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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB02DE it is the complementary color #34FD21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB02DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB02DE shade: #D002D9, #E114EC, #F226FF, #FF38FF and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB02DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB02DE shade: #CB02DE, #BA00CB, #A900B8, #9800A5 and #870092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB02DE shade: #CB02DE, #DE02B5, #DE027A, #DE023F and #DE0203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB02DE shade: #CB02DE, #8F02DE, #5402DE, #1902DE and #0202DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB02DE shade matches the following richer shades: #CB02DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB02DE shade: #CB02DE, #BC14CC, #AD26B9, #9E38A7 and #8F4A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB02DE shade: #5202DE, #8D02DE, #C802DE, #DE02B9 and #DE027E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB02DE shade: #80018C, #A501B5, #CB02DE, #E70DFC and #EB35FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB02DE shade: #CB02DE, #DE1802 and #02DE70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB02DE shade: #CB02DE, #DEC802 and #02DEC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB02DE shade: #CB02DE, #DE1802, #18DE02 and #02C8DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB02DE shade: #CB02DE, #DE5A02, #18DE02 and #0286DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

Complementary color

CMYK 79 / 0 / 87 / 1

HEX #34FD21

RGB 52 253 33

HSL 114.82, 0.98%, 0.56%

LAB 87.53, -81.77, 79.46

 

CMYK 4 / 99 / 0 / 15

HEX #D002D9

RGB 208 2 217

HSL 297.49, 0.98%, 0.43%

LAB 50.05, 85.43, -56.38

 

CMYK 5 / 92 / 0 / 7

HEX #E114EC

RGB 225 20 236

HSL 296.94, 0.85%, 0.5%

LAB 54.62, 89.42, -59.66

 

CMYK 5 / 85 / 0 / 0

HEX #F226FF

RGB 242 38 255

HSL 296.41, 1%, 0.57%

LAB 59.42, 92.48, -62.41

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 8 / 100 / 0 / 20

HEX #BA00CB

RGB 186 0 203

HSL 294.98, 1%, 0.4%

LAB 45.29, 80.1, -56.18

 

CMYK 8 / 100 / 0 / 28

HEX #A900B8

RGB 169 0 184

HSL 295.11, 1%, 0.36%

LAB 41.05, 74.51, -52.06

 

CMYK 8 / 100 / 0 / 35

HEX #9800A5

RGB 152 0 165

HSL 295.27, 1%, 0.32%

LAB 36.73, 68.83, -47.86

 

CMYK 8 / 100 / 0 / 43

HEX #870092

RGB 135 0 146

HSL 295.48, 1%, 0.29%

LAB 32.32, 63.02, -43.56

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 0 / 99 / 18 / 13

HEX #DE02B5

RGB 222 2 181

HSL 311.18, 0.98%, 0.44%

LAB 50.58, 82.92, -34.55

 

CMYK 0 / 99 / 45 / 13

HEX #DE027A

RGB 222 2 122

HSL 327.27, 0.98%, 0.44%

LAB 48.23, 76.88, -2.78

 

CMYK 0 / 99 / 72 / 13

HEX #DE023F

RGB 222 2 63

HSL 343.36, 0.98%, 0.44%

LAB 46.89, 73.28, 31.72

 

CMYK 0 / 99 / 99 / 13

HEX #DE0203

RGB 222 2 3

HSL 359.73, 0.98%, 0.44%

LAB 46.42, 72, 59.63

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 36 / 99 / 0 / 13

HEX #8F02DE

RGB 143 2 222

HSL 278.45, 0.98%, 0.44%

LAB 39.84, 77.65, -76.31

 

CMYK 62 / 99 / 0 / 13

HEX #5402DE

RGB 84 2 222

HSL 262.36, 0.98%, 0.44%

LAB 32.26, 72.92, -89.08

 

CMYK 89 / 99 / 0 / 13

HEX #1902DE

RGB 25 2 222

HSL 246.27, 0.98%, 0.44%

LAB 28.18, 71.14, -96

 

CMYK 99 / 99 / 0 / 13

HEX #0202DE

RGB 2 2 222

HSL 240, 0.98%, 0.44%

LAB 27.66, 70.96, -96.88

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 8 / 90 / 0 / 20

HEX #BC14CC

RGB 188 20 204

HSL 294.78, 0.82%, 0.44%

LAB 46.38, 78.55, -54.99

 

