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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9F81 it is the complementary color #35607E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9F81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9F81 shade: #CF9F7C, #E0B18F, #F1C3A2, #FFD5B5 and #FFE7C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9F81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9F81 shade: #CA9F81, #B98D6E, #A87B5B, #976948 and #865735

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9F81 shade: #CA9F81, #CA8B81 and #CA8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9F81 shade: #CA9F81, #CAB281, #CAC681, #BACA81 and #A6CA81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9F81 shade matches the following richer shades: #CA9F81, #D89C72, #E79A64 and #F59755

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9F81 shade: #CA9F81, #BBA18F, #ADA49E, #9FA6AC and #90A9BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9F81 shade: #CA818A, #CA8A81, #CA9E81, #CAB181 and #CAC581

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9F81 shade: #AF7349, #BE8964, #CA9F81, #D6B59E and #E2CBBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9F81 shade: #CA9F81, #9ECA81 and #8181CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9F81 shade: #CA9F81, #81CA9E and #9E81CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9F81 shade: #CA9F81, #9ECA81, #81ADCA and #AD81CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9F81 shade: #CA9F81, #88CA81, #81ADCA and #C381CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

Complementary color

CMYK 58 / 24 / 0 / 51

HEX #35607E

RGB 53 96 126

HSL 204.66, 0.41%, 0.35%

LAB 38.95, -5.48, -21.35

 

CMYK 0 / 23 / 40 / 19

HEX #CF9F7C

RGB 207 159 124

HSL 25.3, 0.46%, 0.65%

LAB 69.12, 13.22, 25.13

 

CMYK 0 / 21 / 36 / 12

HEX #E0B18F

RGB 224 177 143

HSL 25.19, 0.57%, 0.72%

LAB 75.62, 12.49, 23.92

 

CMYK 0 / 19 / 33 / 5

HEX #F1C3A2

RGB 241 195 162

HSL 25.06, 0.74%, 0.79%

LAB 82.02, 11.85, 22.79

 

CMYK 0 / 16 / 29 / 0

HEX #FFD5B5

RGB 255 213 181

HSL 25.95, 1%, 0.85%

LAB 88.06, 10.15, 21.31

 

CMYK 0 / 9 / 22 / 0

HEX #FFE7C8

RGB 255 231 200

HSL 33.82, 1%, 0.89%

LAB 92.83, 3.46, 18.08

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 0 / 24 / 41 / 27

HEX #B98D6E

RGB 185 141 110

HSL 24.8, 0.35%, 0.58%

LAB 62.07, 12.56, 22.98

 

CMYK 0 / 27 / 46 / 34

HEX #A87B5B

RGB 168 123 91

HSL 24.94, 0.31%, 0.51%

LAB 55.32, 13.43, 24.34

 

CMYK 0 / 30 / 52 / 41

HEX #976948

RGB 151 105 72

HSL 25.06, 0.35%, 0.44%

LAB 48.45, 14.47, 25.84

 

CMYK 0 / 35 / 60 / 47

HEX #865735

RGB 134 87 53

HSL 25.19, 0.43%, 0.37%

LAB 41.44, 15.73, 27.51

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 0 / 31 / 36 / 21

HEX #CA8B81

RGB 202 139 129

HSL 8.22, 0.41%, 0.65%

LAB 63.84, 22.75, 15.05

 

CMYK 0 / 36 / 36 / 21

HEX #CA8181

RGB 202 129 129

HSL 0, 0.41%, 0.65%

LAB 61.52, 28.2, 11.8

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 0 / 12 / 36 / 21

HEX #CAB281

RGB 202 178 129

HSL 40.27, 0.41%, 0.65%

LAB 73.53, 1.57, 28.24

 

CMYK 0 / 2 / 36 / 21

HEX #CAC681

RGB 202 198 129

HSL 56.71, 0.41%, 0.65%

LAB 78.77, -8.9, 35.11

 

CMYK 8 / 0 / 36 / 21

HEX #BACA81

RGB 186 202 129

HSL 73.15, 0.41%, 0.65%

LAB 78.62, -17.17, 34.67

 

CMYK 18 / 0 / 36 / 21

HEX #A6CA81

RGB 166 202 129

HSL 89.59, 0.41%, 0.65%

LAB 77.24, -24.7, 32.61

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 0 / 28 / 47 / 15

HEX #D89C72

RGB 216 156 114

HSL 24.71, 0.57%, 0.65%

LAB 69.18, 17.42, 30.79

 

CMYK 0 / 33 / 57 / 9

HEX #E79A64

RGB 231 154 100

HSL 24.73, 0.73%, 0.65%

LAB 70.19, 23.35, 39.85

 

