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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA8EC1 it is the complementary color #35713E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA8EC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA8EC1 shade: #CF8EBC, #E0A0CF, #F1B2E2, #FFC4F5 and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA8EC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA8EC1 shade: #CA8EC1, #B97CAE, #A86A9B, #975888 and #864675

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA8EC1 shade: #C98CC0, #C98CAF, #C98C9F, #C98C8F and #C98C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA8EC1 shade: #C98CC0, #C18CC9, #B18CC9, #A18CC9 and #908CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA8EC1 shade matches the following richer shades: #C98CC0, #D67EC9, #E471D3 and #F163DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA8EC1 shade: #C98CC0, #BB9AB6, #ADA7AC, #A0B5A3 and #92C399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA8EC1 shade: #B18CC9, #C28CC9, #C98CC0, #C98CAF and #C98C9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA8EC1 shade: #AE54A1, #BB70B0, #C98CC0, #D6A8CF and #E3C4DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA8EC1 shade: #CA8EC1, #C9A18C and #8CC9B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA8EC1 shade: #CA8EC1, #C0C98C and #8CC0C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA8EC1 shade: #CA8EC1, #C9A18C, #8CC995 and #8CB3C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA8EC1 shade: #CA8EC1, #C9B38C, #8CC995 and #8CA1C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 4 / 21

HEX #CA8EC1

RGB 202 142 193

HSL 309, 0.36%, 0.67%

LAB 66.33, 30.9, -17.38

 

Complementary color

CMYK 53 / 0 / 45 / 56

HEX #35713E

RGB 53 113 62

HSL 129, 0.36%, 0.33%

LAB 42.63, -31.42, 22.47

 

CMYK 0 / 31 / 9 / 19

HEX #CF8EBC

RGB 207 142 188

HSL 317.54, 0.4%, 0.68%

LAB 66.7, 31.71, -13.96

 

CMYK 0 / 29 / 8 / 12

HEX #E0A0CF

RGB 224 160 207

HSL 315.94, 0.51%, 0.75%

LAB 73.22, 31.03, -14.53

 

CMYK 0 / 26 / 6 / 5

HEX #F1B2E2

RGB 241 178 226

HSL 314.29, 0.69%, 0.82%

LAB 79.63, 30.38, -15.05

 

CMYK 0 / 23 / 4 / 0

HEX #FFC4F5

RGB 255 196 245

HSL 310.17, 1%, 0.88%

LAB 85.67, 28.8, -16.02

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 30 / 4 / 21

HEX #CA8EC1

RGB 202 142 193

HSL 309, 0.36%, 0.67%

LAB 66.33, 30.9, -17.38

 

CMYK 0 / 33 / 6 / 27

HEX #B97CAE

RGB 185 124 174

HSL 310.82, 0.3%, 0.61%

LAB 59.69, 31.62, -16.87

 

CMYK 0 / 37 / 8 / 34

HEX #A86A9B

RGB 168 106 155

HSL 312.58, 0.26%, 0.54%

LAB 52.95, 32.38, -16.31

 

CMYK 0 / 42 / 10 / 41

HEX #975888

RGB 151 88 136

HSL 314.29, 0.26%, 0.47%

LAB 46.09, 33.17, -15.68

 

CMYK 0 / 48 / 13 / 47

HEX #864675

RGB 134 70 117

HSL 315.94, 0.31%, 0.4%

LAB 39.13, 33.97, -14.92

 

CMYK 0 / 30 / 4 / 21

HEX #C98CC0

RGB 201 140 192

HSL 308.85, 0.36%, 0.67%

LAB 65.73, 31.48, -17.74

 

CMYK 0 / 30 / 13 / 21

HEX #C98CAF

RGB 201 140 175

HSL 325.57, 0.36%, 0.67%

LAB 65.18, 28.52, -9.02

 

CMYK 0 / 30 / 21 / 21

HEX #C98C9F

RGB 201 140 159

HSL 341.31, 0.36%, 0.67%

LAB 64.71, 25.96, -0.68

 

