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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CADF6B it is the complementary color #352094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CADF6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CADF6B shade: #CFDF66, #E0F179, #F1FF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CADF6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CADF6B shade: #CADF6B, #B9CD58, #A8BB45, #97A932 and #86971F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CADF6B shade: #CADE6C, #DED46C, #DEB56C, #DE976C and #DE786C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CADF6B shade: #CADE6C, #ABDE6C, #8CDE6C, #6DDE6C and #6CDE8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CADF6B shade matches the following richer shades: #CADE6C, #D3ED5E and #DCFB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CADF6B shade: #CADE6C, #C0D07B, #B7C189, #AEB397 and #A5A5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CADF6B shade: #DEB46C, #DED36C, #CBDE6C, #ADDE6C and #8EDE6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CADF6B shade: #AFCC2C, #BDD74A, #CADE6C, #D6E68E and #E2EDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CADF6B shade: #CADF6B, #6CDE96 and #C46CDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CADF6B shade: #CADF6B, #6CCBDE and #DE6CCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CADF6B shade: #CADF6B, #6CDE96, #7F6CDE and #DE6CB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CADF6B shade: #CADF6B, #6CDEB8, #7F6CDE and #DE6C92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 52 / 13

HEX #CADF6B

RGB 202 223 107

HSL 70.86, 0.64%, 0.65%

LAB 85.2, -23.62, 53.81

 

Complementary color

CMYK 64 / 78 / 0 / 42

HEX #352094

RGB 53 32 148

HSL 250.86, 0.64%, 0.35%

LAB 23.43, 42.86, -59.78

 

CMYK 7 / 0 / 54 / 13

HEX #CFDF66

RGB 207 223 102

HSL 67.93, 0.65%, 0.64%

LAB 85.5, -22.08, 56.54

 

CMYK 7 / 0 / 50 / 5

HEX #E0F179

RGB 224 241 121

HSL 68.5, 0.81%, 0.71%

LAB 91.75, -22.45, 55.49

 

CMYK 5 / 0 / 45 / 0

HEX #F1FF8C

RGB 241 255 140

HSL 67.3, 1%, 0.77%

LAB 96.87, -20.85, 53.12

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 9 / 0 / 52 / 13

HEX #CADF6B

RGB 202 223 107

HSL 70.86, 0.64%, 0.65%

LAB 85.2, -23.62, 53.81

 

CMYK 10 / 0 / 57 / 20

HEX #B9CD58

RGB 185 205 88

HSL 70.26, 0.54%, 0.57%

LAB 78.86, -23.25, 54.83

 

CMYK 10 / 0 / 63 / 27

HEX #A8BB45

RGB 168 187 69

HSL 69.66, 0.46%, 0.5%

LAB 72.43, -22.79, 55.68

 

CMYK 11 / 0 / 70 / 34

HEX #97A932

RGB 151 169 50

HSL 69.08, 0.54%, 0.43%

LAB 65.89, -22.18, 56.2

 

CMYK 11 / 0 / 79 / 41

HEX #86971F

RGB 134 151 31

HSL 68.5, 0.66%, 0.36%

LAB 59.25, -21.39, 56.03

 

CMYK 9 / 0 / 51 / 13

HEX #CADE6C

RGB 202 222 108

HSL 70.53, 0.63%, 0.65%

LAB 84.94, -23.05, 53.05

 

CMYK 0 / 5 / 51 / 13

HEX #DED46C

RGB 222 212 108

HSL 54.74, 0.63%, 0.65%

LAB 83.81, -10.11, 52.1

 

CMYK 0 / 18 / 51 / 13

HEX #DEB56C

RGB 222 181 108

HSL 38.42, 0.63%, 0.65%

LAB 75.86, 5.93, 42.51

 

CMYK 0 / 32 / 51 / 13

HEX #DE976C

RGB 222 151 108

HSL 22.63, 0.63%, 0.65%

LAB 68.57, 21.98, 33.36

 

