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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAD575 it is the complementary color #352A8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAD575. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAD575 shade: #CFD570, #E0E783, #F1F996, #FFFFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAD575. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAD575 shade: #CAD575, #B9C362, #A8B14F, #979F3C and #868D29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAD575 shade: #CAD576, #D5C676, #D5AC76, #D59376 and #D57976

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAD575 shade: #CAD576, #B0D576, #97D576, #7DD576 and #76D588

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAD575 shade matches the following richer shades: #CAD576, #D5E368 and #E0F159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAD575 shade: #CAD576, #BFC684, #B3B893, #A8A9A1 and #9D9BB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAD575 shade: #D5AC76, #D5C576, #CBD576, #B2D576 and #99D576

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAD575 shade: #AFBE3A, #BECB56, #CAD576, #D6DE96 and #E2E8B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAD575 shade: #CAD575, #76D592 and #B876D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAD575 shade: #CAD575, #76CBD5 and #D576CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAD575 shade: #CAD575, #76D592, #7F76D5 and #D576B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAD575 shade: #CAD575, #76D5AF, #7F76D5 and #D5769C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 45 / 16

HEX #CAD575

RGB 202 213 117

HSL 66.88, 0.53%, 0.65%

LAB 82.61, -17.78, 45.97

 

Complementary color

CMYK 62 / 70 / 0 / 46

HEX #352A8A

RGB 53 42 138

HSL 246.88, 0.53%, 0.35%

LAB 24.47, 33.96, -51.87

 

CMYK 3 / 0 / 47 / 16

HEX #CFD570

RGB 207 213 112

HSL 63.56, 0.55%, 0.64%

LAB 82.93, -16.29, 48.86

 

CMYK 3 / 0 / 43 / 9

HEX #E0E783

RGB 224 231 131

HSL 64.2, 0.68%, 0.71%

LAB 89.22, -16.65, 47.71

 

CMYK 3 / 0 / 40 / 2

HEX #F1F996

RGB 241 249 150

HSL 64.85, 0.89%, 0.78%

LAB 95.44, -16.94, 46.57

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 5 / 0 / 45 / 16

HEX #CAD575

RGB 202 213 117

HSL 66.88, 0.53%, 0.65%

LAB 82.61, -17.78, 45.97

 

CMYK 5 / 0 / 50 / 24

HEX #B9C362

RGB 185 195 98

HSL 66.19, 0.45%, 0.57%

LAB 76.21, -17.44, 47.12

 

CMYK 5 / 0 / 55 / 31

HEX #A8B14F

RGB 168 177 79

HSL 65.51, 0.39%, 0.5%

LAB 69.71, -17.01, 48.22

 

CMYK 5 / 0 / 62 / 38

HEX #979F3C

RGB 151 159 60

HSL 64.85, 0.45%, 0.43%

LAB 63.1, -16.45, 49.17

 

CMYK 5 / 0 / 71 / 45

HEX #868D29

RGB 134 141 41

HSL 64.2, 0.55%, 0.36%

LAB 56.37, -15.74, 49.76

 

CMYK 5 / 0 / 45 / 16

HEX #CAD576

RGB 202 213 118

HSL 66.95, 0.53%, 0.65%

LAB 82.62, -17.68, 45.5

 

CMYK 0 / 7 / 45 / 16

HEX #D5C676

RGB 213 198 118

HSL 50.53, 0.53%, 0.65%

LAB 79.52, -5.69, 41.85

 

CMYK 0 / 19 / 45 / 16

HEX #D5AC76

RGB 213 172 118

HSL 34.11, 0.53%, 0.65%

LAB 72.87, 7.99, 33.38

 

CMYK 0 / 31 / 45 / 16

HEX #D59376

RGB 213 147 118

HSL 18.32, 0.53%, 0.65%

LAB 66.76, 21.49, 25.37

 

CMYK 0 / 43 / 45 / 16

HEX #D57976

RGB 213 121 118

HSL 1.89, 0.53%, 0.65%

LAB 60.9, 35.43, 17.42

 

CMYK 5 / 0 / 45 / 16

HEX #CAD576

RGB 202 213 118

HSL 66.95, 0.53%, 0.65%

LAB 82.62, -17.68, 45.5

 

CMYK 17 / 0 / 45 / 16

HEX #B0D576

RGB 176 213 118

HSL 83.37, 0.53%, 0.65%

LAB 80.81, -27.67, 42.85

 

CMYK 29 / 0 / 45 / 16

HEX #97D576

RGB 151 213 118

HSL 99.16, 0.53%, 0.65%

LAB 79.31, -36.69, 40.66

 

CMYK 41 / 0 / 45 / 16

HEX #7DD576

RGB 125 213 118

HSL 115.58, 0.53%, 0.65%

LAB 78.03, -45.13, 38.76

 

CMYK 45 / 0 / 36 / 16

HEX #76D588

RGB 118 213 136

HSL 131.37, 0.53%, 0.65%

LAB 78, -44.4, 29.54

 

CMYK 5 / 0 / 45 / 16

HEX #CAD576

RGB 202 213 118

HSL 66.95, 0.53%, 0.65%

LAB 82.62, -17.68, 45.5

 

CMYK 6 / 0 / 54 / 11

HEX #D5E368

RGB 213 227 104

HSL 66.83, 0.69%, 0.65%

LAB 87.04, -21.48, 57.52

 

CMYK 7 / 0 / 63 / 5

HEX #E0F159

RGB 224 241 89

HSL 66.71, 0.84%, 0.65%

LAB 91.45, -24.91, 68.94

 

CMYK 5 / 0 / 45 / 16

HEX #CAD576

RGB 202 213 118

HSL 66.95, 0.53%, 0.65%

LAB 82.62, -17.68, 45.5

 