CMYK 0 / 30 / 29 / 21

HEX #C98C8F

RGB 201 140 143

HSL 357.05, 0.36%, 0.67%

LAB 64.29, 23.64, 7.76

 

CMYK 0 / 30 / 30 / 21

HEX #C98C8C

RGB 201 140 140

HSL 0, 0.36%, 0.67%

LAB 64.22, 23.23, 9.36

 

CMYK 0 / 30 / 4 / 21

HEX #C98CC0

RGB 201 140 192

HSL 308.85, 0.36%, 0.67%

LAB 65.73, 31.48, -17.74

 

CMYK 4 / 30 / 0 / 21

HEX #C18CC9

RGB 193 140 201

HSL 292.13, 0.36%, 0.67%

LAB 65.21, 30.54, -23.65

 

CMYK 12 / 30 / 0 / 21

HEX #B18CC9

RGB 177 140 201

HSL 276.39, 0.36%, 0.67%

LAB 63.61, 25.38, -26.25

 

CMYK 20 / 30 / 0 / 21

HEX #A18CC9

RGB 161 140 201

HSL 260.66, 0.36%, 0.67%

LAB 62.13, 20.33, -28.66

 

CMYK 28 / 30 / 0 / 21

HEX #908CC9

RGB 144 140 201

HSL 243.93, 0.36%, 0.67%

LAB 60.7, 15.15, -30.99

 

CMYK 0 / 30 / 4 / 21

HEX #C98CC0

RGB 201 140 192

HSL 308.85, 0.36%, 0.67%

LAB 65.73, 31.48, -17.74

 

CMYK 0 / 41 / 6 / 16

HEX #D67EC9

RGB 214 126 201

HSL 308.86, 0.52%, 0.67%

LAB 64.51, 44.78, -24.52

 

CMYK 0 / 50 / 7 / 11

HEX #E471D3

RGB 228 113 211

HSL 308.87, 0.68%, 0.67%

LAB 64.17, 57.16, -30.51

 

CMYK 0 / 59 / 9 / 5

HEX #F163DC

RGB 241 99 220

HSL 308.87, 0.84%, 0.67%

LAB 63.99, 68.44, -35.69

 

CMYK 0 / 30 / 4 / 21

HEX #C98CC0

RGB 201 140 192

HSL 308.85, 0.36%, 0.67%

LAB 65.73, 31.48, -17.74

 

CMYK 0 / 18 / 3 / 27

HEX #BB9AB6

RGB 187 154 182

HSL 309.09, 0.2%, 0.67%

LAB 67.32, 17.1, -9.9

 

CMYK 0 / 3 / 1 / 32

HEX #ADA7AC

RGB 173 167 172

HSL 310, 0.04%, 0.67%

LAB 69.11, 3.08, -1.82

 

CMYK 12 / 0 / 10 / 29

HEX #A0B5A3

RGB 160 181 163

HSL 128.57, 0.12%, 0.67%

LAB 71.67, -10.73, 6.73

 

CMYK 25 / 0 / 22 / 24

HEX #92C399

RGB 146 195 153

HSL 128.57, 0.29%, 0.67%

LAB 74.47, -24.49, 16

 

CMYK 12 / 30 / 0 / 21

HEX #B18CC9

RGB 177 140 201

HSL 276.39, 0.36%, 0.67%

LAB 63.61, 25.38, -26.25

 

CMYK 3 / 30 / 0 / 21

HEX #C28CC9

RGB 194 140 201

HSL 293.11, 0.36%, 0.67%

LAB 65.31, 30.86, -23.49

 

CMYK 0 / 30 / 4 / 21

HEX #C98CC0

RGB 201 140 192

HSL 308.85, 0.36%, 0.67%

LAB 65.73, 31.48, -17.74

 

CMYK 0 / 30 / 13 / 21

HEX #C98CAF

RGB 201 140 175

HSL 325.57, 0.36%, 0.67%

LAB 65.18, 28.52, -9.02

 