CMYK 0 / 46 / 51 / 13

HEX #DE786C

RGB 222 120 108

HSL 6.32, 0.63%, 0.65%

LAB 61.69, 38.39, 24.39

 

CMYK 9 / 0 / 51 / 13

HEX #CADE6C

RGB 202 222 108

HSL 70.53, 0.63%, 0.65%

LAB 84.94, -23.05, 53.05

 

CMYK 23 / 0 / 51 / 13

HEX #ABDE6C

RGB 171 222 108

HSL 86.84, 0.63%, 0.65%

LAB 82.9, -34.83, 50.14

 

CMYK 37 / 0 / 51 / 13

HEX #8CDE6C

RGB 140 222 108

HSL 103.16, 0.63%, 0.65%

LAB 81.24, -45.55, 47.74

 

CMYK 51 / 0 / 51 / 13

HEX #6DDE6C

RGB 109 222 108

HSL 119.47, 0.63%, 0.65%

LAB 79.94, -54.7, 45.86

 

CMYK 51 / 0 / 38 / 13

HEX #6CDE8A

RGB 108 222 138

HSL 135.79, 0.63%, 0.65%

LAB 80.33, -50.48, 31.53

 

CMYK 9 / 0 / 51 / 13

HEX #CADE6C

RGB 202 222 108

HSL 70.53, 0.63%, 0.65%

LAB 84.94, -23.05, 53.05

 

CMYK 11 / 0 / 60 / 7

HEX #D3ED5E

RGB 211 237 94

HSL 70.91, 0.8%, 0.65%

LAB 89.5, -27.81, 64.55

 

CMYK 12 / 0 / 69 / 2

HEX #DCFB4F

RGB 220 251 79

HSL 70.81, 0.96%, 0.65%

LAB 93.79, -31.74, 75.01

 

CMYK 9 / 0 / 51 / 13

HEX #CADE6C

RGB 202 222 108

HSL 70.53, 0.63%, 0.65%

LAB 84.94, -23.05, 53.05

 

CMYK 8 / 0 / 41 / 18

HEX #C0D07B

RGB 192 208 123

HSL 71.29, 0.47%, 0.65%

LAB 80.6, -18.56, 40.34

 

CMYK 5 / 0 / 29 / 24

HEX #B7C189

RGB 183 193 137

HSL 70.71, 0.31%, 0.65%

LAB 76.08, -12.71, 27.11

 

CMYK 3 / 0 / 16 / 30

HEX #AEB397

RGB 174 179 151

HSL 70.71, 0.16%, 0.65%

LAB 71.87, -6.71, 13.72

 

CMYK 1 / 1 / 0 / 35

HEX #A5A5A6

RGB 165 165 166

HSL 240, 0.01%, 0.65%

LAB 67.77, 0.19, -0.52

 

CMYK 0 / 19 / 51 / 13

HEX #DEB46C

RGB 222 180 108

HSL 37.89, 0.63%, 0.65%

LAB 75.61, 6.46, 42.2

 

CMYK 0 / 5 / 51 / 13

HEX #DED36C

RGB 222 211 108

HSL 54.21, 0.63%, 0.65%

LAB 83.55, -9.61, 51.79

 

CMYK 9 / 0 / 51 / 13

HEX #CBDE6C

RGB 203 222 108

HSL 70, 0.63%, 0.65%

LAB 85.01, -22.66, 53.15

 

CMYK 22 / 0 / 51 / 13

HEX #ADDE6C

RGB 173 222 108

HSL 85.79, 0.63%, 0.65%

LAB 83.02, -34.09, 50.31

 

CMYK 36 / 0 / 51 / 13

HEX #8EDE6C

RGB 142 222 108

HSL 102.11, 0.63%, 0.65%

LAB 81.33, -44.9, 47.88

 

