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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB099B it is the complementary color #34F664. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB099B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB099B shade: #D00996, #E11BA9, #F22DBC, #FF3FCF and #FF51E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB099B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB099B shade: #CB099B, #BA0088, #A90075, #980062 and #87004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB099B shade: #CD089C, #CD0867, #CD0832 and #CD0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB099B shade: #CD089C, #C908CD, #9408CD, #5E08CD and #2908CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB099B shade matches the following richer shades: #CD089C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB099B shade: #CD089C, #BC1994, #AA2B8B, #993C82 and #884D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB099B shade: #9208CD, #C708CD, #CD089F, #CD086B and #CD0836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB099B shade: #7E0560, #A6067E, #CD089C, #F40ABA and #F632C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB099B shade: #CB099B, #CD5D08 and #08CDAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB099B shade: #CB099B, #9FCD08 and #089FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB099B shade: #CB099B, #CD5D08, #08CD36 and #0878CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB099B shade: #CB099B, #CD9908, #08CD36 and #083DCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 24 / 20

HEX #CB099B

RGB 203 9 155

HSL 314.85, 0.92%, 0.42%

LAB 45.99, 75.66, -26.57

 

Complementary color

CMYK 79 / 0 / 59 / 4

HEX #34F664

RGB 52 246 100

HSL 134.85, 0.92%, 0.58%

LAB 85.79, -74.74, 56.1

 

CMYK 0 / 96 / 28 / 18

HEX #D00996

RGB 208 9 150

HSL 317.49, 0.92%, 0.43%

LAB 46.72, 76.09, -22.35

 

CMYK 0 / 88 / 25 / 12

HEX #E11BA9

RGB 225 27 169

HSL 316.97, 0.79%, 0.49%

LAB 51.45, 79.57, -26.11

 

CMYK 0 / 81 / 22 / 5

HEX #F22DBC

RGB 242 45 188

HSL 316.45, 0.88%, 0.56%

LAB 56.47, 81.98, -29.17

 

CMYK 0 / 75 / 19 / 0

HEX #FF3FCF

RGB 255 63 207

HSL 315, 1%, 0.62%

LAB 61.06, 82.66, -32.75

 

CMYK 0 / 68 / 11 / 0

HEX #FF51E2

RGB 255 81 226

HSL 310, 1%, 0.66%

LAB 63.86, 79.63, -39.09

 

CMYK 0 / 96 / 24 / 20

HEX #CB099B

RGB 203 9 155

HSL 314.85, 0.92%, 0.42%

LAB 45.99, 75.66, -26.57

 

CMYK 0 / 100 / 27 / 27

HEX #BA0088

RGB 186 0 136

HSL 316.13, 1%, 0.36%

LAB 41.56, 70.95, -22.16

 

CMYK 0 / 100 / 31 / 34

HEX #A90075

RGB 169 0 117

HSL 318.46, 1%, 0.33%

LAB 37.33, 65.38, -17.14

 

CMYK 0 / 100 / 36 / 40

HEX #980062

RGB 152 0 98

HSL 321.32, 1%, 0.3%

LAB 33.04, 59.73, -11.9

 

CMYK 0 / 100 / 41 / 47

HEX #87004F

RGB 135 0 79

HSL 324.89, 1%, 0.26%

LAB 28.68, 54, -6.37

 

CMYK 0 / 96 / 24 / 20

HEX #CD089C

RGB 205 8 156

HSL 314.92, 0.92%, 0.42%

LAB 46.38, 76.26, -26.52

 

CMYK 0 / 96 / 50 / 20

HEX #CD0867

RGB 205 8 103

HSL 331.07, 0.92%, 0.42%

LAB 44.42, 71.11, 2.99

 

CMYK 0 / 96 / 76 / 20

HEX #CD0832

RGB 205 8 50

HSL 347.21, 0.92%, 0.42%

LAB 43.33, 68.15, 34.52

 

CMYK 0 / 96 / 96 / 20

HEX #CD0808

RGB 205 8 8

HSL 0, 0.92%, 0.42%

LAB 43.02, 67.28, 54.48

 

CMYK 0 / 96 / 24 / 20

HEX #CD089C

RGB 205 8 156

HSL 314.92, 0.92%, 0.42%

LAB 46.38, 76.26, -26.52

 

CMYK 2 / 96 / 0 / 20

HEX #C908CD

RGB 201 8 205

HSL 298.78, 0.92%, 0.42%

LAB 48.26, 82.06, -52.43

 

CMYK 28 / 96 / 0 / 20

HEX #9408CD

RGB 148 8 205

HSL 282.64, 0.92%, 0.42%

LAB 39.37, 74.33, -67.24

 

CMYK 54 / 96 / 0 / 20

HEX #5E08CD

RGB 94 8 205

HSL 266.19, 0.92%, 0.42%

LAB 31.72, 68.79, -80.11

 

CMYK 80 / 96 / 0 / 20

HEX #2908CD

RGB 41 8 205

HSL 250.05, 0.92%, 0.42%

LAB 26.88, 66.13, -88.28

 

CMYK 0 / 96 / 24 / 20

HEX #CD089C

RGB 205 8 156

HSL 314.92, 0.92%, 0.42%

LAB 46.38, 76.26, -26.52

 

CMYK 0 / 96 / 24 / 20

HEX #CD089C

RGB 205 8 156

HSL 314.92, 0.92%, 0.42%

LAB 46.38, 76.26, -26.52

 

