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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB4B74 it is the complementary color #34B48B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB4B74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB4B74 shade: #D04B6F, #E15D82, #F26F95, #FF81A8 and #FF93BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB4B74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB4B74 shade: #CB4B74, #BA3961, #A9274E, #98153B and #870328

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB4B74 shade: #CB4D75, #CB4D53 and #CB4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB4B74 shade: #CB4D75, #CB4D97, #CB4DB9, #BB4DCB and #984DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB4B74 shade matches the following richer shades: #CB4D75, #DD3A6E and #F02868

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB4B74 shade: #CB4D75, #B85F7C, #A67282, #938489 and #819790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB4B74 shade: #CB4DBA, #CB4D98, #CB4D77, #CB4D55 and #CB664D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB4B74 shade: #992C4F, #B9355F, #CB4D75, #D46D8E and #DD8DA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB4B74 shade: #CB4B74, #CBBA4D and #4DA9CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB4B74 shade: #CB4B74, #77CB4D and #4D77CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB4B74 shade: #CB4B74, #CBBA4D, #4DCBA1 and #4D5DCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB4B74 shade: #CB4B74, #B6CB4D, #4DCBA1 and #624DCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 43 / 20

HEX #CB4B74

RGB 203 75 116

HSL 340.78, 0.55%, 0.55%

LAB 50.68, 54.16, 4

 

Complementary color

CMYK 71 / 0 / 23 / 29

HEX #34B48B

RGB 52 180 139

HSL 160.78, 0.55%, 0.45%

LAB 65.93, -44.32, 11.05

 

CMYK 0 / 64 / 47 / 18

HEX #D04B6F

RGB 208 75 111

HSL 343.76, 0.59%, 0.55%

LAB 51.37, 55.25, 8.11

 

CMYK 0 / 59 / 42 / 12

HEX #E15D82

RGB 225 93 130

HSL 343.18, 0.69%, 0.62%

LAB 57.51, 54.68, 5.97

 

CMYK 0 / 54 / 38 / 5

HEX #F26F95

RGB 242 111 149

HSL 342.6, 0.83%, 0.69%

LAB 63.69, 53.95, 4.17

 

CMYK 0 / 49 / 34 / 0

HEX #FF81A8

RGB 255 129 168

HSL 341.43, 1%, 0.75%

LAB 69.32, 51.81, 1.78

 

CMYK 0 / 42 / 27 / 0

HEX #FF93BB

RGB 255 147 187

HSL 337.78, 1%, 0.79%

LAB 73.36, 45.27, -2.9

 

CMYK 0 / 63 / 43 / 20

HEX #CB4B74

RGB 203 75 116

HSL 340.78, 0.55%, 0.55%

LAB 50.68, 54.16, 4

 

CMYK 0 / 69 / 48 / 27

HEX #BA3961

RGB 186 57 97

HSL 341.4, 0.53%, 0.48%

LAB 44.56, 54.43, 6.44

 

CMYK 0 / 77 / 54 / 34

HEX #A9274E

RGB 169 39 78

HSL 342, 0.63%, 0.41%

LAB 38.61, 54.17, 9.53

 

CMYK 0 / 86 / 61 / 40

HEX #98153B

RGB 152 21 59

HSL 342.6, 0.76%, 0.34%

LAB 32.98, 52.98, 13.54

 

CMYK 0 / 98 / 70 / 47

HEX #870328

RGB 135 3 40

HSL 343.18, 0.96%, 0.27%

LAB 27.76, 50.58, 18.64

 

CMYK 0 / 62 / 42 / 20

HEX #CB4D75

RGB 203 77 117

HSL 340.95, 0.55%, 0.55%

LAB 51.02, 53.4, 3.9

 

CMYK 0 / 62 / 59 / 20

HEX #CB4D53

RGB 203 77 83

HSL 357.14, 0.55%, 0.55%

LAB 50.25, 50.44, 23.22

 

CMYK 0 / 62 / 62 / 20

HEX #CB4D4D

RGB 203 77 77

HSL 0, 0.55%, 0.55%

LAB 50.14, 50.03, 26.63

 

CMYK 0 / 62 / 42 / 20

HEX #CB4D75

RGB 203 77 117

HSL 340.95, 0.55%, 0.55%

LAB 51.02, 53.4, 3.9

 

CMYK 0 / 62 / 26 / 20

HEX #CB4D97

RGB 203 77 151

HSL 324.76, 0.55%, 0.55%

LAB 52.11, 57.39, -14.78

 

CMYK 0 / 62 / 9 / 20

HEX #CB4DB9

RGB 203 77 185

HSL 308.57, 0.55%, 0.55%

LAB 53.5, 62.33, -32.55

 

CMYK 8 / 62 / 0 / 20

HEX #BB4DCB

RGB 187 77 203

HSL 292.38, 0.55%, 0.55%

LAB 52.05, 61.38, -45.37

 

CMYK 25 / 62 / 0 / 20

HEX #984DCB

RGB 152 77 203

HSL 275.71, 0.55%, 0.55%

LAB 47.36, 53.06, -53.12

 

CMYK 0 / 62 / 42 / 20

HEX #CB4D75

RGB 203 77 117

HSL 340.95, 0.55%, 0.55%

LAB 51.02, 53.4, 3.9

 

CMYK 0 / 74 / 50 / 13

HEX #DD3A6E

RGB 221 58 110

HSL 340.86, 0.71%, 0.55%

LAB 51.29, 65.38, 8.92

 

CMYK 0 / 83 / 57 / 6

HEX #F02868

RGB 240 40 104

HSL 340.8, 0.87%, 0.55%

LAB 53, 74.76, 15.45

 

