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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB07D1 it is the complementary color #34F82E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB07D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB07D1 shade: #D007CC, #E119DF, #F22BF2, #FF3DFF and #FF4FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB07D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB07D1 shade: #CB07D1, #BA00BE, #A900AB, #980098 and #870085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB07D1 shade: #C906CF, #CF069F, #CF0669, #CF0632 and #CF0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB07D1 shade: #C906CF, #9306CF, #5D06CF, #2606CF and #0606CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB07D1 shade matches the following richer shades: #C906CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB07D1 shade: #C906CF, #B917BE, #A929AD, #983A9B and #884B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB07D1 shade: #5D06CF, #9306CF, #C906CF, #CF06A0 and #CF066B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB07D1 shade: #7C037F, #A205A7, #C906CF, #F008F7 and #F230F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB07D1 shade: #CB07D1, #CF2706 and #06CF78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB07D1 shade: #CB07D1, #CFC906 and #06CFC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB07D1 shade: #CB07D1, #CF2706, #0DCF06 and #06AECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB07D1 shade: #CB07D1, #CF6406, #0DCF06 and #0671CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 97 / 0 / 18

HEX #CB07D1

RGB 203 7 209

HSL 298.22, 0.94%, 0.42%

LAB 48.82, 83.06, -53.81

 

Complementary color

CMYK 79 / 0 / 81 / 3

HEX #34F82E

RGB 52 248 46

HSL 118.22, 0.94%, 0.58%

LAB 86.04, -79.81, 75.34

 

CMYK 0 / 97 / 2 / 18

HEX #D007CC

RGB 208 7 204

HSL 301.19, 0.93%, 0.42%

LAB 49.4, 83.14, -49.96

 

CMYK 0 / 89 / 1 / 12

HEX #E119DF

RGB 225 25 223

HSL 300.6, 0.8%, 0.49%

LAB 54.06, 86.9, -53.21

 

CMYK 0 / 82 / 0 / 5

HEX #F22BF2

RGB 242 43 242

HSL 300, 0.88%, 0.56%

LAB 58.99, 89.63, -55.87

 

CMYK 0 / 76 / 0 / 0

HEX #FF3DFF

RGB 255 61 255

HSL 300, 1%, 0.62%

LAB 63.19, 89.85, -56.26

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 3 / 97 / 0 / 18

HEX #CB07D1

RGB 203 7 209

HSL 298.22, 0.94%, 0.42%

LAB 48.82, 83.06, -53.81

 

CMYK 2 / 100 / 0 / 25

HEX #BA00BE

RGB 186 0 190

HSL 298.74, 1%, 0.37%

LAB 44.46, 78.11, -49.95

 

CMYK 1 / 100 / 0 / 33

HEX #A900AB

RGB 169 0 171

HSL 299.3, 1%, 0.34%

LAB 40.21, 72.5, -45.7

 

CMYK 0 / 100 / 0 / 40

HEX #980098

RGB 152 0 152

HSL 300, 1%, 0.3%

LAB 35.87, 66.78, -41.35

 

CMYK 0 / 100 / 1 / 47

HEX #870085

RGB 135 0 133

HSL 300.89, 1%, 0.26%

LAB 31.45, 60.94, -36.89

 

CMYK 3 / 97 / 0 / 19

HEX #C906CF

RGB 201 6 207

HSL 298.21, 0.94%, 0.42%

LAB 48.33, 82.52, -53.48

 

CMYK 0 / 97 / 23 / 19

HEX #CF069F

RGB 207 6 159

HSL 314.33, 0.94%, 0.42%

LAB 46.84, 77.17, -27.58

 

CMYK 0 / 97 / 49 / 19

HEX #CF0669

RGB 207 6 105

HSL 330.45, 0.94%, 0.42%

LAB 44.82, 71.89, 2.38

 

CMYK 0 / 97 / 76 / 19

HEX #CF0632

RGB 207 6 50

HSL 346.87, 0.94%, 0.42%

LAB 43.69, 68.83, 35.03

 

CMYK 0 / 97 / 97 / 19

HEX #CF0606

RGB 207 6 6

HSL 0, 0.94%, 0.42%

LAB 43.37, 67.95, 55.52

 

CMYK 3 / 97 / 0 / 19

HEX #C906CF

RGB 201 6 207

HSL 298.21, 0.94%, 0.42%

LAB 48.33, 82.52, -53.48

 

CMYK 29 / 97 / 0 / 19

HEX #9306CF

RGB 147 6 207

HSL 282.09, 0.94%, 0.42%

LAB 39.31, 74.8, -68.51

 

CMYK 55 / 97 / 0 / 19

HEX #5D06CF

RGB 93 6 207

HSL 265.97, 0.94%, 0.42%

LAB 31.72, 69.47, -81.27

 

CMYK 82 / 97 / 0 / 19

HEX #2606CF

RGB 38 6 207

HSL 249.55, 0.94%, 0.42%

LAB 26.87, 66.93, -89.48

 

CMYK 97 / 97 / 0 / 19

HEX #0606CF

RGB 6 6 207

HSL 240, 0.94%, 0.42%

LAB 25.78, 66.49, -91.32

 

CMYK 3 / 97 / 0 / 19

HEX #C906CF

RGB 201 6 207

HSL 298.21, 0.94%, 0.42%

LAB 48.33, 82.52, -53.48

 

CMYK 3 / 97 / 0 / 19

HEX #C906CF

RGB 201 6 207

HSL 298.21, 0.94%, 0.42%

LAB 48.33, 82.52, -53.48

 