CMYK 0 / 87 / 21 / 26

HEX #BC1994

RGB 188 25 148

HSL 314.72, 0.77%, 0.42%

LAB 43.54, 69.71, -26.36

 

CMYK 0 / 75 / 18 / 33

HEX #AA2B8B

RGB 170 43 139

HSL 314.65, 0.6%, 0.42%

LAB 41.43, 59.9, -24.42

 

CMYK 0 / 61 / 15 / 40

HEX #993C82

RGB 153 60 130

HSL 314.84, 0.44%, 0.42%

LAB 40.6, 47.27, -20.43

 

CMYK 0 / 43 / 11 / 47

HEX #884D79

RGB 136 77 121

HSL 315.25, 0.28%, 0.42%

LAB 41.09, 31.47, -14.36

 

CMYK 29 / 96 / 0 / 20

HEX #9208CD

RGB 146 8 205

HSL 282.03, 0.92%, 0.42%

LAB 39.06, 74.08, -67.77

 

CMYK 3 / 96 / 0 / 20

HEX #C708CD

RGB 199 8 205

HSL 298.17, 0.92%, 0.42%

LAB 47.91, 81.74, -53.01

 

CMYK 0 / 96 / 22 / 20

HEX #CD089F

RGB 205 8 159

HSL 314.01, 0.92%, 0.42%

LAB 46.52, 76.61, -28.11

 

CMYK 0 / 96 / 48 / 20

HEX #CD086B

RGB 205 8 107

HSL 329.85, 0.92%, 0.42%

LAB 44.54, 71.42, 0.67

 

CMYK 0 / 96 / 74 / 20

HEX #CD0836

RGB 205 8 54

HSL 345.99, 0.92%, 0.42%

LAB 43.39, 68.3, 32.17

 

CMYK 0 / 96 / 24 / 51

HEX #7E0560

RGB 126 5 96

HSL 314.88, 0.92%, 0.26%

LAB 27.81, 53.09, -19.1

 

CMYK 0 / 96 / 24 / 35

HEX #A6067E

RGB 166 6 126

HSL 315, 0.93%, 0.34%

LAB 37.38, 65.1, -22.76

 

CMYK 0 / 96 / 24 / 20

HEX #CD089C

RGB 205 8 156

HSL 314.92, 0.92%, 0.42%

LAB 46.38, 76.26, -26.52

 

CMYK 0 / 96 / 24 / 4

HEX #F40ABA

RGB 244 10 186

HSL 314.87, 0.92%, 0.5%

LAB 55.07, 87.03, -30.16

 

CMYK 0 / 80 / 20 / 4

HEX #F632C5

RGB 246 50 197

HSL 315, 0.92%, 0.58%

LAB 57.95, 82.79, -32.01

 

CMYK 0 / 96 / 24 / 20

HEX #CB099B

RGB 203 9 155

HSL 314.85, 0.92%, 0.42%

LAB 45.99, 75.66, -26.57

 

CMYK 0 / 55 / 96 / 20

HEX #CD5D08

RGB 205 93 8

HSL 25.89, 0.92%, 0.42%

LAB 52.76, 40.76, 60.13

 

CMYK 96 / 0 / 16 / 20

HEX #08CDAC

RGB 8 205 172

HSL 169.95, 0.92%, 0.42%

LAB 73.99, -49.84, 4.55

 

CMYK 0 / 96 / 24 / 20

HEX #CB099B

RGB 203 9 155

HSL 314.85, 0.92%, 0.42%

LAB 45.99, 75.66, -26.57

 

CMYK 22 / 0 / 96 / 20

HEX #9FCD08

RGB 159 205 8

HSL 74.01, 0.92%, 0.42%

LAB 76.71, -37.27, 75.46

 

CMYK 96 / 22 / 0 / 20

HEX #089FCD

RGB 8 159 205

HSL 194.01, 0.92%, 0.42%

LAB 61.01, -18.03, -33.15

 

CMYK 0 / 96 / 24 / 20

HEX #CB099B

RGB 203 9 155

HSL 314.85, 0.92%, 0.42%

LAB 45.99, 75.66, -26.57

 

CMYK 0 / 55 / 96 / 20

HEX #CD5D08

RGB 205 93 8

HSL 25.89, 0.92%, 0.42%

LAB 52.76, 40.76, 60.13

 

CMYK 96 / 0 / 74 / 20

HEX #08CD36

RGB 8 205 54

HSL 134.01, 0.92%, 0.42%

LAB 72.22, -70.49, 59.55

 

CMYK 96 / 41 / 0 / 20

HEX #0878CD

RGB 8 120 205

HSL 205.89, 0.92%, 0.42%

LAB 49.37, 4.51, -51.52

 

CMYK 0 / 96 / 24 / 20

HEX #CB099B

RGB 203 9 155

HSL 314.85, 0.92%, 0.42%

LAB 45.99, 75.66, -26.57

 

CMYK 0 / 25 / 96 / 20

HEX #CD9908

RGB 205 153 8

HSL 44.16, 0.92%, 0.42%

LAB 66.35, 8.84, 69.39

 

CMYK 96 / 0 / 74 / 20

HEX #08CD36

RGB 8 205 54

HSL 134.01, 0.92%, 0.42%

LAB 72.22, -70.49, 59.55

 

CMYK 96 / 70 / 0 / 20

HEX #083DCD

RGB 8 61 205

HSL 223.86, 0.92%, 0.42%

LAB 33.56, 42.6, -77.23

 

Description

Color code: HEX #CB099B | qconv.com Color code: HEX #CB099B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 9 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 9 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 24 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 24% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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