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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9090 it is the complementary color #356F6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9090. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA9090 shade: #CF908B, #E0A29E, #F1B4B1, #FFC6C4 and #FFD8D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9090. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA9090 shade: #CA9090, #B97E7D, #A86C6A, #975A57 and #864844

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA9090 shade: #C99090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA9090 shade: #C99090, #C9A090, #C9AF90, #C9BF90 and #C5C990

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA9090 shade matches the following richer shades: #C99090, #D78383, #E47676, #F16969 and #FE5C5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA9090 shade: #C99090, #BC9E9E, #AFABAB, #A2B8B8 and #95C5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA9090 shade: #C990AF, #C990A0, #C99090, #C9A090 and #C9AF90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA9090 shade: #AF5959, #BC7474, #C99090, #D7ACAC and #E4C8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA9090 shade: #CA9090, #BEC990 and #90A7C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA9090 shade: #CA9090, #90C990 and #9090C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA9090 shade: #CA9090, #BEC990, #90C9C9 and #9C90C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA9090 shade: #CA9090, #ADC990, #90C9C9 and #AD90C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 29 / 21

HEX #CA9090

RGB 202 144 144

HSL 0, 0.35%, 0.68%

LAB 65.37, 21.96, 8.76

 

Complementary color

CMYK 52 / 0 / 0 / 56

HEX #356F6F

RGB 53 111 111

HSL 180, 0.35%, 0.32%

LAB 43.17, -18.84, -5.83

 

CMYK 0 / 30 / 33 / 19

HEX #CF908B

RGB 207 144 139

HSL 4.41, 0.41%, 0.68%

LAB 65.81, 23.21, 12.27

 

CMYK 0 / 28 / 29 / 12

HEX #E0A29E

RGB 224 162 158

HSL 3.64, 0.52%, 0.75%

LAB 72.33, 22.43, 11.19

 

CMYK 0 / 25 / 27 / 5

HEX #F1B4B1

RGB 241 180 177

HSL 2.81, 0.7%, 0.82%

LAB 78.76, 21.72, 10.19

 

CMYK 0 / 22 / 23 / 0

HEX #FFC6C4

RGB 255 198 196

HSL 2.03, 1%, 0.88%

LAB 84.81, 20, 8.82

 

CMYK 0 / 15 / 16 / 0

HEX #FFD8D7

RGB 255 216 215

HSL 1.5, 1%, 0.92%

LAB 89.52, 13.4, 5.54

 

CMYK 0 / 29 / 29 / 21

HEX #CA9090

RGB 202 144 144

HSL 0, 0.35%, 0.68%

LAB 65.37, 21.96, 8.76

 

CMYK 0 / 32 / 32 / 27

HEX #B97E7D

RGB 185 126 125

HSL 1, 0.3%, 0.61%

LAB 58.71, 22.77, 9.85

 

CMYK 0 / 36 / 37 / 34

HEX #A86C6A

RGB 168 108 106

HSL 1.94, 0.26%, 0.54%

LAB 51.94, 23.68, 11.07

 

CMYK 0 / 40 / 42 / 41

HEX #975A57

RGB 151 90 87

HSL 2.81, 0.27%, 0.47%

LAB 45.05, 24.71, 12.47

 

CMYK 0 / 46 / 49 / 47

HEX #864844

RGB 134 72 68

HSL 3.64, 0.33%, 0.4%

LAB 38.06, 25.87, 14.14

 

CMYK 0 / 28 / 28 / 21

HEX #C99090

RGB 201 144 144

HSL 0, 0.35%, 0.68%

LAB 65.26, 21.58, 8.59

 

CMYK 0 / 28 / 28 / 21

HEX #C99090

RGB 201 144 144

HSL 0, 0.35%, 0.68%

LAB 65.26, 21.58, 8.59

 

CMYK 0 / 20 / 28 / 21

HEX #C9A090

RGB 201 160 144

HSL 16.84, 0.35%, 0.68%

LAB 69.16, 12.82, 14.1

 

CMYK 0 / 13 / 28 / 21

HEX #C9AF90

RGB 201 175 144

HSL 32.63, 0.35%, 0.68%

LAB 72.95, 4.69, 19.37

 

CMYK 0 / 5 / 28 / 21

HEX #C9BF90

RGB 201 191 144

HSL 49.47, 0.35%, 0.68%

LAB 77.1, -3.79, 25.03

 

CMYK 2 / 0 / 28 / 21

HEX #C5C990

RGB 197 201 144

HSL 64.21, 0.35%, 0.68%

LAB 79.42, -10.51, 28.1

 

CMYK 0 / 28 / 28 / 21

HEX #C99090

RGB 201 144 144

HSL 0, 0.35%, 0.68%

LAB 65.26, 21.58, 8.59

 

CMYK 0 / 39 / 39 / 16

HEX #D78383

RGB 215 131 131

HSL 0, 0.51%, 0.68%

LAB 63.61, 32.31, 13.83

 

CMYK 0 / 48 / 48 / 11

HEX #E47676

RGB 228 118 118

HSL 0, 0.67%, 0.68%

LAB 62.3, 42.55, 19.68

 

CMYK 0 / 56 / 56 / 5

HEX #F16969

RGB 241 105 105

HSL 0, 0.83%, 0.68%

LAB 61.5, 52.37, 26.34

 

CMYK 0 / 64 / 64 / 0

HEX #FE5C5C

RGB 254 92 92

HSL 0, 0.99%, 0.68%

LAB 61.22, 61.51, 33.75

 

CMYK 0 / 28 / 28 / 21

HEX #C99090

RGB 201 144 144

HSL 0, 0.35%, 0.68%

LAB 65.26, 21.58, 8.59

 

