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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB1893 it is the complementary color #34E76C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB1893. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB1893 shade: #D0188E, #E12AA1, #F23CB4, #FF4EC7 and #FF60DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB1893. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB1893 shade: #CB1893, #BA0680, #A9006D, #98005A and #870047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB1893 shade: #CD1894, #CD1863, #CD1832 and #CD1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB1893 shade: #CD1894, #CD18C5, #A418CD, #7318CD and #4218CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB1893 shade matches the following richer shades: #CD1894 and #DF059B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB1893 shade: #CD1894, #BA2A8D, #A83D86, #954F7F and #836278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB1893 shade: #A318CD, #CD18C7, #CD1897, #CD1866 and #CD1836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB1893 shade: #830F5F, #A81379, #CD1894, #E528AA and #EA4DB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB1893 shade: #CB1893, #CD7218 and #18CDBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB1893 shade: #CB1893, #97CD18 and #1897CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB1893 shade: #CB1893, #CD7218, #18CD4E and #1872CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB1893 shade: #CB1893, #CDA918, #18CD4E and #183CCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 28 / 20

HEX #CB1893

RGB 203 24 147

HSL 318.77, 0.79%, 0.45%

LAB 46.25, 72.94, -21.34

 

Complementary color

CMYK 77 / 0 / 53 / 9

HEX #34E76C

RGB 52 231 108

HSL 138.77, 0.79%, 0.55%

LAB 81.27, -68.93, 47.16

 

CMYK 0 / 88 / 32 / 18

HEX #D0188E

RGB 208 24 142

HSL 321.52, 0.79%, 0.45%

LAB 47, 73.46, -17.09

 

CMYK 0 / 81 / 28 / 12

HEX #E12AA1

RGB 225 42 161

HSL 320.98, 0.75%, 0.52%

LAB 52.1, 75.8, -20.37

 

CMYK 0 / 75 / 26 / 5

HEX #F23CB4

RGB 242 60 180

HSL 320.44, 0.88%, 0.59%

LAB 57.47, 77.23, -23

 

CMYK 0 / 69 / 22 / 0

HEX #FF4EC7

RGB 255 78 199

HSL 318.98, 1%, 0.65%

LAB 62.37, 77.03, -26.19

 

CMYK 0 / 62 / 15 / 0

HEX #FF60DA

RGB 255 96 218

HSL 313.96, 1%, 0.69%

LAB 65.5, 72.97, -32.06

 

CMYK 0 / 88 / 28 / 20

HEX #CB1893

RGB 203 24 147

HSL 318.77, 0.79%, 0.45%

LAB 46.25, 72.94, -21.34

 

CMYK 0 / 97 / 31 / 27

HEX #BA0680

RGB 186 6 128

HSL 319.33, 0.94%, 0.38%

LAB 41.42, 69.46, -17.44

 

CMYK 0 / 100 / 36 / 34

HEX #A9006D

RGB 169 0 109

HSL 321.3, 1%, 0.33%

LAB 37, 64.52, -12.6

 

CMYK 0 / 100 / 41 / 40

HEX #98005A

RGB 152 0 90

HSL 324.47, 1%, 0.3%

LAB 32.73, 58.92, -7.18

 

CMYK 0 / 100 / 47 / 47

HEX #870047

RGB 135 0 71

HSL 328.44, 1%, 0.26%

LAB 28.4, 53.25, -1.45

 

CMYK 0 / 88 / 28 / 20

HEX #CD1894

RGB 205 24 148

HSL 318.9, 0.79%, 0.45%

LAB 46.67, 73.48, -21.26

 

CMYK 0 / 88 / 52 / 20

HEX #CD1863

RGB 205 24 99

HSL 335.14, 0.79%, 0.45%

LAB 44.99, 68.84, 6.3

 

CMYK 0 / 88 / 76 / 20

HEX #CD1832

RGB 205 24 50

HSL 351.38, 0.79%, 0.45%

LAB 44.04, 66.13, 35.3

 

CMYK 0 / 88 / 88 / 20

HEX #CD1818

RGB 205 24 24

HSL 0, 0.79%, 0.45%

LAB 43.8, 65.44, 49

 

CMYK 0 / 88 / 28 / 20

HEX #CD1894

RGB 205 24 148

HSL 318.9, 0.79%, 0.45%

LAB 46.67, 73.48, -21.26

 

CMYK 0 / 88 / 4 / 20

HEX #CD18C5

RGB 205 24 197

HSL 302.65, 0.79%, 0.45%

LAB 49.09, 79.82, -46.44

 

CMYK 20 / 88 / 0 / 20

HEX #A418CD

RGB 164 24 205

HSL 286.41, 0.79%, 0.45%

LAB 42.69, 74.29, -61.72

 

CMYK 44 / 88 / 0 / 20

HEX #7318CD

RGB 115 24 205

HSL 270.17, 0.79%, 0.45%

LAB 35.41, 67.73, -73.92

 

CMYK 68 / 88 / 0 / 20

HEX #4218CD

RGB 66 24 205

HSL 253.92, 0.79%, 0.45%

LAB 29.96, 63.37, -83.11

 

CMYK 0 / 88 / 28 / 20

HEX #CD1894

RGB 205 24 148

HSL 318.9, 0.79%, 0.45%

LAB 46.67, 73.48, -21.26

 

CMYK 0 / 98 / 30 / 13

HEX #DF059B

RGB 223 5 155

HSL 318.72, 0.96%, 0.45%

LAB 49.69, 79.94, -20.53

 

CMYK 0 / 88 / 28 / 20

HEX #CD1894

RGB 205 24 148

HSL 318.9, 0.79%, 0.45%

LAB 46.67, 73.48, -21.26

 

