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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA869E it is the complementary color #357961. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA869E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA869E shade: #CF8699, #E098AC, #F1AABF, #FFBCD2 and #FFCEE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA869E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA869E shade: #CA869E, #B9748B, #A86278, #975065 and #863E52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA869E shade: #CA869E, #CA868C and #CA8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA869E shade: #CA869E, #CA86B0, #CA86C2, #BF86CA and #AC86CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA869E shade matches the following richer shades: #CA869E, #D8789A, #E66A96 and #F45C91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA869E shade: #CA869E, #BC94A2, #AEA2A6, #A0B0AA and #92BEAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA869E shade: #CA86C3, #CA86B1, #CA869F, #CA868D and #CA9186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA869E shade: #B04D70, #BD6987, #CA869E, #D6A3B5 and #E3BFCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA869E shade: #CA869E, #CABE86 and #86BACA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA869E shade: #CA869E, #9FCA86 and #869FCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA869E shade: #CA869E, #CABE86, #86CAB1 and #8691CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA869E shade: #CA869E, #C1CA86, #86CAB1 and #8F86CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

Complementary color

CMYK 56 / 0 / 20 / 53

HEX #357961

RGB 53 121 97

HSL 158.82, 0.39%, 0.34%

LAB 46.04, -27.76, 6.71

 

CMYK 0 / 35 / 26 / 19

HEX #CF8699

RGB 207 134 153

HSL 344.38, 0.43%, 0.67%

LAB 63.85, 30.54, 1.55

 

CMYK 0 / 32 / 23 / 12

HEX #E098AC

RGB 224 152 172

HSL 343.33, 0.54%, 0.74%

LAB 70.37, 29.75, 0.62

 

CMYK 0 / 29 / 21 / 5

HEX #F1AABF

RGB 241 170 191

HSL 342.25, 0.72%, 0.81%

LAB 76.81, 29.02, -0.24

 

CMYK 0 / 26 / 18 / 0

HEX #FFBCD2

RGB 255 188 210

HSL 340.3, 1%, 0.87%

LAB 82.85, 27.29, -1.51

 

CMYK 0 / 19 / 10 / 0

HEX #FFCEE5

RGB 255 206 229

HSL 331.84, 1%, 0.9%

LAB 87.51, 20.84, -4.78

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 0 / 37 / 25 / 27

HEX #B9748B

RGB 185 116 139

HSL 340, 0.33%, 0.59%

LAB 56.75, 30.27, -1.08

 

CMYK 0 / 42 / 29 / 34

HEX #A86278

RGB 168 98 120

HSL 341.14, 0.29%, 0.52%

LAB 50, 31.15, -0.02

 

CMYK 0 / 47 / 33 / 41

HEX #975065

RGB 151 80 101

HSL 342.25, 0.31%, 0.45%

LAB 43.15, 32.08, 1.22

 

CMYK 0 / 54 / 39 / 47

HEX #863E52

RGB 134 62 82

HSL 343.33, 0.37%, 0.38%

LAB 36.22, 33.04, 2.74

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 0 / 34 / 31 / 21

HEX #CA868C

RGB 202 134 140

HSL 354.71, 0.39%, 0.66%

LAB 62.93, 26.89, 7.54

 

CMYK 0 / 34 / 34 / 21

HEX #CA8686

RGB 202 134 134

HSL 0, 0.39%, 0.66%

LAB 62.78, 26.11, 10.74

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 0 / 34 / 13 / 21

HEX #CA86B0

RGB 202 134 176

HSL 322.94, 0.39%, 0.66%

LAB 63.95, 32.31, -11.4

 

CMYK 0 / 34 / 4 / 21

HEX #CA86C2

RGB 202 134 194

HSL 307.06, 0.39%, 0.66%

LAB 64.57, 35.44, -20.63

 

CMYK 5 / 34 / 0 / 21

HEX #BF86CA

RGB 191 134 202

HSL 290.29, 0.39%, 0.66%

LAB 63.66, 33.4, -26.6

 

CMYK 15 / 34 / 0 / 21

HEX #AC86CA

RGB 172 134 202

HSL 273.53, 0.39%, 0.66%

LAB 61.73, 27.4, -29.75

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 0 / 44 / 29 / 15

HEX #D8789A

RGB 216 120 154

HSL 338.75, 0.55%, 0.66%

LAB 61.97, 41.32, -1.63

 

CMYK 0 / 54 / 35 / 10

HEX #E66A96

RGB 230 106 150

HSL 338.71, 0.71%, 0.66%

LAB 61.07, 52.49, -0.41

 

CMYK 0 / 62 / 41 / 4

HEX #F45C91

RGB 244 92 145

HSL 339.08, 0.87%, 0.66%

LAB 60.72, 62.57, 2.23

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 0 / 21 / 14 / 26

HEX #BC94A2

RGB 188 148 162

HSL 339, 0.23%, 0.66%

LAB 65.34, 17.25, -1.6

 

