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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAE349 it is the complementary color #351CB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAE349. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAE349 shade: #CFE344, #E0F557, #F1FF6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAE349. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAE349 shade: #CAE349, #B9D136, #A8BF23, #97AD10 and #869B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAE349 shade: #C9E24A, #E2D24A, #E2A94A, #E2804A and #E2564A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAE349 shade: #C9E24A, #A0E24A, #77E24A, #4EE24A and #4AE26E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAE349 shade matches the following richer shades: #C9E24A and #D5F339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAE349 shade: #C9E24A, #BED15B, #B3C06B, #A7B07C and #9C9F8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAE349 shade: #E2A84A, #E2D04A, #CBE24A, #A3E24A and #7AE24A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAE349 shade: #A3BC1D, #BFDD26, #C9E24A, #D4E86D and #DEED91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAE349 shade: #CAE349, #4AE27F and #BC4AE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAE349 shade: #CAE349, #4ACBE2 and #E24ACB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAE349 shade: #CAE349, #4AE27F, #614AE2 and #E24AAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAE349 shade: #CAE349, #4AE2AD, #614AE2 and #E24A7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 68 / 11

HEX #CAE349

RGB 202 227 73

HSL 69.74, 0.73%, 0.59%

LAB 85.99, -28.01, 68.95

 

Complementary color

CMYK 71 / 85 / 0 / 29

HEX #351CB6

RGB 53 28 182

HSL 249.74, 0.73%, 0.41%

LAB 26.63, 54.82, -75.1

 

CMYK 9 / 0 / 70 / 11

HEX #CFE344

RGB 207 227 68

HSL 67.55, 0.74%, 0.58%

LAB 86.32, -26.28, 71.19

 

CMYK 9 / 0 / 64 / 4

HEX #E0F557

RGB 224 245 87

HSL 67.97, 0.89%, 0.65%

LAB 92.5, -26.92, 70.83

 

CMYK 5 / 0 / 58 / 0

HEX #F1FF6A

RGB 241 255 106

HSL 65.64, 1%, 0.71%

LAB 96.52, -23.7, 67.86

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 11 / 0 / 68 / 11

HEX #CAE349

RGB 202 227 73

HSL 69.74, 0.73%, 0.59%

LAB 85.99, -28.01, 68.95

 

CMYK 11 / 0 / 74 / 18

HEX #B9D136

RGB 185 209 54

HSL 69.29, 0.63%, 0.52%

LAB 79.72, -27.33, 69.03

 

CMYK 12 / 0 / 82 / 25

HEX #A8BF23

RGB 168 191 35

HSL 68.85, 0.69%, 0.44%

LAB 73.36, -26.49, 68.37

 

CMYK 13 / 0 / 91 / 32

HEX #97AD10

RGB 151 173 16

HSL 68.41, 0.83%, 0.37%

LAB 66.9, -25.44, 66.53

 

CMYK 14 / 0 / 100 / 39

HEX #869B00

RGB 134 155 0

HSL 68.13, 1%, 0.3%

LAB 60.35, -24.18, 63.17

 

CMYK 11 / 0 / 67 / 11

HEX #C9E24A

RGB 201 226 74

HSL 69.87, 0.72%, 0.59%

LAB 85.66, -27.88, 68.21

 

CMYK 0 / 7 / 67 / 11

HEX #E2D24A

RGB 226 210 74

HSL 53.68, 0.72%, 0.59%

LAB 83.31, -9.79, 66.45

 

CMYK 0 / 25 / 67 / 11

HEX #E2A94A

RGB 226 169 74

HSL 37.5, 0.72%, 0.59%

LAB 72.92, 11.53, 55.57

 

CMYK 0 / 43 / 67 / 11

HEX #E2804A

RGB 226 128 74

HSL 21.32, 0.72%, 0.59%

LAB 63.43, 33.33, 45.08

 

CMYK 0 / 62 / 67 / 11

HEX #E2564A

RGB 226 86 74

HSL 4.74, 0.72%, 0.59%

LAB 55.4, 53.77, 35.7

 

CMYK 11 / 0 / 67 / 11

HEX #C9E24A

RGB 201 226 74

HSL 69.87, 0.72%, 0.59%

LAB 85.66, -27.88, 68.21

 

CMYK 29 / 0 / 67 / 11

HEX #A0E24A

RGB 160 226 74

HSL 86.05, 0.72%, 0.59%

LAB 83.1, -43.55, 64.78

 

CMYK 47 / 0 / 67 / 11

HEX #77E24A

RGB 119 226 74

HSL 102.24, 0.72%, 0.59%

LAB 81.19, -57.01, 62.18

 

CMYK 65 / 0 / 67 / 11

HEX #4EE24A

RGB 78 226 74

HSL 118.42, 0.72%, 0.59%

LAB 79.9, -67.08, 60.42

 

CMYK 67 / 0 / 51 / 11

HEX #4AE26E

RGB 74 226 110

HSL 134.21, 0.72%, 0.59%

LAB 80.17, -63.67, 44.96

 

CMYK 11 / 0 / 67 / 11

HEX #C9E24A

RGB 201 226 74

HSL 69.87, 0.72%, 0.59%

LAB 85.66, -27.88, 68.21

 

CMYK 12 / 0 / 77 / 5

HEX #D5F339

RGB 213 243 57

HSL 69.68, 0.89%, 0.59%

LAB 91.03, -31.86, 79.31

 

CMYK 11 / 0 / 67 / 11

HEX #C9E24A

RGB 201 226 74

HSL 69.87, 0.72%, 0.59%

LAB 85.66, -27.88, 68.21

 

