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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA909B it is the complementary color #356F64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA909B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA909B shade: #CF9096, #E0A2A9, #F1B4BC, #FFC6CF and #FFD8E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA909B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA909B shade: #CA909B, #B97E88, #A86C75, #975A62 and #86484F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA909B shade: #C9909B and #C99090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA909B shade: #C9909B, #C990AB, #C990BA, #C990C9 and #BA90C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA909B shade matches the following richer shades: #C9909B, #D78393, #E4768B, #F16983 and #FE5C7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA909B shade: #C9909B, #BC9EA3, #AFABAC, #A2B8B4 and #95C5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA909B shade: #C990BA, #C990AB, #C9909C, #C99490 and #C9A390

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA909B shade: #AF5969, #BC7482, #C9909B, #D7ACB4 and #E4C8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA909B shade: #CA909B, #C9C990 and #90B3C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA909B shade: #CA909B, #9CC990 and #909CC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA909B shade: #CA909B, #C9C990, #90C9BE and #9090C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA909B shade: #CA909B, #B8C990, #90C9BE and #A190C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 23 / 21

HEX #CA909B

RGB 202 144 155

HSL 348.62, 0.35%, 0.68%

LAB 65.65, 23.54, 2.96

 

Complementary color

CMYK 52 / 0 / 10 / 56

HEX #356F64

RGB 53 111 100

HSL 168.62, 0.35%, 0.32%

LAB 42.83, -21.93, 0.31

 

CMYK 0 / 30 / 28 / 19

HEX #CF9096

RGB 207 144 150

HSL 354.29, 0.4%, 0.69%

LAB 66.07, 24.69, 6.46

 

CMYK 0 / 28 / 25 / 12

HEX #E0A2A9

RGB 224 162 169

HSL 353.23, 0.5%, 0.76%

LAB 72.6, 23.95, 5.5

 

CMYK 0 / 25 / 22 / 5

HEX #F1B4BC

RGB 241 180 188

HSL 352.13, 0.69%, 0.83%

LAB 79.03, 23.27, 4.62

 

CMYK 0 / 22 / 19 / 0

HEX #FFC6CF

RGB 255 198 207

HSL 350.53, 1%, 0.89%

LAB 85.07, 21.59, 3.34

 

CMYK 0 / 15 / 11 / 0

HEX #FFD8E2

RGB 255 216 226

HSL 344.62, 1%, 0.92%

LAB 89.8, 15.13, 0.15

 

CMYK 0 / 29 / 23 / 21

HEX #CA909B

RGB 202 144 155

HSL 348.62, 0.35%, 0.68%

LAB 65.65, 23.54, 2.96

 

CMYK 0 / 32 / 26 / 27

HEX #B97E88

RGB 185 126 136

HSL 349.83, 0.3%, 0.61%

LAB 58.99, 24.3, 3.91

 

CMYK 0 / 36 / 30 / 34

HEX #A86C75

RGB 168 108 117

HSL 351, 0.26%, 0.54%

LAB 52.21, 25.14, 4.97

 

CMYK 0 / 40 / 35 / 41

HEX #975A62

RGB 151 90 98

HSL 352.13, 0.25%, 0.47%

LAB 45.32, 26.09, 6.18

 

CMYK 0 / 46 / 41 / 47

HEX #86484F

RGB 134 72 79

HSL 353.23, 0.3%, 0.4%

LAB 38.32, 27.13, 7.63

 

CMYK 0 / 28 / 23 / 21

HEX #C9909B

RGB 201 144 155

HSL 348.42, 0.35%, 0.68%

LAB 65.54, 23.16, 2.79

 

CMYK 0 / 28 / 28 / 21

HEX #C99090

RGB 201 144 144

HSL 0, 0.35%, 0.68%

LAB 65.26, 21.58, 8.59

 

CMYK 0 / 28 / 23 / 21

HEX #C9909B

RGB 201 144 155

HSL 348.42, 0.35%, 0.68%

LAB 65.54, 23.16, 2.79

 

CMYK 0 / 28 / 15 / 21

HEX #C990AB

RGB 201 144 171

HSL 331.58, 0.35%, 0.68%

LAB 65.98, 25.67, -5.56

 

CMYK 0 / 28 / 7 / 21

HEX #C990BA

RGB 201 144 186

HSL 315.79, 0.35%, 0.68%

LAB 66.45, 28.22, -13.29

 

CMYK 0 / 28 / 0 / 21

HEX #C990C9

RGB 201 144 201

HSL 300, 0.35%, 0.68%

LAB 66.96, 30.96, -20.9

 

CMYK 7 / 28 / 0 / 21

HEX #BA90C9

RGB 186 144 201

HSL 284.21, 0.35%, 0.68%

LAB 65.44, 26.04, -23.37

 

CMYK 0 / 28 / 23 / 21

HEX #C9909B

RGB 201 144 155

HSL 348.42, 0.35%, 0.68%

LAB 65.54, 23.16, 2.79

 

CMYK 0 / 39 / 32 / 16

HEX #D78393

RGB 215 131 147

HSL 348.57, 0.51%, 0.68%

LAB 63.99, 34.26, 5.29

 

CMYK 0 / 48 / 39 / 11

HEX #E4768B

RGB 228 118 139

HSL 348.55, 0.67%, 0.68%

LAB 62.77, 44.7, 8.33

 

CMYK 0 / 56 / 46 / 5

HEX #F16983

RGB 241 105 131

HSL 348.53, 0.83%, 0.68%

LAB 62.03, 54.56, 12.15

 

CMYK 0 / 64 / 52 / 0

HEX #FE5C7A

RGB 254 92 122

HSL 348.89, 0.99%, 0.68%

LAB 61.77, 63.56, 17.28

 