CMYK 0 / 38 / 65 / 4

HEX #F59755

RGB 245 151 85

HSL 24.75, 0.89%, 0.65%

LAB 71.01, 29.56, 48.87

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 0 / 14 / 24 / 27

HEX #BBA18F

RGB 187 161 143

HSL 24.55, 0.24%, 0.65%

LAB 68.05, 6.7, 12.89

 

CMYK 0 / 5 / 9 / 32

HEX #ADA49E

RGB 173 164 158

HSL 24, 0.08%, 0.65%

LAB 67.95, 2.18, 4.26

 

CMYK 8 / 3 / 0 / 33

HEX #9FA6AC

RGB 159 166 172

HSL 207.69, 0.07%, 0.65%

LAB 67.74, -1.28, -3.96

 

CMYK 23 / 9 / 0 / 27

HEX #90A9BA

RGB 144 169 186

HSL 204.29, 0.23%, 0.65%

LAB 67.91, -4.83, -11.6

 

CMYK 0 / 36 / 32 / 21

HEX #CA818A

RGB 202 129 138

HSL 352.6, 0.41%, 0.65%

LAB 61.73, 29.35, 6.97

 

CMYK 0 / 32 / 36 / 21

HEX #CA8A81

RGB 202 138 129

HSL 7.4, 0.41%, 0.65%

LAB 63.61, 23.29, 14.72

 

CMYK 0 / 22 / 36 / 21

HEX #CA9E81

RGB 202 158 129

HSL 23.84, 0.41%, 0.65%

LAB 68.46, 12.35, 21.41

 

CMYK 0 / 12 / 36 / 21

HEX #CAB181

RGB 202 177 129

HSL 39.45, 0.41%, 0.65%

LAB 73.28, 2.1, 27.89

 

CMYK 0 / 2 / 36 / 21

HEX #CAC581

RGB 202 197 129

HSL 55.89, 0.41%, 0.65%

LAB 78.5, -8.39, 34.76

 

CMYK 0 / 34 / 58 / 31

HEX #AF7349

RGB 175 115 73

HSL 24.71, 0.41%, 0.49%

LAB 53.87, 19.23, 32.7

 

CMYK 0 / 28 / 47 / 25

HEX #BE8964

RGB 190 137 100

HSL 24.67, 0.41%, 0.57%

LAB 61.45, 15.75, 27.79

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 0 / 15 / 26 / 16

HEX #D6B59E

RGB 214 181 158

HSL 24.64, 0.41%, 0.73%

LAB 75.95, 8.42, 16.14

 

CMYK 0 / 10 / 17 / 11

HEX #E2CBBB

RGB 226 203 187

HSL 24.62, 0.4%, 0.81%

LAB 83.16, 5.48, 10.9

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 22 / 0 / 36 / 21

HEX #9ECA81

RGB 158 202 129

HSL 96.16, 0.41%, 0.65%

LAB 76.74, -27.6, 31.86

 

CMYK 36 / 36 / 0 / 21

HEX #8181CA

RGB 129 129 202

HSL 240, 0.41%, 0.65%

LAB 56.72, 17.53, -37.85

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 36 / 0 / 22 / 21

HEX #81CA9E

RGB 129 202 158

HSL 143.84, 0.41%, 0.65%

LAB 75.69, -32.28, 14.88

 

CMYK 22 / 36 / 0 / 21

HEX #9E81CA

RGB 158 129 202

HSL 263.84, 0.41%, 0.65%

LAB 59.19, 25.94, -33.8

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 22 / 0 / 36 / 21

HEX #9ECA81

RGB 158 202 129

HSL 96.16, 0.41%, 0.65%

LAB 76.74, -27.6, 31.86

 

CMYK 36 / 14 / 0 / 21

HEX #81ADCA

RGB 129 173 202

HSL 203.84, 0.41%, 0.65%

LAB 68.62, -7.53, -19.47

 

CMYK 14 / 36 / 0 / 21

HEX #AD81CA

RGB 173 129 202

HSL 276.16, 0.41%, 0.65%

LAB 60.65, 30.53, -31.42

 

CMYK 0 / 21 / 36 / 21

HEX #CA9F81

RGB 202 159 129

HSL 24.66, 0.41%, 0.65%

LAB 68.71, 11.81, 21.75

 

CMYK 33 / 0 / 36 / 21

HEX #88CA81

RGB 136 202 129

HSL 114.25, 0.41%, 0.65%

LAB 75.49, -35.16, 29.98

 

CMYK 36 / 14 / 0 / 21

HEX #81ADCA

RGB 129 173 202

HSL 203.84, 0.41%, 0.65%

LAB 68.62, -7.53, -19.47

 

CMYK 3 / 36 / 0 / 21

HEX #C381CA

RGB 195 129 202

HSL 294.25, 0.41%, 0.65%

LAB 62.98, 37.4, -27.62

 

Description

Color code: HEX #CA9F81 | qconv.com Color code: HEX #CA9F81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 159 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 159 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 36 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 36% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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