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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD37C it is the complementary color #352C83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD37C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD37C shade: #CFD377, #E0E58A, #F1F79D, #FFFFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD37C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD37C shade: #CAD37C, #B9C169, #A8AF56, #979D43 and #868B30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD37C shade: #CAD37C, #D3C57C, #D3AD7C, #D3967C and #D37F7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD37C shade: #CAD37C, #B3D37C, #9BD37C, #84D37C and #7CD38C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD37C shade matches the following richer shades: #CAD37C, #D5E16E, #E0EF60 and #ECFD52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD37C shade: #CAD37C, #BFC58A, #B4B799, #A9A9A7 and #9E9BB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD37C shade: #D3AE7C, #D3C57C, #CAD37C, #B3D37C and #9CD37C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD37C shade: #B1BE3F, #BEC95E, #CAD37C, #D7DD9B and #E3E8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD37C shade: #CAD37C, #7CD396 and #B97CD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD37C shade: #CAD37C, #7CCAD3 and #D37CCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD37C shade: #CAD37C, #7CD396, #857CD3 and #D37CB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD37C shade: #CAD37C, #7CD3B0, #857CD3 and #D37C9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

Complementary color

CMYK 60 / 66 / 0 / 49

HEX #352C83

RGB 53 44 131

HSL 246.21, 0.5%, 0.34%

LAB 24.31, 30.35, -47.75

 

CMYK 2 / 0 / 44 / 17

HEX #CFD377

RGB 207 211 119

HSL 62.61, 0.51%, 0.65%

LAB 82.48, -14.61, 44.92

 

CMYK 2 / 0 / 40 / 10

HEX #E0E58A

RGB 224 229 138

HSL 63.3, 0.64%, 0.72%

LAB 88.79, -14.93, 43.75

 

CMYK 2 / 0 / 36 / 3

HEX #F1F79D

RGB 241 247 157

HSL 64, 0.85%, 0.79%

LAB 95.02, -15.21, 42.62

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 4 / 0 / 46 / 24

HEX #B9C169

RGB 185 193 105

HSL 65.45, 0.42%, 0.58%

LAB 75.75, -15.75, 43.14

 

CMYK 4 / 0 / 51 / 31

HEX #A8AF56

RGB 168 175 86

HSL 64.72, 0.36%, 0.51%

LAB 69.22, -15.36, 44.31

 

CMYK 4 / 0 / 57 / 38

HEX #979D43

RGB 151 157 67

HSL 64, 0.4%, 0.44%

LAB 62.59, -14.88, 45.41

 

CMYK 4 / 0 / 65 / 45

HEX #868B30

RGB 134 139 48

HSL 63.3, 0.49%, 0.37%

LAB 55.83, -14.24, 46.3

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 0 / 7 / 41 / 17

HEX #D3C57C

RGB 211 197 124

HSL 50.34, 0.5%, 0.66%

LAB 79.18, -5.36, 38.34

 

CMYK 0 / 18 / 41 / 17

HEX #D3AD7C

RGB 211 173 124

HSL 33.79, 0.5%, 0.66%

LAB 73.02, 7.28, 30.37

 

CMYK 0 / 29 / 41 / 17

HEX #D3967C

RGB 211 150 124

HSL 17.93, 0.5%, 0.66%

LAB 67.36, 19.71, 22.83

 

CMYK 0 / 40 / 41 / 17

HEX #D37F7C

RGB 211 127 124

HSL 2.07, 0.5%, 0.66%

LAB 62.07, 32.13, 15.59

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 15 / 0 / 41 / 17

HEX #B3D37C

RGB 179 211 124

HSL 82.07, 0.5%, 0.66%

LAB 80.53, -24.88, 39.56

 

CMYK 27 / 0 / 41 / 17

HEX #9BD37C

RGB 155 211 124

HSL 98.62, 0.5%, 0.66%

LAB 79.05, -33.6, 37.37

 

CMYK 37 / 0 / 41 / 17

HEX #84D37C

RGB 132 211 124

HSL 114.48, 0.5%, 0.66%

LAB 77.85, -41.25, 35.58

 

CMYK 41 / 0 / 34 / 17

HEX #7CD38C

RGB 124 211 140

HSL 131.03, 0.5%, 0.66%

LAB 77.74, -41.14, 27.16

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 5 / 0 / 51 / 12

HEX #D5E16E

RGB 213 225 110

HSL 66.26, 0.66%, 0.66%

LAB 86.56, -20, 54.24

 

CMYK 6 / 0 / 60 / 6

HEX #E0EF60

RGB 224 239 96

HSL 66.29, 0.82%, 0.66%

LAB 90.97, -23.49, 65.59

 