CMYK 0 / 28 / 23 / 21

HEX #C9909B

RGB 201 144 155

HSL 348.42, 0.35%, 0.68%

LAB 65.54, 23.16, 2.79

 

CMYK 0 / 16 / 13 / 26

HEX #BC9EA3

RGB 188 158 163

HSL 350, 0.18%, 0.68%

LAB 67.87, 11.88, 1.52

 

CMYK 0 / 2 / 2 / 31

HEX #AFABAC

RGB 175 171 172

HSL 345, 0.02%, 0.68%

LAB 70.33, 1.61, -0.02

 

CMYK 12 / 0 / 2 / 28

HEX #A2B8B4

RGB 162 184 180

HSL 169.09, 0.13%, 0.68%

LAB 73.06, -8.32, -0.53

 

CMYK 24 / 0 / 5 / 23

HEX #95C5BC

RGB 149 197 188

HSL 168.75, 0.29%, 0.68%

LAB 76.04, -17.59, -0.62

 

CMYK 0 / 28 / 7 / 21

HEX #C990BA

RGB 201 144 186

HSL 315.79, 0.35%, 0.68%

LAB 66.45, 28.22, -13.29

 

CMYK 0 / 28 / 15 / 21

HEX #C990AB

RGB 201 144 171

HSL 331.58, 0.35%, 0.68%

LAB 65.98, 25.67, -5.56

 

CMYK 0 / 28 / 22 / 21

HEX #C9909C

RGB 201 144 156

HSL 347.37, 0.35%, 0.68%

LAB 65.56, 23.31, 2.27

 

CMYK 0 / 26 / 28 / 21

HEX #C99490

RGB 201 148 144

HSL 4.21, 0.35%, 0.68%

LAB 66.22, 19.39, 9.95

 

CMYK 0 / 19 / 28 / 21

HEX #C9A390

RGB 201 163 144

HSL 20, 0.35%, 0.68%

LAB 69.91, 11.18, 15.15

 

CMYK 0 / 49 / 40 / 31

HEX #AF5969

RGB 175 89 105

HSL 348.84, 0.35%, 0.52%

LAB 48.61, 36.67, 7.09

 

CMYK 0 / 38 / 31 / 26

HEX #BC7482

RGB 188 116 130

HSL 348.33, 0.35%, 0.6%

LAB 56.87, 30.11, 4.38

 

CMYK 0 / 28 / 23 / 21

HEX #C9909B

RGB 201 144 155

HSL 348.42, 0.35%, 0.68%

LAB 65.54, 23.16, 2.79

 

CMYK 0 / 20 / 16 / 16

HEX #D7ACB4

RGB 215 172 180

HSL 348.84, 0.35%, 0.76%

LAB 74.35, 16.91, 1.87

 

CMYK 0 / 12 / 10 / 11

HEX #E4C8CD

RGB 228 200 205

HSL 349.29, 0.34%, 0.84%

LAB 83.03, 10.66, 1.12

 

CMYK 0 / 29 / 23 / 21

HEX #CA909B

RGB 202 144 155

HSL 348.62, 0.35%, 0.68%

LAB 65.65, 23.54, 2.96

 

CMYK 0 / 0 / 28 / 21

HEX #C9C990

RGB 201 201 144

HSL 60, 0.35%, 0.68%

LAB 79.73, -8.98, 28.57

 

CMYK 28 / 11 / 0 / 21

HEX #90B3C9

RGB 144 179 201

HSL 203.16, 0.35%, 0.68%

LAB 71.14, -6.72, -15.02

 

CMYK 0 / 29 / 23 / 21

HEX #CA909B

RGB 202 144 155

HSL 348.62, 0.35%, 0.68%

LAB 65.65, 23.54, 2.96

 

CMYK 22 / 0 / 28 / 21

HEX #9CC990

RGB 156 201 144

HSL 107.37, 0.35%, 0.68%

LAB 76.59, -25.56, 23.8

 

CMYK 28 / 22 / 0 / 21

HEX #909CC9

RGB 144 156 201

HSL 227.37, 0.35%, 0.68%

LAB 64.9, 5.99, -24.5

 

CMYK 0 / 29 / 23 / 21

HEX #CA909B

RGB 202 144 155

HSL 348.62, 0.35%, 0.68%

LAB 65.65, 23.54, 2.96

 

CMYK 0 / 0 / 28 / 21

HEX #C9C990

RGB 201 201 144

HSL 60, 0.35%, 0.68%

LAB 79.73, -8.98, 28.57

 

CMYK 28 / 0 / 5 / 21

HEX #90C9BE

RGB 144 201 190

HSL 168.42, 0.35%, 0.68%

LAB 76.93, -20.7, -0.43

 

CMYK 28 / 28 / 0 / 21

HEX #9090C9

RGB 144 144 201

HSL 240, 0.35%, 0.68%

LAB 61.73, 12.84, -29.38

 

CMYK 0 / 29 / 23 / 21

HEX #CA909B

RGB 202 144 155

HSL 348.62, 0.35%, 0.68%

LAB 65.65, 23.54, 2.96

 

CMYK 8 / 0 / 28 / 21

HEX #B8C990

RGB 184 201 144

HSL 77.89, 0.35%, 0.68%

LAB 78.45, -15.43, 26.63

 

CMYK 28 / 0 / 5 / 21

HEX #90C9BE

RGB 144 201 190

HSL 168.42, 0.35%, 0.68%

LAB 76.93, -20.7, -0.43

 

CMYK 20 / 28 / 0 / 21

HEX #A190C9

RGB 161 144 201

HSL 257.89, 0.35%, 0.68%

LAB 63.13, 18.04, -27.11

 

Description

Color code: HEX #CA909B | qconv.com Color code: HEX #CA909B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 144 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 144 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 23 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 23% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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