CMYK 0 / 77 / 24 / 27

HEX #BA2A8D

RGB 186 42 141

HSL 318.75, 0.63%, 0.45%

LAB 44.26, 64.36, -21.04

 

CMYK 0 / 64 / 20 / 34

HEX #A83D86

RGB 168 61 134

HSL 319.07, 0.47%, 0.45%

LAB 43.34, 51.8, -18.46

 

CMYK 0 / 47 / 15 / 42

HEX #954F7F

RGB 149 79 127

HSL 318.86, 0.31%, 0.45%

LAB 43.53, 35.88, -14.16

 

CMYK 0 / 25 / 8 / 49

HEX #836278

RGB 131 98 120

HSL 320, 0.14%, 0.45%

LAB 45.52, 17.19, -7.14

 

CMYK 20 / 88 / 0 / 20

HEX #A318CD

RGB 163 24 205

HSL 286.08, 0.79%, 0.45%

LAB 42.53, 74.14, -61.99

 

CMYK 0 / 88 / 3 / 20

HEX #CD18C7

RGB 205 24 199

HSL 301.99, 0.79%, 0.45%

LAB 49.2, 80.1, -47.42

 

CMYK 0 / 88 / 26 / 20

HEX #CD1897

RGB 205 24 151

HSL 317.9, 0.79%, 0.45%

LAB 46.8, 73.82, -22.87

 

CMYK 0 / 88 / 50 / 20

HEX #CD1866

RGB 205 24 102

HSL 334.14, 0.79%, 0.45%

LAB 45.07, 69.07, 4.55

 

CMYK 0 / 88 / 74 / 20

HEX #CD1836

RGB 205 24 54

HSL 350.06, 0.79%, 0.45%

LAB 44.09, 66.28, 32.98

 

CMYK 0 / 89 / 27 / 49

HEX #830F5F

RGB 131 15 95

HSL 318.62, 0.79%, 0.29%

LAB 29.4, 52.32, -15.92

 

CMYK 0 / 89 / 28 / 34

HEX #A81379

RGB 168 19 121

HSL 318.93, 0.8%, 0.37%

LAB 38.15, 63.17, -18.42

 

CMYK 0 / 88 / 28 / 20

HEX #CD1894

RGB 205 24 148

HSL 318.9, 0.79%, 0.45%

LAB 46.67, 73.48, -21.26

 

CMYK 0 / 83 / 26 / 10

HEX #E528AA

RGB 229 40 170

HSL 318.73, 0.78%, 0.53%

LAB 53.03, 78.15, -24.18

 

CMYK 0 / 67 / 21 / 8

HEX #EA4DB9

RGB 234 77 185

HSL 318.73, 0.79%, 0.61%

LAB 58.32, 70.32, -24.69

 

CMYK 0 / 88 / 28 / 20

HEX #CB1893

RGB 203 24 147

HSL 318.77, 0.79%, 0.45%

LAB 46.25, 72.94, -21.34

 

CMYK 0 / 44 / 88 / 20

HEX #CD7218

RGB 205 114 24

HSL 29.83, 0.79%, 0.45%

LAB 57.15, 30.18, 59.35

 

CMYK 88 / 0 / 9 / 20

HEX #18CDBB

RGB 24 205 187

HSL 174.03, 0.79%, 0.45%

LAB 74.47, -45.14, -2.84

 

CMYK 0 / 88 / 28 / 20

HEX #CB1893

RGB 203 24 147

HSL 318.77, 0.79%, 0.45%

LAB 46.25, 72.94, -21.34

 

CMYK 26 / 0 / 88 / 20

HEX #97CD18

RGB 151 205 24

HSL 77.9, 0.79%, 0.45%

LAB 76.26, -40.11, 72.78

 

CMYK 88 / 26 / 0 / 20

HEX #1897CD

RGB 24 151 205

HSL 197.9, 0.79%, 0.45%

LAB 58.73, -12.97, -36.69

 

CMYK 0 / 88 / 28 / 20

HEX #CB1893

RGB 203 24 147

HSL 318.77, 0.79%, 0.45%

LAB 46.25, 72.94, -21.34

 

CMYK 0 / 44 / 88 / 20

HEX #CD7218

RGB 205 114 24

HSL 29.83, 0.79%, 0.45%

LAB 57.15, 30.18, 59.35

 

CMYK 88 / 0 / 62 / 20

HEX #18CD4E

RGB 24 205 78

HSL 137.9, 0.79%, 0.45%

LAB 72.5, -67.27, 50.37

 

CMYK 88 / 44 / 0 / 20

HEX #1872CD

RGB 24 114 205

HSL 210.17, 0.79%, 0.45%

LAB 47.8, 8.98, -54.02

 

CMYK 0 / 88 / 28 / 20

HEX #CB1893

RGB 203 24 147

HSL 318.77, 0.79%, 0.45%

LAB 46.25, 72.94, -21.34

 

CMYK 0 / 18 / 88 / 20

HEX #CDA918

RGB 205 169 24

HSL 48.07, 0.79%, 0.45%

LAB 70.47, 0.5, 69.83

 

CMYK 88 / 0 / 62 / 20

HEX #18CD4E

RGB 24 205 78

HSL 137.9, 0.79%, 0.45%

LAB 72.5, -67.27, 50.37

 

CMYK 88 / 71 / 0 / 20

HEX #183CCD

RGB 24 60 205

HSL 228.07, 0.79%, 0.45%

LAB 33.63, 43.75, -77.09

 

Description

Color code: HEX #CB1893 | qconv.com Color code: HEX #CB1893 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 24 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 24 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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