CMYK 4 / 0 / 33 / 22

HEX #BFC684

RGB 191 198 132

HSL 66.36, 0.37%, 0.65%

LAB 77.95, -12.84, 32.33

 

CMYK 3 / 0 / 20 / 28

HEX #B3B893

RGB 179 184 147

HSL 68.11, 0.21%, 0.65%

LAB 73.53, -8.11, 18.25

 

CMYK 1 / 0 / 5 / 34

HEX #A8A9A1

RGB 168 169 161

HSL 67.5, 0.04%, 0.65%

LAB 68.95, -1.84, 3.99

 

CMYK 11 / 12 / 0 / 31

HEX #9D9BB0

RGB 157 155 176

HSL 245.71, 0.12%, 0.65%

LAB 64.76, 4.95, -10.64

 

CMYK 0 / 19 / 45 / 16

HEX #D5AC76

RGB 213 172 118

HSL 34.11, 0.53%, 0.65%

LAB 72.87, 7.99, 33.38

 

CMYK 0 / 8 / 45 / 16

HEX #D5C576

RGB 213 197 118

HSL 49.89, 0.53%, 0.65%

LAB 79.26, -5.18, 41.52

 

CMYK 5 / 0 / 45 / 16

HEX #CBD576

RGB 203 213 118

HSL 66.32, 0.53%, 0.65%

LAB 82.7, -17.28, 45.61

 

CMYK 16 / 0 / 45 / 16

HEX #B2D576

RGB 178 213 118

HSL 82.11, 0.53%, 0.65%

LAB 80.94, -26.92, 43.04

 

CMYK 28 / 0 / 45 / 16

HEX #99D576

RGB 153 213 118

HSL 97.89, 0.53%, 0.65%

LAB 79.42, -35.99, 40.82

 

CMYK 8 / 0 / 69 / 25

HEX #AFBE3A

RGB 175 190 58

HSL 66.82, 0.53%, 0.49%

LAB 73.71, -22.05, 61.55

 

CMYK 6 / 0 / 58 / 20

HEX #BECB56

RGB 190 203 86

HSL 66.67, 0.53%, 0.57%

LAB 78.65, -20.41, 55.59

 

CMYK 5 / 0 / 45 / 16

HEX #CAD576

RGB 202 213 118

HSL 66.95, 0.53%, 0.65%

LAB 82.62, -17.68, 45.5

 

CMYK 4 / 0 / 32 / 13

HEX #D6DE96

RGB 214 222 150

HSL 66.67, 0.52%, 0.73%

LAB 86.38, -13.89, 34.48

 

CMYK 3 / 0 / 22 / 9

HEX #E2E8B5

RGB 226 232 181

HSL 67.06, 0.53%, 0.81%

LAB 90.42, -10.3, 24.2

 

CMYK 5 / 0 / 45 / 16

HEX #CAD575

RGB 202 213 117

HSL 66.88, 0.53%, 0.65%

LAB 82.61, -17.78, 45.97

 

CMYK 45 / 0 / 31 / 16

HEX #76D592

RGB 118 213 146

HSL 137.68, 0.53%, 0.65%

LAB 78.18, -42.66, 24.59

 

CMYK 14 / 45 / 0 / 16

HEX #B876D5

RGB 184 118 213

HSL 281.68, 0.53%, 0.65%

LAB 59.84, 42.25, -38.78

 

CMYK 5 / 0 / 45 / 16

HEX #CAD575

RGB 202 213 117

HSL 66.88, 0.53%, 0.65%

LAB 82.61, -17.78, 45.97

 

CMYK 45 / 5 / 0 / 16

HEX #76CBD5

RGB 118 203 213

HSL 186.32, 0.53%, 0.65%

LAB 76.9, -23.14, -13.02

 

CMYK 0 / 45 / 5 / 16

HEX #D576CB

RGB 213 118 203

HSL 306.32, 0.53%, 0.65%

LAB 62.86, 48.93, -28.2

 

CMYK 5 / 0 / 45 / 16

HEX #CAD575

RGB 202 213 117

HSL 66.88, 0.53%, 0.65%

LAB 82.61, -17.78, 45.97

 

CMYK 45 / 0 / 31 / 16

HEX #76D592

RGB 118 213 146

HSL 137.68, 0.53%, 0.65%

LAB 78.18, -42.66, 24.59

 

CMYK 40 / 45 / 0 / 16

HEX #7F76D5

RGB 127 118 213

HSL 245.68, 0.53%, 0.65%

LAB 54.32, 26.58, -47.87

 

CMYK 0 / 45 / 14 / 16

HEX #D576B8

RGB 213 118 184

HSL 318.32, 0.53%, 0.65%

LAB 62.14, 45.76, -18.55

 

CMYK 5 / 0 / 45 / 16

HEX #CAD575

RGB 202 213 117

HSL 66.88, 0.53%, 0.65%

LAB 82.61, -17.78, 45.97

 

CMYK 45 / 0 / 18 / 16

HEX #76D5AF

RGB 118 213 175

HSL 156, 0.53%, 0.65%

LAB 78.77, -36.95, 10.11

 

CMYK 40 / 45 / 0 / 16

HEX #7F76D5

RGB 127 118 213

HSL 245.68, 0.53%, 0.65%

LAB 54.32, 26.58, -47.87

 

CMYK 0 / 45 / 27 / 16

HEX #D5769C

RGB 213 118 156

HSL 336, 0.53%, 0.65%

LAB 61.22, 41.58, -3.92

 

Description

Color code: HEX #CAD575 | qconv.com Color code: HEX #CAD575 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 213 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 213 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 45 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 45% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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