CMYK 7 / 0 / 68 / 1

HEX #ECFD52

RGB 236 253 82

HSL 65.96, 0.98%, 0.66%

LAB 95.45, -26.21, 75.97

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 3 / 0 / 30 / 23

HEX #BFC58A

RGB 191 197 138

HSL 66.1, 0.34%, 0.66%

LAB 77.78, -11.56, 28.97

 

CMYK 2 / 0 / 16 / 28

HEX #B4B799

RGB 180 183 153

HSL 66, 0.17%, 0.66%

LAB 73.46, -6.27, 14.93

 

CMYK 0 / 0 / 1 / 34

HEX #A9A9A7

RGB 169 169 167

HSL 60, 0.01%, 0.66%

LAB 69.18, -0.37, 1.02

 

CMYK 13 / 14 / 0 / 29

HEX #9E9BB5

RGB 158 155 181

HSL 246.92, 0.15%, 0.66%

LAB 65, 6.36, -13.07

 

CMYK 0 / 18 / 41 / 17

HEX #D3AE7C

RGB 211 174 124

HSL 34.48, 0.5%, 0.66%

LAB 73.27, 6.75, 30.7

 

CMYK 0 / 7 / 41 / 17

HEX #D3C57C

RGB 211 197 124

HSL 50.34, 0.5%, 0.66%

LAB 79.18, -5.36, 38.34

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 15 / 0 / 41 / 17

HEX #B3D37C

RGB 179 211 124

HSL 82.07, 0.5%, 0.66%

LAB 80.53, -24.88, 39.56

 

CMYK 26 / 0 / 41 / 17

HEX #9CD37C

RGB 156 211 124

HSL 97.93, 0.5%, 0.66%

LAB 79.11, -33.25, 37.46

 

CMYK 7 / 0 / 67 / 25

HEX #B1BE3F

RGB 177 190 63

HSL 66.14, 0.5%, 0.5%

LAB 73.89, -20.93, 59.87

 

CMYK 5 / 0 / 53 / 21

HEX #BEC95E

RGB 190 201 94

HSL 66.17, 0.5%, 0.58%

LAB 78.19, -18.77, 51.43

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 3 / 0 / 30 / 13

HEX #D7DD9B

RGB 215 221 155

HSL 65.45, 0.49%, 0.74%

LAB 86.27, -12.38, 31.8

 

CMYK 2 / 0 / 20 / 9

HEX #E3E8BA

RGB 227 232 186

HSL 66.52, 0.5%, 0.82%

LAB 90.59, -9.21, 21.87

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 41 / 0 / 29 / 17

HEX #7CD396

RGB 124 211 150

HSL 137.93, 0.5%, 0.66%

LAB 77.92, -39.38, 22.19

 

CMYK 12 / 41 / 0 / 17

HEX #B97CD3

RGB 185 124 211

HSL 282.07, 0.5%, 0.66%

LAB 61.16, 38.87, -35.58

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 41 / 4 / 0 / 17

HEX #7CCAD3

RGB 124 202 211

HSL 186.21, 0.5%, 0.66%

LAB 76.82, -21.7, -12.04

 

CMYK 0 / 41 / 4 / 17

HEX #D37CCA

RGB 211 124 202

HSL 306.21, 0.5%, 0.66%

LAB 63.78, 45.06, -26.24

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 41 / 0 / 29 / 17

HEX #7CD396

RGB 124 211 150

HSL 137.93, 0.5%, 0.66%

LAB 77.92, -39.38, 22.19

 

CMYK 37 / 41 / 0 / 17

HEX #857CD3

RGB 133 124 211

HSL 246.21, 0.5%, 0.66%

LAB 56.19, 24.03, -43.73

 

CMYK 0 / 41 / 12 / 17

HEX #D37CB9

RGB 211 124 185

HSL 317.93, 0.5%, 0.66%

LAB 63.15, 42.16, -17.6

 

CMYK 4 / 0 / 41 / 17

HEX #CAD37C

RGB 202 211 124

HSL 66.21, 0.5%, 0.66%

LAB 82.16, -16.05, 41.97

 

CMYK 41 / 0 / 17 / 17

HEX #7CD3B0

RGB 124 211 176

HSL 155.86, 0.5%, 0.66%

LAB 78.47, -34.24, 9.17

 

CMYK 37 / 41 / 0 / 17

HEX #857CD3

RGB 133 124 211

HSL 246.21, 0.5%, 0.66%

LAB 56.19, 24.03, -43.73

 

CMYK 0 / 41 / 25 / 17

HEX #D37C9F

RGB 211 124 159

HSL 335.86, 0.5%, 0.66%

LAB 62.31, 38.17, -4.06

 

Description

Color code: HEX #CAD37C | qconv.com Color code: HEX #CAD37C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 211 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 211 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 41 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 41% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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