CMYK 9 / 0 / 56 / 18

HEX #BED15B

RGB 190 209 91

HSL 69.66, 0.56%, 0.59%

LAB 80.35, -22.95, 55.27

 

CMYK 7 / 0 / 44 / 25

HEX #B3C06B

RGB 179 192 107

HSL 69.18, 0.4%, 0.59%

LAB 75.04, -17.43, 41.18

 

CMYK 5 / 0 / 30 / 31

HEX #A7B07C

RGB 167 176 124

HSL 70.38, 0.25%, 0.59%

LAB 69.98, -11.88, 25.65

 

CMYK 2 / 0 / 11 / 38

HEX #9C9F8D

RGB 156 159 141

HSL 70, 0.09%, 0.59%

LAB 64.79, -4.38, 9.02

 

CMYK 0 / 26 / 67 / 11

HEX #E2A84A

RGB 226 168 74

HSL 37.11, 0.72%, 0.59%

LAB 72.67, 12.06, 55.31

 

CMYK 0 / 8 / 67 / 11

HEX #E2D04A

RGB 226 208 74

HSL 52.89, 0.72%, 0.59%

LAB 82.79, -8.78, 65.92

 

CMYK 10 / 0 / 67 / 11

HEX #CBE24A

RGB 203 226 74

HSL 69.08, 0.72%, 0.59%

LAB 85.8, -27.08, 68.4

 

CMYK 28 / 0 / 67 / 11

HEX #A3E24A

RGB 163 226 74

HSL 84.87, 0.72%, 0.59%

LAB 83.27, -42.46, 65

 

CMYK 46 / 0 / 67 / 11

HEX #7AE24A

RGB 122 226 74

HSL 101.05, 0.72%, 0.59%

LAB 81.31, -56.13, 62.34

 

CMYK 13 / 0 / 85 / 26

HEX #A3BC1D

RGB 163 188 29

HSL 69.43, 0.73%, 0.43%

LAB 72.12, -27.32, 68.63

 

CMYK 14 / 0 / 83 / 13

HEX #BFDD26

RGB 191 221 38

HSL 69.84, 0.73%, 0.51%

LAB 83.41, -31.15, 76.94

 

CMYK 11 / 0 / 67 / 11

HEX #C9E24A

RGB 201 226 74

HSL 69.87, 0.72%, 0.59%

LAB 85.66, -27.88, 68.21

 

CMYK 9 / 0 / 53 / 9

HEX #D4E86D

RGB 212 232 109

HSL 69.76, 0.73%, 0.67%

LAB 88.36, -23.86, 56.77

 

CMYK 6 / 0 / 39 / 7

HEX #DEED91

RGB 222 237 145

HSL 69.78, 0.72%, 0.75%

LAB 90.84, -18.85, 42.89

 

CMYK 11 / 0 / 68 / 11

HEX #CAE349

RGB 202 227 73

HSL 69.74, 0.73%, 0.59%

LAB 85.99, -28.01, 68.95

 

CMYK 67 / 0 / 44 / 11

HEX #4AE27F

RGB 74 226 127

HSL 140.92, 0.72%, 0.59%

LAB 80.39, -61.07, 36.97

 

CMYK 17 / 67 / 0 / 11

HEX #BC4AE2

RGB 188 74 226

HSL 285, 0.72%, 0.59%

LAB 53.04, 67.23, -56.87

 

CMYK 11 / 0 / 68 / 11

HEX #CAE349

RGB 202 227 73

HSL 69.74, 0.73%, 0.59%

LAB 85.99, -28.01, 68.95

 

CMYK 67 / 10 / 0 / 11

HEX #4ACBE2

RGB 74 203 226

HSL 189.08, 0.72%, 0.59%

LAB 75.86, -27.9, -21.74

 

CMYK 0 / 67 / 10 / 11

HEX #E24ACB

RGB 226 74 203

HSL 309.08, 0.72%, 0.59%

LAB 57.44, 71.96, -36.47

 

CMYK 11 / 0 / 68 / 11

HEX #CAE349

RGB 202 227 73

HSL 69.74, 0.73%, 0.59%

LAB 85.99, -28.01, 68.95

 

CMYK 67 / 0 / 44 / 11

HEX #4AE27F

RGB 74 226 127

HSL 140.92, 0.72%, 0.59%

LAB 80.39, -61.07, 36.97

 

CMYK 57 / 67 / 0 / 11

HEX #614AE2

RGB 97 74 226

HSL 249.08, 0.72%, 0.59%

LAB 42.66, 49.95, -74.18

 

CMYK 0 / 67 / 23 / 11

HEX #E24AAD

RGB 226 74 173

HSL 320.92, 0.72%, 0.59%

LAB 56.17, 67.8, -21.16

 

CMYK 11 / 0 / 68 / 11

HEX #CAE349

RGB 202 227 73

HSL 69.74, 0.73%, 0.59%

LAB 85.99, -28.01, 68.95

 

CMYK 67 / 0 / 23 / 11

HEX #4AE2AD

RGB 74 226 173

HSL 159.08, 0.72%, 0.59%

LAB 81.22, -52.12, 14.44

 

CMYK 57 / 67 / 0 / 11

HEX #614AE2

RGB 97 74 226

HSL 249.08, 0.72%, 0.59%

LAB 42.66, 49.95, -74.18

 

CMYK 0 / 67 / 44 / 11

HEX #E24A7F

RGB 226 74 127

HSL 339.08, 0.72%, 0.59%

LAB 54.66, 62.63, 3.66

 

Description

Color code: HEX #CAE349 | qconv.com Color code: HEX #CAE349 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 227 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 227 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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