CMYK 14 / 0 / 78 / 20

HEX #AFCC2C

RGB 175 204 44

HSL 70.88, 0.65%, 0.49%

LAB 77.57, -29.47, 69.85

 

CMYK 12 / 0 / 66 / 16

HEX #BDD74A

RGB 189 215 74

HSL 71.06, 0.64%, 0.57%

LAB 81.79, -27.47, 63.97

 

CMYK 9 / 0 / 51 / 13

HEX #CADE6C

RGB 202 222 108

HSL 70.53, 0.63%, 0.65%

LAB 84.94, -23.05, 53.05

 

CMYK 7 / 0 / 38 / 10

HEX #D6E68E

RGB 214 230 142

HSL 70.91, 0.64%, 0.73%

LAB 88.37, -18.8, 41.09

 

CMYK 5 / 0 / 26 / 7

HEX #E2EDB0

RGB 226 237 176

HSL 70.82, 0.63%, 0.81%

LAB 91.63, -13.49, 28.41

 

CMYK 9 / 0 / 52 / 13

HEX #CADF6B

RGB 202 223 107

HSL 70.86, 0.64%, 0.65%

LAB 85.2, -23.62, 53.81

 

CMYK 51 / 0 / 32 / 13

HEX #6CDE96

RGB 108 222 150

HSL 142.11, 0.63%, 0.65%

LAB 80.53, -48.37, 25.64

 

CMYK 12 / 51 / 0 / 13

HEX #C46CDE

RGB 196 108 222

HSL 286.32, 0.63%, 0.65%

LAB 59.65, 52.68, -44.04

 

CMYK 9 / 0 / 52 / 13

HEX #CADF6B

RGB 202 223 107

HSL 70.86, 0.64%, 0.65%

LAB 85.2, -23.62, 53.81

 

CMYK 51 / 9 / 0 / 13

HEX #6CCBDE

RGB 108 203 222

HSL 190, 0.63%, 0.65%

LAB 76.78, -22.99, -18.09

 

CMYK 0 / 51 / 9 / 13

HEX #DE6CCB

RGB 222 108 203

HSL 310, 0.63%, 0.65%

LAB 62.14, 56.51, -29.21

 

CMYK 9 / 0 / 52 / 13

HEX #CADF6B

RGB 202 223 107

HSL 70.86, 0.64%, 0.65%

LAB 85.2, -23.62, 53.81

 

CMYK 51 / 0 / 32 / 13

HEX #6CDE96

RGB 108 222 150

HSL 142.11, 0.63%, 0.65%

LAB 80.53, -48.37, 25.64

 

CMYK 43 / 51 / 0 / 13

HEX #7F6CDE

RGB 127 108 222

HSL 250, 0.63%, 0.65%

LAB 52.41, 35.02, -55.99

 

CMYK 0 / 51 / 19 / 13

HEX #DE6CB4

RGB 222 108 180

HSL 322.11, 0.63%, 0.65%

LAB 61.26, 52.95, -17.48

 

CMYK 9 / 0 / 52 / 13

HEX #CADF6B

RGB 202 223 107

HSL 70.86, 0.64%, 0.65%

LAB 85.2, -23.62, 53.81

 

CMYK 51 / 0 / 17 / 13

HEX #6CDEB8

RGB 108 222 184

HSL 160, 0.63%, 0.65%

LAB 81.23, -41.44, 8.79

 

CMYK 43 / 51 / 0 / 13

HEX #7F6CDE

RGB 127 108 222

HSL 250, 0.63%, 0.65%

LAB 52.41, 35.02, -55.99

 

CMYK 0 / 51 / 34 / 13

HEX #DE6C92

RGB 222 108 146

HSL 340, 0.63%, 0.65%

LAB 60.19, 48.4, 0.47

 

Description

Color code: HEX #CADF6B | qconv.com Color code: HEX #CADF6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 223 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 223 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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