CMYK 6 / 79 / 0 / 27

HEX #AD26B9

RGB 173 38 185

HSL 295.1, 0.66%, 0.44%

LAB 43.91, 69.18, -48.03

 

CMYK 5 / 66 / 0 / 35

HEX #9E38A7

RGB 158 56 167

HSL 295.14, 0.5%, 0.44%

LAB 42.59, 56.7, -39.62

 

CMYK 4 / 50 / 0 / 42

HEX #8F4A95

RGB 143 74 149

HSL 295.2, 0.34%, 0.44%

LAB 42.62, 40.7, -28.94

 

CMYK 63 / 99 / 0 / 13

HEX #5202DE

RGB 82 2 222

HSL 261.82, 0.98%, 0.44%

LAB 32.06, 72.82, -89.43

 

CMYK 36 / 99 / 0 / 13

HEX #8D02DE

RGB 141 2 222

HSL 277.91, 0.98%, 0.44%

LAB 39.55, 77.44, -76.8

 

CMYK 10 / 99 / 0 / 13

HEX #C802DE

RGB 200 2 222

HSL 294, 0.98%, 0.44%

LAB 49, 84.98, -60.99

 

CMYK 0 / 99 / 17 / 13

HEX #DE02B9

RGB 222 2 185

HSL 310.09, 0.98%, 0.44%

LAB 50.78, 83.41, -36.59

 

CMYK 0 / 99 / 43 / 13

HEX #DE027E

RGB 222 2 126

HSL 326.18, 0.98%, 0.44%

LAB 48.36, 77.22, -5.04

 

CMYK 9 / 99 / 0 / 45

HEX #80018C

RGB 128 1 140

HSL 294.82, 0.99%, 0.28%

LAB 30.65, 60.74, -42.6

 

CMYK 9 / 99 / 0 / 29

HEX #A501B5

RGB 165 1 181

HSL 294.67, 0.99%, 0.36%

LAB 40.18, 73.31, -51.73

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 8 / 95 / 0 / 1

HEX #E70DFC

RGB 231 13 252

HSL 294.73, 0.98%, 0.52%

LAB 56.39, 93.39, -65.7

 

CMYK 7 / 79 / 0 / 1

HEX #EB35FC

RGB 235 53 252

HSL 294.87, 0.97%, 0.6%

LAB 59.19, 87.71, -61.17

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 0 / 89 / 99 / 13

HEX #DE1802

RGB 222 24 2

HSL 6, 0.98%, 0.44%

LAB 47.22, 69.67, 60.25

 

CMYK 99 / 0 / 50 / 13

HEX #02DE70

RGB 2 222 112

HSL 150, 0.98%, 0.44%

LAB 78.13, -68.83, 41.29

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 0 / 10 / 99 / 13

HEX #DEC802

RGB 222 200 2

HSL 54, 0.98%, 0.44%

LAB 80.09, -8.44, 80.7

 

CMYK 99 / 0 / 10 / 13

HEX #02DEC8

RGB 2 222 200

HSL 174, 0.98%, 0.44%

LAB 79.86, -49.5, -1.92

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 0 / 89 / 99 / 13

HEX #DE1802

RGB 222 24 2

HSL 6, 0.98%, 0.44%

LAB 47.22, 69.67, 60.25

 

CMYK 89 / 0 / 99 / 13

HEX #18DE02

RGB 24 222 2

HSL 114, 0.98%, 0.44%

LAB 77.54, -76.53, 74.87

 

CMYK 99 / 10 / 0 / 13

HEX #02C8DE

RGB 2 200 222

HSL 186, 0.98%, 0.44%

LAB 73.93, -33.17, -22.6

 

CMYK 9 / 99 / 0 / 13

HEX #CB02DE

RGB 203 2 222

HSL 294.82, 0.98%, 0.44%

LAB 49.51, 85.43, -60.14

 

CMYK 0 / 59 / 99 / 13

HEX #DE5A02

RGB 222 90 2

HSL 24, 0.98%, 0.44%

LAB 54.91, 48.55, 64.04

 

CMYK 89 / 0 / 99 / 13

HEX #18DE02

RGB 24 222 2

HSL 114, 0.98%, 0.44%

LAB 77.54, -76.53, 74.87

 

CMYK 99 / 40 / 0 / 13

HEX #0286DE

RGB 2 134 222

HSL 204, 0.98%, 0.44%

LAB 54.38, 2.38, -53.11

 

Description

Color code: HEX #CB02DE | qconv.com Color code: HEX #CB02DE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 2 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 2 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 99 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 99% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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