CMYK 3 / 88 / 0 / 25

HEX #B917BE

RGB 185 23 190

HSL 298.2, 0.78%, 0.42%

LAB 45.14, 75.39, -48.86

 

CMYK 2 / 76 / 0 / 32

HEX #A929AD

RGB 169 41 173

HSL 298.18, 0.62%, 0.42%

LAB 42.82, 65.53, -42.71

 

CMYK 2 / 63 / 0 / 39

HEX #983A9B

RGB 152 58 155

HSL 298.14, 0.46%, 0.42%

LAB 41.32, 52.17, -34.5

 

CMYK 1 / 46 / 0 / 46

HEX #884B8A

RGB 136 75 138

HSL 298.1, 0.3%, 0.42%

LAB 41.38, 35.81, -24.31

 

CMYK 55 / 97 / 0 / 19

HEX #5D06CF

RGB 93 6 207

HSL 265.97, 0.94%, 0.42%

LAB 31.72, 69.47, -81.27

 

CMYK 29 / 97 / 0 / 19

HEX #9306CF

RGB 147 6 207

HSL 282.09, 0.94%, 0.42%

LAB 39.31, 74.8, -68.51

 

CMYK 3 / 97 / 0 / 19

HEX #C906CF

RGB 201 6 207

HSL 298.21, 0.94%, 0.42%

LAB 48.33, 82.52, -53.48

 

CMYK 0 / 97 / 23 / 19

HEX #CF06A0

RGB 207 6 160

HSL 314.03, 0.94%, 0.42%

LAB 46.89, 77.28, -28.1

 

CMYK 0 / 97 / 48 / 19

HEX #CF066B

RGB 207 6 107

HSL 329.85, 0.94%, 0.42%

LAB 44.88, 72.05, 1.22

 

CMYK 2 / 98 / 0 / 50

HEX #7C037F

RGB 124 3 127

HSL 298.55, 0.95%, 0.25%

LAB 29.11, 57.59, -36.98

 

CMYK 3 / 97 / 0 / 35

HEX #A205A7

RGB 162 5 167

HSL 298.15, 0.94%, 0.34%

LAB 38.86, 70.19, -45.53

 

CMYK 3 / 97 / 0 / 19

HEX #C906CF

RGB 201 6 207

HSL 298.21, 0.94%, 0.42%

LAB 48.33, 82.52, -53.48

 

CMYK 3 / 97 / 0 / 3

HEX #F008F7

RGB 240 8 247

HSL 298.24, 0.94%, 0.5%

LAB 57.48, 94.34, -61.09

 

CMYK 2 / 81 / 0 / 3

HEX #F230F8

RGB 242 48 248

HSL 298.2, 0.93%, 0.58%

LAB 59.68, 89.49, -58.11

 

CMYK 3 / 97 / 0 / 18

HEX #CB07D1

RGB 203 7 209

HSL 298.22, 0.94%, 0.42%

LAB 48.82, 83.06, -53.81

 

CMYK 0 / 81 / 97 / 19

HEX #CF2706

RGB 207 39 6

HSL 9.85, 0.94%, 0.42%

LAB 45.26, 62.54, 56.44

 

CMYK 97 / 0 / 42 / 19

HEX #06CF78

RGB 6 207 120

HSL 154.03, 0.94%, 0.42%

LAB 73.56, -62.38, 31.47

 

CMYK 3 / 97 / 0 / 18

HEX #CB07D1

RGB 203 7 209

HSL 298.22, 0.94%, 0.42%

LAB 48.82, 83.06, -53.81

 

CMYK 0 / 3 / 97 / 19

HEX #CFC906

RGB 207 201 6

HSL 58.21, 0.94%, 0.42%

LAB 79.07, -15.38, 78.98

 

CMYK 97 / 0 / 3 / 19

HEX #06CFC9

RGB 6 207 201

HSL 178.21, 0.94%, 0.42%

LAB 75.38, -42.69, -9.07

 

CMYK 3 / 97 / 0 / 18

HEX #CB07D1

RGB 203 7 209

HSL 298.22, 0.94%, 0.42%

LAB 48.82, 83.06, -53.81

 

CMYK 0 / 81 / 97 / 19

HEX #CF2706

RGB 207 39 6

HSL 9.85, 0.94%, 0.42%

LAB 45.26, 62.54, 56.44

 

CMYK 94 / 0 / 97 / 19

HEX #0DCF06

RGB 13 207 6

HSL 117.91, 0.94%, 0.42%

LAB 72.71, -73.01, 70.53

 

CMYK 97 / 16 / 0 / 19

HEX #06AECF

RGB 6 174 207

HSL 189.85, 0.94%, 0.42%

LAB 65.61, -25.21, -27.15

 

CMYK 3 / 97 / 0 / 18

HEX #CB07D1

RGB 203 7 209

HSL 298.22, 0.94%, 0.42%

LAB 48.82, 83.06, -53.81

 

CMYK 0 / 52 / 97 / 19

HEX #CF6406

RGB 207 100 6

HSL 28.06, 0.94%, 0.42%

LAB 54.44, 38.02, 61.75

 

CMYK 94 / 0 / 97 / 19

HEX #0DCF06

RGB 13 207 6

HSL 117.91, 0.94%, 0.42%

LAB 72.71, -73.01, 70.53

 

CMYK 97 / 45 / 0 / 19

HEX #0671CF

RGB 6 113 207

HSL 208.06, 0.94%, 0.42%

LAB 47.44, 9.62, -55.75

 

Description

Color code: HEX #CB07D1 | qconv.com Color code: HEX #CB07D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 7 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 7 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 97 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 97% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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