CMYK 0 / 7 / 5 / 32

HEX #AEA2A6

RGB 174 162 166

HSL 340, 0.07%, 0.66%

LAB 67.72, 5.07, -0.51

 

CMYK 9 / 0 / 3 / 31

HEX #A0B0AA

RGB 160 176 170

HSL 157.5, 0.09%, 0.66%

LAB 70.47, -6.74, 1.16

 

CMYK 23 / 0 / 8 / 25

HEX #92BEAE

RGB 146 190 174

HSL 158.18, 0.25%, 0.66%

LAB 73.54, -17.91, 3.31

 

CMYK 0 / 34 / 3 / 21

HEX #CA86C3

RGB 202 134 195

HSL 306.18, 0.39%, 0.66%

LAB 64.6, 35.62, -21.13

 

CMYK 0 / 34 / 12 / 21

HEX #CA86B1

RGB 202 134 177

HSL 322.06, 0.39%, 0.66%

LAB 63.98, 32.48, -11.92

 

CMYK 0 / 34 / 21 / 21

HEX #CA869F

RGB 202 134 159

HSL 337.94, 0.39%, 0.66%

LAB 63.43, 29.6, -2.53

 

CMYK 0 / 34 / 30 / 21

HEX #CA868D

RGB 202 134 141

HSL 353.82, 0.39%, 0.66%

LAB 62.95, 27.03, 7.01

 

CMYK 0 / 28 / 34 / 21

HEX #CA9186

RGB 202 145 134

HSL 9.71, 0.39%, 0.66%

LAB 65.38, 20.09, 14.39

 

CMYK 0 / 56 / 36 / 31

HEX #B04D70

RGB 176 77 112

HSL 338.79, 0.39%, 0.5%

LAB 46.59, 43.97, -0.04

 

CMYK 0 / 44 / 29 / 26

HEX #BD6987

RGB 189 105 135

HSL 338.57, 0.39%, 0.58%

LAB 54.73, 37.1, -1.64

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 0 / 24 / 15 / 16

HEX #D6A3B5

RGB 214 163 181

HSL 338.82, 0.38%, 0.74%

LAB 72.11, 21.58, -1.95

 

CMYK 0 / 16 / 10 / 11

HEX #E3BFCC

RGB 227 191 204

HSL 338.33, 0.39%, 0.82%

LAB 80.71, 14.92, -1.73

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 0 / 6 / 34 / 21

HEX #CABE86

RGB 202 190 134

HSL 49.41, 0.39%, 0.66%

LAB 76.74, -4.16, 29.85

 

CMYK 34 / 8 / 0 / 21

HEX #86BACA

RGB 134 186 202

HSL 194.12, 0.39%, 0.66%

LAB 72.53, -13.08, -13.54

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 21 / 0 / 34 / 21

HEX #9FCA86

RGB 159 202 134

HSL 97.94, 0.39%, 0.66%

LAB 76.88, -26.52, 29.47

 

CMYK 34 / 21 / 0 / 21

HEX #869FCA

RGB 134 159 202

HSL 217.94, 0.39%, 0.66%

LAB 65.06, 1.61, -24.87

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 0 / 6 / 34 / 21

HEX #CABE86

RGB 202 190 134

HSL 49.41, 0.39%, 0.66%

LAB 76.74, -4.16, 29.85

 

CMYK 34 / 0 / 12 / 21

HEX #86CAB1

RGB 134 202 177

HSL 157.94, 0.39%, 0.66%

LAB 76.37, -26.94, 5.68

 

CMYK 34 / 28 / 0 / 21

HEX #8691CA

RGB 134 145 202

HSL 230.29, 0.39%, 0.66%

LAB 61.29, 9.59, -30.68

 

CMYK 0 / 34 / 22 / 21

HEX #CA869E

RGB 202 134 158

HSL 338.82, 0.39%, 0.66%

LAB 63.41, 29.45, -2

 

CMYK 4 / 0 / 34 / 21

HEX #C1CA86

RGB 193 202 134

HSL 67.94, 0.39%, 0.66%

LAB 79.21, -13.85, 32.97

 

CMYK 34 / 0 / 12 / 21

HEX #86CAB1

RGB 134 202 177

HSL 157.94, 0.39%, 0.66%

LAB 76.37, -26.94, 5.68

 

CMYK 29 / 34 / 0 / 21

HEX #8F86CA

RGB 143 134 202

HSL 247.94, 0.39%, 0.66%

LAB 59.12, 18.58, -34.01

 

Description

Color code: HEX #CA869E | qconv.com Color code: HEX #CA869E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 134 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 134 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 22 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 22% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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