB 203 77 92

HSL 352.86, 0.55%, 0.55%

LAB 50.43, 51.12, 18.08

 

CMYK 0 / 62 / 62 / 20

HEX #CB4D4D

RGB 203 77 77

HSL 0, 0.55%, 0.55%

LAB 50.14, 50.03, 26.63

 

CMYK 0 / 62 / 21 / 20

HEX #CB4DA0

RGB 203 77 160

HSL 320.48, 0.55%, 0.55%

LAB 52.44, 58.61, -19.58

 

CMYK 0 / 62 / 4 / 20

HEX #CB4DC2

RGB 203 77 194

HSL 304.29, 0.55%, 0.55%

LAB 53.92, 63.77, -37.09

 

CMYK 13 / 62 / 0 / 20

HEX #B14DCB

RGB 177 77 203

HSL 287.62, 0.55%, 0.55%

LAB 50.65, 58.97, -47.68

 

CMYK 30 / 62 / 0 / 20

HEX #8F4DCB

RGB 143 77 203

HSL 271.43, 0.55%, 0.55%

LAB 46.26, 50.99, -54.95

 

CMYK 46 / 62 / 0 / 20

HEX #6D4DCB

RGB 109 77 203

HSL 255.24, 0.55%, 0.55%

LAB 42.57, 43.65, -61.09

 

CMYK 0 / 62 / 21 / 20

HEX #CB4DA0

RGB 203 77 160

HSL 320.48, 0.55%, 0.55%

LAB 52.44, 58.61, -19.58

 

CMYK 0 / 74 / 24 / 13

HEX #DD3AA7

RGB 221 58 167

HSL 319.88, 0.71%, 0.55%

LAB 53.15, 71.25, -22.35

 

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

CMYK 0 / 62 / 21 / 20

HEX #CB4DA0

RGB 203 77 160

HSL 320.48, 0.55%, 0.55%

LAB 52.44, 58.61, -19.58

 

CMYK 0 / 48 / 16 / 28

HEX #B85F9A

RGB 184 95 154

HSL 320.22, 0.39%, 0.55%

LAB 52.63, 43.45, -16.02

 

CMYK 0 / 31 / 11 / 35

HEX #A67294

RGB 166 114 148

HSL 320.77, 0.23%, 0.55%

LAB 54.32, 25.93, -10.17

 

CMYK 0 / 10 / 3 / 42

HEX #93848E

RGB 147 132 142

HSL 320, 0.06%, 0.55%

LAB 56.74, 7.53, -3.3

 

CMYK 15 / 0 / 10 / 41

HEX #819788

RGB 129 151 136

HSL 139.09, 0.1%, 0.55%

LAB 60.41, -10.86, 5.29

 

CMYK 12 / 62 / 0 / 20

HEX #B24DCB

RGB 178 77 203

HSL 288.1, 0.55%, 0.55%

LAB 50.79, 59.22, -47.45

 

CMYK 0 / 62 / 4 / 20

HEX #CB4DC2

RGB 203 77 194

HSL 304.29, 0.55%, 0.55%

LAB 53.92, 63.77, -37.09

 

CMYK 0 / 62 / 21 / 20

HEX #CB4DA1

RGB 203 77 161

HSL 320, 0.55%, 0.55%

LAB 52.48, 58.75, -20.11

 

CMYK 0 / 62 / 37 / 20

HEX #CB4D7F

RGB 203 77 127

HSL 336.19, 0.55%, 0.55%

LAB 51.31, 54.47, -1.68

 

CMYK 0 / 62 / 54 / 20

HEX #CB4D5D

RGB 203 77 93

HSL 352.38, 0.55%, 0.55%

LAB 50.45, 51.2, 17.51

 

CMYK 0 / 71 / 24 / 40

HEX #992C74

RGB 153 44 116

HSL 320.37, 0.55%, 0.39%

LAB 37.54, 51.97, -16.45

 

CMYK 0 / 71 / 24 / 27

HEX #B9358D

RGB 185 53 141

HSL 320, 0.55%, 0.47%

LAB 45.34, 60.56, -19.4

 

CMYK 0 / 62 / 21 / 20

HEX #CB4DA0

RGB 203 77 160

HSL 320.48, 0.55%, 0.55%

LAB 52.44, 58.61, -19.58

 

CMYK 0 / 49 / 17 / 17

HEX #D46DB1

RGB 212 109 177

HSL 320.39, 0.54%, 0.63%

LAB 59.99, 48.89, -17.83

 

CMYK 0 / 36 / 12 / 13

HEX #DD8DC2

RGB 221 141 194

HSL 320.25, 0.54%, 0.71%

LAB 68.25, 37.98, -14.83

 

CMYK 0 / 62 / 21 / 20

HEX #CB4EA1

RGB 203 78 161

HSL 320.16, 0.55%, 0.55%

LAB 52.64, 58.33, -19.87

 

CMYK 0 / 29 / 62 / 20

HEX #CB904D

RGB 203 144 77

HSL 31.9, 0.55%, 0.55%

LAB 64.31, 15.42, 43.83

 

CMYK 62 / 0 / 4 / 20

HEX #4DCBC2

RGB 77 203 194

HSL 175.71, 0.55%, 0.55%

LAB 74.94, -36.52, -5.83

 

CMYK 0 / 62 / 21 / 20

HEX #CB4EA1

RGB 203 78 161

HSL 320.16, 0.55%, 0.55%

LAB 52.64, 58.33, -19.87

 

CMYK 21 / 0 / 62 / 20

HEX #A1CB4D

RGB 161 203 77

HSL 80, 0.55%, 0.55%

LAB 76.57, -32.65, 56.64

 

CMYK 62 / 21 / 0 / 20

HEX #4DA1CB

RGB 77 161 203

HSL 200, 0.55%, 0.55%

LAB 62.83, -12.78, -29.11

 

CMYK 0 / 62 / 21 / 20

HEX #CB4EA1

RGB 203 78 161

HSL 320.16, 0.55%, 0.55%

LAB 52.64, 58.33, -19.87

 

CMYK 0 / 29 / 62 / 20

HEX #CB904D

RGB 203 144 77

HSL 31.9, 0.55%, 0.55%

LAB 64.31, 15.42, 43.83

 

CMYK 62 / 0 / 41 / 20

HEX #4DCB77

RGB 77 203 119

HSL 140, 0.55%, 0.55%

LAB 73.3, -53.23, 31.83

 

CMYK 62 / 33 / 0 / 20

HEX #4D88CB

RGB 77 136 203

HSL 211.9, 0.55%, 0.55%

LAB 55.58, 1.42, -40.41

 

CMYK 0 / 62 / 21 / 20

HEX #CB4EA1

RGB 203 78 161

HSL 320.16, 0.55%, 0.55%

LAB 52.64, 58.33, -19.87

 

CMYK 0 / 10 / 62 / 20

HEX #CBB64D

RGB 203 182 77

HSL 50, 0.55%, 0.55%

LAB 73.99, -4.96, 54.74

 

CMYK 62 / 0 / 41 / 20

HEX #4DCB77

RGB 77 203 119

HSL 140, 0.55%, 0.55%

LAB 73.3, -53.23, 31.83

 

CMYK 62 / 52 / 0 / 20

HEX #4D62CB

RGB 77 98 203

HSL 230, 0.55%, 0.55%

LAB 45.12, 24.8, -57.09

 

Description

Color code: HEX #CB4EA1 | qconv.com Color code: HEX #CB4EA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 78 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 78 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 21 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 21% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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