CMYK 0 / 30 / 21 / 21

HEX #C98C9F

RGB 201 140 159

HSL 341.31, 0.36%, 0.67%

LAB 64.71, 25.96, -0.68

 

CMYK 0 / 52 / 7 / 32

HEX #AE54A1

RGB 174 84 161

HSL 308.67, 0.36%, 0.51%

LAB 49.39, 47.07, -25.23

 

CMYK 0 / 40 / 6 / 27

HEX #BB70B0

RGB 187 112 176

HSL 308.8, 0.36%, 0.59%

LAB 57.35, 39.18, -21.57

 

CMYK 0 / 30 / 4 / 21

HEX #C98CC0

RGB 201 140 192

HSL 308.85, 0.36%, 0.67%

LAB 65.73, 31.48, -17.74

 

CMYK 0 / 21 / 3 / 16

HEX #D6A8CF

RGB 214 168 207

HSL 309.13, 0.36%, 0.75%

LAB 74.07, 23.32, -13.35

 

CMYK 0 / 14 / 2 / 11

HEX #E3C4DE

RGB 227 196 222

HSL 309.68, 0.36%, 0.83%

LAB 82.42, 15.38, -8.87

 

CMYK 0 / 30 / 4 / 21

HEX #CA8EC1

RGB 202 142 193

HSL 309, 0.36%, 0.67%

LAB 66.33, 30.9, -17.38

 

CMYK 0 / 20 / 30 / 21

HEX #C9A18C

RGB 201 161 140

HSL 20.66, 0.36%, 0.67%

LAB 69.33, 11.73, 16.54

 

CMYK 30 / 0 / 8 / 21

HEX #8CC9B9

RGB 140 201 185

HSL 164.26, 0.36%, 0.67%

LAB 76.59, -22.97, 1.74

 

CMYK 0 / 30 / 4 / 21

HEX #CA8EC1

RGB 202 142 193

HSL 309, 0.36%, 0.67%

LAB 66.33, 30.9, -17.38

 

CMYK 4 / 0 / 30 / 21

HEX #C0C98C

RGB 192 201 140

HSL 68.85, 0.36%, 0.67%

LAB 78.97, -12.96, 29.52

 

CMYK 30 / 4 / 0 / 21

HEX #8CC0C9

RGB 140 192 201

HSL 188.85, 0.36%, 0.67%

LAB 74.5, -14.76, -10

 

CMYK 0 / 30 / 4 / 21

HEX #CA8EC1

RGB 202 142 193

HSL 309, 0.36%, 0.67%

LAB 66.33, 30.9, -17.38

 

CMYK 0 / 20 / 30 / 21

HEX #C9A18C

RGB 201 161 140

HSL 20.66, 0.36%, 0.67%

LAB 69.33, 11.73, 16.54

 

CMYK 30 / 0 / 26 / 21

HEX #8CC995

RGB 140 201 149

HSL 128.85, 0.36%, 0.67%

LAB 75.77, -30.07, 19.89

 

CMYK 30 / 11 / 0 / 21

HEX #8CB3C9

RGB 140 179 201

HSL 201.64, 0.36%, 0.67%

LAB 70.89, -7.89, -15.41

 

CMYK 0 / 30 / 4 / 21

HEX #CA8EC1

RGB 202 142 193

HSL 309, 0.36%, 0.67%

LAB 66.33, 30.9, -17.38

 

CMYK 0 / 11 / 30 / 21

HEX #C9B38C

RGB 201 179 140

HSL 38.36, 0.36%, 0.67%

LAB 73.9, 2.02, 22.83

 

CMYK 30 / 0 / 26 / 21

HEX #8CC995

RGB 140 201 149

HSL 128.85, 0.36%, 0.67%

LAB 75.77, -30.07, 19.89

 

CMYK 30 / 20 / 0 / 21

HEX #8CA1C9

RGB 140 161 201

HSL 219.34, 0.36%, 0.67%

LAB 65.97, 1.98, -22.89

 

Description

Color code: HEX #CA8EC1 | qconv.com Color code: HEX #CA8EC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 142 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 142 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 4 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 4% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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