CMYK 0 / 62 / 42 / 20

HEX #CB4D75

RGB 203 77 117

HSL 340.95, 0.55%, 0.55%

LAB 51.02, 53.4, 3.9

 

CMYK 0 / 48 / 33 / 28

HEX #B85F7C

RGB 184 95 124

HSL 340.45, 0.39%, 0.55%

LAB 51.64, 39.12, 0.26

 

CMYK 0 / 31 / 22 / 35

HEX #A67282

RGB 166 114 130

HSL 341.54, 0.23%, 0.55%

LAB 53.76, 22.92, -0.46

 

CMYK 0 / 10 / 7 / 42

HEX #938489

RGB 147 132 137

HSL 340, 0.06%, 0.55%

LAB 56.6, 6.58, -0.63

 

CMYK 15 / 0 / 5 / 41

HEX #819790

RGB 129 151 144

HSL 160.91, 0.1%, 0.55%

LAB 60.62, -9.23, 1.06

 

CMYK 0 / 62 / 8 / 20

HEX #CB4DBA

RGB 203 77 186

HSL 308.1, 0.55%, 0.55%

LAB 53.55, 62.48, -33.05

 

CMYK 0 / 62 / 25 / 20

HEX #CB4D98

RGB 203 77 152

HSL 324.29, 0.55%, 0.55%

LAB 52.14, 57.53, -15.32

 

CMYK 0 / 62 / 41 / 20

HEX #CB4D77

RGB 203 77 119

HSL 340, 0.55%, 0.55%

LAB 51.08, 53.6, 2.78

 

CMYK 0 / 62 / 58 / 20

HEX #CB4D55

RGB 203 77 85

HSL 356.19, 0.55%, 0.55%

LAB 50.29, 50.58, 22.08

 

CMYK 0 / 50 / 62 / 20

HEX #CB664D

RGB 203 102 77

HSL 11.9, 0.55%, 0.55%

LAB 54.8, 37.97, 32.47

 

CMYK 0 / 71 / 48 / 40

HEX #992C4F

RGB 153 44 79

HSL 340.73, 0.55%, 0.39%

LAB 36.25, 47.66, 5.12

 

CMYK 0 / 71 / 49 / 27

HEX #B9355F

RGB 185 53 95

HSL 340.91, 0.55%, 0.47%

LAB 43.78, 55.46, 6.55

 

CMYK 0 / 62 / 42 / 20

HEX #CB4D75

RGB 203 77 117

HSL 340.95, 0.55%, 0.55%

LAB 51.02, 53.4, 3.9

 

CMYK 0 / 49 / 33 / 17

HEX #D46D8E

RGB 212 109 142

HSL 340.78, 0.54%, 0.63%

LAB 58.87, 44.01, 0.7

 

CMYK 0 / 36 / 25 / 13

HEX #DD8DA6

RGB 221 141 166

HSL 341.25, 0.54%, 0.71%

LAB 67.41, 33.69, -0.4

 

CMYK 0 / 63 / 43 / 20

HEX #CB4B74

RGB 203 75 116

HSL 340.78, 0.55%, 0.55%

LAB 50.68, 54.16, 4

 

CMYK 0 / 8 / 62 / 20

HEX #CBBA4D

RGB 203 186 77

HSL 51.9, 0.55%, 0.55%

LAB 75.05, -7.04, 55.89

 

CMYK 62 / 17 / 0 / 20

HEX #4DA9CB

RGB 77 169 203

HSL 196.19, 0.55%, 0.55%

LAB 65.17, -17.08, -25.49

 

CMYK 0 / 63 / 43 / 20

HEX #CB4B74

RGB 203 75 116

HSL 340.78, 0.55%, 0.55%

LAB 50.68, 54.16, 4

 

CMYK 41 / 0 / 62 / 20

HEX #77CB4D

RGB 119 203 77

HSL 100, 0.55%, 0.55%

LAB 74.3, -47.64, 53.49

 

CMYK 62 / 41 / 0 / 20

HEX #4D77CB

RGB 77 119 203

HSL 220, 0.55%, 0.55%

LAB 50.78, 11.68, -48

 

CMYK 0 / 63 / 43 / 20

HEX #CB4B74

RGB 203 75 116

HSL 340.78, 0.55%, 0.55%

LAB 50.68, 54.16, 4

 

CMYK 0 / 8 / 62 / 20

HEX #CBBA4D

RGB 203 186 77

HSL 51.9, 0.55%, 0.55%

LAB 75.05, -7.04, 55.89

 

CMYK 62 / 0 / 21 / 20

HEX #4DCBA1

RGB 77 203 161

HSL 160, 0.55%, 0.55%

LAB 74.1, -44.75, 10.76

 

CMYK 62 / 54 / 0 / 20

HEX #4D5DCB

RGB 77 93 203

HSL 232.38, 0.55%, 0.55%

LAB 43.83, 27.95, -59.17

 

CMYK 0 / 63 / 43 / 20

HEX #CB4B74

RGB 203 75 116

HSL 340.78, 0.55%, 0.55%

LAB 50.68, 54.16, 4

 

CMYK 10 / 0 / 62 / 20

HEX #B6CB4D

RGB 182 203 77

HSL 70, 0.55%, 0.55%

LAB 77.99, -24.33, 58.58

 

CMYK 62 / 0 / 21 / 20

HEX #4DCBA1

RGB 77 203 161

HSL 160, 0.55%, 0.55%

LAB 74.1, -44.75, 10.76

 

CMYK 52 / 62 / 0 / 20

HEX #624DCB

RGB 98 77 203

HSL 250, 0.55%, 0.55%

LAB 41.56, 41.52, -62.78

 

Description

Color code: HEX #CB4B74 | qconv.com Color code: HEX #CB4B74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 75 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 75 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 43 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 43% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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