CMYK 0 / 16 / 16 / 26

HEX #BC9E9E

RGB 188 158 158

HSL 0, 0.18%, 0.68%

LAB 67.73, 11.06, 4.12

 

CMYK 0 / 2 / 2 / 31

HEX #AFABAB

RGB 175 171 171

HSL 0, 0.02%, 0.68%

LAB 70.3, 1.43, 0.5

 

CMYK 12 / 0 / 0 / 28

HEX #A2B8B8

RGB 162 184 184

HSL 180, 0.13%, 0.68%

LAB 73.17, -7.51, -2.56

 

CMYK 24 / 0 / 0 / 23

HEX #95C5C5

RGB 149 197 197

HSL 180, 0.29%, 0.68%

LAB 76.29, -15.62, -5.13

 

CMYK 0 / 28 / 13 / 21

HEX #C990AF

RGB 201 144 175

HSL 327.37, 0.35%, 0.68%

LAB 66.1, 26.33, -7.63

 

CMYK 0 / 28 / 20 / 21

HEX #C990A0

RGB 201 144 160

HSL 343.16, 0.35%, 0.68%

LAB 65.67, 23.92, 0.17

 

CMYK 0 / 28 / 28 / 21

HEX #C99090

RGB 201 144 144

HSL 0, 0.35%, 0.68%

LAB 65.26, 21.58, 8.59

 

CMYK 0 / 20 / 28 / 21

HEX #C9A090

RGB 201 160 144

HSL 16.84, 0.35%, 0.68%

LAB 69.16, 12.82, 14.1

 

CMYK 0 / 13 / 28 / 21

HEX #C9AF90

RGB 201 175 144

HSL 32.63, 0.35%, 0.68%

LAB 72.95, 4.69, 19.37

 

CMYK 0 / 49 / 49 / 31

HEX #AF5959

RGB 175 89 89

HSL 0, 0.35%, 0.52%

LAB 48.23, 34.95, 16.17

 

CMYK 0 / 38 / 38 / 26

HEX #BC7474

RGB 188 116 116

HSL 0, 0.35%, 0.6%

LAB 56.53, 28.33, 12.02

 

CMYK 0 / 28 / 28 / 21

HEX #C99090

RGB 201 144 144

HSL 0, 0.35%, 0.68%

LAB 65.26, 21.58, 8.59

 

CMYK 0 / 20 / 20 / 16

HEX #D7ACAC

RGB 215 172 172

HSL 0, 0.35%, 0.76%

LAB 74.15, 15.67, 5.96

 

CMYK 0 / 12 / 12 / 11

HEX #E4C8C8

RGB 228 200 200

HSL 0, 0.34%, 0.84%

LAB 82.9, 9.83, 3.61

 

CMYK 0 / 29 / 29 / 21

HEX #CA9090

RGB 202 144 144

HSL 0, 0.35%, 0.68%

LAB 65.37, 21.96, 8.76

 

CMYK 5 / 0 / 28 / 21

HEX #BEC990

RGB 190 201 144

HSL 71.58, 0.35%, 0.68%

LAB 78.89, -13.17, 27.3

 

CMYK 28 / 17 / 0 / 21

HEX #90A7C9

RGB 144 167 201

HSL 215.79, 0.35%, 0.68%

LAB 67.86, -0.17, -19.98

 

CMYK 0 / 29 / 29 / 21

HEX #CA9090

RGB 202 144 144

HSL 0, 0.35%, 0.68%

LAB 65.37, 21.96, 8.76

 

CMYK 28 / 0 / 28 / 21

HEX #90C990

RGB 144 201 144

HSL 120, 0.35%, 0.68%

LAB 75.89, -29.63, 22.74

 

CMYK 28 / 28 / 0 / 21

HEX #9090C9

RGB 144 144 201

HSL 240, 0.35%, 0.68%

LAB 61.73, 12.84, -29.38

 

CMYK 0 / 29 / 29 / 21

HEX #CA9090

RGB 202 144 144

HSL 0, 0.35%, 0.68%

LAB 65.37, 21.96, 8.76

 

CMYK 5 / 0 / 28 / 21

HEX #BEC990

RGB 190 201 144

HSL 71.58, 0.35%, 0.68%

LAB 78.89, -13.17, 27.3

 

CMYK 28 / 0 / 0 / 21

HEX #90C9C9

RGB 144 201 201

HSL 180, 0.35%, 0.68%

LAB 77.23, -18.23, -5.93

 

CMYK 22 / 28 / 0 / 21

HEX #9C90C9

RGB 156 144 201

HSL 252.63, 0.35%, 0.68%

LAB 62.7, 16.49, -27.8

 

CMYK 0 / 29 / 29 / 21

HEX #CA9090

RGB 202 144 144

HSL 0, 0.35%, 0.68%

LAB 65.37, 21.96, 8.76

 

CMYK 14 / 0 / 28 / 21

HEX #ADC990

RGB 173 201 144

HSL 89.47, 0.35%, 0.68%

LAB 77.68, -19.5, 25.46

 

CMYK 28 / 0 / 0 / 21

HEX #90C9C9

RGB 144 201 201

HSL 180, 0.35%, 0.68%

LAB 77.23, -18.23, -5.93

 

CMYK 14 / 28 / 0 / 21

HEX #AD90C9

RGB 173 144 201

HSL 270.53, 0.35%, 0.68%

LAB 64.2, 21.84, -25.37

 

Description

Color code: HEX #CA9090 | qconv.com Color code: HEX #CA9090 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 144 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 144 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 29 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 29% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - link_book2.jpg (185x...
Link: http://nrtosaka.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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